Posts tagged with "Brooklyn":

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OMA’s first Brooklyn project is a pair of zigzagging waterfront towers

The Greenpoint Landing megaproject in Brooklyn has gained a duo of interlocking rental towers courtesy of OMA. The ten-tower mixed-use development will ultimately bring 5,500 rental units to Greenpoint. Developer Brookfield Properties, who are bringing four towers to the development, and Park Tower Group have revealed the newest additions to the site, two leaning towers joined by a seven-story base. Other than the 745 rental units across both towers, 30 percent of which will be affordable, the project will expand the waterfront esplanade around the site by 2.5 linear acres. Other than the 768,000 square feet of residential space, the podium will also add 8,600-square-feet of ground-floor retail. The two towers will, as has become fashionable across the river in Manhattan, twist, turn, and part in the middle to reveal a wider view of the cityscape to the west. While the 300-foot-tall north tower will narrow as it rises thanks to a series of setbacks-turned-terraces, the 400-foot-tall southern tower will resemble a flipped version of its neighbor thanks to a series of cantilevers. “Brookfield and Park Tower Group have been working together to connect Greenpoint with its waterfront,” said OMA partner and project lead Jason Long, “and we are thrilled to be collaborating with them on our first project in Brooklyn. We have designed two towers—a ziggurat and its inverse—carefully calibrated to one another. Defined by the space between them, they frame a new view of Greenpoint and new vista from the neighborhood to Manhattan.” Both towers will feature large windows and a facade of precast concrete carved with “slices” that alternate direction as each major section changes. The direction of the carvings are aligned with the sun’s relative position in the sky, ensuring that the light is dispersed over the building dynamically throughout the day. James Corner Field Operations will be designing the new waterfront landscape areas, while Beyer Blinder Belle will serve as the project’s executive architect. Los Angeles’s Marmol Radziner will be handling the buildings’ interiors. Construction on the project is expected to kick off in August of this year.
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Mission Chinese’s Brooklyn outpost is as psychedelic as the original

The Bushwick, Brooklyn, outpost of Danny Bowien’s San Francisco–born Mission Chinese Food opened recently. The new restaurant takes the borderline-psychedelic aesthetics of the downtown spot and restructures them, this time on a light-bright industrial grid in a space designed by Lauren Devine, Alex Gvojic, and Nikki Mirsaeid. The tubular lighting crossing the ceiling was designed by none other than Nitemind, the studio best known for adding effects to raves and tours of artists like Mitski and Kelela, as well as for their more permanent lights at venues like Bossa Nova Civic Club, also in Bushwick. The overhead LED tubes shift through a rainbow of colors, dousing the space in shades normally reserved for hours much later than dinnertime; fittingly, the restaurant is located in the same warehouse space as the club Elsewhere. There are also unusual lighting fixtures in the bathrooms—The Matrix–themed colored codes descend in obscure calculations down the mirrors—and above the bar, TVs lined up in a row play silent film clips of people dining alone. 599 Johnson Avenue Brooklyn, NY, 11237 (718) 628-3731 Lauren Devine, Alex Gvojic, and Nikki Mirsaeid
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BIG shows off its new full-block office in DUMBO

Bjarke Ingels Group (BIG) has completed its move to Brooklyn, setting up shop in a new 50,000-square-foot office space only a stone’s throw from the Brooklyn Bridge. BIG has consolidated its 250-person office onto a single full-block floor near the top of 45 Main Street in DUMBO. Designed by BIG’s in-house interiors team, the office is full of furniture and lighting fixtures from the Danish design firm and frequent BIG collaborator KiBiSi. The move to a larger office meant that the studio was able to quadruple the space allocated to its two fabrication and assembly spaces. Completed pieces can then move to an extra-height, skylight-lit room for displaying large-scale models and mockup furniture. A gallery on the south side of the floor connects the office’s eastern and western wings. The chairs inside of the glass-enclosed conference room are color-coded in reference to the studio’s monograph Hot to Cold and range from mild to vibrant, a flourish repeated in the perimeter-lining bookshelves. Rounding out the new office’s perks is a private roof deck that the studio can use for events and conference meetings, which is separate from the building's 9,500-square-foot green roof designed by James Corner Field Operations.
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Brooklyn is slated to erect two statues in honor of Shirley Chisholm

