It’s nearly the most architectural time of the year! Archtober, New York City’s annual architecture and design month organized by the Center for Architecture, is just around the corner, believe it or not, and the lineup of archi-activities this season is not to be missed. Now in its eighth year, Archtober will celebrate the influence of the design industry through exhibitions, films, lectures, conferences, and the architect-led Building of the Day tours, which grant visitors unique access to the city’s coolest projects. The first site this year is One John Street by Alloy, a new 130,000-square-foot residential property on the DUMBO waterfront. Perched next to the Manhattan Bridge, the 12-story building boasts unmatched views. You won’t want to miss your chance to get inside one of these apartments. You can also peruse the freshly-renovated TWA Hotel, or check out the brand new WeWork space inside S9 Architecture’s Dock 72 (the current talk of the town). You can also revel in the engineering feat that is The Shed by Diller Scofidio + Renfro and Rockwell Group. Sales for all tours begin today. You can purchase tickets via the Archtober website. Here is the complete schedule of sites to see: Oct. 1 One John Street Architect: Alloy Oct. 2 Lenox Hill Health Greenwich Village Original Architect: Albert Ledner; Renovation Architect: Perkins Eastman Oct. 3 Domino Park Architect: James Corner Field Operations Oct. 4 Newtown Creek Water Pollution Control Plant Architect: Polshek Partnership/Ennead Oct. 5 Swiss Institute Architect: Selldorf Architects Oct. 6 TWA Hotel Original Architect: Eero Saarinen; Renovation Architects: Beyer Blinder Belle, Lubrano Ciavarra Architect Oct. 7 BSE Global Architect: TPG Architecture Oct. 8 Schomburg Center for Research in Black Culture, New York Public Library Architect: Marble Fairbanks Oct. 9 Five Manhattan West Architect: REX Oct. 10 Bronx River Arts Center Architect: Sage and Coombe Architects Oct. 11 277 Fifth Avenue Architect: Rafael Viñoly Architects Oct. 12 The Marcel Breuer Buildings at Bronx Community College Architect: Marcel Breuer Oct. 15 Hayes Theater Architect: Rockwell Group Oct. 16 R & Company Architect: wHY Architecture Oct. 17 Dock 72 Architect: S9 Architecture Oct. 18 Brooklyn Bridge Park Boathouse Architect: Architecture Research Office (ARO) Oct. 19 Brooklyn Botanic Garden’s Shelby White and Leon Levy Water Garden and Water Conservation Project Architect: Michael Van Valkenburgh Associates, Inc. Oct. 20 100 East 53rd Street Architect: Foster + Partners Oct. 21 Kew Gardens Hills Library Architect: WORKac Oct. 22 Spyscape Museum Architect: Adjaye Associates Oct. 23 Manhattanville Campus Plan: Jerome L. Green Science Center (Mortimer B. Zuckerman Mind Brain Behavior Institute) and The University Forum Design Architect: Renzo Piano Building Workshop Executive Architect: Davis Brody Bond LLP (Jerome L. Green Science Center) Design Architect: Renzo Piano Building Workshop Executive Architect: Dattner Architects (The Forum) Oct. 24 325 Kent Avenue Architect: SHoP Oct. 25 Sculpture Studio Architect: Andrew Berman Architect Oct. 26 The Shed Architects: Diller Scofidio + Renfro in collaboration with Rockwell Group Oct. 26 Alice Austen House Original Architect Unknown Oct. 28 Ocean Wonders: Sharks! Architecture, Exhibition Design, Landscape Architecture: Edelman Sultan Knox Wood / Architects (Architect of Record), the Wildlife Conservation Society - Exhibition and Graphic Arts Department, and The Portico Group Oct. 29 African Burial Ground Monument Architects: Rodney Leon / AARRIS Architects Oct. 30 123 Melrose Architect: ODA New York Oct. 31 Hunters Point South Architect: WEISS/MANFREDI View all programming on Archtober.org.
