Search results for "sustainability"

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Custom Standards

Sculpture studio at University of Arkansas celebrates the pre-engineered metal building
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The sculpture studio facility for the University of Arkansas, a design collaboration between Modus Studio and El Dorado Inc., is the first completed building for a new remote arts and design district for their campus. The project expands an existing pre-engineered metal building warehouse, through selective renovation and addition, into a simple, refined form. It provides natural daylight for studios inside and draws a connection to the context through the interplay of translucent and opaque materials.
 
  • Facade Manufacturer ATAS International (metal panels), Crystal Structures (polycarbonate windows)
  • Architects Modus Studio, El Dorado Inc.
  • Facade Installer Alliance Steel Incorporated (pre-engineered metal building, short-ribbed metal panels), Crystal Structures (polycarbonate windows)
  • Facade Consultants Bernhard TME (mechanical engineers), Entegrity (sustainability consultant)
  • Location Fayetteville, AR
  • Date of Completion 2017
  • System Pre-engineered metal building, short-ribbed aluminum panels, polycarbonate windows with aluminum frame
  • Products ATAS International Belvedere short-rib panel with Kynar white finish (opaque and perforated), Gallina USA polycarbonate panels
The design teams at Modus Studio and El Dorado decided to keep the existing building structure and continue the original detailing. The building was stripped down to the bones and the same pre-engineered metal building profile was used to create the new addition. The project more than doubles the existing footprint of the pre-engineered warehouse on the east and, with exterior porches of structural steel on either side that allowed for a layer of customization within the otherwise standardized facade system. The material palette consists primarily of the same short-ribbed aluminum panel with variations in color and opacity. The majority of the structure is clad in solid aluminum panels with a white Kynar finish. The same panel, with a twenty-three-percent perforation, is applied at either end of the building to denote the two exterior porches. These open-air bays needed to be shaded while allowing light in the flexible spaces on the perimeter of the building. They provide a visual connection with the surrounding context and allow people to see in while passing on the street or nearby trail. Additionally, flat aluminum panels are used as a backdrop for the perforated facade at the exterior porches. The building continues the conversation of opacity and translucency into the design and detailing of the windows. Constructed with an aluminum frame, the windows use a translucent polycarbonate to filter light. The purpose of the polycarbonate is to wash the interior spaces with consistent daylight during the day and project interior light towards the exterior at night. The windows are not a part of the pre-engineered assembly and had to be detailed in a different way. The project team saw this as an opportunity to celebrate this connection and positioned the windows at the columns of the main structural frames. From the interior, this exposes the detailing of the pre-engineered system rather than hiding it. The moments where the materials meet each other were of particular significance to the design teams at Modus Studio and El Dorado. This can be seen in the way that the trim is treated around the entire building. The architects wanted the trim to always be made of the adjacent material, so that the wrapping of material continued on all surfaces without interruption. Additionally, the downspouts were located at panel joints to hide the small shadow line and continue the wrapping of the facade. Jody Verser, the project manager at Modus Studio, told AN in an interview, “In one particular area, on the northwest side of the building in the foundry, we had a concrete wall, an elevated concrete floor, a concrete slab on grade, structural steel, pre-engineered metal building frame, perforated panel, opaque panel, and a corner downspout, everything coming together at one spot.” It was a game of coordination between both project teams and the contractors to arrive at the right solution and continue that logic throughout the project.
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Keep on Rolling

Katerra acquires Lord Aeck Sargent as expansion continues
Fresh on the heels of design/build company Katerra’s acquisition of timber-oriented West Coast firm Michael Green Architecture (MGA) less than two weeks ago, the $3 billion construction company has now added the Atlanta-based Lord Aeck Sargent (LAS) to its impressive portfolio. The additions of MGA and LAS, a studio founded in 1989 that offers a full suite of landscape architecture, interior design, architecture, and urban planning services with an emphasis on sustainability, has doubled Katerra’s design staff. The move is a prudent one for Katerra as it expands its architecture licenses to 31 states, along with British Columbia and Alberta in Canada. LAS has experience working in nearly every type of project, from academic to mixed-use to multi-family housing; as Katerra expands the types of modular, kit-of-parts buildings it offers (and with $1.3 billion in projects already under development), this expertise will likely help production move along more smoothly.

