Everyone’s favorite billings index is once again posting some impressive numbers just as winter loosens its cold grip and summer makes its long-awaited appearance. As AN previously reported, the Architecture Billings Index (ABI) had a slow start this year, but jumped into positive territory in February with a score of 50.4. Now, the ABI is taking things even more seriously, scooting up to 51.7 in March. And if you’re looking for more good news, we’ve got it: the new projects inquiry index jumped from 56.6 to 58.2. Want to talk regional and sector breakdown? Great, let’s talk regional and sector breakdowns. In March, the South was out front with a score of 54.5. It was followed by the Midwest at 51.0, the West at 50.4, and the Northeast at a very disappointing 45.8. By sector, it was institutional at 53.2, commercial/industrial at 53.0, multi-family residential at 49.7, and mixed practice at 46.2. “Business conditions at architecture firms generally are quite healthy across the country. However, billings at firms in the Northeast were set back with the severe weather conditions, and this weakness is apparent in the March figures,” AIA Chief Economist Kermit Baker said in a statement. “The multi-family residential market has seen its first occurrence of back-to-back negative months for the first time since 2011, while the institutional and commercial sectors are both on solid footing.” https://youtu.be/7ziDqtSRVdo
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The Chicago chapter of the American Institute of Architects this week honored tiny, often overlooked work in its fifth annual small projects awards, set to take place May 1 at Chicago's Architectural Artifacts. Architect P.K. VanderBeke took home top honors for her firm's Live/Work Gallery project, a “romantic ruin” sheltered within a century-old factory building in Chicago. Seven firms won additional awards for a variety of work, including a “box within a box” studio by Froeilich Kim Architects, Dirk Denison's cast aluminum table, and an elegant kitchen from MAS Studio. One winner was for work on another award trophy—MGLM Architects were recognized for designing a new Acanthus Award for the Chicago-Midwest Chapter of the Institute of Classic Architecture & Art. AIA Chicago executive vice president Zurich Esposito said the focus on small projects highlights good design work that isn't often celebrated. “With the improved economy, home and business owners are getting back to expansions, or thinking about tackling improvement projects,” Esposito said in a statement, “and it pays to hire an architect.” Six firms also received citations of merit. View a complete list of winners on AIA Chicago's website. Here are some more photos of the P. K. VanderBeke's Live/Work Gallery by photographer Janet Mesic Mackie (unless otherwise noted), provided by AIA:
Entice™ Series, an innovative new entrance system with features and components that have classified it as the first premium storefront of its kind. If you’re designing a premium exterior retail space, the Entice™ Series Entrance System is the only solution that retains the elegant appearance of a monolithic frameless glass entrance with minimal vertical lines and the unique ability to support door handle hardware on 1” insulating glass panels. This system is designed for use with all high solar and thermal efficient glass options including low-E coatings and tints. Entice™ delivers contemporary heavy glass storefront aesthetics while satisfying new energy code requirements and ASHRAE 90.1 air infiltration criteria. For added performance, patent pending vertical stiles with ultra narrow sightlines and door rails feature heavy-duty thermally broken cladding that provides U-Factors as low as 0.33. Patent pending SEAL-LOC Mechanically Clamping Seals also provide easy fabrication and glass replacement. This innovative system has an impressive pedigree, endowed with trusted CRL-U.S. Aluminum technologies, an AAMA 101 Performance Class LC-PG25-SHD, and a design that protects buildings from air/water infiltration, extreme temperatures, and mediocrity. The Entice™ Series will debut at AIA Expo 2015 in Atlanta, booth #1959.
Rick Bell who has led the New York chapter of the AIA to period of tremendous growth since it moved into their storefront on LaGuardia Place has resigned. The AIANY and Center for Architecture Executive Director Rick Bell have issued the following statement: “Rick Bell [has] offered, and the organization’s Board of Directors has accepted, his immediate resignation. An interim Executive Director will be named next week and a search to find a new Executive Director will also begin at that time."