In a city boasting nearly 150 monuments of different men, pioneering politician Shirley Chisholm is set to get not one, but two statues in her honor. Both Mayor Bill de Blasio’s office and New York City Council Member Robert E. Cornegy, Jr., (D-36) have announced separate efforts to erect public artworks in Brooklyn memorializing the legacy of Chisholm, the first black woman elected to Congress. As a former educator and decades-long state legislator, the Brooklyn-born Chisholm inspired a whole generation of women to seek public office. She served New York’s 12th congressional district in the House of Representatives from 1969 to 1983 and was the first women to seek the Democratic Party’s nomination for president in 1972. The mayor’s effort to celebrate her life is spearheaded by She Built NYC, an initiative developed to honor the trailblazing historic women who’ve made an impact on New York. After being nominated during an open call this summer, Chisholm was chosen as the first woman in the program to be honored with a statue. It will be installed outside the Parkside entrance of Prospect Park in 2020. The artist who will design the project will be unveiled early next year.  Council Member Cornegy’s move to commemorate Chisholm’s work is part of a community cultural initiative aimed at highlighting people of color who’ve specifically influenced the Brooklyn neighborhoods of Bedford Stuyvesant, where Chisholm grew up, and northern Crown Heights. This statue, unveiled in a maquette, will be designed by renowned artist Sterling Brown, Jr., in conjunction with the Crown Heights North Association. It’s set to be installed by July 2019 in Brower Park by the Brooklyn Children’s Museum, a two-mile walk from the larger, Olmsted Vaux–designed Prospect Park. Hers will be one of four statues that honor some of the community’s iconic leaders. Once erected, Chisholm’s monuments will make her the city’s fifth female figure to be memorialized in bronze or stone. The Department of Parks announced in August that suffragette leaders Elizabeth Cady Stanton and Susan B. Anthony will receive a statue together in Central Park next fall.
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GRT Architects has designed a bold interpretation of classical details in tile

GRT Architects, a Brooklyn-based firm founded by Rustam-Marc Mehta and Tal Schori, has developed a classically inspired cladding template dubbed “Flutes and Reeds.” The off-the-shelf product is designed as a modular system of triangular concrete tiles that are arranged in varying increments and grid formats—imagine Gio Ponti’s midcentury Blu Ponti ceramic tiles with protruding elements. If the tiles are set in a conventional manner, they resemble the relative formality of Greco-Roman column detailing over an expansive triangular matrix. According to GRT Architects, “Greek columns can be thought of as modules or tiles in a way. Their proportions have fixed rules; there are options for surface embellishments, base and top details. From that small set of instructions comes literally centuries of architecture—from the most austere to the playful acts of virtuosity.” In effect, this straightforward classical detailing can serve as plug-and-play components for contemporary design. The tiles, as a result of their standardized size, can be rotated and arranged to create unique patterns or erratic islands across surfaces. In total, GRT Architects has designed more than two dozen tile variations for four standard patterns: Single Flute, Triple Flute, Single Reed, and Double Reed. Over the last half year, GRT Architects has collaborated with Kaza Concrete—a Hungarian concrete manufacturer specializing in bespoke accent walls—to debut the product at both the Clerkenwell and Milan Design weeks. Kaza uses a mixture consisting of fiber-reinforced concrete, marble powder, and a broad range of powdered pigments. The mixture is subsequently poured into a cast to imprint detailing and harden. In both circumstances, Kaza Concrete assembled, designed, and fabricated the installations to highlight the possible layouts of GRT’s panels as well as the materiality of the manufacturer’s polished concrete. Notably, Kaza Concrete’s installation for the Milan Design Week was fashioned to resemble the base of a monumental column, laid out with a wildly irregular and fractured surface treatment. Flutes and Reeds has been on the market since June, and it is currently being incorporated into GRT Architects' design of a family home and studio in Duchess County and the renovation of a rectory in New York’s Harlem neighborhood.
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The Brooklyn Navy Yard goes vertical for the next phase of its life