“By aligning ourselves with a company that is disrupting the design and construction industry, Lord Aeck Sargent will help deliver high-quality design to more people throughout a broader geographic range,” said LAS president Joe Greco in a press release. “We look forward to breaking new ground with a company that is poised to transform and optimize the industry. Katerra shares our vision of the power of design, innovation and technology, and a desire to deliver high-quality projects.”

Interestingly enough, LAS is the second advisory firm from Katerra's design consortium, formed in 2017, to be purchased by the technology company. It remains to be seen if Katerra will also try to acquire Lake|Flato or Leers Weinzapfel Associates in the future.  
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Highlighting L.A.

Los Angeles Design Festival to highlight city’s design chops this weekend
The Los Angeles Design Festival (LADF) returns to L.A. this weekend, offering up a wide-ranging slate of art- and design-focused events that aim to highlight the city’s growing design scene.  We’ve put together a few highlights for the weekend below. Though the festivities actually kicked off last night at the official opening party, things get serious today, with a bevy of installations and receptions opening to the public Friday and on through the weekend. Highlighting the day’s events will be a keynote address by Los Angeles Chief Design Officer and former Los Angeles Times architecture critic Christopher Hawthorne.  The keynote presentation will feature a discussion focused on housing in Los Angeles between Hawthorne, Barbara Bestor of Bestor Architecture, Julie Eizenberg of Koning Eizenberg Architects, and Jimenez Lai of Bureau Spectacular.  This evening, Antonio Pacheco, AN’s west editor, will be moderating a panel discussion at SPF:a Gallery titled “How I Learned to Stop Worrying and Love the L.A. River” that will focus on whether L.A. can avoid the dreaded “High Line Effect” as it revitalizes and restores the Los Angeles River. The discussion will feature panelists Deborah Weintraub, Chief Deputy City Engineer, and Chief Architect for the City of Los Angeles; Mia Lehrer, president and founder of Studio-MLA; Helen Leung, co-executive director, LA-Más; Mark Motonaga, partner at Rios Clementi Hale Studios; and Yuval Bar-Zemer, co-founder, managing partner at Linear City Development LLC. Saturday, the INTRO/LA modern furniture exhibition opens in the Row DTLA complex in Downtown Los Angeles. The annual exhibition will highlight the work of Another Human, Block Shop, Estudio Persona, Massproductions, and Waka Waka, among many others.  Saturday will also feature a special pop-up show featuring the work of L.A.-based offices Feral Office and Spatial Affairs. The exhibition will highlight the collaborative work of Berenika Boberska (Feral Office) and Peter Culley (Spatial Affairs) who have come together for a joint project titled “New Walled Cities and Hinterlands,” an exploration of Los Angeles’s particular urban forms as they relate to clustered densities and single-family neighborhoods.   Sunday will see another panel discussion—also at SPF:a Gallery—this one led by Steven Sharp, founder and editor-in-chief of Urbanize.LA, who will preside over a conversation titled “The Tech Frontier: The Rise of 'Silicon Beach'” that will address the socio-economic implications Silicon Beach could have over the long term as moneyed tech workers settle in Los Angeles. The panel will include Marc Huffman, vice president of planning & entitlements, Brookfield Residential; Michael Manville, assistant professor of urban planning at the UCLA Luskin School of Public Affairs; Li Wen, design director and Principal at Gensler; and Russell Fortmeyer, associate principal for sustainability, ARUP. The last day of the festival will showcase a “a critical round-table discussion” called “The Morning After” covering the DOPIUM.LA [ D / M E N S / O N S ] exhibition and event at the A+D Museum taking place the night before. The discussion will feature contributions from curators, designers, and artists involved with DOPIUM.LA, as well as a conversation centered on the notion of temporality and impermanence in the production and exhibition of works of design and art, including how those efforts contribute to material reality. The afternoon will also feature a conversation between Andrew Holder and Benjamin Freyinger of the Los Angeles Design Group hosted by THIS X THAT, Hem, and Poketo. See the LADF website for more information and a full slate of calendar events.
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Pop Style