The month of January is supposed to be the time of year when we put our best foot forward and onto a treadmill. “New Year, New Me,” we tell ourselves as we pretend to train for that marathon and convince ourselves that fruit is somehow an appropriate substitute for dessert. (It's not and you know that.) With all of this in mind, we expected some best-foot-forward kind of numbers from the January Architecture Billings Index (ABI). But, no folks, it turns out that the ABI not only lost momentum from last year, it plunged into negative territory. Well, to be fair, it didn’t really plunge into negative territory so much as it dipped a toe into it, posting a score of 49.9, down from 52.7 in December. Since any score above a 50 indicates an increase in billings, 49.9 is not the end of the world. By region, the South (54.8), West (49.3), and Midwest (50.8) all kept things positive, but the Northeast only managed a 46.0. Something similar played out by sector, with three of the four categories posting gains. Multi-family residential (51.4), institutional (53.0), and commercial/industrial (50.9), were all above 50, but then mixed practice went and ruined everything with a 46.9. The new projects inquiry index also had a sluggish start to the year, posting a 58.7 in January, down from 59.1 in December. The design contracts index meanwhile was recorded at 51.3. All things considered, AIA Chief Economist Kermit Baker remained calm. “This easing in demand for design services is a bit of a surprise given the overall strength of the market over the past nine months,” he said in a statement. “Likely some of this can be attributed to severe weather conditions in January. We will have a better sense if there is a reason for more serious concern over the next couple of months.”
Back in November, we told you how Taylor Swift’s hit song “Shake It off” perfectly summed up how we should feel about the Architecture Billings Index’s disappointing showing from the month before. Sure, the ABI’s momentum had slowed to 55.2 in October, but since any score above 50 indicates an increase in billings, we could just shake off any negativity. Now with 2014 gone, how did the Index shape up through the end of the year? To the numerous naysayers who wrote in saying we couldn't fit another Taylor Swift reference into our coverage of architecture billings data, watch this: As you may already know, we dropped the ball in December and did not post the freshest ABI data, creating what the superstar would call a “Blank Space.” Are we taking this Taylor Swift connection too far? Probably, so let’s move right to the numbers because we have a lot of catching up to do. In December, the ABI was recorded at 52.2, that's up from the 50.9 in November. The project inquiry index, unfortunately, did not have as good of a time—dropping from 58.8 to 58.2. But that dip was nothing compared to the design contracts index which fell from 54.9 to 49.9. By region, the Southwest and West performed best posting 56.8 and 52.9, respectively. The Midwest just managed to stay in positive territory at 50.8 while the Northeast slipped below the line to 45.5. And by sector, it was multi-family residential (55.7) followed by institutional (52.5) and then commercial / industrial (51.2). Meanwhile, mixed-practice was all the way down at 45.8. “Business conditions continue to be the strongest at architecture firms in the South and the Western regions,” said AIA Chief Economist Kermit Baker, in a statement. “Particularly encouraging is the continued solid upturn in design activity at institutional firms, since public sector facilities were the last nonresidential building project type to recover from the downturn.” Overall, 2014 was a good year for the ABI with 10 out of 12 months showing increasing demand for design services. It was also a very good year for Taylor Swift.
The American Institute of Architects has announced the keynote speaker of its 2015 national convention. William Jefferson Clinton, the 42nd president of the United States. The theme of this year’s convention is Impact… Stop chuckling. No? You won’t? Well, fine then. Your mind can stay in the gutter with its silly cigar references about Cuban missile crises and not inhaling. Eavesdrop has loftier things to contemplate, such as Bubba’s 1998 Pritzker Prize ceremony speech honoring Renzo Piano: “The country and the world needs its builders. Those with imagination and hope and heart who understand that with all the differences that exist in the world, our common humanity and our common relationship to the eternal and to our earthly home is far, far more important.” Roll that up and smoke it!
The American Institute of Architects (AIA) has announced the 2015 recipients of its Institute Honor Awards, which it describes as “the profession’s highest recognition of works that exemplify excellence in architecture, interior architecture and urban design.” This year’s 23 recipients were selected from out of about 500 submissions and will be honored at the AIA’s upcoming National Convention and Design Exposition in Atlanta. Here are the winners in the interior architecture category. Arent Fox; Washington, D.C. STUDIOS Architecture According to the AIA:
