Search results for "waterfront"

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Quayside on the B-side

Sidewalk Labs reveals Snøhetta and Heatherwick designs for its Toronto development
Toronto’s interconnected “smart neighborhood” is inching ever closer to reality. Sidewalk Labs has released a batch of new renderings from Snøhetta and Heatherwick Studio, as well as documents detailing how the company plans to pay for the ground-up development. Sidewalk Labs’ Quayside waterfront Toronto neighborhood is being touted as a smart, interconnected, “100 percent timber” development. In a February 14 Medium post, the company released a progress report detailing its progress before the finalization of its draft Master Innovation and Development Plan. One proposal that’s drawing flak is an arrangement where Sidewalk Labs would build infrastructure such as light rail on the site in exchange for a share of the revenue generated by increased property values—diverting tax revenue from public coffers. Sidewalk Labs claims the arrangement would allow the neighborhood to rise “years, if not decades, sooner than it would otherwise. This would unlock the potential of the Eastern Waterfront, and the jobs, housing, and economic growth that will come with it.” The company also clarified how many units of housing it would be building in the neighborhood, which would contain 12 mass timber towers. The project will adhere to the site’s existing zoning and will be 90 percent residential. That means 2,500 units total, 1,000 of which would be rented at below-market rates, and 50 percent of which would be “purpose-built rental apartments.” Half of the below-market housing would be affordable (and a quarter of that marked as “deeply affordable”) and the other half would be designated for middle-income earners. To meet the high demand for timber that the 12-acre project requires, Sidewalk Labs has announced that they would build a tall-timber factory in Ontario, which would supply up to 4,000 new jobs. Google’s 600,000-to-one-million-square-foot Canadian headquarters could also be in the making on the western side of Villiers Island along the planned light rail loop. Retail, an educational component, and amenities are likely headed to the campus as well. The neighborhood will also become a testbed for innovative urban technologies. Other than the weather-responsive “skirts” deployed at the open-air bases of each building, the entire project will be networked with high-speed Wi-Fi. A civic data trust would be responsible for removing identifying markers from any information gathered and aggregating it. On the design side, Michael Green Architecture has developed a mass timber kit-of-parts, and Snøhetta and Heatherwick Studio have designed building concepts for the campus, innovation zone, common areas, and other spaces. Of note are the “scalloped” balconies found throughout the residential developments and post-and-beam styled open-air “stoas” at the base of each tower. The design will continue to change as Sidewalk Labs solicits feedback from stakeholders, the Canadian and provincial government, and Alphabet, Sidewalk Labs' parent company. The entire presentation can be viewed here.
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Staying Alive

Brooklyn-Queens streetcar rolls into environmental review
New York’s Brooklyn-Queens Connector (BQX) is still alive and inching toward realization. Today the de Blasio administration awarded a $7.25 million contract to national land-use and transportation planning consultants VHB to oversee the waterfront streetcar project’s Environmental Impact Study (EIS). Questions over the $2.7 billion streetcar route’s feasibility have plagued the light rail project since the beginning. Officials still haven't released the exact route or said how the city would recoup the money needed for construction. Last August, Mayor de Blasio admitted that at least $1 billion would be needed from the federal government and that using the “value-capture” model (collecting increased tax revenue as the BQX boosted property values along its route) wasn’t wholly feasible. The route was shortened to 26 stops along 11 miles, from Astoria in Queens to Gowanus in Brooklyn, cutting out Sunset Park farther south, and the opening date got pushed back from 2024 to 2029. All had gone quiet since then, but speculation flared that Amazon could potentially chip in for the system after the tech giant announced that it would be building a second headquarters in Long Island City. That seems to have been confirmed by Deputy Mayor Alicia Glen, who pointed to the boom in investment along the Queens-Brooklyn waterfront as proof that new modes of public transport across the two boroughs were needed. The city expects that the BQX will accommodate 50,000 daily riders when it first opens and 60,000-to-90,000 riders by 2050. ”For some reason, everybody thinks we are not serious but we have always been serious,” Glen told the Wall Street Journal. “The mayor wouldn’t have re-endorsed and announced we were moving forward if we weren’t moving forward.” The nonprofit group Friends of the Brooklyn-Queens Connector lauded the contract award as well, calling it a clear commitment on the part of the de Blasio administration to moving the project through the Uniform Land Use Review Procedure (ULURP). With the EIS on track for completion in 2020, the BQX project will move to the next stage of the ULURP by the end of 2021. The city hopes that the project will begin construction by 2024.
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Design Competition

