Posts tagged with "Deborah Berke Partners":
Albina Yard is the first building in the United States made from domestically fabricated cross-laminated timber (CLT). This new 16,000-square-foot speculative office building utilizes mass timber construction, with a glue-laminated timber frame and CLT panels manufactured and prefabricated in Riddle, Oregon. The project’s primary goal was to utilize domestic CLT in a market-rate office building that would pave the way for broader adoption of renewable mass timber construction technologies in Oregon and the United States. The design approach reflects a commitment to this sustainable technology by developing an architecture focused on economy and simplicity, material expression, and the careful resolution and integration of all building systems to foreground the beauty of the exposed Douglas fir structural frame.“As a structural strategy, mass timber is very similar to a cast-in-place concrete structure in terms of layout and function of its individual elements. The main difference is the character and humaneness of the remaining spaces. It is very well-suited for this type of use.” —Nathaniel Stanton, principal, Craft Engineer Studio (juror) General Contractor: Reworks Structural Engineer: KPFF Consulting Engineers CLT Supplier: DR Johnson Lumber CNC Routing: Cut My Timber Honorable Mention Project: Cummins Indy Distribution Headquarters Architect: Deborah Berke Partners Location: Indianapolis, Indiana This new office building reinforces an active pedestrian experience that is connected to downtown Indianapolis and its parkland. The unusually slender floorplan and high ceilings provide abundant natural daylight for every space and minimize reliance on electricity. A high-performance “calibrated” facade and an integrated system of fins and shades limit heat gain and increase thermal comfort. Honorable Mention Project: Zurich North America Headquarters Architect: Goettsch Partners Location: Schaumburg, Illinois Located on a 40-acre expressway site in suburban Chicago, the North American headquarters of the Swiss Zurich Insurance Group reflects the company’s global reach and commitment to sustainability. Composed of three primary “bars” that are offset and stacked, the arrangement creates unique spaces for collaboration, opens views of the surrounding landscape, optimizes solar orientation for amenities, and provides programmatic flexibility.
For a psychiatric hospital built in the late 19th century, the Buffalo State Asylum for the Insane in Buffalo, New York, was remarkably ahead of its time. At the request of physician Thomas Story Kirkbride, who helmed the hospital’s design, emphasis was placed on access to natural light, fresh air, and pastoral views to benefit patient well-being. It was originally completed in 1880, combining Victorian and Romanesque elements.
Deborah Berke Partners (DBP) recently completed the asylum’s metamorphosis into the Hotel Henry Urban Resort and Conference Center. “The intentions for this building were about it being a welcoming and safe space,” said Stephen Brockman, senior principal of DBP. “The graciousness of the space is what’s fascinating. You open these doors, and it’s breathtaking,”
That said, converting the former asylum – located in the central portion of the sprawling National Historic Landmark Richardson Olmsted Campus – into a 191,000-square-foot luxury boutique hotel and conference center without losing its character was not without its challenges.
During early presentations of the project to the local community, conversations with the relatives of people who had spent time at the hospital and felt a close relationship with it created a desire “to make it feel like it was still theirs,” Brockman said. “Our interventions were subtle.”
The hotel and conference center houses 88 guest rooms, multiple conference facilities, a fine dining restaurant, a bar, and a cafe. Of the campus’s original 11 buildings, the hotel comprises three central buildings that were the asylum’s administrative hub and patient housing.
Along with the exterior, original interior elements, including windows, interior shutters, plasterwork, stairs, and tile and wood floors were preserved, while the grand staircase was restored. The spacious hallways, 200 feet long and 15 feet wide, were also kept intact. These corridors, which were originally called “day rooms” and functioned as the asylum’s social spaces, were flooded with ventilation and light to aid patient recovery.
“The grandeur of the building simply cried out to be a destination, so this is a perfect fit,” said Jean Carroon, principal at Goody Clancy, preservation architects for the project. “The exterior is rugged and beautiful. The interior has the high ceilings, natural daylight, and views, which were part of its first life.”
To transform the building into a modern hotel welcoming the 21st-century traveler, a flagstone-and-granite entry plaza was added. A new, second entrance, in glass and steel, glows at night, as do newly illuminated towers, lit internally to serve as beacons. A staircase created within the second entrance features an illuminated glass handrail and leads to the second-floor lobby. An attic was converted into large, loft-like guest suites with partially exposed beams and high, sloped ceilings. Guest rooms were updated in neutral tones and will feature works by local artists.
Landscape architecture and planning firm Andropogon Associates updated and restored the grounds, originally designed by Frederick Law Olmsted, adding a new roadway in Olmsted’s aesthetic, as well as guest parking. Andropogon also planted 125 new trees, interspersed with rain gardens of switchgrass, as well as grapevines and hawthorns.
It was important to pay homage to the hotel’s history as an asylum more prominently as well. To that end, Carroon noted, several patient rooms have been completely restored and will be part of the campus’s historic tours when the Lipsey Buffalo Architecture Center opens in late 2017 as a co-tenant with Hotel Henry. Celebrating Buffalo’s rich architectural history and honoring the site’s legacy, the center will feature a 400-square-foot interactive exhibit about the asylum and the history of mental health treatment in the U.S.
2016 Best of Design Award for Adaptive Reuse: National Sawdust by Bureau V
Architect: Bureau V Location: Brooklyn, NY
At its core, National Sawdust is a retooling of the 18th-century chamber hall model as an incubator for new music. Described by The New York Times as “the city’s most vital new-music hall,” its design is characterized by the insertion of a highly articulated crystalline form into the rough brick envelope of a former sawdust factory. The design of this state-of-the-art performance and recording space allows the eponymous nonprofit to achieve its mission of supporting new musicians and composers on their way to viable and sustainable careers. In addition to the chamber hall, the project includes a two-story restaurant and lobby-bar.
