At the annual American Institute of Architects (AIA) Conference on Architecture, more than 800 building product manufacturers revealed the latest products. For two days from July 21-23 architects explored booths, galleries, and displays set-up across 200,000-square-feet at the Javits Center. The newest materials and technological advancements debuted, including a selection of handsome architectural products, as well as not-so-sexy (but useful) building solutions. SF Special Hirt by Goldbrecht Systems Press a button for an entire glass wall to completely disappear, silently retracting into the ground. Unlike other operable walls that offer views that “bring the outside in,” this gigantic retractable “window” actually disappears from all sightlines–from views looking both in and out. This particular model is made-to-order at variable lengths, the largest to date being 66 feet long and weighing over 16,000 pounds. Dialock DT 750 Häfele Tap a key-card on this RFID-enabled fixture to easily lock and unlock the door, eliminating the swiping and magnetic complications of conventional swiping strip cards. It is also available with a Bluetooth Low Energy (BLE) interface that enables smartphone-activated access. Attack Resistant Door Solutions Assa Abloy and School Guard Glass Hardware manufacturer Assa Abloy and safety glass manufacturer School Guard Glass partnered to design an attack-resistant door for schools. When paired together, the Ceco Door with SG5 attack-resistant glazing survive the most brutal blows and even gunshots (see the video above). Stronger and longer-lasting than a security film, the system is easy and affordable to retrofit to pre-existing openings for increased security. Malaysian Timber The Malaysian Timber Council Eleena Jamil Architect designed a four-walled enclosure fashioned entirely of Meranti timber to showcase the wherewithal and beauty of sustainably sourced hardwood from Southeast Asia. The modular structure promotes the material sourced by The Malaysian Timber Council, which strives to develop the country’s timber industry by creating greater market access and trade opportunities. 400T Series Thermal Curtainwall Tubelite Looking to get LEED gold? This thermally broken curtainwall is designed to meet the strictest energy codes. The expanded thermal break and thicker gasketing system reduces solar heat gain and condensation. Bowtie terracotta cladding Palagio Engineering Developed specially for the courtyard of a luxury high-rise in Manhattan, these ivory bowtie-shaped terracotta slabs reflect natural light to increase brightness to the center of the building. The glossy tiles are attached to an invisible anchoring system that creates a geometric, continuous cladding. MULTIFIX Rockwool Improve a building’s energy performance and efficiency with Rockwool’s hybrid stone-wool roofing insulation and coverboard. The flat roof weather barrier requires just one layer, making the entire assembly of a project easier and faster. And like all of the company’s products, the insulation is made of non-combustible material with a melting point of up to 2150°F—hot damn! AdvanTech Subfloor Adhesive Huber As an alternative to slower, more laborsome floor assembly, Huber’s polyurethane adhesive gel allows for quicker installation (a great solution for rising labor costs) on dry, wet, or frozen wood. It can also be used to fill in gaps in irregular surfaces. Cabrio Balcony Velux This skylight cleverly expands living spaces by folding out into an extended awning makeshift balcony. The metamorphic opening activates the otherwise hard-to-use space beneath a steeply angled ceiling. The design is more or less straightforward and mechanical, opening and closing without much effort, just like any window.
