Posts tagged with "Flux Factory":

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FLUX Factory offers a primer on seamless modeling data transfer

The proliferation of digital modeling platforms can sometimes seem like too much of a good thing, particularly when transferring data from one environment to another requires complicated back-end manipulations. For those of us without a background in coding, FLUX Factory's Charles Portelli and Karl Garske are offering hands-on instruction in "Seamless Exchange of Geometry & Data: Analysis & Modeling via Flux" in a lab workshop at this month's Facades+ NYC conference. The workshop "deals with interoperability between multiple modeling applications," explained Portelli. Flux facilitates data exchange among applications including Grasshopper and Excel using native plug-ins, putting users "in an environment they're familiar with, so they can just start transferring data and geometry," he said. In addition to helping participants manipulate geometry and data across platforms, Portelli and Garske will also introduce cloud processing features. Cloud compatibility means that users "don't have to use desktops to run time-consuming tasks" including view analysis (sky exposure, solar radiation, shadow study) said Portelli. Workshop attendees will model a building from scratch using Grasshopper, Excel, Flux, and Revit. Portelli, who has attended previous Facades+ conferences but is serving as a workshop instructor for the first time, is hoping "to have people be enthusiastic" about the seamless data transfer enabled by Flux. More generally, he also looks forward to hearing "people's feedback and comments with regard to the AEC industry, including what it's lacking." "Seamless Exchange of Geometry & Data" is just one of several lab workshops on offer at Facades+NYC. Others include:
  • "Advanced Facade Analysis, Rationalization, and Production," with Daniel Segraves of Thornton Tomasetti CORE Studio
  Workshops are limited in size—sign up today to reserve your spot.
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Flux Factory revives a “threat to the motoring public” with the first Fung Wah Biennial

Remember the Fung Wah Bus? Posing an "imminently hazardous and potentially deadly risk for its own drivers, passengers and for the motoring public," the Chinatown bus provided fast, dirt cheap service between New York and Boston before the company shuttered in 2015. Now, thanks to New York–based arts nonprofit Flux Factory, eager riders can re-live the experience: For three Saturdays in March, the arts group is commissioning 24 artists for the first Fung Wah Biennial. The daylong, site-specific exhibitions will take place on trips from New York to Baltimore, Boston, and Philadelphia, three of the most popular Chinatown bus routes. (Although Fung Wah ran buses on one route only, Flux uses "Fung Wah" as metonymy for the network of buses that ferries passengers from Chinatown to Chinatown in the northeastern U.S.) On the ride, artists will share sound installations, video projections, performances, and other pieces that "tease out the nuanced politics of transit." Commissioned pieces explore the loneliness, isolation, and fun of travel; travel and migration; and the history and infrastructure of Chinatown buses. Tickets, priced from $36.87 to $47.12, are a far reach from Fung Wah's $10 fares, but there's art! Most passengers will be ticketed Biennial-goers, although those just trying to get from point A to B are in for a real surprise. The idea for the biennial, curated By Sally Szwed, Matthias Borello, and Will Owen, arose from conversations around the high cost of living and studio space is forcing artists out to other cities; travel for leisure, work, or necessity; and a comment on the network of privately operated, affordable transportation between Chinatowns. Below are participating artists and their designated routes:

BOSTON: Marco Castro, Eric Doeringer, Fan Letters (Alex Nathanson + Dylan Neely), Sunita Prasad, Joshua Caleb Wiebley, Ariel Abrahams + Rony Efrat, Magali Duzant, Keith Hartwig + Daniel Newman, Seth Timothy Larson + Abigail Entsminger, Manuel Molina Martagon, Kristoffer Ørum, Ruth Patir, Pines / Palms (Emily Ensminger + Sophie Trauberman), Jonah Levy, Roopa Vasudevan, Tereza Szwanda

PHILADELPHIA: Michael Barraco, Chloë Bass, Adam Milner, Marjan Verstappen + Jessica Valentin, Meg Wiessner, Joshua Caleb Wiebley, Ariel Abrahams + Rony Efrat, Magali Duzant, Keith Hartwig + Daniel Newman, Seth Timothy Larson + Abigail Entsminger, Manuel Molina Martagon, Kristoffer Ørum Ruth Patir, Pines / Palms (Emily Ensminger + Sophie Trauberman), Jonah Levy, Roopa Vasudevan, Tereza Szwanda

