Posts tagged with "Australia":
Adjaye Associates, SO-IL, BIG, and Woods Bagot are among the 13 firms the Government of South Australia has selected to produce concept designs for a new contemporary art museum in Adelaide, South Australia's capital.
The Adelaide Contemporary International Design Competition, as it is officially known, asked firms to design both a museum and public space for events around the future Adelaide Contemporary, which will be part of the Art Gallery of South Australia (AGSA) network.The six chosen teams, a mix of Australian and international firms, are now at work on concept designs that will be revealed to the public in April 2018, right before the competition jury convenes. London's Adjaye Associates was matched with Sydney's BVN, while SO-IL and Melbourne's HASSELL are working together on a concept. BIG – Bjarke Ingels Group (Copenhagen) and JPE Design Studio (Adelaide) are paired up, as is Diller Scofidio + Renfro (New York) and Woods Bagot (also from Adelaide). London's David Chipperfield Architects and Sydney's SJB Architects working together on the design, and a team of three firms—Khai Liew (Adelaide), Office of Ryue Nishizawa (Tokyo) and Durbach Block Jaggers (Sydney)—makes up the final grouping. The firms were selected in the competition's first stage from over 100 teams (525 firms) representing five continents. To create the final teams, organizers paired international winners with shortlisted Australian firms. "This is an extraordinarily rich list of diverse creative partnerships of architects looking to complement their talents by working with both peers and smaller talented practices. There is a strong thread of Australian professional expertise running through the entire list with Australians taking both equal and collaborative positions," said Nick Mitzevich, director of AGSA, in prepared remarks. "The six teams all showed a strong connection with Adelaide—and understood that our aim is not to create an off-the-peg architectural icon but a piece of Adelaide, an entity that will be sustainable and polymathic in the way it enhances the social, cultural and architectural fabric of the city." The final jury will be announced in early 2018.
AILA International Award of Excellence Nanjing Tangshan Geopark Museum Hassell According to the AILA, the project is an "experiential and immersive gateway and forecourt" for the Nanjing Tangshan Geopark Museum, which was designed by Parisian architect Odile Decq. Multidisciplinary firm Hassell integrated a network of pathways and gardens into a 15-hectare park that includes a 300 million-year-old Paleozoic quarry.
AILA National Award for Parks and Open Space McCulloch Avenue Boardwalk Site Office Completed on a "modest" budget, the McCulloch Avenue Boardwalk sets travellers within the diverse topography and landscape of the site. "What could have been a simple boardwalk through a dune has become an experiential journey that rewards the user with a sense of pride and enjoyment," said the AILA. "No longer will be the destination be the focus."
AILA National Parks and Open Space Award of Excellence MacKenzie Falls Gorge Trail Hansen Partnership Creating new routes through Grampians National Park, urban design, planning, and landscape architecture firm Hansen Partnership were able to cast MacKenzie Falls Gorge (one of Australia's largest waterfalls) in a new light. Bolted steel bridges and mesh pathways are able to endure flooding and fires (but can't protect you from spiders).
AILA National Gardens Award of Excellence Forest Edge Garden Jane Irwin Landscape Architecture Jane Irwin Landscape Architecture approached this project with the view to blend the garden into the terrain. The result was a subtle and elegant series of interventions that kept the existing landscape in harmony with the dwelling through careful design, plant species selection, and water management.
AILA National Tourism Award of Excellence Penguin Plus Viewing Area Tract Consultants with Wood Marsh Architecture On Phillip Island, tourists can catch glimpses of penguins both inside and outside this curvaceous, topographic timber structure by planning and design firm Tract Consultants with Wood Marsh Architecture. "The work is beautifully detailed and provides a replicable prototype for the development of other components of this fragile landscape into the future," said the AILA.
AILA National Award for Communities Get Sunflowered OUTR Research Lab, RMIT University Get Sunflowered saw new life come to the Latrobe Valley in Victoria, Australia. Community events include cleaning, planting, weeding, watering, and "harvesting"—all accompanied by local live music, food, and entertainment. The AILA praised Get Sunflowered for making use of a forgotten place which has been subject to a population and economic shift.
AILA National Award for Civic Landscape Glenorchy Art and Sculpture Park (GASP!) Stage 2 McGregor Coxall Multidisciplinary firm McGregor Coxall's work the second stage of the Glenorchy Art and Sculpture Park pays extensive tribute and homage to the dramatic landscape of Wilkinson’s Point. The "build it and they will come" approach has paid dividends and is, according to the AILA, a well-used civic and cultural space. "It has captured the imagination of locals and visitors as well as being recognized nationally and abroad."
AILA National Award for Infrastructure Sydney Park Water Re-Use Project Stage 2 Turf Design Studio and Environmental Partnership Juggling numerous constraints, Turf Design Studio and Environmental Partnership educate visitors to Sydney Park on environmental issues and the value of inner city green space. Integrating ecology, play, stakeholder management, engineering and sustainable water management requirements within an existing and well-loved inner city park is a difficult brief in any context," the AILA said. "The project beautifully expresses the forms, shapes, context, ecology and management of water, while also focussing on people, place, habitat and ecology."
AILA National Award for Land Conservation Shipwreck Coast Master Plan McGregor Coxall Shipwreck Coast in South Victoria is a popular tourist destination on the Australian southeast coast. Tourists, however, are the issue at hand with their presence threatening the site they flock to. Tackling this challenge, McGregor Coxall (in their 4th mention in the full list of 40) tie in habitat preservation with investment opportunities while maintaining and amplifying the sight-seeing experience–something which is a must for the economic prosperity of the area.