After the Brooklyn Navy Yard Development Corporation (BNYDC) revealed a $2.5-billion expansion plan for the Yard in January of this year, it became clear that, with all of the existing buildings renovated, the only place left to go was up. Now, the BNYDC has released a slew of renderings from the Yard’s master planners, WXY, and a guide to development in the waterfront campus for the next 30 years. How will the Yard add an additional 5.1 million square feet of floor space to the already built-out campus? The BNYDC will be building on three available sites along Flushing Avenue, Navy Street, and Kent Avenue, and to accommodate the wide, open spaces that industrial manufacturers require, will be leaning into a strategy of “vertical manufacturing.” Transportation upgrades for both those who work in the Yard and the general public, and wayfinding improvements, have also been included. The heavy commitment to vertical manufacturing—which places large, floorplate-spanning manufacturing zones at the base of each building, with packaging and offices above—is part of the Navy Yard’s commitment to bolstering industrial manufacturing. Of the 10,000 new jobs the expansion is expected to support, 75 percent of them have been set aside for manufacturers, with technology office space and service jobs expected to fill in the remaining 25 percent. The currently vacant Kent Street lot sits on the Yard’s northern corner, right off of the Barge Basin Loop inlet. Two buildings totaling 2.7 million square feet would rise on the waterfront, as well as a public esplanade where manufacturers could directly showcase their products. At the Flushing Avenue site, which is still partially owned by the federal government and sits on the southern portion of the Navy Yard near the recently completed Building 77, two more buildings will rise for another 1.4 million square feet of mostly manufacturing space. Both of these buildings, which WXY has designed with an industrial feel and linked with several sky bridges, have been tentatively planned for food manufacturing. The parcel could also potentially link up with a pedestrian flyway from the waterfront that would run through W9’s Dock 72 building and allow ferry passengers to walk over the Navy Yard to reach the street. The Navy Street lot, currently an NYPD tow pound at the campus’s Sands Street entrance, would hold two new buildings on either side of a public plaza. WXY and the BNYDC have proposed a possible public museum of science and technology for the larger building, with the other housing classrooms, STEM development programs, and workforce development space. The same saw-toothed roof profile was used for both Navy Street buildings in the renderings, but more importantly, none of the new proposed projects overshadow the existing developments. WXY has also proposed a “historic core” area for biking and walking, which truck traffic would be routed around. “Forward-thinking cities like New York are using urban design to grow districts that support new kinds of jobs in urban industrial and maker settings,” said WXY managing principal Adam Lubinsky, who also led the master planning team. “The Brooklyn Navy Yard is leading the way, showing how to create and integrate valuable public space and amenities, multi-modal transit and streets, and state-of-the-art vertical manufacturing buildings, which will boost the Yard’s economic impact.” Residents interested in touring the Navy Yard can do so on October 2, where David Ehrenberg and Claire Weisz will discuss the future of the 300-acre Yard. Tours of Building 77, New Lab, the BNY Bridge, and Dock 72 will also be available beforehand.
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WORKac to design Brooklyn Public Library’s first new branch in 35 years

For the first time in 35 years, the Brooklyn Public Library (BPL) is building a new branch dedicated to serving the communities in DUMBO, Vinegar Hill, and the Farragut Houses. With a design by New York firm WORKac, the library is set to become the 60th branch in the system. So far, no design details have been announced, but WORKac will begin an extensive community engagement process this fall to determine the main design priorities for local residents. It will be located at 135 Plymouth Street—just underneath the Manhattan Bridge inside Alloy Development’s One John Street residential complex—and will feature 6,500 square feet of space for flexible programming, book lending services, and desks for working. The project is part of BPL’s major effort to update aging infrastructure in one-third of its branches over the next five years. Thirteen libraries will undergo full-scale renovations while three libraries (Brooklyn Heights Library, Greenpoint Library, and Sunset Park Library) will be entirely reconstructed. The newest branch in DUMBO is expected to be completed by 2020, with an estimated construction start in mid-2019.   WORKac has a long history of working on public projects with the City of New York, including libraries, schools, and historic retrofits. The firm finished the much-anticipated renovation and expansion of the Kew Gardens Hills Library in Queens last fall, bringing structural upgrades, a bright new interior, and an elongated green roof to the 10,000 square-foot space. In addition, WORKac designed the inaugural Edible Schoolyard for P.S. 216 in Brooklyn as well as the more recently-completed second schoolyard at P.S. 7 in East Harlem.
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Shirley Chisholm State Park is coming to Central Brooklyn next summer