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Interested parties have been left standing around for an extra week while they wait to find out the three finalists of Portland, Oregon's Street Seats: Urban Benches for Vibrant Cities design competition. The announcement ceremony was rescheduled to avoid a potentially violent political protest at the adjacent Tom McCall Waterfront Park and eventually took place on August 9 in downtown Portland. Street Seats was an international competition to design new public benches for the city of Portland. Design Museum Portland organized the competition in partnership with Portland General Electric Company (PGE) and World Trade Center Portland (WTCP), which is also the site where the 15 semi-finalists have been installed. Nestled between the Willamette River and downtown, the contest aims higher than merely bolstering public seating. Juror Kregg Arntson, executive director of the PGE Foundation, hopes the seats "inspire people to come down and enjoy the community." Launched in January, the competition attracted over 200 international entrants, and many referenced the Pacific Northwest's rainy climate and penchant for locally sourced wood construction. In addition to basic physical and safety requirements, the design brief emphasized sustainable materials and innovative processes while requiring a 1/8th scale model and a video. Fifteen shortlisted entrants received $1,000 grants to fabricate and install their prototypes on site. Portland-based Kyle and Alyssa Trulen, a landscape architect and a videographer respectively, took the grand prize with their entry A Quiet Place to Sit and Rest. Inspired by author Shel Silverstein's "The Giving Tree," the bench reflects the design of a stump and protects the trees it's installed around from soil compaction and bark damage. The thermally treated pine and ash are also insect resistant. "The real purpose of the seat design is not merely protection," said the Trulens, "it's about the relationship of a person with a tree...in hope of a healthier urban environment for both." The runner-up, Fluid Wood, was the result of a collaboration between Portland-based architect Norberto Gliozzi and Axiom Custom Products. Fluid Wood comprises layers of laminated wood cut in an egg-like form. Another finalist by The Tubsters, from Berkeley, California claimed the people's choice award for Tub(Time), a cut-away bathtub containing hardened transparent resin representing the Willamette River and a topographical map of the downtown and central eastside. Passersby are encouraged to climb in and recline. The Design Museum, which hosted a similar Street Seats competition in Boston in 2013, was not the first to sponsor such a challenge in Portland. The City of Portland Bureau of Transportation (PBOT) had developed guidelines in 2012 based on similar programs in New York and San Francisco to convert on-street parking spaces to public use. During a 2014 collaboration with the Center for Architecture, Portland yielded two winning submissions for seating that were installed in the city's northeast quadrant. In the summer of 2015, Portland State University architecture students designed and built a seating structure downtown. PBOT canceled the 2016 competition for an uncharacteristically low response rate; however, PBOT's program still exists outside of the downtown area. This year's Design Museum Portland competition is unrelated to the City's previous efforts and was launched independently. Many passersby spontaneously stopped to try the seats and participate in the announcement ceremony after the unveiling, reaffirming Design Museum Portland's managing director Erica Rife's statement that it is "important to be a good neighbor and inspire this community to be closer"—a much-welcomed change from the previous weekend's police and protester standoff. The 15 seats and over 200 1/8th scale models will remain on view until February. Several seats—Fractal Rock by Holst Architects, B_tween Bench by Gamma Architects, and Fern by Yingjie Liang, in addition to the winner and runners-up—will remain installed at the WTCP while the others will be relocated to sites throughout Portland. An online exhibition and schedule of accompanying programs are hosted at designmuseumportland.org.
The nonprofit, nonpartisan Regional Plan Association (RPA) released its Fourth Regional Plan back in 2017, a 400-page prescription for a variety of problems facing the Tri-State New York metropolitan area. Now through November 3, visitors to the Center for Architecture can explore the RPA’s plans for increasing housing affordability, improving the region’s overburdened public transit, and addressing climate change by 2040. The Future of the New York Metropolitan Region: The Fourth Regional Plan exhibition at the Center breaks down The Fourth Regional Plan into four typologies: core urban areas, suburbs, local downtowns, and regional green spaces. Each section is further broken down to address affordability issues, the failure of policymakers to address problems in those regions, how climate change will impact each area, and how to best improve mass transportation. Both the problems themselves, as well as the RPA’s proposed solutions, are on display. The Four Corridors, an RPA-commissioned initiative that tasked four different architectural firms with reimagining different “corridors” throughout the region, is also on display at The Fourth Regional Plan. Rafi A+U + DLANDstudio proposed a “landscape economic zone” to protect the area’s coastal regions from flooding—a softer, living take on the traditional seawall; Only If + One Architecture proposed creating the Triboro Corridor, an accessible route from Brooklyn to Queens to the Bronx; WORKac wants to turn the Tri-State suburbs into denser, greener versions of themselves and create easy access between smaller towns; and PORT + Range proposed reinvigorating the area’s highlands into ecological buffers with varied natural ecosystems. “RPA’s Fourth Plan is a blueprint for creating a healthier, more sustainable, more equitable region, one with more affordable housing, better and expanded public transit, and a closer connection with nature," said RPA Executive Vice President Juliette Michaelson. "This exhibit provides an opportunity for New Yorkers and regional visitors to explore the Fourth Plan and imagine what our future could look like if we are bold enough to reach for it." Other than the show itself, the Center will host two accompanying programs. Creating More Housing without New Construction will take place on September 14 from 8:00 AM to 10:00 AM, and Designing the Future of the Tri-State Region will be held on October 29 from 6:00 PM to 8:00 PM.
