Search results for "Brooklyn"

Placeholder Alt Text

With a Fine-Toothed Honeycomb

Metabolist-inspired tower with hexagonal facade coming to south Brooklyn
New York YIMBY has gotten its hands on a batch of first-look renderings of a futuristic tower set to touch down in Sheepshead Bay, Brooklyn, and it looks like the building will eschew glass for grass. From the renderings of 1508 Avenue Z, a forthcoming 16-story long-term care home, it looks like architects Citiscape Consulting will wrap their C-shaped building with a dynamic, hexagonal facade. Working from a material palette of white concrete, living green wall, vertical and diagonal louvers, and what appears to be timber, the hexagons will compose a unique pattern as they snake around the building’s curves. Many of the hexagons contain a bit of each material, using tripartite combinations with vegetation at the enclosure’s top. The use of greenery in the facade and at the tower’s top is reportedly in reference to the Japanese Metabolist movement that arose after World War II. The movement, of which the Nakagin Capsule Tower is one of the most famous examples, was an attempt to bridge the gap between organic growth and forms, and the built environment. Biological rhythms, prefabrication, and the vernacular architecture of Japan were used as starting points to design buildings throughout that period. The louvered portions will act as sun shades for the residents within and extend past the parapets to lend the outdoor roof deck shade and privacy. It appears that the roof of the 188-foot-tall building will be heavily forested, and Citiscape will be integrating a rainwater capture system so that the tower can use recycled greywater throughout. YIMBY reports that the nearly 50,000-square-foot tower will be largely residential, with 3,950 feet carved out for ground floor retail, 42,620 square feet has been set aside for 78 residential units, and the remaining 3,130 square feet going towards a medical facility. SB1 Holdings LLC and property owner Emil Blank are developing the lot. No construction cost or estimated date of completion have been released yet.
Placeholder Alt Text

In the mood

Brooklyn artist Leigh Ruple creates moody paintings of Williamsburg
The mundane moments of Williamsburg trespass on Leigh Ruple’s canvases. The Brooklyn-based artist’s works are inspired by her daily life, featuring stylized, temperamental depictions of objects and figures abstracted within an array colors and forms. Her studio is located in East Williamsburg, allowing her to observe the architecture and people within the thriving neighborhood, and the geometries and patterns of the district’s local architecture have become motifs of her paintings. Her work also explores the city’s nightscape, with changing highlights and shadows. In a painting titled Nightstand, the Manhattan skyline is backlit by moonlight, while an assortment of prosaic objects including kitchen gloves, a pair of scissors, and a trimmed plant occupies the foreground, hinting at the inner life of an unseen subject. In Red Door, a bare-chested man sitting on an inverted tin bucket paints a fence door from blue to red; the red light shining from behind the fence illuminates parts of the man’s torso. The placid scene is dramatized with contrasting tones, hues, and lighting effects. Ruple is an expert in conveying moods through colors and composition. In Healthful, the ordinary scene of shopping for apples is exaggerated with backlit lighting and a heightened exaggeration of a mainly red-and-blue palette. The face of the shopper is tinted with magenta, the same shade as the apples in the basket. Ruple continues to draw references from New York’s cityscape and frequently captures the sidewalks, lampposts, animals, and plants with her paintbrush. In many paintings, a main figure takes center stage, often with blank and indifferent expressions; a reference to the solitude and loneliness of living in a bustling city like New York. Leigh Ruple’s most recent exhibition was at the Morgan Lehman Gallery.
Placeholder Alt Text