Weekend edition: The Superbowl, scandal in L.A., and more
Missed some of this week’s architecture news, or our tweets and Facebook posts from the last few days? Don’t sweat it—we’ve gathered the week’s must-read stories right here. Enjoy! Everything you need to know about Super Bowl LIII’s Mercedes-Benz Stadium In preparation for this Sunday's Super Bowl LIII, here's everything you need to know about Atlanta's new Mercedes-Benz Stadium, designed by HOK. Work stops on one of L.A.’s biggest construction projects One of L.A.'s largest construction projects, Oceanwide Plaza, is involved in a sprawling corruption scandal, and work on the building was recently stopped. OLIN designing a 400-acre waterfront park for Southern Indiana OLIN has been tapped to design a new 400-acre park along the northern shore of the Ohio River in southern Indiana. Tod Williams Billie Tsien Architects renovates and expands Dartmouth’s Hood Museum of Art Tod Williams Billie Tsien Architects completed a 16,350-square-foot expansion and renovation of the Charles Moore–designed Hood Museum of Art at Dartmouth. Stay warm, and have a great weekend!
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Linking Linear Landscapes

OLIN designing a 400-acre waterfront park for Southern Indiana
OLIN has been tapped to design a 400-acre park along the northern shore of the Ohio River in southern Indiana. Set within a swath of waterfront long-occupied by landfill and industrial facilities, the future park will give local residents a much-needed connection with the river and its history, while boosting the area’s link to Louisville, Kentucky. Though no design details have been released yet, OLIN partner Lucinda Sanders said the plan, spearheaded by the River Heritage Conservancy, will tie into both sides of the Ohio River. In doing this, the park will serve 1.2 million residents within a 30-mile radius, including those living in the adjacent Indiana towns of Jeffersonville, Clarksville, and New Albany. A slew of brownfield sites, landfills, wetlands, and river camps currently encompass the massive parcel of land, which also sits within a FEMA 100-year floodplain and is bounded by a large levee that was built after a devastating flood in 1937. Sanders said OLIN will pay homage to the river and the site’s complex past. “We have a lot to work with here,” she said. “This park is already a 21st-century park in every way, shape, and form due to the conditions that are presently there.” After investigating the entirety of the site, the design team will intervene with a major remediation effort and then integrate a landscape design that will call attention to its unique context, while also acting as a buffer against future flooding. In a statement, Sanders said the park won’t be “just a public amenity, but...a purveyor of resilience. The mighty Ohio River creates the awe of this site. But it also has to be given the respect it deserves.” “You’ve got this amazing quantity of land situated within an urban environment that’s also lying in a severe flood zone,” Sanders told AN. “The fact that it’s also been so highly manipulated through the abuses of human activity, and that it contains a rich history for the region make it incredibly compelling.” When complete, the parkland will tie residents to one another and to the abundant natural and historical resources that populate the region. It will sit downstream from the Falls of the Ohio State Park and the original home of George Rogers Clark, a Revolutionary War hero. It will also be a key element of the new Ohio River Greenway, a seven-mile linear park that’s currently under construction. On a larger scale, the parkland will connect southern Indiana with the Louisville region’s vast park system, much of which was designed by Frederick Law Olmsted. OLIN’s design will link people to the Big Four Bridge, an old railroad truss bridge that reopened to the public as a pedestrian and bicycle throughway in 2013, and allow them to cross over into the River City. According to Sanders, OLIN is eager to dive head-on into the challenging project thanks to such widespread local support. “This community knows great parks, and they know great design,” she said. “We see a tremendous ambition in the expansion of this regional park network and are excited by the possibilities.” OLIN hopes to unveil ideas for the site after conducting a thorough analysis with local collaborators over the next nine months.
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No Towers, No Comprise

