It's easy to get overwhelmed at the Salone del Mobile and the dozens of related events during Milan Design Week. Luckily there are plenty of visual palate cleansers in form of immersive environments, from new showrooms by Pritzker Prize–winning architects to dazzling installations by up-and-coming designers. There is more to Milan Design Week than just great looking furniture! At the Triennale design museum, for instance, Paris-based DGT architects created a light-catching installation for Citizen watches called Light is Time (above), featuring space dividing curtains made of tens of thousands of watch plates. For the Swedish textile company Kinnasand, a division of Kvadrat, Toyo Ito designed a luminous new showroom to display the company's fabrics, many of which feature diaphanous qualities. Ito covered the walls in frosted glass, which gives them a shimmering quality as downlights tucked into the edge of the ceiling filter through the panels. The ceiling itself is paneled in reflective metal. Draped fabrics are displayed on curved metal rods suspended from the ceiling. Cassina tapped the rising Japanese star Sou Fujimoto to design a "floating forest" for their booth at the fairgrounds, arguably the most innovative display at the Salone. Fujimoto hung mirrored metal planters from the rafters, which held green Japanese maples. Canned bird noises added to the atmosphere, which felt both natural and surreal within the tradeshow hall. The reflective surfaces forced visitors to slow down within the booth, giving them more time to look at Cassina's classic and contemporary furnishings. Also at the fairgrounds, an invited group of architects—Shigeru Ban, Mario Bellini, David Chipperfield, Massimiliano and Doriana Fuksas, Zaha Hadid, Marcio Kogan, Daniel Libeskind, and Studio Mumbai—riffed on themes of domesticity with conceptual installations called, Where Architects Live. As far as installations like these at a furniture fair go, the installations were largely devoid of the trappings of daily life. Libeskind, for example, sliced deep voids into the walls, inset with screens showing videos about his personal history and architectural projects. Chipperfield showed of his German side, with photos of deliciously drab Berlin and clanging music underscoring the seriousness of the project.
Posts tagged with "David Chipperfield":
The Nobel Foundation has officially launched an international design competition for the creation of a Nobel Center Headquarters in Stockholm, Sweden. An architectural idea in existence since the 1990s, the Center will serve as a venue for the annual Nobel Prize Award Ceremony, as a space for exhibition, public education, and meetings, and as a symbol of the honorable achievements of Nobel Laureates. Previously, the Foundation released its list of twelve architectural concept winners. These anonymous entries were judged on general building design, structural relationship with the waterfront site on the Blasieholmen peninsula, and shaping the urban context for the proposed functions of the Nobel Center. Now, three firms’ proposals have been shortlisted in a second round, as possibilities for the overall winner. David Chipperfield Architects, Johan Celsing Arkitektkontor, and Wingårdh Arkitektkontor are required to submit more detailed design plans for further jury deliberation. The final decision is to be announced in 2014 and the Nobel Center hopes for a grand opening in 2018. Nobelhuset David Chipperfield and Christoph Felger, David Chipperfield Architects - Berlin, Germany The jury comments: The proposed building conveys dignity and has an identity that feels well balanced for the Nobel Center. The limited footprint of the building allows room for a valuable park facing the eastern portions of the site, with plenty of space for a waterfront promenade along the quay. The façade surfaces will also reflect light from the sky down into the street or open space on Hovslagargatan. A Room and a Half Johan Celsing, Johan Celsing Arkitektkontor AB - Sweden The jury comments: The proposal is a coherent, classically proportioned building that connects to the surrounding cityscape. Because the building is placed at an angle to Hovslagargatan, this creates an attractive open space near the entrance. The proposal also leaves ample room for a waterside promenade and outdoor public areas. In many ways, its materials and appearance are well adapted to the purposes of the building. A P(a)lace to Enjoy Gert Wingårdh, Wingårdh Arkitektkontor AB - Sweden The jury comments: One of the foremost qualities of the building is the openness of its entrance level. Its glass façade is inviting and creates close contact between outdoors and indoors and between urban life and the activities in the Nobel Center. The grand stairway is a classic element that can give the building a dignity that fits the identity of the Nobel Center.