Robert Silman, founder of the engineering firm Silman and expert in the structural stabilization of historic structures, passed away on July 31 at the age of 83 after a decades-long battle with cancer. Following his education at Cornell and NYU, Silman started his engineering career working for ARUP in London and Ammann & Whitney in New York. He began his eponymous firm, Silman, in 1966 as a solo practitioner. As reported by Architectural Record, this early phase in Silman’s career established the engineer as an expert in historic preservation of small-scale projects including the rehabilitation of dilapidated or burnt out tenements across New York City. As his firm grew in stature over the last five decades, Silman worked on an impressive roster of preservation projects, including the Immigration Museum at Ellis Island and Carnegie Hall. The engineer had a particular affinity for the projects of Frank Lloyd Wright; he worked on restorations for Fallingwater, the Guggenheim Museum, and Wingspread. Silman received a number of accolades for his preservation work, such as the Lucy G. Moses Preservation Leadership Award from the New York Landmarks Conservancy, and his firm has engineered over 24,000 projects including buildings by 14 Pritzker Prize winners such as SANAA’s Grace Farms and Renzo Piano’s Whitney Museum. As noted by AIA New York, Robert Silman played a key role in the establishment of the Center for Architecture in 2003. In recognition of his continued support of the Manhattan-based architectural forum, Silman was awarded the AIA New York Chapter Award in 2009. Throughout Silman’s battle with cancer, he continued working at the firm’s Boston office and taught at Harvard University’s Graduate School of Design. He is survived by his wife Roberta, and their children, Miriam, Joshua and Ruth.
If we’ve learned anything this year, it’s that time is up for professional industries that ignore inequality and underrepresentation. Within the practice of architecture, that means taking on diversity and inclusion while addressing uncomfortable challenges in education and workplace culture in a profession with deeply established patterns. Times are changing in this aging, white male-dominated field, and architects of all backgrounds are being celebrated for their contributions to design. At the forefront of this heightened awareness is a new exhibition from AIANY at the Center for Architecture in New York titled, A Call to Act(ivism): Echoing Whitney Young, 50 Years Later, now on view. The exhibition comes on the heels of the AIA 2018 Conference on Architecture in June, where current AIA president Carl Elefante reminded the audience of Young’s influence on the profession. In his renowned and heated speech at the 1968 AIA National Convention in Portland, Oregon, the former National Urban League executive director questioned the industry’s lack of integration and pushed for architects to take a stand and involve themselves more seriously in the turbulent political climate of the 1950s and '60s. The exhibition displays key moments in Young’s career when his charismatic voice put him on the national stage, putting the spotlight on issues of urbanism. The small but powerful show suggests that the dialogue surrounding diversity within architecture is not new and that the critical words of Whitney M. Young Jr. are just as relevant as ever to the profession. Curated by Danei Cesario, AIA NCARB and associate at Array Architects, the show identifies a parallel between Young’s work and the calls-to-action resonating among practitioners today. “There’s no one-size-fits-all approach to improving things in the industry,” said Cesario, who also co-chairs the AIANY’s committee on diversity and inclusion. “There are personal approaches and things happening within larger groups. We wanted to show how people viewed these issues in 1969 versus how we’re tackling them nowadays.” Today, it’s necessary for architects to be broadly aware of the issues affecting the world and the development of its major cities. The idea that architecture is separate from politics was absurd, according to Young, and to be integrated into the public discourse, architects must not stay silent as they build out communities. A Call to Act(ivism) urges architects to challenge the status quo still existing within the profession and details current data on the local industry by dissecting the demographics of New York’s design community. The data on display was collected in the 2017 AIANY Equity, Diversity & Inclusion (EDI) Member Survey put together by the committee. Cesario hopes the information, which will be followed-up with additional surveys over the next two years, can serve as a showcase for how the profession is annually progressing. The committee will put out a report on its initial findings at the end of this year. “We want to build infrastructure that will be sustainable year to year,” she said, “and we want to find and publish actionable steps that firms can take to become more inclusive.” The graphic information currently on display in the exhibition reveals that there’s much more work to be done for architecture to become the inclusive profession that Young imagined. The show invites everyone from students and newly-licensed architects to veteran firm principals to reflect on their own call to activism by asking visitors two crucial questions:
What do you personally do to promote diversity and equity within architecture? What can be done collectively towards this goal, within our industry and beyond?Visitors can share their own perspective in a digital survey and listen to the views of leaders like Sharon Sutton, Beverly Wills, Jack Travis, and Guy Geier. Unfortunately, we’re still struggling with iterated versions of the same issues Young called out fifty years ago, but the show encourages you to consider how you might be an activist within your own firm in order to eradicate these issues once and for all. A Call to Act(ivism): Echoing Whitney Young, 50 Years Later is on view at the Center for Architecture through September 15. It was curated by Danei Cesario, AIA NCARB and designed by graphic artist Manuel Miranda.