Central Brooklyn will soon be the home of New York City’s largest state park, which will be opening next summer according to 6sqft. Governor Andrew Cuomo announced Wednesday that the first phase of Shirley Chisholm State Park, a 407-acre piece of land on Jamaica Bay, will be finished by mid-2019. Named after Brooklyn native Shirley Chisholm, the first African-American woman elected to Congress, the new parkland will include 10 miles of hiking and biking trails, picnic areas, an amphitheater, and more on top of two former landfills. The project will open up 3.5 miles of waterfront with areas accessible for kayakers and beach-goers. The initial build-out will also include a bike path that will connect the former landfill sites at Pennsylvania and Fountain Avenues, allowing visitors to easily approach both sides of the park to take advantage of the educational facilities and comfort stations placed throughout. The massive project falls under the governor’s “Vital Brooklyn” initiative, a $1.4-billion plan that funnels the state’s financial resources to community-based health programs, affordable housing, and recreational spaces in the neighborhoods of Crown Heights, Bushwick, Flatbush, Bed-Stuy, Brownsville, Ocean Hill, and East New York. For the park project, planning began 16 years ago when the site remediation process started to make way for the landfill sites’ potential future use. In 2002 the NYC Department of Environmental Protection installed over 1.2 million cubic yards of clean soil and planted 35,000 trees and shrubs. Over time, a diverse ecosystem of coastal meadows, wetlands, and woodlands has grown, resulting in the area as it exists today. The first phase of the park’s construction will use $20 million to open up the restored site and create a new waterfront. Next fall after the park opens, public meetings will be held to discuss the second phase of the design, which may include the amphitheater, an environmental education center, and a cable ferry.
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SHoP Architects adds aluminum luster to Nassau Coliseum

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Brought to you with support from ->
  • Facade Manufacturer Alucobond; Sobotec Ltd.
  • Architects SHoP, Gensler
  • Facade Installer Crown Corr; Hunt Construction Group (general contractor)
  • Facade Consultants SHoP Architects
  • Location Uniondale, NY
  • Date of Completion 2017
  • System Aluminum screen
  • Products Alucobond® PLUS naturAL Brushed
Originally opened in 1972, the old Nassau Veterans Memorial Coliseum on New York's Long Island was given a facelift and interior renovation by SHoP and Gensler respectively in 2015.  SHoP’s team relied on the concrete massing of the 1970s structure to shape a new facade composed of over 4,700 brushed aluminum fins that wrap the building in broad sweeping curves. The project, which benefitted from a rigorous digitally-conceived workflow, delivered the new undulating facade geometry by precisely varying each of the fins in profile and dimension. Two primary fin shapes are designed from one sheet of aluminum composite material (ACM), minimizing waste while highlighting SHoP’s commitment to a design process that is tightly integrated with fabrication and assembly processes. John Cerone, associate principal at SHoP, told AN that one of the successes of the project is the new facade's reflective effects that pick up on colors of the surrounding landscape. This is especially evident during sporting events where crowds wearing the home team’s colors reflect onto the facade. The project in many ways mirrors SHoP's success with Barclays Center over five years ago—same client, same building type, similar design process. When asked what, in this project, arose as a surprise or a challenge to the design team working on Nassau, Cerone candidly said, "Nothing!" He elaborated, "As we continue these projects, it's a continuous iteration: We recycle process. I don't think this industry does enough of that." "Don't ignore fabrication constraints and input from contractors," Cerone said. The fins are planar and negotiate a ruled digital surface, which was informed by early feedback from fabricators and contractors. "An intelligence builds from doing other projects like this. While the componentry and hardware differ, the actual process of how you structure the model and develop methods of automation improves with experience." The architects cite simple definitions which they adopted and advanced from prior projects which help to automate the generation of parts for geometrically complex assemblies. "This to us was a proof. It's a great testament to not being surprised by the process," Cerone said. The design process for SHoP was initiated with a laser scan of the existing arena, resulting in a highly detailed topographic mesh surface that became the base geometry for forthcoming design and fabrication models. The framework of the new skin was designed as a long-span space frame, springing off massive existing concrete piers that were, in the words of Cerone, impressively over-structured. The resulting structural subframe was assembled on the plaza level of the stadium and craned into place. Only 32 “mega-panels” were required. "Facades are the closest you can get to manufacturing in architecture," Cerone said, "but we are looking towards using this process throughout the building. How can it inform the superstructure and the interior? We are working to scale this process up."
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New Sunset Park development by DXA Studio could rise over tracks in Brooklyn