Architecture collective joins activists to protest luxury towers on New York’s Lower East Side
One Manhattan Square, an 800-foot-tall glass tower in Manhattan’s Lower East Side, is at the center of a grassroots battle against displacement. Designed by Adamson Associates, the Extell Developmentbacked skyscraper threatens to push out throngs of immigrants and longtime local residents who call the area home. It’s a common story found in the ever-evolving city, but this particular narrative possesses one distinct difference: It’s location. Since much of New York’s luxury residential building boom has focused on expanding Hudson Yards, buffing up Billionaires’ Row, and readying Long Island City for Amazon’s HQ2, the Lower East Side has been somewhat unaffected by such large-scale development. Until now. A series of sky-high apartment buildings, starting with the nearly-complete One Manhattan Square (also called Extell Tower), is slated to dot the Lower East Side waterfront enclave known as Two Bridges. Four planned towers are in the works, although One Manhattan square is the only one currently under construction. The surrounding community is predominantly composed of Chinese immigrants and working-class people, a major reason why the city designated the neighborhood a Large-Scale Residential Development (LSRD) area in 1972, which protects and promotes affordable and mixed-income housing for residents. According to Zishun Ning, leader of the Coalition to Protect Chinatown and the Lower East Side, the proposed high-end projects violate the LSRD, which requires that all new developments secure approval from the City Planning Commission or receive special permits through the Uniform Land Use Review Procedure (ULURP) process. Ning argued the city's decision to move forward with the Two Bridges development is therefore illegal, and indicative of discrimination from the mayoral administration. Not only is it politically fraught, according to Ning, it's socially irresponsible. The towers are situated within a three-block radius of each other and will sit near NYCHA housing. One will cantilever over an existing senior center and another, One Manhattan Square, will feature a “poor door,” as the coalition calls it, for the building’s affordable housing residents.   Yesterday a slew of protestors gathered at the 80-story tower and marched to City Hall in opposition to the plan. Ning said the day’s event, officially titled the March to Reclaim the City, was the coalition’s latest attempt to get Mayor de Blasio’s attention. “We’re not against development,” Ning said, “we just want some regulation and future development that fits our community.” Last fall the group submitted an alternative proposal to the commission in which the neighborhood could be rezoned for more appropriate use. They integrated height restrictions on new construction and called for 100 percent affordable housing on public land. Ning said their efforts were ignored, and in early December, the commission approved a special building permit submitted by the developers. The commission said the projects only presented a “minor modification” to Two Bridges’ zoning law and that a full Uniform Land Use Review Procedure (ULURP) process would not be required. “It’s evident that racism plays into the city’s zoning policies,” said Ning. “They rezone communities of colors for the interests of developers. We call out the city’s illegal approval, along with Mayor de Blasio’s collusion with developers to approve these towers and deny our plan that came out of a democratic process. We want to reclaim our democracy and control as a community.” History has seen many local working groups stand up against giant developers and influential politicians, but, according to Ning, there needs to be more support from area architects to help such groups envision a bigger, more inclusive picture for their neighborhoods. A new collective of aspiring architects and non-architects interested in the field, citygroup, wants to do just that. The organization aims to become a young social and political voice for the architecture industry. Members gather periodically for informal debates on serious topics like the need for affordable housing in New York, the nature of architectural expertise, and architects’ tricky relationship with real estate developers. The group's inaugural exhibition, set up inside its new space on the Lower East Side, details various visions of One Manhattan Square that imagine a more useful development for the local community. “We wanted to rethink the Extell Tower as something that isn’t as foreign to this neighborhood as it is now,” said Michael Robinson Cohen of citygroup. “It’s built on a plinth and houses mostly luxury apartments. We asked ourselves, How could we recreate the tower for different uses or for a diverse group of inhabitants?”   The exhibition centers on a series of 21 drawings done by different citygroup members. These individual visions, expressed within the confines of the building’s plan, feature different ways to reuse the tower’s 1.2 million square feet of space. Some pictured it as pure parkland, others cut it up into a grid of 3-meter-by-3-meter apartments. One strips away the idea that a housing complex must cater to the traditional single-family home by creating personally-designed apartments outfitted for everyone from single moms to yoga teachers, a Russian oligarch, a cat lady, and even a family of five. Thinking critically about megaprojects like One Manhattan Square, according to Robinson Cohen, allows architects to investigate the best ways for new developments to improve a community, instead of displacing residents and stripping away the character of a neighborhood. “Much like the coalition, we’re for challenging the tower, but are not against development in general,” he said. “Obviously, as architects, we want to build and it’s clear the city needs more housing, but to us it’s important to think about the people these developments serve.” To Ning, the architect’s mission isn’t far from that of the Coalition to Protect Chinatown and the Lower East Side. He says the two parties can work together to imagine developments that engage with local residents rather than taking away access to light and air. “We actually encourage architects to put their creativity into building things that benefit the community,” Ning said. “But in order for that to happen, we first need to fight the city.” A new lawsuit against the City was just brought on by the Lower East Side Organized Neighbors in opposition to the development. The Asian American Legal Defense and Education Fund (AALDEF) is slated to support with future litigation efforts. Until then, the City is still contending with another lawsuit calling for the towers to go through the ULURP process, initiated by City Council Speaker Corey Johnson last month. “These towers are just one piece of a bigger picture,” noted Ning. “If 3,000 units are added to the neighborhood, the demographics will change and the land value will rise. Harassment and eviction will escalate. This is happening all over New York City. It’s segregation, and it’s very visual.” Walk-throughs of citygroup’s exhibition are available upon request through early February at 104b Forsyth Street. Email group@citygroup.nyc for hours.
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What's the Quay?