Posts tagged with "AIA Convention":
Architecture Lobby and ADPSR call on AIA and all architects to reject projects relating to immigrant detention
As recent news shed light on the thousands of families who have been separated at the U.S.-Mexico border in the last month, and as political pressure on the Trump administration to end the practice continues to mount, The Architecture Lobby (T-A-L) and Architects / Designers / Planners for Social Responsibility (ADPSR) issued a statement that rejects the role of architects in designing such detention facilities. In their statement, both groups unanimously call for the federal government to end the militarization of the border and for architects to refuse to take on work that would further human suffering. “The Architecture Lobby and ADPSR call on architects, designers, planners and allied professionals to refuse to participate in the design of any immigration enforcement infrastructure, including but not limited to walls, checkpoints, Immigration and Customs Enforcement (ICE) offices, detention facilities, processing centers, or juvenile holding centers. We encourage owners, partners and employees who find themselves in practices that engage in this work to organize, and deny their labor to these projects. “For too long, architects have been complicit in human caging by designing and building these structures. Architects designed the facilities where children call out for their parents at night. Architects also designed the extensive network of facilities where their parents shiver in frigid holding cells. History has taught us that what is strictly legal is not always what is just. It is time for this to end. We call on professionals to join us in this pledge: We will not design cages for people.” T-A-L and ADPSR directly called upon the national AIA to “to prove its commitment to making more diverse, equitable, inclusive, resilient, and healthy places for all people.” As the 2018 AIA Conference on Architecture kicks off today under the “Blueprint for Better Cities” banner, architects from all over the country will be gathering to discuss how to improve cities for their inhabitants. With Walmarts being repurposed as child detention facilities and as the Trump administration floats the idea of building more “tent cities” to house migrants, architects will likely continue to be contracted to design these facilities. In their statement, T-A-L and ADPSR have asked that the AIA directly comment on the practice, and publicly condemn, or excommunicate, its members who would willingly work to design them. For its part, the AIA has issued past statements against immigration and visa restrictions and their impact on the profession, but nothing about the actual practice of taking on such work. AN will update this story with any potential responses from the AIA. On the grassroots level, at the time of writing, a document has been making the rounds on Twitter that lists the architects and contractors who have been identified as working on such facilities, with contact information for many.
With only a couple of days left until the AIA Conference on Architecture 2018 (A’18) brings thousands of architects to New York City, many industry professionals are taking the opportunity to raise awareness about inequality, discrimination, and harassment in the field. A flash mob, workshops on #MeToo, and a resolution requiring ethical and equitable workplaces are all in the cards for this year’s conference. The rise of the #MeToo movement and the harassment and assault allegations against Richard Meier exposed fault lines in the architectural community that some say were always buried just below the surface. Women in architecture have been speaking up as a result, and architects are using this year’s convention as a national platform to make their voices heard. Frances Halsband, FAIA, co-founder of Kliment Halsband Architects, started a petition asking the AIA to amend their code of ethics to require that member workplaces must be free of discrimination, harassment, and abuse. Halsband’s petition and accompanying Fellowship is Leadership resolution, originally sent to 60 AIA Fellows, has signatures from nearly 500 fellows at the time of writing, over ten times the amount required to bring an item to a vote. "When I looked around, other architectural organizations were dealing with what had happened much more swiftly, and it seemed to me that the AIA was not doing enough," Halsband told AN. "I felt it was up to the Fellows to take a stand. If we’re supposed to be setting the standard, then we should set the standard." She added, "It’s one thing to belong to an organization that speaks for you; that’s a passive role. It seemed to me this is so important that individual people wanted to say, 'I believe this; I’m doing this.'" The petition was quickly codified into a resolution that Halsband brought to the floor of the AIA Conference on June 20 during the Business Meeting. Each of the delegates representing all AIA members will be given the chance to vote on whether to adopt the amendment. The measure passed overwhelmingly, with 4272 voting in favor of amending the code of ethics, 13 opposed, and 136 delegates abstaining. Carl Elefante, FAIA and AIA President, says that for their part, the organization is working to initiate a full suite of equity, diversity, and inclusion plans. The #MeToo movement and allegations against Harvey Weinstein and other high-profile men have brought a sense of urgency to the proceedings, said Elefante, but the AIA is a massive organization. Changes need to work their way through the appropriate committees and efforts to combat