New York YIMBY revealed this morning that a new development designed by DXA Studio is potentially in the works for Sunset Park. The 240,000-square-foot complex, likely mixed-use with residential and commercial components, will stretch between 7th and 5th Avenues at 6205 7th Avenue in Brooklyn. The upcoming site, spearheaded by New Empire Corp., will feature three mid-rise towers situated atop a platform covering the train tracks. The Hudson Yards-like vision for the project—albeit smaller as YIMBY notes—will bring a much-needed, massive new housing option to the borough’s southwestern industrial neighborhood. Renderings show that the structures will include a terraced design facing west towards the river with rooftop plazas dotted with greenery. On the east side, a lower-level, elongated structure runs two-thirds the length of the development while the taller towers jut out at angles facing south. The facades of each building appear to be clad in muted materials with big, boxy, recessed windows that allow ample light into the interior spaces. Close-up visuals detail the jagged shape the angular towers take on at the edges of the development.  The architects told YIMBY that 6205 7th Avenue will house two blocks of retail, office space, restaurants, a gym with a pool, a hotel, community facilities, as well as public park space. Though the initial designs have been released, permits for the site have not yet been filed.  
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Judge clears way for controversial Brooklyn development at Broadway Triangle

Last Friday in New York City, a lawsuit against one of North Brooklyn’s most contentious, high-profile developments was dismissed after a six-month delay in court. The lawsuit, filed by the Churches United for Fair Housing (CUFFH) and local groups in February, claimed the Broadway Triangle project would discriminate against people of color and further segregate the predominantly black and Latino community from the rest of Brooklyn. Currently a vacant piece of land situated at the corner of Union and Flushing Avenues, the contested site is slated to become a massive eight-building, mixed-use complex. It was formerly owned by pharmaceutical giant Pfizer. In their complaint, the plaintiffs said the development violates the federal Fair Housing Act and asked the city to stop the rezoning of the site. They also urged the city to consider requiring racial impact studies when rezoning areas in low-income communities throughout New York. Alexandra Fennell, network director at Churches United, told The Architect’s Newspaper that such a study could easily be incorporated into the Environmental Review process when properties are up for development. “The land use process provides opportunities for tangible remedies for issues that are present,” she said. “If the city refuses to even study segregation in our neighborhoods then we are almost certain to perpetuate it.” The plaintiffs also noted that the Pfizer site’s current developer, Rabsky Group, has a longstanding history of building luxury homes and apartments exclusively for larger Hasidic families with three- and four-bedroom options. They argued these sizes don't make sense for smaller black and Latino families who might be interested in applying for the 287 affordable housing units being offered at the Pfizer Project.  The planned 1,146-apartment complex will include those subsidized units, 65,000 square feet of ground-floor retail, and green space, designed in conjunction with the NYC Department of Planning and Manhattan-based firm Magnusson Architecture and Planning (MAP). According to the architects, the new design will aim to improve the local pedestrian experience on the southwest corner of the 31-acre Broadway Triangle, boost economic activity in the area, and beautify the surrounding neighborhoods of South Williamsburg, Bushwick, and Bedford-Stuyvesant.  Magnus Magnusson, the firm's principal, said since the first goal of the project was to receive the zoning change, the initial drawings specifically show the urban design approach taken to the site. You can’t tell from the images, he said, but going east the scale of the buildings get lower to match the surrounding neighborhood. The tallest structures on Union Avenue—a busy, car-ridden street—feature up to 18 stories. “Another big urban design feature we added was a large, public open space in the middle of the complex,” Magnusson said. “The neighborhood today lacks green space and we wanted to make it a place for the entire community to come together.” Magnusson also noted that there hasn’t been any talk of a luxury development by Rabsky so far. “There are seven apartment buildings ranging in various sizes, so each one could be for a different use and feature either affordable housing versus market rate,” he said. “The attraction here for us was the fact that for decades, this was an empty property. To build a