Search results for "nypl"
Storefront honoree makes the case for expanding the domain of architecture books in New York
Thank you for the honor. You are honoring a rare species, one which I represent here tonight: that of the independent publisher. Independent imprints used to be the backbone of publishing. Not anymore. In the field of architecture, you will hardly find a handful of them in the United States. I am proud to be recognized for what I do. To publish books with the best architecture schools of this country, with bright scholars, leading institutions like the Storefront for Art and Architecture or the Chicago Architecture Biennial, also with independent editors and authors, is a privilege and counts, even more, when we consider the location and the size of the publishing house. Why should relevant American content be detouring through tiny Switzerland? Ok, it is because of me—but also because of the lack of alternatives. Small presses have been forced out of business or have merged with bigger companies. Small-scale publishing, as part of the diverse book culture we have grown up with, is regarded anachronistic in the present time. This puts me in attack mode. If my business plan doesn't match the standards, it is not necessarily the business plan that is wrong. In my eyes, it would make a lot of sense, in this city and elsewhere, to preserve and strengthen existing structures in the book domain, and help to create new ones, knowing that the medium is far from dying out. This necessarily brings me to the precarious situation of bookstores in New York City. Why do we let them die? How can we give them up if we all confess that many of the most beloved and beautiful books in our bookshelves were unexpected encounters in bookstores? It is difficult enough to convince young professionals of the investment of both time and money in books—and more so if we inhibit the analog experience of sudden encounters. Therefore—if I had one wish—it would be for a landlady or a landlord who would take pleasure and pride in hosting the best-curated bookstore for art and architecture in this city. With her or him, I would gladly share the honor given to me tonight.
Lawrence Halprin’s Freeway Park slated for major overhaulSeattle’s Freeway Park, a pioneering work of modernist landscape architecture by Lawrence Halprin and Angela Danadjieva that's widely recognized as the world’s first freeway cap park, is undergoing a series of wayfinding-oriented renovations. Nonprofit park stewards Freeway Park Association (FPA) hired Seattle-based landscape architects SiteWorkshop to add a bandshell, new restroom facilities, a food kiosk, a playground, and even a bouldering wall to the Brutalist landscape. The interventions are meant to soften the verdant but austere park, a move that some say runs counter to Halprin and Danadjieva's original design intent. New York Public Library interiors landmarked The New York Public Library’s (NYPL) main branch in Midtown Manhattan is a definitive New York building, but until recently, its splendid interiors were mostly unprotected. That changed this summer when the New York City Landmarks Preservation Commission (LPC) added the Rose Main Reading Room and the Bill Blass Catalogue Room to its roster of interior landmarks. (The exterior of the Carrère & Hastings–designed building was protected 50 years ago.) Now, the structure is slated for extensive remodeling by Mecanoo and Beyer Blinder Belle, who debuted a master plan for the changes in November.
Edward Durell Stone gem gets a comprehensive rehabHalfway between Chicago and Denver along Interstate 80, Grand Island, Nebraska is perhaps best known as the home of the Nebraska State Fair, but it also hosts an important work of modern architecture. Designed by Edward Durell Stone in 1963, the Stuhr Museum of the Prairie Pioneer documents the lives of Europeans who first settled in Nebraska. Recently, the museum underwent a comprehensive renovation and rehabilitation, led by Lincoln, Nebraska–based BVH Architecture. Snøhetta takes on the AT&T Building Architects took to the streets to protest changes to the AT&T Building, Philip Johnson and John Burgee’s iconic postmodern tower. Among other changes, the Snøhetta-led redo would glass in the building’s signature 110-foot-tall arched stone entryway. Denise Scott Brown, Sean Griffiths, Adam Nathaniel Furman, Paul Goldberger, and others took to AN‘s pages to weigh in on the design (TL;DR most folks think glassing in the base is a bad idea). Thanks to activists’ efforts, the pomo marvel on Madison Avenue is now up for landmarking. OMA menaces Gordon Bunshaft's Albright-Knox addition When it was revealed that OMA would design an $80 million expansion of the Albright-Knox Art Gallery, preservationists were concerned. OMA's concept design—new galleries and parking organized around a huge class lobby—would eliminate Gordon Bunshaft's suave 1962 addition to the Buffalo, New York museum. Over protests, the museum is now raising money for the project, which it has dubbed AK360 (perhaps in reference to the assault on good taste). Helmut Jahn's Thomson Center still imperiled Designed by Helmut Jahn and completed in 1985, the James R. Thompson Center is the hub of Illinois state government in the City of Chicago. From the moment it was constructed, its vertiginous interior has turned heads and sparked debate. Today Governor Bruce Rauner is keen to see the building either demolished or converted into a private property. This year saw the premiere of Starship Chicago: A Building on the Brink, a new documentary on the oft-misunderstood building.