MRY restores Charles Moore’s PoMo gem at UC Santa Barbara
When the Moore, Lyndon, Turnbull, and Whitaker Architects-designed University of California, Santa Barbara (UCSB) Faculty Club opened in 1968, architectural historian and critic David Gebhard wrote in Forum that the complex was “theatrical (like Hollywood) and planned, even though on the surface everything appears haphazard and disjoined.” The compliment applies in opposite to the recently-completed $11.25 million renovation, restoration, and expansion to the complex by Charles Moore’s successor firm Moore Ruble Yudell (MRY), where a series of rationally-organized dining facilities, hotel accommodations, and administrative offices conceal nuanced and rich architectural detail. The complex was originally designed as an homage to the era’s Pop Architecture phenomenon that blended Spanish Colonial Revival stylings with a 1960s penchant for dumb shacks and postwar vernacular modernism. Though from the outside, the building originally appeared as a stuccoed mass of disjointed shapes, Moore and Turnbull’s original vision was decked out inside with soaring framed archways, criss-crossing mezzanine walks and stairways, and neon signs and symbols decorating its walls. The project’s showpiece, a central, multi-story dining room, contained all of these elements and more, including deep-cut architectural references to other famous works—like a sloped entry reminiscent of Le Corbusier’s Carpenter Center at Harvard—that were amplified and repurposed throughout the UCSB Lagoon-adjacent complex.  Today, the expanded club boasts a wholly new 15,760-square-foot wing hosting 34 guest rooms wrapped by perimeter circulation, as well as a renovated and restored central dining hall and a bevy of new sustainability features. Overall, the building has more than doubled in size from 14,595 square feet to over 30,000 square feet today, an effort that has overtaken but not necessarily overshadowed the existing PoMo gem. MRY has taken a gradient-driven approach to the project by restoring the easternmost two-thirds of the original building while also adaptively reusing the remainder of the existing complex and adding the new wing on the building’s west side.  The upgraded dining room—dialed down in terms of its furnishings and place settings from the 1960s version, as one might imagine—is more spare than before. Gone are the expanses of wall-to-wall red carpeting, Mid-Century Modern-styled dining chairs, and glass-topped dining tables and their frilly, folded napkin arrangements, which have been replaced with more paired-down and contemporary elements.  Many other aspects of the existing building have been retrofitted for contemporary times as well, including the building’s windows, which have been replaced with energy-efficient panes. The complex boasts passive design features that facilitte matural ventilation throughout. Added too are new sensitive lighting designs that allow for task-level lighting control in the hotel rooms, as well as new ambient lighting in the dining areas that compliments the large glass light fixtures already inhabiting the space.  Perhaps the most unique elements of the complex come in at ceiling height, where many areas feature drop-down roof rafters that evoke the vigas of the Spanish Revival as well as the slap-dash 2x10 ceiling joists of the Mid-Century vernacular, as well.  These elements are complemented in the hotel rooms and in the building’s many shared areas by peculiar ceiling geometries that result from the building’s heaped architectural forms. Everywhere rooms and entire wings explode askew to the structural grid, with massive octagonal arches doing the work of keeping the building standing, as sloping ceilings, pop-out window walls, skylights, and transom openings combine to create delightful ceiling geometries.  Overall, the architects have proven that it is possible to respect and embrace history—even what might be considered by some today as an over-wrought PoMo relic—while also building for the future.  In Santa Barbara, PoMo isn’t “back,” and it’s certainly not dead—It’s been here and will continue to remain. 
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Extreme Conditions

New eco-friendly weather and air barriers help to lower energy costs

Even the highest performing facades can be undone by gaps or by under-utilizing insulation. Weather and air barriers have expanded to fill a variety of niches, from eco-friendly insulation to ready-to-install sealant.

Rizza Partition Closure System Balco

This compression seal is perfect for vertical junctures and joints between the ends of partitions, curtain walls, and glazing. It measures 100 feet in length, reducing multiple splicing, and is made from 100 percent silicone—making it an effective solution for sound/vibration transmission, thermal transfer, and dirt/dust infiltration.

Spectrem Restoration Overlay Tremco

Sloped glazing can be difficult to maintain, but this UV-resistant overlay provides superior protection against air and water leakages. Instead of having to completely replace degraded sealant, this gasket system is easy to install, has a high tolerance for temperatures, and can be color-matched.

AFB evo ROCKWOOL

Available in thicknesses of 1 to 6 inches, AFB evo meets all of the same specifications of the original ROCKWOOL AFB, while also conforming to sustainability standards such as LEEDv4. This light-weight batt insulation contains no added formaldehyde and is a great choice for schools and hospitals.