The Nobel Foundation, the body that administers all activities involved in the delivery of the prestigious Nobel Prize, has shortlisted 12 architecture firms to partake in an international design competition for the new headquarters in Blasieholmen, Stockholm. In addition to providing a global headquarters, the establishment will also include a visitors center where the public can explore the natural sciences, humanities, and peace efforts of the United Nations. One of the key factors for the Foundation in selecting the architects to participate involved "their ability to work in intricate urban environments where historical context and the natural environment must be considered with sensitivity." The 12 selected firms include: - 3XN, Denmark - BIG, Denmark - Herzog & de Meuron, Switzerland - Johan Celsing Arkitektkontor, Sweden - Lacaton & Vassal Architectes, France - Lundgaard & Tranberg Arkitekter, Denmark - Marcel Meili, Markus Peter Architekten, Switzerland - OMA, Netherlands - SANAA, Japan - Snøhetta, Norway - Wingårdhs arkitekter, Sweden. - David Chipperfield Architects, England/Germany. At this stage of the competition, all submitted entries are anonymous, and the renderings are available in a public exhibition at the Nobel Museum in Stockholm. The winning design proposal will be announced during the spring of 2014. The design proposals:
The Japan Art Association, celebrating its 25th anniversary, has named British architect David Chipperfield as a 2013 Praemium Imperiale laureate. The award offers 15 million yen (roughly $150,000) to each winner and acknowledges lifetime achievement in the arts. The prizes will be formally presented in Tokyo next month. Alongside additional 2013 recipients in other fields, Chipperfield joins a lineup of 124 artists including Norman Foster, Frank Gehry, and Renzo Piano. Japan Art Association chairman Hisashi Hieda said, “we reaffirm our commitment to honoring the arts and to celebrating its most imaginative and thought-provoking practitioners. The 2013 Praemium Imperiale laureates enrich our lives and touch a common chord of humanity despite geographic and linguistic barriers.”
New York-based landscape architecture firm Michael Van Valkenburgh Associates (MVVA) has been selected to develop new designs for The Menil Collection’s 30-acre campus in Houston, Texas. The appointment kicks off the Menil’s “neighborhood of art” master plan, designed in 2009 by London-based David Chipperfield Architects. Chipperfield's scheme attempts to tie together a group of six buildings spread across several blocks and interspersed with outdoor sculpture gardens and green spaces. The museum anticipates that groundwork for the initial stage of MVVA’s design will begin this September. Chipperfield Architect's master plan calls for new visitor amenities, such as a cafe, as well as new buildings for art. The first of these, The Menil Drawing Institute designed by Los Angeles-based Johnston Marklee, will be dedicated to the display, preservation, and study of modern and contemporary drawings. MVVA will design a new entry on the north side of the Menil’s campus. The firm’s scheme will usher guests from the parking area to a new Menil café, which will be housed in one of the campus' historic bungalows, and the Renzo Piano–designed museum building. Mr. Van Valkenburgh told the New York Times that “it’s always a challenge to take a landscape that has evolved incrementally and a landscape that has a subtle and modest character and to somehow succeed in improving it.” Outdoor garden space is indispensable to the collection and the museum aims to do a better job in curating the landscape. Menil director Josef Helfenstein emphasized in a statement that appreciating art is linked to the entire experience of where it is viewed, including the journey between disparate buildings in an institution like the Menil.
On the other side of the pond, Building Design reports that Will Alsop didn’t hold back in a recent public conversation at the V&A with perennial pot-stirrer Stephen Bayley. “Society has decided in this age of austerity that what we need is more David Chipperfield. We don’t need that. It’s depressing,” bemoaned Alsop, known for his irreverent approach to the mother of the arts. “We need more fun, wit, and humor. It’s part of the human condition, and if you don’t have it, you are left with David Chipperfield and a number of others. He is a very good architect, and there’s plenty of room for him, but not everywhere, and not poor imitations.” Sounds like Alsop could use a long weekend in Vegas.