Open secret

Open House New York opens 20 downtown Brooklyn sites during AIA weekend
People can roam about in the Brooklyn Point Sales + Design Gallery designed by Kohn Pederson Fox Associates, the Dime Savings Bank of Brooklyn by JDS Development, the Ashland by FXCollaborative Architects and SPAN Architecture, and many more old and new landmarks in Making Place: Downtown Brooklyn, organized by Open House New York. More than twenty sites are participating in the Open House event happening on June 23. A discussion about the change and transformation in the region featuring Downtown Brooklyn Partnership President Regina Myer, FXCollaborative Design Director Gustavo Rodriguez and other industry leaders will take place at the ISSUE Project Room at 10:30 a.m., kicking off the day-long events. Downtown Brooklyn has undergone dramatic changes in the past two decades. It has now emerged as a new area for real estate and commercial development. The neighborhood is flooded with commercial creativity and upscale living. This event will offer an insider look at the transformed, up-and-coming district. Other participating sites include Brooklyn Strand Action Plan by WXY architecture + urban design, the New York Transit Museum, Polonsky Shakespeare Center and the Schermerhorn. The general public can purchase tickets to attend tours and panel discussions in those private buildings. Tickets can be purchased at this link.
Placeholder Alt Text

Pop up Publics

Giant, inflatable dome will host a week-long Democracy Lab at the Brooklyn Public Library this summer
From June 11-17, an inflatable bubble that can fit more than one hundred people will rise at Grand Army Plaza in Brooklyn to house the week-long Democracy Lab. The lab is organized by the Brooklyn Public Library, in partnership with Prospect Park Alliance, Storefront for Art & Architecture, and visitBerlin, and will feature workshops and talks on social justice and civic engagement by established community members of Brooklyn and greater New York. The dome, dubbed the Spacebuster, is designed and developed by raumlaborberlin, a collective of eight Berlin-based architects. It was first commissioned by Storefront for Art and Architecture in 2009 in New York City. The giant dome hatches in the back of a delivery van. People can enter into the space through the passenger door of the van, then walk through to the dome down a ramp. A fan under the ramp generates the air pressure. The Spacebuster is a not only a backdrop for events but also actively participates in them. The translucent membrane acts as a blurred boundary, so pedestrians can look into the events happening inside the billowing urban room. Images can be projected onto the membrane and can be viewed both from the outside and the inside. It can also accommodate tables and chairs, depending on the program taking place inside. Democracy Lab will feature workshops and talks by The New Yorker writer Rachel Aviv, The Simpsons show-runner and writer Mike Reiss and daily guided readings of The New York Times led by community leaders and writers such as the paper’s own critic Wesley Morris, among others. To see the full calendar of scheduled events, check out this link.
Placeholder Alt Text

Initiate Docking Procedures

Fogarty Finger reveals an upscale WeWork for the Brooklyn Navy Yard
As major changes and speculation over what’s next hover around the Brooklyn Navy Yard, S9 Architecture’s Dock 72 office tower is nearing completion. The stepped, 16-story building is currently receiving its facade, and co-working company WeWork has already laid claim to 220,000 square feet of office space. With so much ground-up space to work with, the company (and developers Boston Properties and Rudin Development) has tapped local firm Fogarty Finger to design the amenity spaces for their new digs Fogarty Finger took cues from residential and hospitality design to impart a softness throughout, which, given their track record in designing high-end office spaces, is why the studio was chosen for the job. From the renderings, it seems the interiors are a step up from WeWork’s typical glass-and-reclaimed-wood look, usually handled by their in-house design team (Bjarke Ingels had no role in the project, either). Dock 72 is the first ground-up office building to be built in Brooklyn in nearly 30 years, and given the building’s Class A ratings (the highest office standard) and waterfront views, Fogarty Finger was responsible for designing 35,000 square feet of high-end amenities. Two bar-and-lounges, one on the ground floor, the other adjacent to the 16th floor’s conference center, a 600-foot-long, 30-foot-wide lobby that runs the length of the building, a juice bar, spa, gym, café, and a market. The interiors lean heavily on an industrial aesthetic (concrete floors, black steel columns), with strategic splashes of warm wood paneling along the ceiling and a white oak trim in the furniture. In keeping with the Navy Yard's effort to bolster New York City's manufacturing base, local manufacturers from the yard were invited to curate the public areas. As founding partner Robert Finger describes it, Dock 72 is only the latest project to escalate the included amenities as developers try to capture Class A office space tenants; high-value tech employees in this case. Once the next phase of the Navy Yard’s expansion is complete, Dock 72 will link up with a suite of planned waterfront amenities surrounding the office core.
Placeholder Alt Text