The AIA Conference on Architecture is just around the corner, from June 21 to 23 at the Javits Center in New York City. To add to the excitement, the city will be bustling with architecture events and exhibits, including at MoMA PS1, the Storefront for Art and Architecture, and the Van Alen Institute. Here are our editors' highlights for the week. 1) MoMA PS1 Young Architects Program Museum of Modern Art 11 West 53rd St. (Midtown) June 18 6:00–8:00 pm. Free. RSVPs required* www.momaps1.org Exhibition reception for 2018 Young Architects Program, featuring finalists LeCAVALIER R+D, FreelandBuck, BairBalliet, and OFICINAA. The winning scheme Hide & Seek by Dream The Combine (Jennifer Newsom and Tom Carruthers), opens to the public June 26. Opening reception, limited space. 2) Night at the Museums Various locations June 19 4:00–8:00 pm. Free. NightattheMuseums.org Fourteen Lower Manhattan museums open their doors, free of charge, as part of this annual event. Visit the Skyscraper Museum, African Burial Ground, Museum of Jewish Heritage, South Street Seaport Museum, National 9/11 Memorial, and others. 3) Architecture Books Opening Reception Storefront for Art and Architecture 97 Kenmare St. (SoHo) June 19 7:00–9:00 pm. Free. Storefrontnews.org Now on display at the legendary Steven Holl and Vito Acconci–designed gallery, selection of 100 fundamental books, selected by a jury, based on Storefront’s Global Survey of Architecture Books. On June 26, Storefront will host a conference at the New York Public Library Main Branch (6:30–8:30 pm, free), featuring prominent architects. 4) Solstice: 24x24x24 Storefront for Art and Architecture 97 Kenmare St. (SoHo) June 20–June 21 Storefrontnews.org Making the most of the longest day of the year, 24x24x24 brings together 24 designers to shape a day of programming and contribute a seat for a collective gathering during the summer solstice. From dawn until dusk, 24x24x24 is an experiment in collective production in design, action, and thinking. 24x24x24 is collectively organized and curated by a group of architects who will be taking over Storefront for Art and Architecture from 7pm on June 20 to 7pm on June 21. 5) Mind the Gap: Improving Urban Mobility Through Science and Design Van Alen Institute 30 West 22nd St. (Flatiron) June 20 6:30–8:30 pm. Free. VanAlen.org An examination of how populations move through cities, using tools and methods from neuroscience and behavioral psychology. Organized by the Van Alen Institute. AN’s very own Assistant Editor Jonathan Hilburg will moderate the discussion. 6) Summer Solstice Aperitivo Vitra 100 Gansevoort St. (Meatpacking District) June 21 4:00-8:00 pm. Free with RSVP* aiany.org Toast the summer solstice with Vitra and Skyline Design. Aperitivi, live DJ, and special exhibitions. 7) Architecture League Prize 2018: Night 1 Sheila C. Johnson Design Center Parsons School of Design 66 Fifth Ave. (Greenwich Village) June 21 7:00–9:00 pm. $10 for non-members. RSVP required* ArchLeague.org Lectures by the winners of the Architectural League’s prestigious annual prize, recognizing the nation’s top young architects: Gabriel Cueller & Athar Mufreh, Coryn Kempster, and Bryony Roberts. Followed by reception 8) Modulightor Building Open House 246 East 58th St. (Midtown) June 22 6:00–9:00 pm. $15. RSVP required* modulightor.com Tour Paul Rudolph’s stunning four-story glass townhouse. 9) Infrastructure: The Architecture Lobby National Think-In Javits Center 655 W 34th St, New York June 22 7:00 am–7:00 pm Prime Produce 424 W 54th St (between 9th and 10th aves) June 23 10:00 am – 7:00pm This Think-In is divided into two parts over two days: active engagement with relevant sessions at the AIA National convention to ensure substantive dialogues on professional issues on Friday, June 22; and Think-In panel discussions on Saturday, June 23 at Prime Produce that examine the theme of Infrastructure. Infrastructure is the network of systems necessary for an organization to function. When those systems are degraded enough, the defining functions of the organization fail. The Architecture Lobby has selected this theme for its first National Think-In to generate a way forward and rebuild our discipline’s infrastructure. 10) Architecture League Prize 2018: Night 2 Sheila C. Johnson Design Center Parsons School of Design 66 Fifth Ave. (Greenwich Village) June 22 7:00–9:00 pm. $10 for non-members. RSVP required* ArchLeague.org Lectures by winners of the Architectural League’s prize: Anya Sirota, Alison Von Glinow & Lap Chi Kwong, and Dan Spiegel. 11) A’18 Community Service Day Various locations Check-in: Center for Architecture 536 LaGuardia Place 7:30 am–6:00 pm; reception 6:00–8:00 pm aiany.org/a18 Looking for a meaningful way to spend the last day of conference? AIANY encourages you to volunteer for a half or full day of work that will benefit local nonprofits. Roll up your sleeps and pitch in on projects that range from upgrading a church kitchen, fixing a shelter’s community room, working a mobile farmer’s market in an underserved community, and installing infrastructure at a school’s educational outdoor garden. Volunteers will have the chance to make a real difference for these organizations and the people they serve, and see parts of New York City that they might not otherwise visit. Collaborating firms include: Cannon Design and Stalco Construction, James Wagman Architect, Murphy Burnham & Buttrick Architects, FXCollaborative, Perkins Eastman, and 1100 Architect. Participants must sign up in advance. 