Nonprofit Cleveland-based LAND Studio has been awarded a $1.5 million grant from the Char and Chuck Fowler Family Foundation to install temporary outdoor art over the course of three years. The installations have been designed by Italian art collective Cracking Art Group. Art will be displayed in the city's Public Square, currently in the final stages of a $50 million overhaul by New York Firm James Corner Field Operations. The Mall and balconies and garden of the main Cleveland Public Library will also be used as locations. Based in Milan, Cracking Art Group are well known for interspersing brightly-colored oversized animals across the city. Clevelanders can expect huge yellow snails or mobs of pink meerkats to invade the ten-acre civic space, adding a vibrant dash of color to the scene. Other animal additions include groups of swallows, wolves, frogs, and a red elephant, are set to be the showpiece focal point of the installation. Rising to some eight feet high, the elephant, the symbol of the GOP, will welcome Donald Trump and co. to the area for the Republican National Convention this year on July 18. Being made from plastic, the colorful animals will not be fixed to the ground, allowing for children to interact with them though LAND Studio acknowledge that this means some could be stolen. Others, meanwhile, will be weighed down with sand to keep them in place. "The choice of recyclable plastic for its aesthetic appeal shows acceptance of the inevitability that our world is becoming increasingly artificial," say Cracking Art Group on their wesbite. "The artworks are designed to inspire a community-wide conversation about the importance and the environmental impact of recycling, while leaving a potent artistic trace." Before the installation can go up, however, the the city's Landmarks Commission has to award approval to the finalized proposals, though it was reported that "stakeholders, including the city, have already weighed in." Even when the animals leave the area however, LAND Studio, who are working alongside fellow stakeholders Cleveland Urban Design Collaborative, James Corner Field Operations and Nelson Nygaard hope that their colorful impact will remain with Public Square that they will essentially inaugurate. "Public Square will be transformed from four individual quadrants into a singular public park that can be used throughout the year for a wide range of programs and events," they say. "Landscape and design will create a soft colorful space that invites people in and encourages them to stay. The Square will include pedestrian pathways, green spaces for concerts and events, areas to sit and lounge, a water feature, a café and restrooms. The Soldiers and Sailors Monument will remain, but will be integrated into the overall park and become more accessible." The display by Cracking Art will feature 376 of the group's standard creatures, plus a bright red elephant, standing more than, which begins July 18.
Posts tagged with "Cleveland":
The Cleveland Museum of Art (CMA) will be the location for the Graphic Novels / Novel Architecture Symposium on April 1st. Organized by Kent State University College of Architecture & Environmental Design (CAED), the symposium will explore the relationship between architecture and comics. The influence of animation, cartoons, comics, illustrations, and storyboards will be discussed in two sessions and a keynote discussion. Participants will include architects, illustrators, and educators. Graphic Novels / Novel Architecture will be the first event of an annual series that will explore architecture and different narrative media. The first session, starting at 1:00 pm in CMA’s Gartner Auditorium, is entitled "Hot Technology." The session will include short presentations and a discussion between California-based architect Wes Jones, London-based architect and illustrator Alison Sampson, and Archigram’s Michael Webb. The second session, entitled "Cool Diagrams," will start at 3:00 pm. This session will include presentations and a discussion between University of Illinois at Chicago’s School of Architecture Director Robert Somol, Jimenez Lai of Bureau Spectacular, and Dutch cultural anthropologist Mélanie van der Hoorn. A closing keynote discussion will feature acclaimed comic book artist Chris Ware and Françoise Mouly, art editor of The New Yorker. The event is free and open to the public, but reservations are encouraged. For those not able to make it to Cleveland, the entire symposium will be live-streamed online. The proceedings will also be archived on video, and produced into a short video documentary. A book is also planned documenting the event.