- 6,000 hours (approximately three years) of post-licensure experience in the home country.
- Validation of licensure in good standing from the home authority.
- Citizenship or lawful permanent residence in the home country.
- Licensure in the home country not gained through foreign reciprocity.
Complementing the transit nature of the tunnel environment, the façade design generates a sense of visual movement and energy for vehicular traffic and passers-by.RPS Group has designed a facade cladding system to Brisbane Australia’s Legacy Way project – a $1.5 billion tunneling project that included the urban and architectural landscape design as well as tunnel portals, ventilation facilities, noise barriers, and roadside landscapes. The project was recently named Australia’s top project at the 2015 National Infrastructure Awards. One key aspect of the design is a facade cladding system developed in collaboration with UAP Factory. The metal bar assembly attaches to the concrete walls and an open facade of the ventilation facility to provide a patterned effect for high-speed vehicular traffic. The digitally sourced pattern is fabricated by twisting steel bars arrayed perpendicular to the viewer. They are selectively twisted to produce momentary thin nodes. These nodes, spread throughout the field of the system, produce a pattern legible at a large scale to high-speed traffic. The assembly is noteworthy for its ability to produce image-like effects with factory-controlled fabrication techniques and conventional installation details. Prefabrication of the panels further added to the economy of the system. “Our aim was to balance Legacy Way’s design and infrastructure components to create an attractive, safe and seamless connection that integrates with local communities,” RPS Landscape Architecture Principal Philip Kleinschmidt explained in a press release. The design team tracked their movements around Australia for one year via GPS, and translated the resulting patterns into a layered graphic patterning system. A base layer of flatbars on edge is fixed back to the building on two horizontal rails. A secondary layer was established by mechanically twisting the flatbar ninety degrees to create undulating fields of solid and void. A tertiary system introduces a ridge detail via triangular fins to create depth change across the facade. These visual effects were then tested through an iterative digital modeling phase. “3d visualization and modeling was used to test pattern applications and understand the overall aesthetic once the system was rolled out en masse,” Amanda Harris, UAP’s Senior Associate and Design Manager, told AN. Harris said that this was a project concerning material properties: “The major constraint was ensuring efficiency of material, investigating and proving up the density (and therefore overall linear meterage) of material required to create the desired visual impact.” Digital models, scale physical models, and eventually larger mockups were produced to allow physical testing of the assembly and to confirm its desired visual effects. Harris said the mockups provided an essential feedback loop: “The twisting process itself was limited by the material, and it was important to understand and avoid twisting radiuses becoming too tight, to avoid causing stress and tearing of the aluminum.”
"It has never looked the same on any two times I have been to site."JCY Architects and Urban Designers have created a student services building on the Australian campus of Edith Cowan University that acknowledges the cultural identity of local Aboriginal community while providing sculptural infrastructure linking the campus community through a series of landscaped environments. The major elements of the building are an elevated concrete podium helping to negotiate a steep grade change, and a perforated aluminum solar shade. The project acts as a web with a central internal vertical spine atrium linked to various programs with a set of interconnected timber clad stairways. An elevated concrete podium navigating a significant grade change is formally derived from fluid dynamics studies of the flow of water through Australian billabong waterways. The podium's folded and sculpted white concrete soffit and faceted columns create their own seductive landscape, 'eroded' and opened up as would be found in nature when stone is sculpted by water. The architects designed the building in a way that makes future conversion to classroom space possible. This was achieved by incorporating “bubbledeck” concrete floor plates. This voided-slab forming system reduces the weight of the slab, increasing efficiency and reducing overall cost. The long span system allows for more slender columns, a generous structural grid spacing of around 30 feet by 30 feet, and a reduction of the shear walls required within the open plan layout. The architects also accounted for the maximum future utility spaces that would be required with a future change of use, which they say required over 30 percent redundant floor area. Embedded within the fabric of the interior and exterior skins are a number of themes which were developed through a collaboration between the architects and ECU’s Cultural Liason Officer from Kurrongkurl Katitjin and the local Noongar community. One outcome is a gold anodized perforated aluminum screen that folds around three upper levels of the building. Patterning is derived from curved, overlapping patterns of the chest feathers of a Carnarby Cockatoo, and creates a layered undulating effect. The perforation of the panels derived from manipulations to photographs of chest feathers from a black cockatoo. Hole diameters correspond to light values on the photograph – the darker the pixels, the larger the openings. Data from the open percentage of each panel was used in shading calculations to comply with Building Code Glazing Performance Criteria. Will Thomson, Principal at JCY, says the major constraints with this shading system were related to costs: “We could have no more than 8 different hole punch diameters to fit the project budget, and once these had been determined they were carefully set-out at 1:1 shop drawing over the panel drawings. They varied between 20-40% open area to meet the ESD requirements.” This aesthetic is introduced to the interior glazing system through a custom ceramic frit pattern and textile design of the carpeting. The fabrication and assembly process included several full size prototypes, which helped to resolve panel geometry. Thomson says the mockups resulted in many fabrication changes to allow for tolerance, movement of dissimilar metals, panel assembly details, material selections, and structural connection details. The anodized finish of the aluminum skin is inspired by the shimmering scales of a butterfly wing. Thomson says the anodized finish consists of a range of colors: “This has created an amazing patina of differing gold panels across large swatches of elevation and added a texture to the facade that would otherwise be lacking. The way the building changes color during the day, across the seasons is always a welcome delight. It has never looked the same on any two times I have been to site since the cladding works have been completed.”