12) Architectural League Prize for Young Architects + Designers Arnold and Sheila Aronson Galleries Parsons School of Design 66 Fifth Ave. (Greenwich Village) June 22–23 12:00–6:00 pm. Free. ArchLeague.org Exhibition featuring the 2018 winners of this prestigious prize program. This year’s theme, Objective, asked entrants to consider objectivity and criteria by which architecture might be judged today. 13) Panorama of the City of New York Queens Museum Flushing Meadows Corona Park Ongoing QueensMuseum.org Conceived by urban mastermind and World’s Fair President Robert Moses for the 1964 Fair, the Panorama is a 1:1200 scale model of New York City, covering 469 acres and including hundreds of thousands individually crafted buildings. In 1992, the original modelmaker updated the Panorama while the museum underwent its expansion, designed by Rafael Viñoly. 14) New York at Its Core: 400 Years of NYC History Museum of the City of New York 1220 Fifth Ave. (Upper East Side) Ongoing MCNY.org What made New York New York? Follow the story of the city’s rise from a striving Dutch village to today’s “Capital of the World.” Framed around themes of money, density, diversity, and creativity, the city delves into its past and invites visitors to propose visions for its future. 15) Designing Waste: Strategies for a Zero Waste City Center for Architecture 536 La Guardia Place (Greenwich village) Through September 1 CenterforArchitecture.org Waste is a design problem. This show presents strategies for architects, designers, and building professionals to help divert waste from landfills. Curator Andrew Blum will lead tours of the exhibition on Friday, June 22, 10:00–11:00 am, and Saturday, June 23, 11:00 am–12:00 pm. This exhibition is based on the Zero Waste Design Guidelines and supported by the Rockefeller Foundation. Text by AIA City Guide, Storefront for Art and Architecture and AN.
Every day, about 24,000 tons of discarded materials leave New York City to head for distant landfills. Designing Waste, curated by Andrew Blum and designed by WkSps, will investigate how designers can help sharply reduce that number. Drawing from the Rockefeller Foundation and AIA New York’s Zero Waste Design Guidelines (PDF), the exhibition closely examines current trash management systems, and explores how to improve efficiency and alternatives, especially before trash makes its way to trucks. “It’s not about recycling plants and landfills. It’s about the moment trash is closest to us,” said Blum. “This is where architects can really do something. Its sheer invisibility mesmerizes me.” Innovations range from simple ideas like making waste separation easier and improving the flow of material, to providing new resources for compacting, recycling, metering, and calculating waste. The show will even include a giant recycling baler, which Blum says could become a common site inside most New York buildings. Per its Zero Waste Challenge, the city plans to send zero waste to landfills by 2030. So it better hurry up and pay attention. Designing Waste: Strategies for a Zero Waste City Center For Architecture, 536 Laguardia Place June 14- September 1
The New York City Public Design Commission (PDC) has released new guidelines for designing affordable housing, painting quality of life as an integral part of any such development. Quality Affordable Housing in NYC, a case study of affordable housing throughout the city, was released at a roundtable presentation at the Center for Architecture last night. Innovative housing is nothing new in New York, but with Mayor de Blasio’s pledge to build or preserve 300,000 units of affordable housing by 2026, a cohesive plan was needed to standardize the new buildings being designed. Quality Affordable Housing pulls together the best aspects from its seven case studies and presents eight guidelines for building more resilient, contextual low-income developments. According to the findings, infill developments that favor pedestrian circulation and an integration with the existing community fabric should be given preference over cloistered, standalone projects. The massing should visually connect the new building with its surroundings, and materials should complement the project’s neighbors. Circulation, both air and pedestrian-related, should be maximized, and the ground floor condition should be inviting to the rest of the neighborhood. All of these suggestions seem like common sense improvements, but tight budgets, strict deadlines, and site constraints often tamp down ambitious social housing projects. Thankfully, Quality Affordable Housing uses its case studies to put projects that have met these goals on display for reference. The PDC has collected projects large and small, from the 16-unit Prospect Gardens, a pilot infill prototype in Brooklyn designed by RKTB Architects in 2004, to 2015’s massive 911,000-square-foot Hunter’s Point South Commons and Crossing in Queens from Ismael Leyva and SHoP. What connects all seven projects is their integration with the surrounding community, attention to landscaping, and most importantly, that people want to live in them. As presenters at the Center kept coming back to, neighborhood residents were overjoyed to move in, and winning the housing lottery often felt like a dream come true. The full PDC guide and breakdowns of all seven case study projects can be found in full here.
