Search results for "hollywood"
A Look Inside
Unmentionables Symposium promises a fresh look at the current state of interior architecture
The full list of speakers:
- Lauren Amador, Principal, Amador Architecture
- Amy Campos, Associate Professor and Chair of Interior Design, California College of the Arts
- Annie Coggan, Adjunct Associate Professor of Interior Design, Pratt Institute
- Matthew Gillis, Principal, G!LL!S; Adjunct Professor of Architecture and Interior Architecture, Woodbury University
- Parsa Rezaee, MArch 1 Candidate, Woodbury University
- Jennifer Meakins, Adjunct Faculty Adjunct Professor of Interior Architecture, Woodbury University, California Polytechnic State University Pomona
- Emily Pellicano, Assistant Professor, Marywood University School of Architecture
- Bryony Roberts, Founder, Bryony Roberts Studio; Assistant Professor, Columbia GSAPP
- Cathrine Veikos, Professor of Architecture, California College of the Arts
- Deborah Schneiderman, Principal/Founder, deSc, Professor of Interior Design, Pratt Institute
- Igor Siddiqui, Associate Professor and Program Director of Interior Design, The University of Texas at Austin
- Rossen Ventzislavov, Associate Professor of Philosophy, Woodbury University
Lights, Camera, Action
Film Forum's extensive renovation becomes art in new photo book
The following is excerpted from Film Forum: Under Construction 2018.
The images that you see here were captured on a worksite for the expansion of Film Forum, a place where people gather with a group of strangers to watch a story unfold —something that is increasingly unusual these days. They are a celebration of an ancient ritual married to a modern technology. The technology develops but the ritual decays.What do these photographs say about watching movies? What do they recall and what do they suggest? How is it that beneath the formal pleasures of their design, their abstraction, and their use of color, they conjure something concrete about shared experience? Like a lot of abstractions, and certainly like many of Jan Staller’s photographs, these pictures are not only about a surface but the materiality below the surface. In this case the materials are the brick and mortar of the theater itself and the steel and brittle celluloid of projectors, reels and filmstrips—objects that look now like sacraments of the earliest technology of the art form. They are evocative because they are tactile. My first exposure to the movies was more sterile and electronic. It took place alone, in a dark room, late at night in front of a television set. In this respect, it was closer to the way that most people watch movies today. As I got older I went to movie theaters, spending hours of my youth in palaces called The Orpheum, The Lyric, and more prosaically (and appropriately), The Suburban World. There was something fundamentally different about going to a theater. The impact of the experience was magnified literally by the scale of its presentation and emotionally by the act of sharing it with a community. And just as importantly, by its appeal to the sensorium, something that most modern technology abjures. The theater was itself a machine, one that you entered, was turned on, and then would grind into action. Its constituent parts were hidden but somehow felt. That’s part of what these photographs evoke, but for me they also evoke memories of my early days as a film editor, when you felt the film in your hands and heard the clack of the sprockets as it ran through the machines. But before waxing too nostalgic about the older ways of doing things, it may be useful to think about two movies that I saw for the first time at Film Forum. They were both by F. W. Murnau, a German filmmaker who came to Hollywood in 1926. The first, Sunrise, was made in 1927 and is certainly one of the greatest movies of the silent period. It was a huge success, and William Fox, the man who had brought Murnau to America and who was the producer of Sunrise, asked him to do another movie. In his youth, Murnau had been something of a gear head—he was fascinated by cameras and new technology. In the interim between Sunrise and his next film for Fox, The City Girl, sound had been introduced. The new technology was alien to Murnau as an older man. He couldn’t reconcile it with his taste or his process and The City Girl was made and released as a silent film with title cards instead of dialogue. Watching it now one wonders what it would have been like otherwise. A cautionary tale about aging out of your era. The movies are wedded to technology, and for better or worse as the technology advances it changes not only how they’re made, but what we actually see and how we watch them. At a certain point resistance seems quaint and misguided. The opportunities in most cases outweigh the things we lose. The sensual pleasures of pre-digital machines are probably lost forever, but the act of gathering to watch stories, to be part of an audience, would be dangerous to lose. It is ancient and fundamental. So let’s celebrate one of the few institutions that continues to expand that opportunity. These pictures do, and they do something else—they get under the skin.