Can Sidewalk Labs realize a totally timber smart city?

Can one of the world’s oldest building materials form the foundation of a sensor-integrated “smart” neighborhood? Alphabet subsidiary Sidewalk Labs is making a go of it on the Toronto waterfront, and has enlisted wood advocates and Katerra partner Michael Green Architecture (MGA) to design flexible, mixed-use timber buildings for its 3-million-square-foot Quayside project.

If the 12-acre site is developed as planned, it would become the largest timber project in the world.

The ground-up development in Quayside is leaning on mass timber because Sidewalk Labs has touted the material as sustainable and as tough as steel, as well as because cross-laminated timber (CLT) panels work well in prefabricated structures. MGA has designed a kit-of-parts that can be used for buildings of every scale, and Sidewalk Labs is reportedly looking at constructing a collection of 12 mass timber towers, with the tallest topping out at 30 stories.

Sidewalk Labs is aiming to build within Quayside’s existing zoning, which would entail 90 percent residential development.

The neighborhood will encourage street-level interaction through a combination of design and environmental control. MGA has anchored the base of each building with a “stoa,” or an open-air covered walkway supported by a colonnade (in this case, V-shaped heavy timber columns) that will contain retail and communal gathering places.

Of course, Toronto’s winters are especially punishing, and doubly so on the waterfront. Sidewalk Labs tapped the architecture studio PARTISANS to design an “outdoor comfort toolkit,” including a computer-controlled retractable canopy that will clad the stoas. The umbrella-like structures will block out wind, rain, and snow while heated pavers will keep snow off of the streets; the company claims that both advancements will double the amount of time residents will be able to spend outdoors.

Beyer Blinder Belle is responsible for the site’s master plan and Toronto-based PUBLIC WORK will be designing the landscape. Sidewalk Labs also reached out to the Ontario-based gh3*, Toronto’s Teeple Architects, and Toronto-based Dubbeldam Architecture + Design to create residential unit concepts. Sidewalk Labs will submit its final Master Innovation and Development Plan for public comment sometime this spring.