Air-Bloc 16MR Henry

A fire-resistant air and vapor barrier applied as a liquid, Air-Bloc includes anti-microbial properties to create a mold-resistant membrane when set. Once cured, Air-Bloc forms a tough, rubber-like barrier without any seams, and can be applied in temperatures as low as 2o℉.

   

[SPONSORED] Humanscale Coming soon from Humanscale Design Studio: Summa – a new movement in conference seating.

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Cook's Camden

What can architects learn from London’s best social and urban housing projects?
The spectacular demolition of the high-rise Pruitt-Igoe public housing project in 1972 has been described as "the day Modernism died," but a very different dynamic played out across the Atlantic. As documented in a beautiful new book by architect and historian Mark Swenarton, in the mid-1960s and early 1970s, London saw the creation of a wide variety of  low-rise, high-density public housing projects by young architects who adapted Modernist design idioms to the era's intense need for low-cost housing. Focusing on the architectural output of single north London borough, the richly detailed and lushly produced new book, called Cook's Camden: The Making of Modern Housing, documents in vivid detail the design and construction of thousands of affordable homes in Camden, one of London's wealthiest and most historic neighborhoods. Created between 1965 and 1980 under the direction of Camden's visionary chief architect Sydney Cook, the projects described in Mark Swenarton's magisterial book constitute what he describes as "not just the last great output of social housing... but also arguably the most concentrated architectural investigation into urban housing undertaken in the last 50 years." In the foreword to the book, Columbia University historian Kenneth Frampton concurs, describing Cook's Camden as "an exceptionally thorough documentation and analysis of British achievements in the field of low-rise, high-density housing.... part and parcel of this international movement towards achieving denser, anti-suburban, proto-ecological patterns of land settlement." At the heart of Cook's Camden is the work of New York-born architect Neave Brown, whose social housing projects range in scale and ambition, starting with a small terrace of five raw concrete row houses and ending with Alexandra Road, perhaps the most celebrated architectural scheme in England. Alexandra Road turns its back on the adjacent train tracks to form a protected interior street, with front doors facing out onto a pedestrian-friendly, car-free environment from a ziggurat of stepped apartments, each with its own balcony garden. All of the projects Neave Brown designed for Camden have been protected as national landmarks, and last year, his work earned him even greater honor: a much-belated RIBA Gold Medal, bestowed just before his death at age 88, in large part, thanks to the appreciative attention garnered for him by the author Mark Swenarton, who has been conducting  the research for Cook's Camden for more than 12 years. Another designer featured in Cook's Camden is Peter Tabori, whose Highgate New Town complex, located between a large hospital and a Victorian-era cemetery, took inspiration from the dense urbanism of a Tuscan hill town. Like many of the housing schemes described in Cook's Camden, Highgate New Town was first celebrated, then allowed to decline, and in recent years has been revived as one of London's most valuable public-private council estates. A final project described in Cook's Camden, Branch Hill became known as "the country's most expensive council houses." Built on a difficult hillside site in the heart of Hampstead, one of London's most exclusive and expensive residential districts, Branch Hill was designed by architects Gordon Benson and Alan Forsyth, who went on to design the acclaimed Museum of Scotland. In keeping with the goal of maximizing green space, the architects took full advantage of the sloping site to create extensive private roof gardens. For present-day architects or developers looking to "solve" the affordable housing crisis, perhaps the most valuable chapter covers the smaller-scale infill schemes that Swenarton calls "urban dentistry." The projects described and illustrated in this section include Neave Brown's first small-scale effort, on which he joined with fellow early 1960s student architects Michael and Patty Hopkins, to develop, design and build a five-unit terrace of supremely detailed modern homes on a tight urban site.  Another commission went to Edward "Ted" Cullinan, who designed a five-story mix of family duplexes and smaller one-bedroom apartments, composed with contextualist flourishes that put it among London's first postmodern buildings. Along with lush production quality, hundreds of vintage and contemporary photographs and carefully catalogued references, one of the many valuable features of Cook's Camden is a gazetteer and map of all the properties and projects studied in the book, which may well inspire readers to take a trip to London to see these fine designs and inspiring examples of municipal success. In a final section of Cook's Camden, the author digests the era's seismic changes and draws three important lessons for today's designers, planners and builders: one, recognize that the street is the basis for urban housing; two, understand that designing urban housing demands attention not only to physical form but also to the social relationships these forms may engender; finally, and perhaps most importantly, that designers must use all their abilities–"analytical and visionary, rational and imaginative, practical and poetic, to provide something better than what is currently being built around us." Based in London and New York, Jamie Jensen is a writer and advocate for public space and urban sustainability. Cook's Camden: The Making of Modern Housing Lund Humphries $69.51 (hardcover)
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Zero Tolerance