Tot-ful Design

Inaba Williams converts a challenging interior into a luminous Brooklyn preschool
Although architects design new buildings for well-endowed nonprofits all the time, it is somewhat uncommon for firms known for high design to take on super-low-budget commissions. But Inaba Williams was up for the challenge. For a new preschool in Clinton Hill, Brooklyn, the Inaba Williams team drew out the quirks of an awkward, column-filled interior to deliver a luminous space that supports the school’s commitment to immersion in Japanese language and culture. The Brooklyn-based firm connected with Aozora Gakuen after the school leased the space, which had sat vacant for two years despite its location in a desirable neighborhood. Unlike most chronically empty New York commercial properties, the rent wasn’t too high for prospective lessees—the space was just too weird. The second floor, where the school is located, doubles as the structural transfer level between the apartment tower above and offices and a parking garage below. In plan, the structural columns look like confetti left over from a manic crafting session. To reconcile the column array with the client’s needs, the team highlighted the irregularities of the 3,500-square-foot space while harmonizing the circulation pattern across three classrooms, a bathroom, and a shared kitchen. Inaba Williams founding principal Jeffrey Inaba opted to move the classrooms to the perimeter and organize an interior pickup and drop-off area (called the Aozora Room, “blue sky” room in Japanese). Surrounded by glass panels that pull light in from the street-front classrooms, that area is the heart of the school as well as a transitional space from the outside world into the classroom. Along with cubbies (getabako), it’s delineated by a raised wood floor that physically separates the shoes-on portion of the school from the classrooms, which, in accordance with Japanese custom, are shoes-off. Typically, architects work to mask irregular features, but in the Aozora Room, they turned what Inaba deemed “the craziest part of the structure” into a defining feature. Making use of what he called “an aspirational Marcel Duchamp door,” a reference to the French artist’s Door: 11, Rue Larrey, the design now has one door leading from the bathroom to the classroom and the other leading from the bathroom to the Aozora Room’s threshold area. All the doors can be opened for seamless circulation or closed for activity separation. To save money, the firm installed standard fixtures and “very, very economical” wood floor and tiling. While Inaba declined to go on the record with the budget, he did say the project cost far less than a typical New York institutional interior—without sacrificing design quality. Consequently, “there’s programmatic variability with very simple elements,” he said. Beyond design, the experience made the firm excited to work with other mission-driven clients. “There are many organizations where the physical space is critical to what [the client] does, but they don’t have the means to afford an architect or think about design,” Inaba said. “To be able to work with a group and make a space that aligned with their teaching philosophy was really important.”
Placeholder Alt Text