harassment and create a more equitable professional workplace have already been included in the 2016 – 2020 strategic plan. Ultimately, there are three levels in the AIA’s structure that need to be addressed: the national, at the 217 local AIA chapters, and on a member level. At the local level, Elefante discussed the coming harassment policy and training that chapters must adopt by 2019. Unfortunately, he noted, the AIA is an organization. Architects are either AIA members or they aren’t, and it often falls to firms to police their own culture. For their part, the AIA is working with the National Council of Architectural Registration Boards and with firms to raise awareness of the issues. On Friday, June 22, a flash mob intending to raise awareness of the discrimination and harassment that women in architecture experience, similar to the one staged at this year’s Venice Biennale, will gather at 12:30 pm at the AIA "member lounge" in the Crystal Pavilion on 34th Street and 11th Ave at the Javits Center. Beverly Willis, FAIA, of the Beverly Willis Architecture Foundation, a nonprofit that advances the recognition and contributions of women in architecture, and Caroline James, who started the petition to retroactively award Denise Scott Brown the 1991 Pritzker, will be leading the charge. The AIA is hosting its own handful of workshops on equitable practices in the workplace as well. On Friday, June 22, visitors can attend the “Harassment in the Workplace, Part 1—Compliance and Culture: Building a Respectful & Harassment-Free Workplace Culture” workshop from 10:30 AM to 11:30 AM. After learning how to recognize and avoid harassment in the workplace, conference guests can follow up with “Harassment in the Workplace, Part 2—Community and Resources: Hearing Voices & Exploring Conversation Strategies,” a panel on Saturday from 8 AM to 9 AM. Syracuse University’s Fisher Center at 19 East 31st Street will be holding a hackathon for equality on Wednesday from 1 PM to 5PM, where established architects and emerging voices can come together and present radical ideas for making architecture practices more diverse, equitable, and open spaces. Back at the Javits, interested visitors can stop by “The Missing 32 Percent (Women) & Missing Small Architects” on Thursday from 10:30 AM to 11:30 AM and learn about the roadblocks that women in architecture face on their paths towards representation and recognition. The Architecture Lobby will be using the conference as a springboard for its own set of talks and workshops on Friday and Saturday. Saturday’s “Infrastructure: The Architecture Lobby National Think-In” will gather a diverse set of participants and build a dialogue about how to fix both the hard and “soft” (intangible) problems plaguing architecture. At the Think-In, the “Labor” session from 2 PM to 3:15 PM will address the problems of low wages, long hours, and the lack of job security facing architects; the “#MeToo” session from 3:30 PM to 4:45 PM will tackle the backlash that accusers often face when coming forward; and the “Alternative Forms of Professional Organization” session from 5 PM to 6:15 PM will examine how architecture practices and architects as individuals can best order themselves and create mutually beneficial professional structures. All of these sessions will be held at Prime Produce, a nonprofit gathering space at 424 W 54th Street.
Here is the perfect way to kick off the start of the 2018 AIA convention. Who does not love spirits from Scotland? The Architecture Lobby is hosting an evening of fine whiskey and conversation about the state of our profession on Wednesday, June 20 at Haswell Green's starting at 6:00PM. In addition to tasty drinks, the evening will also be a chance to hear about the Lobby’s first national Think-in on Infrastructure on June 22 and 23 and to connect with members young and old. Architects/Designers/Planners for Social Responsibility (ADPSR) will also be in attendance. You can RSVP here.
Usually I speed past ads on social media as quickly as possible without breaking my infinite scroll, but when I saw the video ad for the AIA Conference on Architecture 2018 pop up, I was curious to see what the all-knowing algorithms had deemed worthy of my consumption. I expected a standard promotional video highlighting familiar New York City landmarks mixed in with information about conference dates, parties, keynotes–all that good stuff. Something to get me excited about what the AIA describes as the “architecture and design event of the year!” The video is only one minute long. It’s a lighthearted, fast-paced overview of exciting things to come. But it is also a visual, visceral reminder of the status quo of architecture in the United States. Here’s the video. For those of you who cannot view it, a summary of key scenes will follow, with a general description of those present in these scenes. I’ve assumed the genders of the people in the video. At 11 seconds: shot of the Expo floor, approximately 14 cisgender men. Cisgender (or simply "cis") denotes a person whose gender identity corresponds with their birth sex. At 12 seconds: shot of the Expo floor, 1 cis man. At 14 seconds: shots of a panel consisting of 3 cis men and 1 cis woman. The woman’s gender expression, which refers to her appearance in this case, is masculine. At 21 seconds: scene of 5 cis women exercising in a park. At 45 seconds: 2 cis women sitting in front of the Whitney Museum. Did you catch it? A total of at least 18 cis men are shown attending the Conference, while only one cis woman makes a fleeting appearance on a panel (where she is outnumbered by three cis men). No women are shown on the Expo floor otherwise. When cis women do show up, there are only 7 of them, and they are represented as mere consumers of architectural designs by cis men. They’re leisurely exercising at Four Freedoms Park on Roosevelt Island, designed by Louis Kahn, and enjoying the view out in front of the Whitney Museum designed by Renzo Piano. The numbers are telling: roughly 70 percent of people in the ad are cis men, while only 30 percent are cis women. 