Frank Lloyd Wrong
Thieves steal Frank Lloyd Wright and Schindler furniture pieces around Los Angeles
Gondola With The Wind
BIG proposes gondola to connect Oakland A's stadium to public transit
Big Names, Small Stuff
Woodbury launches Small Scale Architecture Store in time for the holidays
The Gift of Architecture
Last minute holiday shopping? Here’s what to get an architect
PlayGlass House Snow Globe The Glass House Design Store $75 The Glass House is arguably the most visited (if not the most well-known) of all of Philip Johnson’s works. Architects and architecture enthusiasts alike can behold the modern icon frozen in time inside of a snow globe like no other. Architect’s Cubes MoMA Design Store $58 Designed to inspire forms and exploration of materials, architects John Bennet and Gustavo Bonevardi conceived a set of eight cubes. Each made of a different material—maple wood, bakelite, cork, granite, EVA, silicone, acrylic, and aluminum—the Architect’s Cubes are made for play. Frank Lloyd Wright Paper Models: 14 Kirigami Buildings to Cut and Fold by Marc Hagan-Guirey $23 Build paper models of the most notable Frank Lloyd Wright buildings with this cut-and-fold kit. Using the art of kirigami (the cousin of origami), paper artist Marc Hagan-Guirey devised some of Wright’s most admired architecture, including Falling Water, the Guggenheim, and the National Life Insurance Building. LEGO Architecture Imperial Hotel $160 Built in 1915, Frank Lloyd Wright’s Imperial Hotel in Tokyo was a fusion of Japanese and Western architecture. While it was demolished in 1968, the lobby and reflecting pool were moved to the Japanese architecture museum Meiji-Mura. You can create your own small-scale replica of the lost landmark with this set of LEGO building blocks.
Books and StationeryThe LEGO Architect By Tom Alphin $15 You know the saying, “learn by doing?” The LEGO Architect does exactly that. Flipping through the pages you first learn about the history of architecture and then find inspiration to build your own with images of LEGO models of iconic buildings. In the last section, the author instructs readers how to become LEGO architects with a set of instructions and parts from the LEGO Architecture Studio. Happy building! Architecture Christmas Cards $18 Chicago’s Marina City sporting a Santa hat; the Farnsworth House decked out like the yard of your neighbor who decorates for Christmas the day after Halloween; Seattle’s Space Needle adorned with a fir pine. These and other buildings we all know and love have been turned into Christmas cards by a former AN editor, John Stoughton. Available in packs of ten. An Architect’s Pencil Set: The Colors of Michael Graves $25 It’s no secret: One of the things Michael Graves is known for is his love (and mastery) of colors (mainly bright colors). Designed by his firm, this 24 colored-pencil set comes with an essay on color and the architect's design process. Rem Koolhaas. Elements of Architecture $125 Love to build? Rem Koolhaas worked with Harvard Graduate School of Design on “a primordial toolkit” that helps readers to understand how the seemingly constant fundamentals of architecture are actually always in flux and evolving. The guidebook chronicles the fundamentals of buildings and design techniques, detailing every single typology, from windows to walls to toilets. Hollywood Modern: Houses of the Stars by Alan Hess and Michael Stern $55 Are celebrities your guilty pleasure? This book documents 24 "modern" homes designed by architects for stars in Southern California. Featuring glossy, full-page photos, Hollywood Modern: House of the Stars gives you an inside look at houses like Quincy Jones's Gary Cooper House and Richard Neutra's Von Sternberg House.