Louis Kahn’s endangered floating concert hall is headed to FloridaThis summer it looked like Louis Kahn's concert-hall-on-a-barge was headed to the scrap heap. The 195-foot-long boat, dubbed Point Counterpoint II, was commissioned as a floating venue for the American Wind Symphony Orchestra (AWSO) for the Bicentennial, and it's traveled the country's waterways ever since. Despite its design pedigree, longtime owner Robert Austin Boudreau struggled to find an owner for two decades, and was going to chuck the boat if he didn't find a suitable buyer. In early December, the Hudson Valley's Daily Freeman reported that Boudreau sold the vessel to a consortium of Florida businesspeople. This winter, it will be restored in Louisiana and will eventually dock in Lake Okeechobee, about 50 miles west of Palm Beach, Florida. Master plan for The Alamo stirs debate A $450 million plan for the treasured historic site of The Alamo in downtown San Antonio is causing a stir. Architects, planners, professors, patriotic preservationists, and the public are in disagreement over a rejuvenation scheme that looks to open up the plaza but relocates a historic cenotaph in the process. House of Tomorrow is saved The House of Tomorrow, the first residence to be clad with a glass curtain wall, is set to receive a much-needed update from a team of Chicago firms. Originally designed by Chicago architect George Fred Keck for the city's 1933 World’s Fair, the 12-sided glass-and-steel home sports an open floor plan, also a rarity for the time. After the fair, the early modern home was moved to Beverly Shores, Indiana, to be incorporated into a vacation village that was never completed. Now, Indiana Landmarks is spearheading the renovation of the National Register–listed property in collaboration with chosen firms. Monument removal After white nationalists provoked violence in Charlottesville, Virginia, and amid a national climate of heightened bigotry, cities and towns across the county are re-evaluating their public monuments. With little fanfare, under the cover of night, the City of Baltimore took down four Confederate monuments in August. After protests, New York City established an independent commission this fall to review the city’s public monuments for "symbols of hate." Should these monuments be saved in the name of history? Or should they be altered—even destroyed—because they no longer positively embody contemporary values?
Beginning last Friday, select wifi kiosks in New York now feature scintillating pictures of the city from decades past. It's LinkNYC porn, but for buildings.
In partnership with LinkNYC, the city's wifi kiosk system, the Department of Records and Information Services is displaying dozens of historic photos on LinkNYC screens in the five boroughs. The images correspond to the blocks where they're displayed, so a person at Henry and Clark streets, for example, would see a black-and-white picture of the port in what is now Brooklyn Bridge Park. The New York Times reports that most of the photographs on display date from the 1890s through the 1970s, and the project will be up through the end of the year.
LinkNYC is taking residents' suggestions for where the archival images should be displayed; readers can tweet @LinkNYC to have their voices heard.
The program is the latest in a slate of apps and maps that disseminate New York City history online. This year, Urban Archive geotagged and released over 2,500 images of old New York that users can access on the go. Built in collaboration with Brooklyn Historical Society, the New York Public Library (NYPL), and the Museum of the City of New York, the app pings users with archival images when they're near a historic site in the database, prompting reflection on the changing city. Separately, the NYPL launched the NYC Space/Time Directory, a “'digital time-travel service' that combines the library’s map collection with geospatial tools to illuminate the city’s messy and beautiful development over more than a century." Downtown, the Greenwich Village Society for Historic Preservation (GVSHP) debuted its Civil Rights & Social Justice Map, an interactive tool that reveals key downtown sites where marginalized people have fought for equity, dignity, and representation.
Beyond the archive, urbanists can now access maps to prepare for L-mageddon, discover the city’s noisiest neighborhoods, learn about future skyscrapers, and find the internet's favorite kind of architecture.