Preview: Designing Waste at the Center for Architecture
Every day, about 24,000 tons of discarded materials leave New York City to head for distant landfills. Designing Waste, curated by Andrew Blum and designed by WkSps, will investigate how designers can help sharply reduce that number. Drawing from the Rockefeller Foundation and AIA New York’s Zero Waste Design Guidelines (PDF), the exhibition closely examines current trash management systems, and explores how to improve efficiency and alternatives, especially before trash makes its way to trucks. “It’s not about recycling plants and landfills. It’s about the moment trash is closest to us,” said Blum. “This is where architects can really do something. Its sheer invisibility mesmerizes me.” Innovations range from simple ideas like making waste separation easier and improving the flow of material, to providing new resources for compacting, recycling, metering, and calculating waste. The show will even include a giant recycling baler, which Blum says could become a common site inside most New York buildings. Per its Zero Waste Challenge, the city plans to send zero waste to landfills by 2030. So it better hurry up and pay attention. Designing Waste: Strategies for a Zero Waste City Center For Architecture, 536 Laguardia Place June 14- September 1
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Fast Tracked

Obama Presidential Center breezes through planning and zoning hurdles, but continues to kindle community concern
The Obama Presidential Center (OPC) passed two substantial hurdles this month as the Chicago Planning Commission and Zoning Committees both voted in overwhelming support of the development. Amidst a seven-hour hearing of public comment coming from a variety of Chicago voices, broad strokes of the plan were given a “yay” vote from 15 of the 22 planning commission members on May 17. The Chicago City Council signed off on the $500 million project on May 22, passing various zoning approvals. The stage is now set for the construction of a 235-foot-tall building with cultural exhibit and office space, two additional cultural buildings, and an athletic and community center.  The Planning Commission vote also includes a 450-car underground parking garage and clears the way for the Obama Foundation (OF) to close public right-of-ways. While these votes were expected to breeze through both the Planning Commission and Zoning Committees, departments within the City of Chicago had already created conditions that allow obstacles to be easily bypassed, from the rerouting and closing of streets to downplaying the effects the OPC will have on historical aspects of Jackson Park. While the agenda divided the vote into multiple components, all of the items were treated as one. Public comment during the May 17th Planning Commission meeting included statements from the Chicago History Museum, Preservation Chicago, Jackson Park Watch, The Woodlawn Organization, Chicago aldermen and tenured Chicago activists. The commission did not address the federal lawsuit filed on May 14 by Protect our Parks, Inc. that accused the Obama Foundation of an “institutional bait and switch,” claiming that the original purpose of the transfer of public park land to the OF, a non-government entity, was to house the official Obama Federal Library, to be administered by the U.S. National Records and Archives Administration. As the OPF will not house Barack Obama’s official documents, the suit claims, transfer of park land to a private entity violates the park district code. The Planning Commission also failed to address a community benefits agreement proposed by the Obama Library South Side Community Benefits Agreement Coalition (CBA), a group of organizations that includes ​the Kenwood Oakland Community Organization, Black Youth Project 100, and Friends of the Parks. Under the ordinance proposed by the CBA, the OPC, the University of Chicago, and the city would make targeted investments within a five-mile radius, including economic development, education, employment, housing, sustainability and transportation. At a community meeting held at McCormick Place last February, Barack Obama coolly responded to the call for a CBA: "The concern I have with community benefits agreements, in this situation, is it's not inclusive enough," Obama remarked. "I would then be siding with who? What particular organizations would end up speaking for everybody in that community?” Also present at the Planning Commission meeting were OPC architects Todd Williams and Billie Tsien, who are in the process of selecting materials for each of the structures that complement neighboring buildings like the Museum of Science and Industry and the Reva and David Logan Center for the Arts, a building of their own design on the campus of the University of Chicago. While neither Tsien nor Williams spoke during the hearing, Williams implied during a public meeting in February that the integrity of Jackson Park has already been compromised over time. Designed by Fredrick Law Olmsted and Calvert Vaux, Jackson Park was the site of the 1893 World’s Columbian Exposition and is one of Chicago’s most valuable and significant pieces of public land. An archaeological evaluation performed as a part of the project’s federal compliance uncovered artifacts and ephemera from the World’s Columbian Exposition, as well as architectural materials relating to the fair’s buildings, many of which set the course for how Chicago would look going into the 20th century. Despite the importance of these findings for Chicago, both the Illinois State Archaeological Survey and the chief archaeologist for the Illinois Department of Transportation have determined the presence of these artifacts to be insignificant. It is expected that a federal review of above-ground resources will reach a similar conclusion-that the OPC project will not have an adverse effect on the historic landscape of Jackson Park or the surrounding historic districts and buildings. At the center of the opposition is a $175 million-dollar plan to overhaul and close multiple roads within and around Jackson Park, a critical component to the Tiger Woods-designed PGA golf course slated to open in 2020, a year behind the OPC. The golf course would combine the existing Jackson Park and South Shore courses and fragment the South Shore Nature Sanctuary in favor of unobstructed views of the Chicago skyline for golfers. While the OF has not stated they are in support of the golf course proposal, many board members of the Chicago Parks Golf Alliance, an organization in support of the plan, have ties with the Obama Foundation or Barack Obama himself.
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Capital Idea