100 percent of the cis men are depicted as architects. 0 percent of the cis women are. Let’s face it: this advertisement mirrors architecture’s long-running and notorious gender diversity problem. According to Equity by Design, the organization formerly known as The Missing 32%, in the United States, cis women represent less than 50 percent of students graduating from accredited architecture programs, and the number of cis women who are AIA members, licensed architects, and senior leadership fluctuates between 15 to 18 percent of the total. The data gathered from their surveys in 2014 and 2016 confirm what we already know about the architecture profession: women and non-binary people (those who do not identify as male or female) are pushed out of the profession at certain points in their careers, and decision-making power is still largely in the hands of cis men. What does a one-minute video have to do with it? The AIA is aware of its gender diversity problem and, to the Institute’s credit, has been hammering away at it for several years. In 2011, the AIA Diversity Council was formed to confront issues such as the shortage of minority representation in leadership roles, unconscious bias, and sexual discrimination. In 2014, architectural organizations conducted an industry-wide study, Diversity in the Profession of Architecture, which highlighted the gross disparities in the field and the urgent need for a profession that more accurately reflects the demographics of our nation. The results led the AIA to issue a call to action by ratifying Resolution 15:1,“Equity in Architecture,” at the 2015 AIA National Convention. The resolution established the Equity in Architecture Commission. In 2017, the Commission released a report with five “keystone” areas of focus: leadership development; firm and workplace studio culture; excellence in architecture; education and career development; and, last but certainly not least, marketing, branding, public awareness, and outreach. This video, then, is part of the fifth “keystone” area of focus identified by the Equity in Architecture Commission. But the AIA seems to have lost its focus on working toward equity in this arena. Given all of the time, energy, and institutional power that has been invested in increasing gender equity in architecture, this ad betrays the AIA’s appalling lack of intention and commitment to doing the necessary work that the Equity in Architecture Commission recommends. This is disappointing for an organization that has extensive data on its own gender diversity problem and is keenly aware of its own representation to the public. The way architects are portrayed reveals a disturbing image of how the profession views itself. I understand that representation in an AIA Conference ad is not likely to affect gender diversity in architecture. Change doesn’t happen overnight, much less through algorithmically-placed adverts. But this ad does have a real effect on how women and non-binary people (like me!) feel about our inclusion within the architectural profession. Watching the video made me feel invisible, as though I’m not a real architect and I’m not invited to the conference. Barely seeing any women in represented in the ad was a shocking, surreal experience. During my second viewing, I was acutely aware of the implicit message: even if I do attend the conference, people like me don’t visit the Expo floor. I recalled attending the 2016 AIA Convention in Philadelphia and feeling wildly out of place. I could feel my hope for a better, more inclusive experience at A’18 drain away as the messaging sank in. The AIA, despite all of its efforts and good intentions, should do better. As a historically (and currently) cis male-dominated profession, the structure for supporting architects who are not cis men is severely lacking. Women and non-binary people face professional and academic settings that are hostile towards their career advancements. We receive messages in so many ways that we should not be architects. Just last year, a group of more than 50 architectural professionals wrote a letter to the Architect’s Newspaper imploring the AIA to reevaluate their keynote speakers (6 out of 7 were cis men; one was a cis woman and not an architect). We need a cultural change in architecture that also goes beyond representation.The architects who are honored by the AIA and other organizations merely reinforce dominant, patriarchal power structures. When will the five keystones for equity in architecture become a serious priority? When will architectural education become accessible enough to reflect the gender and racial diversity of the country? When will women and non-binary people finally feel represented and welcome at all stages of their architectural careers? I’m tired of having the same diversity and inclusion conversations. We have announced ourselves and have been speaking out. The future of the architectural profession lies in how well it welcomes the next generation. The next generation is here, but we don’t see ourselves reflected and seen. We need you to do better. See you on the Expo floor. A.L. Hu is an architectural designer, organizer, and activist living in New York City.