The Rudy Bruner Award for Urban Excellence has announced its 2015 gold and silver medalists. For the past 27 years, the biennial competition has honored “transformative places distinguished by physical design and contributions to the economic, environmental and social vitality of America’s cities.” This year’s gold medal—and $50,000—goes to Baltimore’s “Miller Court,” an abandoned industrial facility that was transformed into a mixed-use building with housing, and a focus on fostering teachers and education-focused non-profits. The transformation was spearheaded by the Seawall Development Company, Enterprise Community Investment, and Marks, Thomas Architects. The project was completed in 2009. “Aware of the challenges facing the Baltimore school system and professionals entering the field through programs like Teach for America, Seawall sought to build a safe, welcoming community for teachers and a home for allied nonprofits that would strengthen the neighborhood and city,” the Bruner Foundation said in a press release. “Attracting national attention as a model, the project has generated additional investment in Remington and has been replicated in Philadelphia.” Below are the four silver medalists, each of which received $10,000. Falls Park on the Reedy Greenville, South Carolina
From the Bruner Foundation: "The renaissance of a 26-acre river corridor running through the heart of Greenville, restoring public access to the falls and greenspace and catalyzing adjacent downtown development. (Submitted by the City of Greenville)"Grand Rapids Downtown Market Grand Rapids, Michigan
From the Bruner Foundation: "A new downtown public space promoting local food producers and community events, entrepreneurship, and education about nutrition and healthy lifestyles. (Submitted by Grand Rapids Downtown Market)"Quixote Village Olympia, Washington
From the Bruner Foundation: "A two-acre community of 30 tiny houses and a common building that provides permanent, supportive housing for chronically homeless adults. (Submitted by Panza)"Uptown District Cleveland, Ohio
From the Bruner Foundation: "The redevelopment of a corridor linking art, educational and health care institutions with surrounding neighborhoods, creating outdoor gathering spaces, retail shops and restaurants, student and market-rate housing, and public transit connections. (Submitted by Case Western Reserve University)"
A video released last week gives Clevelanders the clearest picture yet of plans for a greenway beside the Greater Cleveland Regional Transit Authority's Red Line. The idea has drawn comparisons to New York’s High Line or Chicago’s Bloomingdale Trail (aka The 606). The Rotary Club of Cleveland on Wednesday revealed their plans for the Red Line Greenway, a 3-mile linear park that would run from the Zone Recreation Center at West 65th Street to downtown Cleveland using a right-of-way next to the RTA's Red Line. At a meeting last week, Rotary member sought public input on the $13 million project, over which they've signed a memorandum of understanding with Cleveland Metroparks and RTA. A fundraising campaign is forthcoming, said supporters including the Rotary's Leonard Stover. The federal government has provided the three-phase project a $2 million grant—a little less than half the cost of the first leg, an extension from the RTA viaduct west to West 41st Street. Construction would not begin before 2019, Stover told Steven Litt of the Cleveland Plain Dealer. Litt has the Rotary's full presentation on the newspaper's website.
An iconic pedestrian bridge planned for downtown Cleveland has been delayed, according to the Cleveland Plain Dealer's Steven Litt. Originally planned to be ready in time for the Republican national convention in 2016, the $25 million steel bridge would connect the northeast corner of Cleveland's downtown Mall to an open space on the shores of Lake Erie between the Rock and Roll Hall of Fame and Museum and the Great Lakes Science Center. Passing over two other designs, the Group Plan Commission also indicated a preference for a cable-stayed bridge designed by architect Miguel Rosales of Boston. But now the bridge, which will accommodate bicyclists and pedestrians, won't be complete until 2017, officials said. Cleveland and Cuyahoga County each agreed to pitch in $10 million for the project. The state of Ohio will pay the remaining $5 million.
Remember the Future: Daniel Arsham Contemporary Arts Center 44 East 6th Street Cincinnati, OH March 20–August 30 Remember the Future is the first major exhibition in Ohio by Cleveland-born artist Daniel Arsham. In it, site-specific installations respond to the scale, light, and structure of the Contemporary Arts Center building in Cincinnati. Known for “making architecture do all the things it shouldn’t,” Arsham’s work marries theater, classicism, and hallucination by liquefying gallery walls, furniture, and the human form. Eerie, cloth-covered figures ripple from the walls as if trying to entice the viewer to another world on the far side, while elsewhere Arsham makes the walls appear to be in the process of melting. The artist’s recent work has involved casting outdated media devices—cameras, film projectors, and microphones—in geological material such as volcanic ash, crystal, and crushed glass.
