Search results for "shop"
Robert McKinley curates a shoppable bungalow in Montauk
At the 2019 AIA Architecture Expo in Las Vegas earlier this month, longtime architectural software company Graphisoft premiered the newest update to their ARCHICAD software suite, a 3D BIM tool which has been available to architects continually since 1984.
ARCHICAD 23, according to recently-appointed CEO Huw Roberts, a former architect, adds an array of new features and "a whole bunch of really substantial performance increasing capabilities." This includes whole new ways of dealing with mechanical voids, columns, and beams, among other building fundamentals, and a live connection that automatically makes changes within existing software like Rhino and Grasshopper.
Additionally, the new release has more APIs and greater OPEN BIM integration. “We're strong advocates of OPEN BIM," said Roberts, "and connecting our users with all the different tools and products out there through our open BIM." In addition to existing C++ integration, ARCHICAD 23 also adds support for Python and JSON. There is also an API for Graphisoft’s mobile app. “We've got lots of customers that are using programmatic interface through Rhino and Grasshopper, but that requires you to actually be in the software,” said Roberts going over the benefits of the new APIs, "But that API actually can work software to software, doesn't need a human or user interface to make that connection.”
Graphisoft also entered into an agreement with Epic Games to leverage Unreal Engine, the video game engine behind Fortnite and other massively popular mainstream video games. “[Unreal Engine] allows you to add things like trees, and lights, and weather, and cars, and more, in a really easy way,” said Roberts. “Twinmotion is an extension built on Unreal Engine that Epic Games just bought a month ago that we have already had a partnership with, that makes Unreal Engine work really well for AEC, for architects, and designers. And so what an ARCHICAD user can do is we have a live link from ARCHICAD to Twinmotion and the Epic Games Unreal Engine, so that in real time you can be changing your BIM model and a photorealistic movie view of the model updates live,” he explained. “You can fly around in there, and move around, and change the weather, change materials, and it's always instantly the best rendering available.”
The Bigger Picture
Mapping Community unveils how public buildings get built in NYC
Sarah Myerscough Gallery
A new gallery dedicated to craft opens in West London
The Wright Stuff
John Ronan to design Frank Lloyd Wright Trust’s new visitor center
The Colour Palace
Kaleidoscopic Dulwich Picture Gallery Pavilion lands in South London
And at the new pavilion, color is indeed everywhere. When approaching it, hints of a cacophony of color can be spied: pink tips pop out above the park’s perimeter wall; beyond the trees, glimpses of blue and red can be seen through the green. Closer inspection reveals thin, cuboid timber louvers (there are more than 2100) painted in green, yellow, blue, pink, red, and orange. The result makes the facade shimmer from the outside, blending the different tones in the process. Triangles and circles—motifs prevalent in Ilori’s work as a furniture designer—have been painted on the outside, causing the pavilion to look like a party hat. There’s an overriding sense of fun. But the kaleidoscopic baptism doesn’t end there. The giant party hat sits on four five-and-a-half-feet-wide bright red concrete columns—unpolished and raw, they rise up from the earth. A pink elevated walkway traces the structure’s perimeter, and a blue timber internal support structure keeps it all up. “Our work is very Euro-centric, Yinka’s is very West African,” Price explained. “We wanted to mix the two.” Ilori and Pricegore drew upon two precedents: an image of men carrying a thatched roof in West Africa and caryatids in Athens supporting the Parthenon's entablature. “Building in landscape, we wanted to lift the structure off the ground and retain the open sense of a garden,” added Gore. The pavilion, with its 1,560-square-foot base, is open on all four sides. Circles and triangles may adorn the exterior, but the square was most important to Pricegore, who deemed the shape essential to maintaining the structure's relationship to the adjacent Soane-designed gallery. Soane used a strict orthogonal regime to conceive the gallery's plan. So, too, has Pricegore, although the firm has offset the pavilion 45 degrees to the gallery to create a more welcoming dialog to visitors, allowing the various colors of the louvers to gradually change upon approach. Gore continued: “The pavilion is accessible to everyone. A child can enjoy this as much as an art critic.” The Colour Palace is the result of a partnership between the Dulwich Picture Gallery and the London Festival of Architecture. The pavilion is open to the public until September 22, 2019.View this post on Instagram
Colour Palace Inspiration : This image was part of my early inspiration and mood board when working on the Colour Palace in collaboration with PriceGore. Loved how the shop owners had beautiful curated and designed their shop, as if it was a mini Dutch wax pavilion 🌈🌈🌈 🇳🇬 @dulwichgallery @londonfestivalofarchitecture