At the 2015 AIA convention in May, former President Bill Clinton gave a keynote address to the unwashed masses. He praised collaboration among designers and other stakeholders, and even admitted that “If I had another life to live, I’d be an architect, especially in this age of climate change.” He is not the only president to speak of a childhood dream of designing buildings. President Obama said in a 2008 campaign speech that he also had aspirations to be an architect as a youngin’. We’re just glad these heads of states didn’t opt for fireman.
You may remember that at last year's AIA conference in Chicago, YKK AP released a video titled Do The Architect as part of their "I am an Architect" series. Now, with the AIA conference going on in Atlanta, YKK AP has released the next installment. While last year's video was all a mashup of architects dancing, the new video is about how some people just know they are meant to be architects when they grow up. https://www.youtube.com/watch?v=6E6HHPJiVmY
Entice™ Series, an innovative new entrance system with features and components that have classified it as the first premium storefront of its kind. If you’re designing a premium exterior retail space, the Entice™ Series Entrance System is the only solution that retains the elegant appearance of a monolithic frameless glass entrance with minimal vertical lines and the unique ability to support door handle hardware on 1” insulating glass panels. This system is designed for use with all high solar and thermal efficient glass options including low-E coatings and tints. Entice™ delivers contemporary heavy glass storefront aesthetics while satisfying new energy code requirements and ASHRAE 90.1 air infiltration criteria. For added performance, patent pending vertical stiles with ultra narrow sightlines and door rails feature heavy-duty thermally broken cladding that provides U-Factors as low as 0.33. Patent pending SEAL-LOC Mechanically Clamping Seals also provide easy fabrication and glass replacement. This innovative system has an impressive pedigree, endowed with trusted CRL-U.S. Aluminum technologies, an AAMA 101 Performance Class LC-PG25-SHD, and a design that protects buildings from air/water infiltration, extreme temperatures, and mediocrity. The Entice™ Series will debut at AIA Expo 2015 in Atlanta, booth #1959.
Are you heading to the AIA Convention? Come visit The Architect's Newspaper at booth 4940. Meet executive editor Alan G. Brake and Midwest editor Chris Bentley from 10:30 a.m. to 12:30 p.m. on Thursday and Friday. Relax in design classics provided by Carl Hansen & Son. Recharge your phone. Have a coffee or water on us. Network with friends and colleagues. Or just wave! See you in Chicago!
Between keynote sessions, awards presentations, and interviews at the American Institute of Architects' (AIA) National 2013 Convention, AN's editors joined 20,000 attending architects in the search for the newest and most innovative products on the floor of the Colorado Convention Center's exposition hall. Following are a few notable discoveries. SureClad Porcelain Stone Crossville The Tennessee-based supplier of interior ceramics has partnered with Shackerley, a British manufacturer of porcelain ventilated facade systems, for an exterior cladding solution that meets U.S. building codes, including all seismic and hurricane standards. The system (pictured above) is supported by an aluminum frame and is delivered to job sites as a prefabricated system to ensure fast and efficient installation. SunGuard Neutral 78/65 Guardian Industries Developed to passively retain heat in colder climates, Neutral 78/65's low-E coating facilitates high visible light and a neutral color. It can be used in double- or triple-glazed units and can also be combined with any of SunGuard's other low-E coatings. AA5450 Series OptiQ Window Kawneer The new series in the OptiQ line of windows maintains thermal continuity and reduces energy transmission in both single and double hung constructions thanks to a polyamide thermal break. The 4-and-5/8-inch aluminum frame maintains a minimal profile and can be outfitted with 1-inch double pane or 1-and-1/2-inch triple pane insulated glass. OptiQ Windows are also available with expanded configurations. Benchmark Facade Systems Kingspan A fully integrated line of ventilated exterior cladding debuted at AIA 2013 and is now available from Kingspan. The company supplies a complete system of metal rails, insulated panels with a Bayer-developed polyurethane, and fastening solutions. The cladding is available in aluminum composite material (ACM), metal composite material (MCM), plate, high pressure laminate (HPL), ceramic granite, terra cotta, and thin brick, and comes in a broad range of colors. YUW 750 XTH Unitized Wall System YKK Hurricane and impact mitigating glazing for low- to mid-rise commercial buildings can be applied to multi-span curtain and single-span ribbon walls with YKK's latest addition to its ProTek portfolio. The new wall system can be specified with visible exterior face covers, a four-sided structural silicone glaze, or in a combination of both. It also boasts U-factors as low as .30.