new mixed community is really what New York is all about in trying to do to make the city more inclusive. Even though the opposition wanted more, this will probably be the best compromise." Broadway Triangle has been a public topic of controversy for nearly a decade. The city voted to rezone the area, which it owns, in 2009 to make way for new development and affordable housing options, but a federal judge blocked such actions three years later, citing that it would be detrimental to the local minority populations. After the city agreed to find a new developer for the site last year, plans restarted. In March the court put a temporary restraining order on the site, but the ban was lifted with the final ruling last week. “The city needs more housing...a lot more,” Manhattan Supreme Court Judge Arthur Engoron wrote in his ruling. “The Pfizer Project has already passed political process muster; today it passes judicial process muster. This court finds no legal impediment to it and will not stand in its way one more day.” Judge Engoron also stated that the city has no obligation to carry out a racial impact study when it considers rezoning properties and noted that concerns of gentrification and displacement speak to broad social trends rather than the hidden agenda of developers. For the past month, Churches United has hosted the “Take Back Bushwick” campaign, a series of 17 “actions” or events calling out future local market rate developments that are driving up rents, displacing residents in Brooklyn, and have zero affordable housing options. The last and final action, a rally against an incoming 27-story residential building on Wyckoff Avenue, was held this morning. Fennell calls this particular project the “ultimate middle finger building” in Bushwick and a development that “could not be farther from what the community needs.” “Today’s action was not related to Pfizer but it also focuses on the city’s failure to create policies that encourage development of low income housing which we desperately need in favor of luxury development,” she said. “New York is one of the most segregated cities in the country and this type of development is only segregating us further.” Council member Antonio Reynoso, who represents District 34 where the Pfizer Project will be developed, also spoke at the rally and urged the local community to continue getting involved in these discussions. “Bushwick looks a certain way, it has a character,” he said “That’s what makes it so popular and that’s what's being taken away from us. We’re allowing developers and big money to dictate and determine exactly what they want to do in this community, instead of allowing the community to be the sayers of how we want things to be.” This article was updated on August 2nd with comments from Magnusson Architecture and Planning.
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Metabolist-inspired tower with hexagonal facade coming to south Brooklyn

New York YIMBY has gotten its hands on a batch of first-look renderings of a futuristic tower set to touch down in Sheepshead Bay, Brooklyn, and it looks like the building will eschew glass for grass. From the renderings of 1508 Avenue Z, a forthcoming 16-story long-term care home, it looks like architects Citiscape Consulting will wrap their C-shaped building with a dynamic, hexagonal facade. Working from a material palette of white concrete, living green wall, vertical and diagonal louvers, and what appears to be timber, the hexagons will compose a unique pattern as they snake around the building’s curves. Many of the hexagons contain a bit of each material, using tripartite combinations with vegetation at the enclosure’s top. The use of greenery in the facade and at the tower’s top is reportedly in reference to the Japanese Metabolist movement that arose after World War II. The movement, of which the Nakagin Capsule Tower is one of the most famous examples, was an attempt to bridge the gap between organic growth and forms, and the built environment. Biological rhythms, prefabrication, and the vernacular architecture of Japan were used as starting points to design buildings throughout that period. The louvered portions will act as sun shades for the residents within and extend past the parapets to lend the outdoor roof deck shade and privacy. It appears that the roof of the 188-foot-tall building will be heavily forested, and Citiscape will be integrating a rainwater capture system so that the tower can use recycled greywater throughout. YIMBY reports that the nearly 50,000-square-foot tower will be largely residential, with 3,950 feet carved out for ground floor retail, 42,620 square feet has been set aside for 78 residential units, and the remaining 3,130 square feet going towards a medical facility. SB1 Holdings LLC and property owner Emil Blank are developing the lot. No construction cost or estimated date of completion have been released yet.