Honorable Mention, Adaptive Reuse: 21c Museum Hotel Oklahoma City
Architect: Deborah Berke Partners Location: Oklahoma City, OK
A former Model T production plant built by Albert Kahn was adapted into a mixed-use hotel and contemporary art museum. Thoughtfully preserving the building’s industrial heritage, large open floorplates and new glass block light wells bring natural illumination into the core of the building, while 14-foot-wide hallways double as galleries.
Honorable Mention, Adaptive Reuse: Pennovation Center
Architect: Hollwich Kushner Location: Philadelphia, PA
A 20th century paint factory turned 21st century idea factory is the centerpiece of a new, 23-acre campus at the University of Pennsylvania dedicated to entrepreneurship and innovation. While most of the building is occupied by state-of-the-art labs and efficient co-working areas, key social spaces encourage the open exchange of ideas.
In 1916, trains could pull up directly to Oklahoma City’s Ford Motor Company Assembly Plant to deliver kits of parts for cars; in 1968, Fred Jones, once an entry-level worker at Ford, bought the plant and founded Fred Jones Manufacturing Company; and as of June 2016, hotel guests can check into the very same building to browse 14,000 square feet of art. Laura Lee Brown and Steve Wilson of 21c Museum Hotels worked with Deborah Berke Partners on their sixth collaboration together to transform the assembly plant into a boutique hotel.
The building, originally designed by Albert Kahn, is on the National Register of Historic Places. Berke and her team restored or recreated many of the plant’s original features, such as the Model T showroom’s terrazzo floor, casement windows, storefront, and entry, as well as the exterior lighting and Fred Jones Manufacturing signage. The car showroom space has been reimagined as a bar and lounge, and the original train shed is an outdoor bar and dining area. Industrial and mechanical fixtures throughout the 23 guest rooms and common areas reflect the structure’s automotive history. The building’s original penthouse apartment is now a suite.
21c’s curator, Alice Gray Stites, commissioned artwork that also references the site’s industrial past with Woozy Blossom, a misting mechanical tree by Matthew Geller; James Clar’s River of Time, in which conveyor belts are covered with colored acrylic sheets to create moving panels that “flow” over a large LED clock, and other site-specific works. Rotating exhibitions will come through the hotel that highlight up-and-coming artists and the city’s own art scene.
21c Museum Hotel Oklahoma City 900 W Main Street Oklahoma City, OK Tel: 405-982-6900 Architect: Deborah Berke Partners
New York-based Deborah Berke Partners has been announced as winners of The Women’s Building International Design Competition by The NoVo Foundation and Goren Group. The competition saw 43 teams submit designs to repurpose the former Bayview Correctional Facility into The Women’s Building, which will be home for girl's and women's rights advocacy in New York.
A 1931 project by Shreve, Lamb & Harmon, the structure sits on the south corner of West 20th Street and 11th Avenue. It served as a medium-security women's prison until 2012. At the time of closing, the facility held 153 inmates; the prison was forced to shut-down after incurring heavy maintenance costs post Hurricane Sandy. The building was then acquired by Empire State Development, who later sold it to The NoVo Foundation and Goren Group in fall of last year. Back then, executive director of the non-profit NoVo Foundation Pamela Shifman said, “We are envisioning a sort of vertical neighborhood where women leaders can connect with each other in very powerful ways.”
“We are deeply honored by the opportunity to be design partners in this important work,” Deborah Berke said in a press release. “In my more than 30 years of practice, few projects have resonated with me as personally as this one has. The idea of turning the old correctional facility into a place of hope and action, and the transformational nature of the project’s mission, are an inspiration for my team.”
“Over the last several months, we have met with and heard from hundreds of leaders and activists, including formerly incarcerated women, about what they hope to see in this building,” said Pamela Shifman. “Deborah Berke and her team are the perfect partners to join us as we continue this journey, turning a shared vision of a space for liberation, equality, and justice for all girls and women into a concrete reality.”
Lela Goren, founder and president of Goren Group also added, “As we think about all The Women’s Building stands for and all we hope it will be, Deborah Berke Partners truly embodies the essence of that vision. Berke leads a team that’s not only incredibly skillful, but which we believe has the collective expertise, creativity, and collaborative spirit necessary to breathe renewed life into this space.”
The 100,000 square-foot building is due to reopen by 2020, with ground breaking sometime next year.
Lexington, Kentucky’s oldest skyscraper, the 1913 15-story McKim, Mead & White-designed Fayette National Bank Building, has been remodeled into the fifth iteration of the 21c Museum Hotels. 21c’s founders, two Louisville art collectors, spent $43 million converting the former bank into an 88-room boutique hotel. The Louisville-based chain is notable for including contemporary art spaces in its hotels. 21c Lexington includes 7,000 square feet of exhibition area with original art throughout the guest rooms and public spaces.
New York–based Deborah Berke Partners were the design architects for the project, while Pittsburgh-based Perfido Weiskopf Wagstaff + Goettel acted as executive architects. The hotel’s restaurant, Lockbox—a nod to the building’s heritage—includes a 12-person private dining room in the original vault with a functional locking door. 21c’s exhibition space is free and open to the public, with tours offered on Wednesday and Friday evenings.