Warehouse Modernism

Brooklyn’s East River waterfront is defining itself in unexpected ways
Taking shape along Greenpoint’s once-industrial waterfront district is a series of surprisingly contextual modern condo developments using red brick and exposed black steel to tactfully insert tens of thousands of new residents along this sleepy East River shoreline. The largest of them, a 30-story tower that is part of Handel Architects’ Greenpoint Landing, includes 5,500 units sprawled over 22 acres at the mouth of Newtown Creek, with 1,400 apartments renting for as little as $393 to $1,065. Initial renderings presented for public review surfaced as bland massing diagrams, but the subdued details of Handel’s build-out hold promise for communities becoming accustomed to glossy, glassy, boxy towers in districts where rezoning permits greater height and bulk. To the stakeholders’ credit, the developer showed them a selection of schemes to choose from, including designs by Renzo Piano Building Workshop. In contrast to Long Island City’s gleaming, generic masses and Williamsburg’s spotty, uneven edges, Greenpoint’s waterfront retains enough of its traditional shipping warehouses to sustain the contours of a characteristically industrial neighborhood along West and Commercial Streets, even if most of the industry is gone. Despite a major waterfront rezoning passed by the city council in 2005, until a few years ago, most of West Street continued to host storage for building material and scaffolding, a lumber manufacturer, and a crane and equipment rental company. After large portions of Greenpoint Terminal Market were lost to a ten-alarm fire in 2006, Pearl Realty Management adapted the remains into a studio-and-workspace rental complex, an extension of its Dumbo-based green desk co-working enterprise. Slowly, smaller firms like Daniel Goldner Architects, Karl Fischer Architect, STUDIOSC, and S9 Architecture populated the upland side of West and Commercial with renovated warehouses and upscale condos echoing the material palette of the existing low-rises. Much of the post-rezoning development along West and Commercial stalled due to the 2008 mortgage-backed securities crisis. In 2009, the former Eberhard Faber Pencil Company building became the Pencil Factory lofts, and Daniel Goldner Architects filled in the corner lot with a syncopated colored brick addition and perforated aluminum garage. The project struggled in the post-crash housing market. But in the past two years, a rush of new buildings began to rise up along West and Commercial with a distinct material selection: red and light-colored brick and exposed black-painted steel, with glazed entryways and antique fixtures. Karl Fischer Architect’s 26 West Street opened in 2016, its redbrick and black steel facade filling out the six-story street wall, its large overhang resembling a meat market loading dock. The warehouse modern–aesthetic even extends all the way around the mouth of the Newtown Creek, where a 105-unit building by S9 Architecture employs the same neotraditional style—red brick, exposed black steel, industrial awnings, antique fixtures. An upscale ground-floor grocery store warmed some nearby loft residents up to it after months of sound-based trauma from the drilling of pilings. With leases from $3,350 to $4,350, locals will never be at peace with the rent pressures that come with these buildings, but at least they have the virtue of not extravagantly showing off their residents’ income. Not everything conforms to this trend: The expansive 140-unit development under construction by Ismael Leyva Architects at 23 India Street more crudely fills in its zoning envelope with affordable housing ranging from $613 for studios to $1,230 for winners of the NYC Housing Connect lottery, capped by a 39-story, 500-unit condo tower that promises in every way to form a bland massing diagram in the sky. In any case, contextual exterior cladding is little consolation for a community that fought hard for its 197-a plan—completed in 1999 and adopted by the city council in 2002—which would have allowed significantly less bulk and height, aimed to retain more light-manufacturing jobs, and mandated more affordable housing along with waterfront access. Jane Jacobs, in one of her final written statements, penned a strong defense of the original community plan against the eventual zoning resolution. Of course, the trade-off forced by the city—an upzoned waterfront in exchange for publicly funded parks and developer-mandated walkways—has already helped reduce heavy-industrial pollution, killed a proposed Con Edison power plant, and reduced and eliminated waste-transfer facilities and truck fumes. Some residents are just waiting for the dust and noise of construction to subside, while others hope for another recession to slow down the accelerated activity. In 2009, Andrew Blum published “In Praise of Slowness," for the launch of Urban Omnibus that, in retrospect, should have a more durable life as a critique of fast development. For New York City neighborhoods, slowness provides a much-needed stability in the absence of state-level expansion of rent regulation to protect against predatory development. Yet if there had to be luxury condos facing the former industrial piers, the emerging Greenpoint warehouse modernism was a more subtle and site-specific solution than anyone expected or imagined.
Placeholder Alt Text