"Venice Architecture Biennale 'cannot get any worse' says Wolf D. Prix," read the headline on Dezeen's August 30 wire post. In a press release titled “The Banal,” Prix declared that that architects participating in the biennale are “playing” while the profession is “sinking into powerlessness and irrelevance” at the hands of politicians, bureaucrats, and investors. The broadside caused a stir in Venice during he opening and in the blogosphere but now it appears that Prix was never in Venice for the biennale in the first place and thus had not seen the exhibition he denounced. His office claims that Prix has been misunderstood and "the critique addressed the theme of the exhibition, not the show or its execution," according to a spokesperson for the firm. Mr. Prix has a right to critique David Chipperfield’s chose theme, “Common Ground.” He makes some valid points comparing the biennale to a Venetian Carnival where "one can imagine all the architects in Pierrot costumes surrounded by masked critics and dancing the Dance Banale." The bi-annual fair does have its "hollow, arduous, exhausting, bleak and boring moments," as Prix argued but also displays of pure elation, beauty, critique, and poetry. It’s a trade show like no other and one really does have to attend to feel its "hollow" and beautiful moments and insights. In the 2008 biennale Mr. Prix displayed his iconic 1969 "Feedback Space" plastic bubble that one had to see and enter to really understand. Perhaps Mr. Prix should remember that his recreated plastic bubble argued for and required "physicalness." It comes off like sour grapes that Mr. Prix, who was not exhibiting at this biennale, lambasted it without seeing it himself. I wonder if he would be pleased if journalists critiqued his BMW “Welt” building without actually visiting it in Munich?
In the cafe of the wonderfully elegant Palazzo Cà Giustinian on Venice's Grand Canal I had a chance to catch up with former AN associate editor Jaffer Kolb. Kolb has gone on to bigger and better projects and is currently the man on the ground in Venice for David Chipperfield as they prepare for the 13th Biennale of Architecture. Jaffer reports that through the usual difficulties (and expense) of working in Venice the event is on schedule. Common Ground will include a good many American architects from various regions. From Ann Arbor: a group called 13178 Moran Street includes Ellie Abrons, Adam Fure, Meredith Miller, Thom Moran, Catie Newell, Rosalyne Shieh, and Troy Schaum. New York will send three groups: Peter Eisenman, Toshiko Mori, and Tod Williams/Billie Tsien. The Chicago entry includes: Jeanne Gang, Stanley Tigerman, David Brown, Sarah Dunn, Martin Felsen, Margaret McCurry, and Alexander Eisenschmidt. Finally, Ken Frampton is bringing along a geographically diverse group of Steven Holl, Rick Joy, Stanley Saitowitz, and Canadians John Patkau and Brigitte Shim. Kolb is also excited by an student installation called 40,000 Hours (a working title) which displays an international array of university projects using simple white card board models all displayed anonymously in a single room. The Common Ground theme, Kolb explained, emphasizes shared ideas over individual authorship, and asks architects to initiate dialogues in their projects rather than simply proposing a selection of projects. Whether the participants really take this shared theme to heart will only be apparent in Venice and The Architects Newspaper will be there to report on it. We’ll be publishing a daily newspaper with our partners Allemandi for the first three days of the Biennale, August 27th, 28th, and 29th. If you can't make it to Venice watch for our online reports from La Serenissima.
The Menil Collection in Houston, Texas has announced a shortlist for the new Menil Drawing Institute, which includes David Chipperfield Architects, Johnston Marklee, Tatiana Bilbao/mx.a, and SANAA. The building will be the largest freestanding space devoted to drawings. The competitors certainly have a high bar to meet. Renzo Piano's building for the Menil collection is considered one of the best places to view art in the country. “In this year, when we observe the 25th anniversary of our great museum building by Renzo Piano, we are pleased to begin realizing our vision for the future by selecting the next architect to design a major building for the Menil campus," said Josef Helfenstein, director of the collection, in a statement. "By taking on the challenge of designing MDI—the only facility of its kind—the architect will create a home for our largest, fastest-growing but most delicate collection of artworks, while also providing an important new focal point for the entire campus.”
Stirling Prize winner David Chipperfield will renovate of Mies van der Rohe’s Neue Nationalgalerie in Berlin, beating out more than 20 competing proposals. The museum, which houses the Prussian Cultural Heritage Foundation’s modern art collection, has not undergone any major renovation since it was completed in 1968. The foundation’s president Hermann Parzinger stated the Neue Nationalgalerie would be “in safe hands” with Chipperfield, whose firm is renowned for its consideration of architectural heritage in renovations such as the recent Neues Museum (also in Berlin). In addition to restoring the aging surfaces, which includes the building’s stone terrace, glass facade, and concrete and steel structure, Chipperfield will create new cafe and shop spaces. Renovation will begin in 2015 and complete in 2018.