Key elements of this office building include a formal reception space with a physical and visual connection to the building lobby, a conference center, an auditorium with tiered seating, break-out areas for receptions, and slab openings on typical office floors for visual connection to other floors. The building has two primary street-facing sides and two sides that face an alley. To create parity between the two, the design places key elements on the alley side of the building to draw people from the front to the back for collaboration and support functions. Glass was used to shape offices and conference rooms and to blur the line between circulation and enclosed spaces.The Barbarian Group; New York City Clive Wilkinson Architects; Design Republic Partners Architects According to the AIA:
A 1,100-foot long table connecting as many as 175 employees—snaking up and down and through the 20,000-square-foot office space provides a digital marketing firm a medium for collaborating employees. To maintain surface continuity and facilitate movement through the space, the table arches up and over pathways, creating grotto-like spaces underneath for meetings, private work space, and storage. Dubbed the Superdesk, this table encourages connection and collaboration, makes conventional office furniture seem redundant, and challenges traditional ideas about what a modern office space should look and feel like.Beats By Dre; Culver City, California Bestor Architecture According to the AIA:
The Beats By Dre campus was designed to reflect the diverse and innovative work undertaken in the music and technological fields. The main building is carved by a, two-story lobby that forms an axis and two courtyards to orient the work spaces. Courtyards connect to the varied working environments and include offices, open workstations, flexible work zones, and interactive conference rooms. The office plan encourages interaction and contact across departments by establishing a variety of calculated environments that exist within the larger workspace: peaceful, activated, elegant or minimal.Crystal Bridges Museum of American Art, Museum Store; Bentonville, Arkansas Marlon Blackwell Architect According to the AIA:
The work of a local Arkansas basket maker, Leon Niehues, known for his sculpturally ribbed baskets made from young white oak trees from the Ozarks, provided the design inspiration for the museum store, located at the heart of the Moshe Safdie, FAIA, designed museum (2011) in Bentonville, Arkansas. A series of 224 parallel ribs, made of locally harvested cherry plywood, were digitally fabricated directly from the firm’s Building Information Modeling delivery process. Beginning at the top of the exterior glass wall, the ribs extend across the ceiling and down the long rear wall of the store.Illinois State Capitol West Wing Restoration; Springfield, Illinois Vinci Hamp Architects According to the AIA:
The West Wing of the Illinois State Capitol is the second phase of a comprehensive renovation program of this 293,000-square-foot National Historic Landmark. Designed by French émigré architect Alfred Piquenard between 1868 and 1888, the Capitol represents the apogee of Second Empire design in Illinois. Over the years inappropriate changes were made through insensitive modifications and fires. The project mandate was to restore the exuberant architecture of the West Wing’s four floors and basement, while simultaneously making necessary life safety, accessibility, security and energy efficient mechanical, electrical, & plumbing system upgrades.Louisiana State Sports Hall of Fame and Regional History Museum; Natchitoches, Louisiana Trahan Architects According to the AIA:
The Louisiana State Museum merges historical and sports collections, elevating the experience for both. Set in the oldest settlement in the Louisiana Purchase on the banks of the Cane River Lake, the quiet yet innovative design reinterprets the geometry of the nearby plantation houses and the topography of the riverfront; between past and future. Spaces flow together to accommodate exhibits, education, event and support functions. The hand-folded copper container contrasts with the digitally carved cast-stone entry and foyer within, highlighting the dialogue between the manmade and the natural.National September 11 Memorial Museum; New York City Davis Brody Bond According to the AIA:
The 9/11 Memorial Museum is built upon the foundations of the Twin Towers, 70 feet below street level. Visitors reach the museum via a gently sloped descent, a journey providing time and space for reflection and remembrance. Iconic features of the site, such as the surviving Slurry Wall, are progressively revealed. This quiet procession allows visitors to connect to their own memories of 9/11 as part of the experience. Located at the site of the event, the museum provides an opportunity to link the act of memorialization with the stories, artifacts and history of that day.Newport Beach Civic Center and Park; Newport Beach, California Bohlin Cywinski Jackson According to the AIA:
The Newport Beach Civic Center and Park creates a center for civic life in this Southern California beachside community. Nestled within a new 17-acre park, the City Hall is designed for clarity and openness. A long, thin building supporting a rhythmic, wave-shaped roof provides a light and airy interior, complemented by connections to outdoor program elements, a maritime palette, and commanding views of the Pacific Ocean. The project’s form and expression are generated by place and sustainability, as well as the City’s democratic values of transparency and collaboration.