Social housing in Europe is as varied in form as the countries that contain it. Towers, low-slung row houses, and standalone homes are all valid social housing typologies throughout the world, and all of them can be seen at Social Housing – New European Projects, now on display at the Center for Architecture in Manhattan. Of course, no definition of “social housing” can be universal, but the main thrust of Social Housing is to expose American architects, planners, developers and politicians to the myriad of different types. Twenty different firms from across Europe have assembled 25 case studies of social housing projects, most of them realized, ranging from refurbishment to experimental building typologies. What links them together is that they present a vision for an alternative to market-driven housing construction. Models and renderings of each project are on display, grouped by building type, as well as diagrams comparing social housing statistics across countries, and video pieces. The studios contributing work to Social Housing include: Adam Khan Architects (UK), Assemble (UK), Avenier & Cornejo Architectes (France), Chartier Dalix (France), Hans van der Heijden (The Netherlands), einszueins architektur(Austria), Hawkins\Brown (UK), Haworth Tompkins Architects (UK), Karakusevic Carson Architects (UK), Lacaton & Vassal (France), LAN architecture (France), Mae (UK), Mecanoo(The Netherlands), Mikhail Riches Architects (UK), Mole (UK), muf architecture/art (UK), Niall McLaughlin Architects (UK), s333 architecture + Urbanism (UK), Sergison Bates architects (UK and CH), TVK (France), Witherford Watson Mann (UK), and zanderroth architeckten (Germany). Curated by Karakusevic Carson Architects, Social Housing the exhibit pulls exemplary projects from the similarly titled book released late last year, Social Housing: Definitions and Design Exemplars. Interviews with each of the firms are included, providing contrasting roadmaps for designers in the states who are looking towards Europe for guidance. Social Housing – New European Projects is open now at the Center for Architecture and will run until May 19, 2018.
2018 is shaping up to be a solid year for striking and thought-provoking architecture exhibits. From Yugoslavian architecture to California design, here are ten shows not to miss: The Arsenal of Exclusion & Inclusion: New York Edition Center for Architecture 536 LaGuardia Place Through March 31 Curated and designed by Interboro Partners, The Arsenal of Exclusion & Inclusion: New York Edition presents 156 “weapons” used by political groups, developers, and community organizations to restrict or increase access to urban space. Inside the Walls: Architects Design Friedman Benda 515 West 26th Street Through February 17 This January, Friedman Benda gallery presents its annual guest-curated exhibition Inside the Walls: Architects Design, a survey spanning over a century that will encompass a broad range of architects from across the globe. The exhibit will feature the works of such architects as Philip Johnson, Frank Lloyd Wright, Mies van der Rohe and Luis Barragán, through the mediums of archival photographs and historical ephemera. Mark McDonald, a pre-eminent dealer of 20th-century modernist design, curated the sweeping exhibition. Arakawa and Madeline Gins: Eternal Gradient Columbia Graduate School of Architecture, Planning and Preservation 1172 Amsterdam Avenue March 30, 1:00 p.m. The opening of Arakawa and Madeline Gins: Eternal Gradient includes a half-day conference with speakers such as Adrienne Hart, Steven Holl, Momoyo Homma, Lucy Ives, Andrés Jaque, Thomas Kelley, Leopold Lambert, Carrie Norman, Spyros Papetros, Irene Sunwoo, and Miwako Tezuka. The exhibit features the work of the former artistic and architectural partnership between Madeline Arakawa Gins and Shusaku Arakawa. Copy + Paste: Hall of Architecture Carnegie Museum of Art 4400 Forbes Avenue, Pittsburgh Through May 6 The Carnegie Museum of Art's Hall of Architecture possesses almost 150 facades, monuments, and architectural details sourced from across the world, which are predominantly cast and assembled in plaster. Copy + Paste explores this tradition of recreation through the investigation of augmented reality, 3-D printing, and potential robotic applications in the art of replication. The Open Workshop: New Investigations in Collective Form Yerba Buena Center for the Arts 701 Mission Street, San Francisco March 9–July 15 Based in the Bay Area, The Open Workshop is an interdisciplinary design workshop focusing on urbanism, politics, and infrastructure. Featured as part of the Center’s The City Initiative, the group looks to create provocative and daring works within the urban environment. The Open Workshop founder Neeraj Bhatia is an architect and urban designer from Toronto and an assistant professor of architecture at the California College of the Arts. Designed in California San Francisco Museum of Modern Art 151 3rd