Foster + Partners will master plan the core of a new Indian state capital
  Amaravati, the new state capital of Andhra Pradesh, India (formed in a recent redrawing of state boundaries), is set to rise as a sustainable smart city, and Foster + Partners will master plan the green “spine” running through its administrative core. The 134-square-mile city is being positioned as one of the “most sustainable in the world” according to Foster + Partners, thanks to widespread solar power, electric vehicles, dedicated cycling routes, and shaded paths to encourage walking. The city was strategically positioned on the banks of the River Krishna for easy access to fresh water, and water taxis have been floated as mass transit options. The 3.4-mile by half-mile stretch that Foster + Partners will be planning holds the city’s central governmental complex, including the design of several administrative buildings, and most importantly, the legislative assembly and the high court complex. The green spine will be at least 60 percent occupied with either greenery or water, and Foster + Partners claims that the area, centered in a city with a strong urban grid, was inspired by Central Park and Lutyens' Delhi (an area of New Delhi designed by British architect Edwin Lutyens). The legislative assembly building will sit inside of a large freshwater lake at the spine’s center and appears to be floating over the water’s surface. Keeping the Hindu principles of vastu shastra in mind, the building dramatically spikes 820 feet towards the sky at its core and creates an internal void. The space below inside of the assembly building will be used as a courtyard, while visitors can climb a spiral ramp to a cultural museum and viewing gallery on the upper levels. The high court complex is located off of the spine’s central axis, and the building’s stepped, dome-shaped roof references Indian stupas; domed buildings typically containing Buddhist relics. Generous overhangs encourage natural, passive cooling throughout, and the programming is made up of concentric circles of circulation spaces and rooms. The public-facing sections will be at the exterior rings, while the most sensitive and private areas will be located at the heart of the court complex. A mixed-use neighborhood has been planned for the area closest to the river’s edge, structured around 13 public plazas, each representing a state district in Andhra Pradesh. Sir Norman Foster was recently in Amaravati to survey the site and discuss the project’s next steps. “We are delighted to be working with the Chief Minister and the Government of Andhra Pradesh to help them realise their ideas for the People’s Capital and to build a clear and inspiring vision for the governmental complex at Amaravati,” said Foster in a press release. “The design brings together our decades-long research into sustainable cities, incorporating the latest technologies that are currently being developed in India.”
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Join the AEC Evolution