Cleveland's lakefront attractions and downtown have long been estranged neighbors, not easily accessed from one another without a car. The city and Cuyahoga County plan to fix that, offering a 900-foot bridge for pedestrians and bicycles that will hop over railroad tracks and The Shoreway, a lakefront highway built in the 1930s. The $25 million bridge takes off from the downtown Mall, touching down between the I.M. Pei–designed Rock and Roll Hall of Fame and the Great Lakes Science Center, designed by Boston's E. Verner Johnson. Another Bostonian is heading up design duties for the new bridge. Miguel Rosales' firm Rosales Partners hatched three design schemes with the help of Parsons Brinckerhoff. The final design has not been selected, and regional officials say it will come down to community input. Construction is expected to begin May 2015, wrapping up by June 2016. But before that, public authorities are seeking comment from the bridge's eventual users by hosting a free public meeting from 6:00 to 7:30 p.m. on Thursday, November 13, in the County Council chambers on the fourth floor of the county administration building, 2079 East Ninth Street, Cleveland. All the options are visually striking. Whether suspension, cable-stayed, or arched, the bone-white bridge wends through renderings made public last week, framing the Cleveland Browns' lakeside FirstEnergy Stadium. As the Cleveland Plain Dealer's Steven Litt wrote, the bridge fulfills a longtime goal of planners and urbanists in northeast Ohio:
Creating a bridge from the Mall to North Coast Harbor and lakefront attractions including the Rock Hall has been something of a holy grail in Cleveland city planning for nearly two decades. Yet until now, the city has been unable to mobilize support and fund the project. The city failed three times in recent years to win a federal grant for the project under the TIGER program, short for Transportation Investment Generating Economic Recovery.But now, Litt wrote, the city and county each agreed to kick in $10 million, which led the state to close the $5 million gap. A 2013 city-county partnership and the news that Cleveland would host the next Republican National Convention apparently provided the incentive they needed to take on the project, which officials said will be complete by the convention in 2016. The three design options are as follows: The suspension bridge option: The cable-stayed option: The arch option:
Cleveland last year unveiled a plan to revamp Public Square—a space that, as its name suggests, is meant to serve as a civic space for the city’s downtown. Now an $8 million grant could make that ambitious project shovel-ready by the end of this year. The Cleveland Foundation announced its donation Tuesday, gifting $7 million outright and withholding $1 million until Cleveland’s Group Plan Commission can raise an additional $7 million from nongovernmental sources by Halloween. That would bring the total amount raised to $15 million, or half of the $30 million needed. The design, courtesy of New York’s James Corner Field Operations and locally-based LAND Studio, knits four fragmented quadrants of public space together into one 10-acre park with spaces for art, ice-skating, and picnicking. That would require the city to close a two-block stretch of Ontario Street, and restrict a section of Superior Avenue to bus traffic only. As the Cleveland Plain Dealer’s Steven Litt reported, the foundation formally announced the gift by a bronze statue of Moses Cleaveland, the city’s founder, who planned the downtown area with Public Square at its center in 1796. If enough money comes through in time to break ground later this year, the goal is to complete work by the spring of 2016, ahead of the Republican National Committee convention in Cleveland that summer.
June brought good weather to Cleveland, and those who rang in summer with a visit to the Cleveland Public Library encountered an airy installation of white frames and threads crisscrossing the Eastman Reading Garden. It’s not the first piece of public art to active the space outside the Cleveland Public Library. Last year a giant reading nest designed by LAND Studio and New York artist Mark Reigelman took wing in the library’s Eastman Reading Garden. This year’s piece, by X. studio founder Ivan Juarez, is the fifth installation in the library’s “See Also” public art program, which is organized with help from local designers LAND Studio. The program is funded through an endowment established by Lockwood Thompson, a former library trustee and art collector. Juarez will use almost 15,000 feet of rope before the piece comes down at the end of October. Dubbed Drawing Lines, the installation aims to help visitors “discover new spaces, shadows and frames” in the garden, per a press release from the Cleveland Public Library:
“A continuous thread will move across new and existing elements in the garden to filter the natural light and create new passages and spaces to gather and reflect. At the same time, the installation’s architecture is being broken apart. Its walls are transparent.”LAND Studio is also engaged in a makeover of Cleveland's downtown Public Square and a rails-to-trails project along Cleveland's old RTA Red Line.
The Cleveland neighborhoods of Kinsman, Duck Island, and West 65th Street could eventually get major updates now that three new plans have won unanimous approval from the city’s planning commission. All three neighborhoods were built when Cleveland’s industrial heyday propelled a boom of real estate development that has long since given way to depopulation. In Kinsman, on the city’s far East Side, the plan proposed creating an arts and entertainment district. The Duck Island plan focused on multi-modal transportation hubs, and the plan focusing on the West 65th Street neighborhood called for a two-mile multi-purpose trail. Funding for most of the work is still undetermined, but the city has committed some money for bike lanes, curb extensions, and other local improvements already called for in the three plans.