BALTIMORE: Dillon De Give, Ursula Nistrup, Kristoffer Ørum, Ariel Abrahams + Rony Efrat, Fan Letters ( Alex Nathanson + Dylan Neely), Magali Duzant, Keith Hartwig + Daniel Newman, Seth Timothy Larson + Abigail Entsminger, Manuel Molina Martagon, Ruth Patir, Pines / Palms (Emily Ensminger + Sophie Trauberman), Kristoffer Ørum, Jonah Levy, Roopa Vasudevan, Tereza Szwanda

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Saturday> Flux Factory to Release Kittens Into a Model City to Teach Kids About Urbanism

kitty_city_01 While it certainly won't be as terrifying as a Godzilla or King Kong tearing through city streets, what you might call Kitty Kong will be pawing through a model of an imagined ideal city at the Flux Factory in Long Island City, Queens, beginning Saturday. Developed by a team of children, artists, and city planners, the Flux Factory's Kitty City project is an intergenerational experiment in collaborative urbanism, designed to teach kids the way cities get built, encourage democratic decision making, and challenge the opacity of urban planning processes. Throughout the past month, a group of children, ages 7-12, participated in a series of workshops in which they designed the many components of their meowtropolis, including buildings and parks, water, transportation, and sanitation systems, housing, commercial, and cultural districts, and even a Museum of Natural Cat History. Their proposal then had to pass through a rigorous approval process before the kids could begin construction. Tomorrow their 1,7000 square foot city, equipped with waist-high condos, cat-houses perched upon giant mushrooms, cardboard residential towers, and kitty-hammocks will open up to 30 eager kittyzens. Aside from introducing children to participatory urbanism, civic engagement, and urban design, the project will also provide homes for dozens of orphaned cats. For tomorrow’s ribbon cutting, Flux Factory has partnered with For Animals, Inc., a South Ozone Park-based, no-kill animal shelter that will provide the city with its first residents. Once the cats get the chance to explore their custom-made urban environment, you can adopt them on-site free of charge. Stop by between Flux Factory in Long Island City noon and six tomorrow to see the Kitty City in action and maybe bring home a feline friend of your own.
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Tactical Urbanism Death Match Ends Only With Scratches

What happens when you gather four tactical urbanists in one room for a "Death Match"-style debate asking, "Is Small Big Enough?" You get a choir. The panel at the Flux Factory's discussion last night was equipped with "smackdown cards" to challenge the views of their opponents, but they all agreed more often than they disagreed, that the small scale actions at the root of tactical urbanism—and this years US Pavilion at the Venice Biennale, Spontaneous Interventions—are just fine. What emerged from the packed house was a highly polished discussion, where minor differences were exposed, ground down, and made smooth. The panel consisted of designer and critical activist of DSGN AGNC Quilian Riano, tactical urbanism guru and Street Plans Collaborative principal Mike Lydon, Hester Street Collaborative director Anne Frederick, and planner and co-founder of Change Administration and DoTank:Brooklyn Aurash Khawarzad, who will all be participating in the Biennale next week, and was moderated by the Flux Factory's Douglas Paulson and Christina Vassallo. Each brought a nuanced perspective on the importance of small scale urban interventions. In determining how to evaluate tactical interventions, Khawarzad started the debate by suggesting that simply making an effort is a success in itself, that asking people to think or build or do something in a different way can make an action successful. "Cities are going through a discovery phase," he said. "Engaging in public space is making something happen." Others disagreed, arguing that more should be required of evaluating interventions. Frederick said that any action must be evaluated on how it responded to needs identified by the surrounding community. Others suggested that the actions must amount to or lead to something larger to be successful and criteria should be set beforehand to weigh against the results. Lydon pointed out that one of the main goals of tactical urbanism is for "small scale action to lead to long-term change," which means a strategy and goals must be considered. "Doing is good, but the action can still fail," Lydon said. All agreed, then, that failure is an important part of the small-scale process. "Failure is the game," Riano said, taking a jab at the planning failures of the past that have helped to give rise to the popularity of tactical urbanism. "Failure today is our system's inability to get over what happened in the 1950s," he said. Lydon noted that that large-scale mistakes of the past—like overbuilding the suburbs—brought horrible results that are difficult to undo, but failing with small scale actions tends not to cause harm and can serve as a learning process for adapting tactics to individual situations. While the panel delved further and sometimes disagreed on the details of meaning, gentrification, and politics, they again merged on the value of working with existing power structures such as municipal governments to affect change. The panel quipped that  yarnbombing might not bring long term change, but working to change the rules can help turn pop-up parks and parklets into a lasting public space policy. As the panel packs up and prepares to leave for Venice, you can weigh in on the value of the tactical actions being presented as part of the Spontaneous Interventions pavilion at an online debate at the Philip Johnson Glass House website going on over the next 10 days.