Take a sneak peek at this year’s TECH+ conference
This is a promotional post presented by TECH+. The landscape of the architecture, engineering, and construction industries is changing dramatically, and those at the forefront of the transformation know that technological innovation is among the driving forces behind it. That’s why for the second year, The Architect’s Newspaper presents TECH+, an annual trade conference and expo that explores innovative technologies used in design and construction, taking place May 22 on the heels of NYCxDESIGN. Located at Metropolitan West in Manhattan—the center of one of America’s fastest-growing tech markets—TECH+ will showcase the latest in smart building systems, advanced materials, and innovative products that are reshaping the built environment of today and tomorrow. From cutting-edge virtual reality–aided design tools to mobile apps, parametrics to rapid prototyping and fabrication, this inspiring and forward-thinking event will feature a lineup of visionary speakers, compelling panels, and live product demonstrations from industry-leading developers and start-ups alike. TECH+ will bring together architects, engineers, designers, builders, real estate professionals, investors, entrepreneurs, software developers, students, and makers to inspire new ideas, encourage cross-pollination, stimulate innovation, and establish vital connections. Far from a run-of-the-mill mega-conference, TECH+ consists of a highly curated group of architecture and technology leaders responsible for the strategic direction of their firms. “We are excited to bring back TECH+ to New York City for the second time,” said Diana Darling, publisher of The Architect’s Newspaper. “This year features two stages with industry leaders and innovative disrupters primed to change the way we do business.” This year’s keynote speaker is Dennis Shelden, director of Digital Building Laboratory at the Georgia Institute of Technology, who led the development of architect Frank Gehry’s digital practice as director of R&D and director of computing prior to cofounding Gehry Technologies in 2002. Presented by Microsol Resources, the keynote will take place at the TechPerspectives main stage, from which four additional panels will explore topics including BIM, collaboration, sustainability, and visualization. Also, new to TECH+ is a series of Lightning Talks throughout the day from leading exhibitors and cutting-edge start-ups located on the expo floor stage. Panel discussions include Jonatan Schumacher, director of CORE studio at Thornton Tomasetti, and Jan Leenknegt, architect and BIM manager at BIG, who will examine how to connect design and data through the project life cycle; Paul Kassabian, associate principal at Simpson Gumpertz & Heger, and Steve Jones, senior director at Dodge Data & Analytics, will address unifying project teams and technology; Ian Molloy, senior product manager at Autodesk, Alexandra Pollock, director of design technology at FXCollaborative, and Christopher Mackey, building scientist at Payette, will discuss designing for energy efficiency; and Iffat Mai, practice application development leader at Perkins+Will, Christopher Mayer, executive vice president and chief innovation officer at Suffolk Construction, and Christopher Connock, design computation director at KieranTimberlake, will explore enhanced realities and immersive experiences. “TECH+ is a new type of conference,” said Darling. “We’re focusing on completely new ideas and techniques, and gauging where the future of the AEC will be and how we get there.” Below are some of the exhibitors who will be at this year’s TECH+ conference: Founded in New York City in 1898 as National Blueprint Inc., BluEdge has evolved into an industry leader in print and technology services for the AEC industry and beyond. BluEdge is widely recognized for its unmatched customer service, and expertise in 3-D technologies, creative graphics, managed print services, and document management solutions. Today, its service footprint extends across the U.S., Canada, and Europe. Cove.tool is the first commercial software for optimizing cost and energy. The tool provides automated guidance to save up to 3 percent off the cost of construction while increasing performance of the building by up to 40 percent. The cloud-based tool helps architects, engineers, contractors, and building owners make better selections of building technologies by running thousands of parallel energy simulations. Developed by architects, building science experts, engineers, and sustainability consultants, the tool is integrated into the design process with plug-ins to Revit and Rhino for interoperability and parametric design. Adoption of cove.tool could dramatically reduce carbon emissions worldwide while helping owners reduce the cost of their buildings. FenestraPro Premium for Revit is an intuitive and easy-to-use add-in that enables architects to design energy-efficient building facades to comply with building regulations and required performance, without compromising the aesthetic of the facade. It integrates building design with performance, allows the architect to maintain control of the aesthetic of the building, and improves the design process by eliminating costly late-stage redesign fees. GRAPHISOFT® ignited the BIM revolution in 1984 with ARCHICAD®, the industry’s first BIM software for architects. GRAPHISOFT continues to lead the industry with innovative solutions such as its revolutionary BIMcloud®, the world’s first real-time BIM collaboration environment; EcoDesigner™, the world’s first fully BIM-integrated green design solution; and BIMx®, the world’s leading mobile app for BIM visualization. GRAPHISOFT is part of the Nemetschek Group. InsiteVR is a platform for AEC companies to create and manage virtual reality presentations across their offices. InsiteVR’s tools allow users to remotely control VR presentations, collect feedback from clients, and easily share to mobile headsets like the GearVR. IrisVR tackles the biggest problem in the architecture, construction, and engineering industries: What will a space actually look and feel like when it’s built? Iris created intuitive, user-friendly software that empowers virtual reality to experience depth and scale. JUJU IMSV employs the most advanced VR technology to create convincing, elegant, and easy-to-use marketing tools for off-plan sales across the globe. Our all-in-one marketing tools tell the story of the future property and not only help to efficiently raise money for the project, but also streamline the sales cycle. LERA IMMERSE is a virtual reality and augmented reality consulting service offering solutions to architects, owners, developers and construction managers. The custom-designed systems and tools enable users to navigate, interact with, and collaborate in the VR space, all while collecting valuable data that can be retrieved, analyzed, and fed back into the design process. Microsol Resources has been delivering integrated solutions to the architecture, engineering, and construction industries for over 30 years. The company is a recognized leader in BIM and CAD-based solutions, as well as an Autodesk Platinum Partner. Besides CAD & BIM software, Microsol also provides training, consulting, staffing, 3-D printing, and data management services to help customers gain a competitive advantage and improve their overall productivity. Morpholio makes apps that put designers first, fusing the fluidity and speed of hand drawing with the intelligence and precision of mobile and CAD technology. Its Trace app for architects is the unique software created to take design through every phase of the process, from concept to reality. PlanGrid is construction software made for the field that allows plans and markups to be instantaneously shared with everyone on a construction project—no matter where they are. It lets contractors, architects, and building owners collaborate from their desktop or mobile devices across all of their project plans, specs, photos, RFIs, and punch lists. Solibri is the leader in BIM quality assurance and quality control, providing out-of-the-box tools for BIM validation, compliance control, design process coordination, design review, analysis, and code checking. Solibri develops and markets quality assurance solutions that improve BIM-based design and make the entire design and construction process more productive and cost-effective.
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Sunshine State