A digitally-designed medical products showroom plays well with its City Beautiful neighbors.The Global Center for Health Innovation, designed by LMN Architects along with the attached Cleveland Convention Center, is more than a showroom for medical products and services. Located adjacent to the Burnham Malls, the open space at the heart of Daniel Burnham’s Group Plan of 1903, the building is part of Cleveland’s civic core. “One of the things about the Global Center is that it has a unique expression and in particular the facade treatment,” said design partner Mark Reddington. “But it’s also a really integrated piece of a bigger idea and a bigger composition.” A dynamic combination of textured concrete panels and irregular slashes of glazing, the Global Center’s facade, which won honorable mention in AN’s 2014 Best of Design Awards, deftly negotiates the gap between the building’s historic context and its function as a high-tech marketplace. The Global Center’s City Beautiful surrounds influenced its facade design in several ways. “Part of the trick for us in looking at the Global Center,” said project architect Stephen Van Dyck, “was to try and make a building that was contemporary and relevant, but also a building that referred and deferred to its context materially and compositionally.” As a reflection on the solidity of the older structures ringing the Malls, the architects minimized glazing in the east face’s concrete system. In addition, they chose the color and aggregates of the concrete to mimic the tone of limestone. The texturing on the concrete panels, too, was informed by the Global Center’s context. “Like the classical buildings, there’s a lot of detail that shows up in different lighting conditions,” said Reddington. At the same time, the Global Center is very much a product of the 21st century. “There was an explicit intention in creating a facade whose qualities would not have been achievable without digital technology,” said Van Dyck. “It doesn’t look like it was handcrafted. It was primarily an exercise in allowing the technical means of creation and design to live forever on the outside of this building.” In particular, he said, the architects were interested in how their chosen material—precast concrete—allowed them to move beyond a punched-window system to a more complicated relationship between solids and voids. The result eventually became a scientific metaphor, as the designers observed the resemblance of the pattern to the twisting helices of a DNA molecule. LMN developed the facade design on a remarkably short timeline: about four months from concept to shop drawings. “The schedule requirements of the whole thing were absurd,” said Van Dyck. To make modifying the design as easy as possible, the architects developed a utility called Cricket to link Grasshopper and Revit. The ability to update the BIM model in real time convinced the design-build team to take risks despite the compressed timeframe. “Once they realized there was a strong mastery of the data, an ability to listen and incorporate the needs of [multiple] parties, that was really the breakthrough,” explained Van Dyck. “They said, ‘Hey, we can build something that’s a little unconventional.’” Besides their Cricket plug-in, a 3D printer was LMN’s most valuable tool during the design process. To explore how the panels’ texturing would animate the facade under different lighting conditions, they created plaster models from 3D-printed casts. “We had to do that because the geometry was so complex that we didn’t have any computers at the time that were capable of [modeling it],” said Van Dyck. “For us, working between the physical, digital, hand-drawn renderings were all so critical in discovering what we ultimately ended up building.” Sidley Precast Group fabricated the concrete panels with a surface pattern of horizontal joints that vary in depth and height. To minimize cost, the fabricators made almost all of the molds from a single 8-by-10-foot master formliner, with horizontal ribs spaced every 6 inches acting as dams for the smaller molds. While LMN Architects originally wanted to limit the number of panel types to eight, the final count was around 50, including larger pieces made by connecting smaller panels vertically. The approximately 400 precast panels were moved by crane to a system of vertical steel tubes running from slab to slab, then welded into place. The Viracon glazing was welded to the same tubes, a couple of inches back from the face of the concrete. The large atrium window on the building’s east face was manufactured by NUPRESS Group. For the architects, the significance of the Global Center’s facade remains tied to its broader context. Its design, while driven by modern technology, achieves a surprising degree of harmony with its surroundings. “Our building is in a way very classical, though it wasn’t an explicit intention of ours,” said Van Dyck. “To create a language that was both universal and also something that was really new—from our perspective that was a big achievement of the project.”
Cleveland’s conflicting development pressures came to a head last week over one avenue on the city’s West Side, and whether its future holds car-oriented businesses like McDonald’s or lanes for public transit and bike paths. The Plain Dealer's Steven Litt reported on developers’ plans to suburbanize the area around Lorain Avenue at Fulton Road: “Residents hate the idea with a passion,” he wrote. Much of Cleveland was designed when its population was far greater than it is today. Though on the rebound, the city has far different needs than it did in decades prior. That’s the thinking behind the Ohio City Inc. community development corporation’s new plan, which calls for a $17.3 million overhaul of the avenue from West 25th to West 85th streets. The route would include a 2.3-mile, bicycle track along the north side of the street—the city’s first separated, two-way paths for bikes. Proponents of the plan and those who’d prefer automobile-oriented development could have it out at an upcoming community meeting in January in the Detroit Shoreway neighborhood (time and place to be announced). The City Planning Commission could pick it up from there. Cleveland’s Ohio City neighborhood has enjoyed a renaissance in recent years, and recently reexamined transportation policies to build on the increasingly urban character of this self-described artisan neighborhood.