The American Institute of Architects (AIA) has announced the 2015 recipients of its Institute Honor Awards, which it describes as “the profession’s highest recognition of works that exemplify excellence in architecture, interior architecture and urban design.” This year’s 23 recipients were selected from out of about 500 submissions and will be honored at the AIA’s upcoming National Convention and Design Exposition in Atlanta. Here are the winners in the urban design category. Beijing Tianqiao (Sky Bridge) Performing Arts District Master Plan; Beijing, China Skidmore, Owings & Merrill According to the AIA:
Old Tianqiao was once a bustling hub of cultural activities and folk arts traditions ranging from storytelling, variety shows, acrobatics, and operas. The project intends to reestablish the cultural heart of the capital with a collection of modern and traditional performance venues that respect the city’s sensitive, World Heritage context. An integrated design process across many disciplines laid out a series of environmental goals, including reintroducing the historic farm fabric, developing a storm water filtration system, reducing waste by using existing materials, and reducing automobile dependence and carbon footprint by creating walkable neighborhoods around three new subway stations.The BIG U; New York City Bjarke Ingels Group According to the AIA:
The BIG U is a 10-mile protective ribbon around lower Manhattan that addresses vulnerabilities exposed by Superstorm Sandy (2012). The BIG U consists of three components: BIG Bench, Battery Berm, and Bridging Berm. BIG Bench is a continuous protective element adapted to the local context that mediates new and existing infrastructure. The Battery Berm weaves an elevated path through the park, enhancing the public realm while protecting the Financial District and critical transportation infrastructure. This signature building features a “reverse aquarium” that enables visitors to observe tidal variations and sea level rise. The Bridging Berm rises 14 feet by the highways, connecting the coast and communities with greenways.Government Center Garage Redevelopment; Boston CBT Architects According to the AIA:
The redevelopment of the Government Center Garage project is an example of undoing the ills of the 1960's urban renewal in Boston that critically separated six thriving neighborhoods. The plan unlocks neighborhood connections, reopens urban vistas, and creates engaging public spaces by strategically removing a portion of the garage while preserving the remaining structure through creative phasing to provide for a sustainable and economically feasible redevelopment. The project introduces 3 million square-feet of housing dominant mixed-use program to downtown, creating a dynamic 24-hour neighborhood as a model for sustainable, transit-oriented development. The project also sets up a new position for urban design in Boston by shaping the urban form to respond to acute desire lines of a pre-grid city and promoting slender building typologies.Target Field Station; Minneapolis EE&K a Perkins Eastman company According to the AIA:
Target Field Station, which opened in May 2014, is a distinct transit station located in the heart of Minneapolis’ revitalized North Loop neighborhood. By combining sustainable design, open public space, and private development, all linked seamlessly with varying modes of transit, Target Field Station sets the bar for how modern cities leverage transit design to create iconic cultural centers.
At a ceremony held in mid-December, Elizabeth Chu Richter was inaugurated as the 91st president of the AIA. Richter was born in Nanjing, China, grew up in Hong Kong and Dallas, and holds a Bachelor of Architecture from the University of Texas. In 2007, she served as the president of the Texas Society of Architects and more recently represented Texas on the AIA’s National Board of Directors. Richter also heads the Corpus Christi-based architecture firm Richter Architects which won the 2011 Texas Society of Architects Firm Award. “As architects, we use our creativity to serve society—to make our communities better places to live," Richter said at the event. "Through our profession and our life’s work, each of us has shaped and reshaped the ever-changing narrative that is America in both humble and spectacular ways.”
Today, December 12th, the architectural world changed forever. Is that an overstatement? Entirely, but the AIA did launch a new social media campaign that it's really excited about. It's called "Look Up" and the AIA said it marks the next phase of its "multi-year repositioning initiative" to increase the public's awareness about the importance of design. Like all good social media campaigns, "Look Up" came into this world with a slickly produced promotional video and, expectedly, a hashtag: #ilookup. The video is awash in stock footage of clouds, skyscrapers, water, natural landscapes, a sunrise or two, and some science-y looking things. Mixed between the imagery are architectural models, blueprints, and noteworthy buildings (hello AIA gold medalist Moshe Safdie, twice). Take out the architecture moments and the video is almost a carbon copy of "This Is a Generic Brand Video," a parody created by Dissolve, a purveyor of stock footage. "Tell me," says a deep-voiced narrator in the AIA's video, "what do you see when you look up? Walls? Windows? Or do you see something else?" Before the narrator can answer his own question, there are some time-lapsed stars, a few trees, an intricate ceiling, a woman staring into the sun, and then, boom, he's back. "To be an architect is to look up, even before we put pencil to paper." With the video comes the inevitable Twitter campaign which asks followers to "look up" and post what they see under the hashtag #ilookup. For example, Twitter user Manuel posted a photo of the Willis Tower and Craig Toocheck saw the Chrysler Building. But here's the thing, sometimes when you "look up" you don't see the most interesting thing. Case in point, Toocheck's previous tweet: https://twitter.com/ctoocheck/status/543507558397657089/ It didn't take long for the AIA's followers to more directly attack the premise behind the "I Look Up" campaign. Ethan Kent, the senior vice president of the Project for Public Spaces, tweeted that he hoped the AIA would put more focus on human scale and place-making over looking skyward. To that, the AIA tweeted back "haters gonna hate," spurring a number of additional tweets among urbanism circles. The Institute has since deleted that tweet. Why don't we all just calm down and wait to see what Arcade Fire thinks. https://twitter.com/AIANational/status/543487974827388928