California could require all new homes to install solar panels
On Wednesday May 9, the California Energy Commission will vote on whether or not to require solar panels on new homes. The standard is expected to pass and would apply to all single and multi-family homes up to three stories tall as of January 2020. Exceptions will be made for shaded structures or in situations where it is impractical to install panels and offsets can be used for other solutions, such as re-charging batteries like Tesla’s Powerwall. Homes will not have to reach net-zero status (that is, relying completely on the solar panels for all energy), but is still expected to San Francisco already requires solar panels on all new buildings under 10 stories tall—statewide about 15 to 20 percent of new single family homes rely on solar energy. As California is the world’s fifth largest economy, the massive sales-boost that would result in this measure should not only lower the cost of solar panels in the state, but across the U.S. Installing solar panels will make it approximately $25,000 to $30,000 more expensive to build homes than those built under the 2006 code. However, homeowners are expected to save $50,000 to $60,000 over 25 years. While some have pointed out that this could make California’s housing shortage situation even more dire by raising housing costs, the energy–saving benefits (and California’s increasingly wealthy population) may outnumber the naysayers. This is the most recent of California’s sustainability measures as it continues to push toward a more environmentally friendly future, including filing a lawsuit against the EPA from lowering vehicle emission standards.
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Tower Re-Order

Here are the improvements that residents want after the Grenfell tower fire
In the wake of a horrific fire that killed dozens, a team of six London architecture firms are reimagining Grenfell tower as a public housing development for the 21st century. The 24-story apartment building, a social housing estate in west London, was consumed by fire in June 2017. A subsequent investigation revealed that the tower's  new cladding fueled the destructive blaze, which killed 71 people and left many others homeless. After the tragedy, residents and public officials came together to improve the rest of the development. They selected Levitt Bernstein and Penoyre & Prasad to lead a re-design team that includes MaccreanorLavington, Murray John ArchitectsCullinan Studio, and Adjaye Associates. The firms divided the Lancaster West Estate into nine areas, and the teams created a "Book of Ideas" (PDF) based on residents' feedback from workshops earlier this year. The estate includes more than 1,000 households. In some of the nine areas, residents would like to see private front-yard gardens, new balconies and elevators, rooftop solar panels, and community gathering space. Residents voiced support for security cameras and better lighting, as well as an updated assessment of fire risk, in all areas of the estate, the Architect's Journal reported. Along with these and other stakeholders, landscape architects at Andy Sturgeon Design and consultants at Twinn Sustainability Innovation are working with the six firms on the proposals. The government is putting £15 million (around $20.7 million) towards the redesign, a figure the council has pledged to match. The next phase of the project asks residents to chose which designers will bring these ideas into reality.