Street, San Francisco Through May 27 Over the 20th century, California emerged as leader in design in both the United States and the world. Designed in California focuses on the output of design addressing socioeconomic and environmental awareness. The exhibit also examines the role of the digital revolution and the transformation of the consumer to digital user, one connected by the Internet of Things. Drawing Codes: Experimental Protocols of Architectural Representation University of Michigan Taubman College 2000 Bonisteel Boulevard, Ann Arbor, Michigan March 7–March 28 The use of innovative technologies in the realms of design and production has opened new avenues for architectural drawing and rendering. Through the use of 24 experimental drawings, Drawing Codes: Experimental Protocols of Architectural Representation examines the engagement between architectural drawing and design within the constraints of coding, be it zoning ordinances or technological scripts. The intended goal of the exhibit is to display the many approaches available for designers when confronted with a diversity of rules and restraints. Then, Now, Next: Evolution of an Architectural Icon Denver Art Museum 100 W 14th Avenue Parkway, Denver Through February 25 Architect Gio Ponti designed the Denver Art Museum and this exhibit traces the history of Ponti’s work featuring his historical photos, original architectural sketches, building models, and project renderings to tell the story of the North Building’s evolution. Not to Scale: Highlights from the Fly’s Eye Dome Archive Crystal Bridges Museum of American Art 600 Museum Way, Bentonville, Arkansas Through March 28 This exhibit features drawings, models, and concept sketches from the architect Buckminister Fuller during his work on the project Fly’s Eye Dome. Not to Scale: Highlights from the Fly’s Eye Dome Archive illuminates the work of Fuller and his collaborators, engineer John Warren and architect Norman Foster. Toward a Concrete Utopia: Architecture in Yugoslavia, 1948-1980 The Museum of Modern Art 11 W 53rd Street October 10, 2018–January 13, 2019 This exhibit will feature more than 400 drawings, photographs, models, and film reels from across the former Yugoslavia, depicting the unique Brutalist style that developed in that sprawling Balkan state. Toward a Concrete Utopia will be the first exhibit of its kind to focus on Brutalism across the Balkan peninsula.
AIA New York announced the recipients of their 2018 Design Awards tonight at the Center for Architecture, and the winners were once again varied across project type, scale, and country. Narrowing their scope from the 35 winners chosen last year, this year’s group of distinguished AIA New York members presented exceptional examples of work the world over, with only 12 of the 32 projects based in New York. The jurors were as varied as the projects they were judging, and included the following:
- Gro Benesmo, Partner, S P A C E G R O U P
- Ila Berman, DDes MRAIC, Dean and Edward Elson Professor, UVA School of Architecture
- Aaron Forrest, AIA, NCARB, Principal, Ultramoderne
- Walter Hood, Creative Director, Hood Studio
- Tom Kundig, FAIA, Principal and Owner, Olson Kundig Architects
- Debra Lehman Smith, Partner, LSM Studio
- Meejin Yoon, AIA, Co-Founder, Höweler + Yoon Architecture LLP, Professor and Head of the Department of Architecture, Massachusetts Institute of Technology
Architect: NADAAA Associate Architect: Adamson Associates Architects Restoration architect: ERA Architects Project: University of Toronto Daniels Building at One Spadina Location: Toronto, Canada MERITS Architect: Desai Chia Architecture Architect of Record: Environment Architects Landscape Architect: SURFACEDESIGN Project: Michigan Lake House Location: Leelanau County, MI Architects: LTL Architects and Perkins+Will Landscape Architect: Trowbridge Wolf Michaels Landscape Architects Project: Cornell University Upson Hall Renovation Location: Ithaca, NY Architect: nARCHITECTS Project: NYC DOT Harper Street Yard Structures Location: Corona, NY Architect: N.E.E.D. Architecture Project: The Book Company Headquarters Location: Seoul, South Korea Design Architect: Renzo Piano Building Workshop Executive Architect: Davis Brody Bond Associate Architect: Body Lawson Associates Landscape Architect: James Corner Field Operations Project: Columbia University Lenfest Center for the Arts Location: New York, NY Architect: Richard Meier & Partners Architects Associate Architect: RAF Arquitetura Project: Leblon Offices Location: Rio de Janeiro, Brazil Architect: Selldorf Architects Architect of Record: C + D Architects Landscape Architect: Bureau Bas Smets Project: LUMA Arles Location; Arles, France