At the AIA’s National Convention in Denver, held from June 19–22, AN’s Emily Hooper sat down with Spanish architect Francisco Mangado, who was in attendance to receive an honorary fellowship. Mangado discussed foreboding amendments to Spain’s law of professional services that would allow engineers, or anyone deemed “competent” in construction, to design and erect buildings across the nation. The law was introduced at a council meeting of Government Ministers in April of 2013, and a final pass-or-fail decision will be reached by the end of this year. Mangado: At the moment, we are very concerned about this. There are important demonstrations in Spain against this amendment because the government wants to change the law and allow engineers to do buildings. Right now, only the architect has the capacity to design and build buildings. But now the government, in a very very wrong way I think, [has proposed this and] there is no correspondence with the kind of training of architects and engineers receive in school, to extend the possibility to design and make architecture. Of course we are complaining, not only for a professional questioning, but for cultural and conceptual consideration. Architecture is not only construction. It has to do with the city, with the values of the citizen, with the public space, with beauty, with historical and symbolic concepts, but engineers don't manage these. In the same way that I'm not prepared to make a bridge, I think the government has to realize engineers aren't prepared to design buildings. Right now we are organizing a lot of complaints. After the summer I think the country’s students of architecture will go out to the streets to demonstrate and defend the profession, even with very violent demonstrations because it’s the only way our government will understand these things. We have a government that’s a disaster. The crisis is terrible but this government is increasing that crisis. So the problem of Spain is not only this government; the former government—of socialism—was another disaster. And the conservatives are just another. So the problem of Spain is our politicians. We have a very intelligent country of people who are well prepared with the capacity to work but we have a cancer—which is called politicians. They don’t accept anything. They don’t understand anything. I studied economic science before studying architecture; I know what it means to make an economy. An economy is a very important political component. Economy doesn’t mean you manage a society as if we were just a number in a computer. It’s much more. What is happening with architecture is just another sign of how wrong they are. But we have confidence in the citizens that we will defend our position. My family created an architecture and society foundation that at the moment is considered the most important architecture institution in Spain. Because the social architectural association went bankrupt from the crisis, our association has assumed the role of organizing conferences, lectures, and defending architecture in this sense against the government. If it’s necessary to be in the street, with protest, with violence, we will be there defending architecture. AN: So, this law is an economic measure. Mangado: Exactly. They are making this because they think they are going to reevaluate the cost for doing architecture. The reasoning is the more people they have doing architecture, the less the fees. But it’s completely wrong. At the moment in Spain, there are 40,000 architects and another 40,000 students of architecture, waiting to become architects. With this enormous amount of architects they already have competition. Architecture is a relationship with society. We are making buildings to serve a society, so architects have to be keen on these kinds of questions. What also happened is the government has made the most of the academic schedule in order to prepare this law because they know that 40,000 students are on vacation and they know if these students were at university now, tomorrow they’d have 40,000 young people on the streets.
Add another medal to Thom Mayne's trophy case. Thursday the American Institute of Architects announced that it was awarding him the 2013 AIA Gold Medal. He'll pick it up at next year's AIA convention in Denver, becoming the 69th AIA Gold Medalist. The list of works from his firm Morphosis is way too long to include here, but it includes the diamond Ranch High School in Pomona, California; the California Department of Transportation District 7 Headquarters in Los Angeles; and 41 Cooper Square in New York City. Meanwhile Tod Williams Billie Tsien Architects have been awarded the AIA Firm Award. The architects, who opened the new Barnes Foundation in Philadelphia this year, have also designed (among other heralded work) the former American Folk Art Museum in New York; the C.V. Starr East Asian Library at the University of California, Berkeley; and the David Rubenstein Atrium at Lincoln Center.