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Like the Gum

Waterfront installations brave the Toronto winter to “break the ice”
The third annual Ice Breakers Exhibition has returned to the Toronto’s downtown waterfront, dropping five public installations across the edge of Queens Quay West. Ice Breakers is a collaborative public art experience jointly presented by the temporary arts advancement nonprofit Winter Stations, Waterfront Business Improvement Area, and PortsToronto, the Toronto port authority. This year’s Ice Breakers presents four winning designs from a variety of international teams, as well as a student entry from Ryerson University. The theme for the 2019 exhibition was “Signal Transmission,” and appropriately enough, each installation evokes sending or receiving a message. All five of the public pavilions for Ice Breakers were installed on January 19 and will remain on display through February 24. Chroma Key Protest, from Andrew Edmundson, principal of the Toronto-based Solve Architects Inc, references the language of protest. Twenty-five wooden buoys have been clustered and given blank signboards in chroma key green, the same color used in green screens. By appropriating the mechanisms of protesting but leaving the “signs” a color that can be anything, Edmundson invites visitors to project their own grievances onto the installation. Stellar Spectra, from the Toronto-based duo of Rob Shostak and Dionisios Vriniotis, is split into two occupiable pavilions. Each captures and refracts starlight through the dozens of tubes that make up the structure of Stellar Spectra, flooding each of the “lighthouses” with warm and cool-colored light. Connector, from the Hamburg, Germany–based Alexandra Griess and Jorel Heid, at first glance resembles a jumble of wires. That’s intentional, as the designers sought to reference the birds’ nests of communication wires that arose at the beginning of long-distance transmissions. Each of the mouthpieces corresponds to another, but participants will have to hunt for the appropriate end if they want to have a conversation. Tweeta-Gate, from Eleni Papadimitriou and Stefanos Ziras, founders of the Athens, Greece–based Space Oddity Studios (SOS), invites visitors to embark on an audiovisual journey. The series of yellow gates, made from painted wood and joined by metal connectors, are cut into shapes reminiscent of architectural styles from all over the world. Each gate is adorned with bells that can be activated by passersby, or the sway of the wind and natural elements. Tripix, the student submission from Ryerson University, seems purpose-made for the Instagram crowd. The faceted, panelized structure uses a high-contrast color scheme, red-on-white, to draw attention to its central pillar. An appropriate scheme, considering the goal of the exhibition is to get Toronto residents off the couch and into the snow.
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Whale Hello There

The Pacific Visions Aquarium lands ashore with a triple-laminated glass facade
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In California’s Long Beach, a new biomorphic mass has surfaced along the waterfront. The semi-reflective blue structure is not a beached endangered species, but the Esherick Homsey Dodge and Davis (EHDD)–designed Pacific Visions wing of the Aquarium of the Pacific. The 29,000-square-foot project, which is set for a May 2019 public opening, features a triple-laminated glass facade rain screen subject to three different treatments. Unlike the preexisting wing of the Aquarium of the Pacific, the newly designed Pacific Visions places an emphasis on curatorial spaces—the facility will hold an art gallery, exhibition space, and an immersive theater. In effect, the internal program requires a black box experience to function accordingly.
  • Facade Manufacturer Woodbridge Glass Inc. Sentech Architectural Systems
  • Architects EHDD
  • Facade Installer Woodbridge Glass Inc. Clark Construction
  • Facade Consultants Buro Happold Consulting Engineers
  • Location Long Beach, California
  • Date of Completion Spring 2019
  • System Custom unitized rainscreen cladding system
  • Products Pulp Studio customized glass panels
Seeing as daylight is not needed for the wing’s interior spaces, glass was not the immediate choice for their facade cladding. Working with Buro Happold Consulting Engineers, EHDD experimented with a range of different materials following a planar cladding system envisioned as a continuous sinuous surface. According to the design team, they decided on “a completely unique glass assembly to evoke the effect of light on water, its depth, variability, and luminosity.” The dynamic visual qualities of the glass paneling system rely on a trio of layered treatments by California manufacturer Pulp Studio. The manufacturer produced the glass panels over the course of four months, shipping them on A-frames to installer Woodbridge Glass Inc. Bernard Lax, founder of Pulp Studio, referred to the fabrication process as an "exercise in frustration," owing to the complexity in producing hundreds of unique glass panels with highly particular treatments. “The innermost layer incorporates a subtle reflective finish that picks up changing light conditions and modulates the hue of the tinted middle layer,” said EHDD Senior Associate Quyen Luong, “the outer layer is made of low-iron, acid-etched glass, which eliminates direct reflection of the sky by diffusing light.” In total, the facade features over 800 unique glass panels encompassing a surface area of approximately 18,000 square feet. EHDD worked with Sentech Architectural Systems to custom design an open-joint steel aluminum carrier frame painted with a stringent resistant coating. Fixing the cladding in place without disrupting the sinuous surface of the facade remained a stylistic obstacle for the project—the city of Long Beach requires all facade panels to be mechanically secured regardless of any use of structural silicone. The design team took this challenge head-on by tapering the profile and size of the facade clips and examining their potential layout throughout the enclosure system. Through methodical research and adaptation, EHDD Senior Associate Katherine Miller notes "the retention clips add a sense of scale and rhythm. What was initially considered a compromise resulted in an opportunity to add another level of articulation to the faceted geometry of the facade." Quyen Luong will be presenting EHDD's Pacific Visions on February 7 at Facades+ San Francisco.
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Bayfront to Bayback