Architect: Studio Libeskind Landscape Architect: Claude Cormier + Associés Project: Canadian National Holocaust Monument Location: Ottawa, Canada Architect: StudioSUMO Architect of record: Obayashi Corporation Project: Josai International University i-House Dormitory Location: Togane, Japan Architect: Tod Williams Billie Tsien Architects | Partners Associate Architect: Ballinger Landscape Architect: Michael Van Valkenburgh Associates Project: Princeton University Andlinger Center for Energy and the Environment Location: Princeton, NJ Architect: WEISS/MANFREDI Architecture/Landscape/Urbanism Architect of Record: Richard L. Bowen + Associates Landscape Architect: Knight & Stolar Project: Kent State Center for Architecture and Environmental Design Location: Kent, OH Architect: WORK Architecture Company Project: Queens Library at Kew Gardens Hills Location: Flushing, NY CITATIONS Architect: David Scott Parker Architects Architect of Record: Bosch Architecture Project: Williamsburgh Savings Bank Location: Brooklyn, NY Architect: Michielli + Wyetzner Architects Project: Delancey and Essex Municipal Parking Garage Location: New York, NY INTERIORS HONORS Architect: N H D M / Nahyun Hwang + David Eugin Moon Architect of Record: ALab Architects Project: Nam June Paik Art Center Renovation Location: Yongin, South Korea
MERITS Architect: LEVENBETTS Project: Cornell University Rhodes Hall Location: Ithaca, NY Architect: Peter Marino Architect Project: The Lobster Club Location: New York, NY Architect: Rice+Lipka Architects Project: Parsons Making Center Location: New York, NY Architect: A+I Interior Architect: SheltonMindel Project: New York Family Office Location: New York, NY CITATION Architect: Young Projects Landscape Architect: Future Green Studio Project: The Gerken Residence Location: New York, NY PROJECTS HONOR Architect: LTL Architects Project: Manual of Section MERIT Architect: APTUM Architecture Project: Thinness Pavilion Location: San Francisco, CA CITATION Architect: Studio Joseph Architect of Record: Foster + Partners Project: London Mithraeum Location: London, UK
URBAN DESIGN MERITS Architect: Kohn Pedersen Fox Associates Project: One Vanderbilt Location: New York, NY Architect: NADAAA Project: Justice in Design Location: New York, NY Architect: ROGERS PARTNERS Architects + Urban Designers Project: Houston-Galveston Area Protection System (H-GAPS) Location: Galveston Bay, TX
From October 24 to 28, the Center for Architecture and Van Alen Institute will host Swedish Design Moves New York, a program exploring Swedish innovation in architecture and design. In addition to a series of public panels, an exhibition of Swedish architecture projects called Aiming for Democratic Architecture will be on view at the Van Alen Institute from October 26 to 28, curated by Architects Sweden and the Swedish Institute. This program is part of the Center for Architecture's Archtober 2017. The program, curated by an international nonprofit called STHLMNYC, will focus on the concept of democratic architecture using Sweden as a progressive touchpoint. According to the series' press release, "Sweden's egalitarian society and intimate relation to nature have generated great examples of balanced architectural solutions that accommodate both community and environmental needs." Through multidisciplinary panels that bring together architects, planners, and designers from the U.S. and Sweden, Swedish Design Moves will look at the application of these principles worldwide. Previous iterations have been hosted in Stockholm, Milan, London, and Paris. The four-day program will open with The Process of Democratic Architecture, a panel that will include Christer Larsson from the Department of City Planning in Malmö, Sweden, Alexandra Hagen from White Arkitekter, Per Franson from the KTH School of Architecture, David Burney from Pratt Institute, Claudia Herasme from the New York Department of City Planning, and Chris Sharples from SHoP Architects. The series will also include a conversation on nature and well-being with panelists from Wingårdhs, Urbio, Marge, Kohn Pedersen Fox Associates, and RAAD STUDIO, a conversation on culture and people with panelists from GoDown Arts Centre, White Arkitekter, Mandaworks, and Diller Scofidio + Renfro, and a conversation on innovative solutions with panelists from CFMoller, Färgfabriken, Stockholm City, ORE Design, and HPD Architecture. Along with the panels, several workshops will also offer an in-depth look at questions of a "new urban agenda" and the potential of self-built housing. Equity in design will be a central topic at each panel. "One of the largest challenges we face when it comes to the built environment is affordability," said Chris Sharples, Principal at SHoP Architects. "Our role as architects and planners is to come up with new material systems and design/building processes that allow us to address the cost constraints." Swedish Design Moves New York was organized through a partnership between Visit Sweden, STHLMNYC, Architects Sweden, The Swedish Institute, and the Consulate General of Sweden in New York. The full program for Swedish Design Moves New York (October 24 - 28) at the Center for Architecture and Van Alen Institute is available here.