Main Reading and Catalogue Rooms
The NYPL’s two grandest rooms are now New York City landmarks
Today the Landmarks Preservation Commission (LPC) added two stunning rooms in the main branch library to its roster of interior landmarks.
The New York Public Library’s (NYPL) main branch in Midtown Manhattan is a definitive New York building. The structure, built on the site of a former reservoir, commands a block-wide slice of 42nd Street between 5th and 6th avenues. Architects Carrère & Hastings spared no detail, especially on the inside, where a happy Beaux Arts explosion of arched windows, rosettes, ceiling murals, skylights, and brass chandeliers have sheltered writers and learners since 1911. It’s officially known as the Stephen A. Schwarzman Building, and its grand interior is mostly unprotected.
One of the best-known rooms, the Rose Main Reading Room, was designated today, as well as the Bill Blass Catalogue Room. These spaces will join the main entrance and primary public spaces that lead up to the main rooms as interior landmarks. (The building's exterior was protected 50 years ago.)The designation comes in the middle of a renovations spell at the library. With architects at the Dutch firm Mechanoo, the NYPL has just started work on the Mid-Manhattan Library, an adjacent branch, while renovations on the Schwarzman Building by the same architect have yet to be announced. The Schwarzman Building's main room and catalogue room, both on the third floor, re-opened to the public last year after extensive revamps that brought a dead-on replica of the original sky mural to the catalogue room.
The LPC convened in July to discuss those two rooms, but held off on a vote at that meeting. Although seven parties spoke in support of the designation last time, there was no public testimony at today’s meeting.
In a unanimous vote, commissioners affirmed the importance of library's signature rooms—and not just for the architecture. “The details, the ornament, the ceiling paintings, all of that is so remarkable,” said Commissioner Adi Shamir-Baron. In her estimation, the two blocks of interior space create a “rare condition” that makes the two rooms an "extraordinary and singular civic space and reminds us what civic space actually is, which is a place and ethic that honors and elevates the spirit of the individual and the collective.”
For one volunteer advocacy group, however, the designation doesn't go deep enough. The Committee to Save the New York Public Library (Save NYPL) wants the commission to consider 11 other rooms—essentially the whole building—for landmarking, and has submitted a petition with 2,000 signatures to the LPC for consideration.
Save NYPL, the same group that campaigned against the library's proposed Norman Foster renovation, cited how Carrère & Hastings knitted the rooms together via decorative motifs. In his testimony, Save NYPL President Charles Warren claimed that “[a] piecemeal approach to interior designation does not adequately respect this design and leaves some of New York’s most sublime manifestations of Beaux-Arts interiors unprotected.”
As precedent, he pointed out that the interiors of McKim Mead & White’s Boston Public Library are completely landmarked.In a phone call with The Architect's Newspaper (AN), Warren noted the effort all stakeholders took to get to today's vote, and he confirmed that Save NYPL will re-submit a Request for Evaluation to the LPC for the other rooms in the hopes they will be considered (calendared) and designated. He praised today's vote but explained his group's decision on the grounds that only full landmarking can protect the building. "The library claims it is a great steward," Warren said, "but they've carried out some changes that are questionable" like installing track lighting in the carved wood ceiling of the Gottesman Exhibition Hall, and removing the perimeter skylights in the Celeste Bartos Forum. Though the monumental exterior is recognizable to most New Yorkers and beyond, the building's all in the details. Save NYPL's vice president, preservation activist Theodore Grunewald, asked the LPC to preserve the reading room's pneumatic tubes, among other less-than-obvious—but still significant—features. In a prepared statement, NYPL President Tony Marx evaluated the LPC's decision. "The New York Public Library applauds today's vote to officially designate the Rose Main Reading Room and Bill Blass Public Catalog Room as New York City interior landmarks. For over a century, we have been proud, dedicated stewards of these architectural and civic treasures, and will continue to preserve and protect them with the respect and care that they require and deserve. We thank the Landmarks Preservation Commission for partnering with us in our mission to ensure that these beautiful, unique rooms inspire visitors now and for generations to come."
From Broadacre to Agronica
Charles Waldheim on the “profound implications” on urban farming for cities today
This article appeared as "Notes Towards a History of Agrarian Urbanism" in urbanNext, and was first published in Bracket 1 [on Farming], 2010.