Perkins Eastman tapped for 100-acre mega development in Jersey City
Development in New Jersey doesn’t look like it will be slowing down any time soon, and Jersey City seems to be next in line to receive a massive, ground-up neighborhood. As first reported by Jersey Digs, New York's Perkins Eastman has been selected by the Jersey City Redevelopment Agency (JCRA) to design a residential community on a vacant, 100-acre waterfront plot. Plans for the new Bayfront community have been kicking around for at least three years, as private developer Honeywell International, Inc. and the city government hashed out their vision for the development. The remediation for chromium contamination, a relic of the plot’s industrial past, has slowed the progress on the site—leading to a $170 million buyout of Honeywell by the city government in October 2018. Jersey City has partnered with the JCRA and will act as a “master developer,” according to Jersey City Mayor Steve Fulop. After infrastructure is lain at the site by the city, development rights will then be parceled off and sold. According to a November 28, 2018, JRCA resolution that announced Perkins Eastman’s selection, the development plan will be split into two phases. Following a site tour and scope analysis, Perkins Eastman will be responsible for creating a set of design and development principles that fit within the master plan proposed by Anton Nelessen Associates. The First Phase Conceptual Plan will allow the city to create a comprehensive request for proposals (RFP) for prospective private developers. Design guidelines, renderings, “conceptual design for the public realm,” and a site plan will all be included. The second phase will be focused on refining the conceptual plan using feedback from the community and developers and will “get the word out” about plans for the site. According to the JRCA resolution, the city expects to issue developer RFPs in the first quarter of 2019. Once fully built out, Bayside could hold as many as 8,000 residential units. Perkins Eastman’s selection hasn’t been without hiccups; Councilman Rolando Lavarro, who sits on the JCRA advisory board, slammed Mayor Fulop in a Facebook post for the no-bid decision. Perkins Eastman will receive $218,000 for its Bayside work.
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Eliminating Elevation