To WearM1005 Matsuda $425 It all started with Le Corbusier and his fabulous round glasses. The black circular frames that we have all come to love have become part and parcel with architecture (having spectacular spectacles has become a common trope in the industry as a whole). Japanese optical maker Matsuda offers a frame that looks particularly Corbu-inspired. M1005 is hand finished with acetate and available in five colors. Architect Tools Tie $45 Long before AutoCAD, architects' tools were as important as scissors to a barber. This tie features a motif made up of drafting tools. While rulers and tape measures remain essential, so does the occasional smart tie. Cowboy-style Hard Hat $65 Get your hard hat on, cowboy! This is not your typical construction cap, it’s a new take that comes in the guise of a cowboy hat with all the safety benefits of a traditional hard hat. Yeehaw!
For the HomeSunset & Night Chairs By LA Forum and Modernica Mies van der Rohe once said: “A chair is a very difficult object. A skyscraper is almost easier.” These fiberglass chairs by Los Angeles Forum for Architecture and Urban Design and fiberglass furniture purveyor Modernica are no exception. Even better, the proceeds from their sale will fund scholarships at Woodbury School of Architecture. You can find them at Small Scale Architecture Store in at the university's WUHO Gallery in Hollywood through December 23. Twist Again Odile Decq for Alessi $105 Finally, you can bring home an object designed by our favorite gothic architect (and seminal thinker), Odile Decq. Known as “the fruit holder that dances around the fruit,” the bowl reflects the common visual motifs that are associated with her works, only on a smaller scale. It is made from a piece of sheet metal that was cut and folded to create a whimsical, vortex-like shape that seemingly has an inner life force of its own. The Architect’s Mixtape: Practicing Spaces $10 Drop those funky beats! Practicing Spaces is a compilation of musical works by lesser-known musicians who all have one thing in common: they’re architects! From Michael Meredith of MOS Architects to Florian Idenburg of SO – IL, these funky beats are available in the format of a mixtape, that is, a cassette tape. Read more about the collective work and where to buy your own copy here.
In the Santa Monica mountains that ring Los Angeles, the 85,550-acre Woolsey Fire has forced the temporary displacement of over 250,000 people as the cities of Thousand Oaks and Malibu and surrounding mountain communities were evacuated in advance of the fast-moving blaze.
Curbed reported that the fires have threatened several historic Hollywood filming locations and other notable structures located in the scenic mountains, including a replica of the set from the television series M*A*S*H and the recently-restored historic Sepulveda Adobe complex. Distressingly, the fire also reportedly consumed the Santa Susana Field Laboratory, a former Rocketdyne laboratory from 1949 that housed experimental nuclear reactors as well as radioactive waste.
Several of the wealthy areas hit by the fire have seen heavy losses, as well, including the destruction of several celebrity-owned mansions in Calabasas and Malibu. The homes of pop stars Miley Cyrus, Robin Thicke, and Neil Young and others were destroyed by the inferno, E! Online reported.
The Los Angeles Times reported that the Woolsey Fire is 15 percent contained.
Regarding California’s increasingly destructive and lengthening fire season, Governor Jerry Brown told The LA Times, “This is not the new normal; this is the new abnormal.” Brown added, “And this new abnormal will continue certainly in the next 10 to 15 to 20 years. Unfortunately, the best science is telling us that dryness, warmth, drought, all those things, they’re going to intensify. We have a real challenge here threatening our whole way of life, so we’ve got to pull together.”
The fires touched off a series of antagonistic—and “ill-informed”—tweets from President Donald Trump, who erroneously blamed the fires on “gross mismanagement” of the state’s forests. Fire officials instead point to the increasing effects of climate change, as well as growing so-called “wildland-urban interface” zones where human occupation and the state’s natural landscapes come into contact, as key causes for the latest series of conflagrations.
Because the state’s populated urban areas have gradually slowed development and downsized population capacity over the decades, much of the state’s explosive population growth has largely occurred in increasingly-far-flung and precarious areas, where drought-ridden brush is easily combustible and sprawling communities are perfect targets for wind-swept flames.
Crews in the state are working to battle the flames as winds, temperatures, and humidity levels work against their favor. AN will bring more coverage of California’s fires as information becomes available.