Seattle set to finally close Alaskan Way Viaduct and open new tunnel
The aged elevated highway that famously borders downtown Seattle along its waterfront is set to officially close this Friday as part of the city's multi-pronged tunnel replacement project. The two-mile Alaskan Way Viaduct, also known as State Route 99, has blown past its recommended lifespan and has long been considered a major hazard to the city and its drivers. Its upcoming closure marks the beginning of a new transportation system for the whole city, but the saga leading up to this point has been harrowing. After a 6.8-magnitude earthquake struck Seattle in 2001, causing widespread panic about the then 48-year-old highway’s structural safety, the city and state began more seriously studying options to replace the viaduct. The Washington State Department of Transportation settled on a plan in 2004 that would include the build-out of a shallow, six-lane tunnel, but opposition soon arose over the project’s exorbitant cost and lengthy proposed construction timeline. After years of arguments, the most dangerous part of the highway, which sat south of downtown, was eventually demolished in 2011. Two years later, Seattle began making way for the tunnel, but the boring machine used to burrow the tunnel’s diameter broke down four months into its 1.7-mile journey underneath the city. It took another two years to repair the machine and digging began again in late December 2015. Despite more setbacks, including a large, unexpected sinkhole, the tunnel boring project was completed in spring 2017. It’s expected to open up to vehicular traffic in four weeks. Next steps include the demolition of the remaining standing viaduct and the construction of a street-level boulevard along its footprint. Dubbed the New Alaskan Way, it will line the edge of Elliot Bay. Once that's complete, the entirely revamped highway system will stretch northbound in two directions starting from Seattle’s major sports stadiums, CenturyLink and Safeco Fields, which are situated south of downtown. The SR 99 tunnel route begins adjacent to the arenas and runs northeast underneath the city toward a northern portal near Seattle Center, the home of the Space Needle. Drivers will be able to bypass downtown through the tunnel or the waterfront street-level surface highway or simply exit onto city streets. The decision to build both an underground highway and an elongated boulevard is an unconventional approach to mid-century transportation replacement projects. Cities around the country are currently grappling with similar situations revolving around dilapidated infrastructure, but Seattle’s struggle has been on the global stage for quite some time. After all, the Alaskan Way Viaduct should have come down decades ago when experts first saw signs of damage. It’s interesting to see a major metropolis, one sitting at sea level no less, choose this multi-project plan that for years created a mess of construction chaos and citywide debate. Though the pedestrian-friendly New Alaskan Way will likely do wonders to connect downtown Seattle with its industrial waterfront—a much-needed intervention—at a total of $3.3 billion it’s hard not to see this decision as both a big win for the city's future and a big burden for its present. 
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Future of Football

OMA’s Feyenoord Stadium set to transform Rotterdam’s waterfront
OMA has unveiled schematic designs of what will become the largest football venue in the Netherlands. The 63,000-seat Feyenoord Stadium will sit nestled along the river Maas with up-close views of Rotterdam’s skyline, replacing the city’s 80-year-old, out-of-regulation Stadium de Kuip. Tasked with the challenge to create a sports structure as beloved as its aged predecessor, OMA’s design team has envisioned an intimate, low-lying arena where every visitor, no matter their seat, will have unmatched views of the pitch below. It features a bowl shape set on a platform that partially juts out over the river. The main concourse wraps around the structure as a new urban plaza featuring a design by Lola Landscape. The current stadium De Kuip will be reimagined as part of a new residential, commercial, and recreational hub known as Feyenoord City. The build-out of Feyenoord Stadium will serve as a catalyst for this master plan, also designed by OMA, which aims to regenerate the underutilized waterfront Rotterdam Zuid neighborhood. The overall plan includes the redevelopment of De Kuip into an apartment complex and athletic center, as well as revamp an adjacent park. A pedestrian walkway, known as De Strip, will connect the old stadium with the upcoming arena, which is surrounded by rail and highways. Feyenoord Stadium is expected to open in 2023.
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Virtual Victory

2018 Best of Design Awards winners for Digital Fabrication
2018 Best of Design Award for Digital Fabrication: 260 Kent Designer: COOKFOX Architects Location: Brooklyn, New York

Slated to be the tallest tower in Williamsburg, Brooklyn, 260 Kent by COOKFOX Architects was designed using an innovative precast exterior concept inspired by the molecular structure of sugar crystals. In a unique collaboration between the architect, developer, and Gate Precast, the same BIM model that was used to design the facade and create early scaled 3D-printed models was utilized to print molds for the precast panels. When complete, the facade is intended to act as a shading element. Opening in fall 2019, the 42-story tower will join the already open 325 Kent and Domino Park as the latest edition to the Domino Sugar waterfront redevelopment project.

Honorable Mentions Project Name: A.V. Bath House Designer: Facilities Design Group Location: Custer, Michigan Project Name: MARS Pavilion Designer: Form Found Design Location: Los Angeles