New Lab, New You

Brooklyn’s New Lab goes big with a tech hub for urban entrepreneurs
Meet the incubators and accelerators producing the new guard of design and architecture start-ups. This is part of a series profiling incubators and accelerators from our April 2018 Technology issue.  Located in a former shipbuilding space at the Brooklyn Navy Yard, New Lab is an 84,000-square-foot collaborative tech hub dedicated to entrepreneurs working on scalable technologies and products. New Lab supports companies in nine disciplines: robotics, AI, urban tech, the built environment, energy, connected devices, additive tech, life sciences, and nanotechnology. Members benefit from access to a dizzying array of fabrication labs, including 3-D printing, woodworking, casting, CNC milling, and electronics, along with access to free software, including Autodesk and SolidWorks. But it’s also important to note that New Lab’s location in New York City is part of the draw, as the city itself is offered as an ideal laboratory to test the technologies in real-life urban conditions. The flagship tech hub opened in 2016 and was founded to provide a supportive center for those companies working at the forefront of technology and human experience and to ensure that they have a reason to stay in the city. David Belt, New Lab’s co-founder and CEO, is careful to stress that the lab is not an incubator—that is, it is not dedicated to helping companies at the beginning of their research or product-development cycles, but rather those that have concrete products and built technologies and are ready to take the next step. Through a formalized arm of the company called New Lab Ventures—a $50 million venture fund—the lab itself invests in some of its member companies and currently has investments in 14 of them; the lab also connects members to the world’s leading venture funds. And a joint program called the Urban Tech Hub, in partnership with the New York City Economic Development Corporation (NYCEDC), allows New Lab to support companies that strive to make a more livable, resilient city through their technologies and products. Additionally, the lab has other private-public partnerships in the works and a global partner network with Barcelona, Spain, and Copenhagen, Denmark, that offers other opportunities to members. New Lab currently has 103 member companies, with 600 individuals working at the space. Competition for entry is steep—just 15 percent of applicants are accepted.

Notable alumni include:

CARMERA

The founders see potential for their technology to be crucial for urban developers, autonomous vehicles, public transportation, and infrastructure. It allows for real-time, constantly updated 3-D mapping of cities.

Voltaic Systems

The portable solar power company creates lightweight solar panels and solar-powered solutions for people, products, and structures alike.

StrongArm Technologies

This company develops ergonomic solutions for injury prevention and peak performance for the industrial workforce, including the construction industry.

Terreform ONE

An architecture and urban think tank that advances ecological design in derelict municipal areas. Terreform is New Lab’s only nonprofit and its only architect-centric member.

Placeholder Alt Text

Haute Hoyt

Studio Gang’s new 51-story Brooklyn tower is revealed
Renderings for the new Studio Gang-designed 11 Hoyt condo development in downtown Brooklyn have been released. It will be the Chicago-based firm’s first residential project in New York City and located next to the downtown Brooklyn Macy’s building. Topping out at 51 stories at 664 feet, 11 Hoyt will be among the tallest buildings in Brooklyn—taller than any existing structure and only beat by the yet-to-be-completed City Point Tower III and the under-construction 1,066-foot skyscraper at 9 Dekalb Avenue designed by SHoP Architects. Built on the site of a former parking garage demolished for the project, 11 Hoyt is part of a broader set of changes and high-rise construction happening in downtown Brooklyn. The foundation is already laid with construction of the concrete superstructure to begin soon for an anticipated 2020 completion. The tower is distinguished by its rippling facade and punctuated by square windows, adding a textural quality to Brooklyn’s growing skyline.The luxury building will have 480 residences with interiors by Michaelis Boyd Associates, as well as 50,000 square feet of indoor and outdoor amenities. Landscape design of the significant outdoor space will be overseen by Hollander Design. The site is being developed by Tishman Speyer, who is also behind the major changes to the adjacent Macy’s building, which includes the addition of a ten-story office tower designed by Shimoda Design Group.
Placeholder Alt Text

Retail Vision

New renderings revealed for Macy’s-topping tower in Downtown Brooklyn
Although construction has been underway for some time, new renderings have surfaced for Shimoda Design Group's Macy's-topping tower in Downtown Brooklyn. The structure, a 14-story office tower, is slated to rise inside and on top of the three buildings occupied by the department store on Fulton Street. The strip, one of the busiest retail corridors in the city, has been targeted in recent years by investors due to its proximity to prime Brooklyn neighborhoods like Fort Greene, Boreum Hill, and Brooklyn Heights. Developer Tishman Speyer is calling this 256-foot-tall project the Wheeler. It will bring almost 844,000 square feet of office space to the area, with floorplates in the new building ranging in size from 34,000 square feet to 60,000 square feet. Macy's is staying on as a retail tenant in the bottom four floors, while offices will occupy the other ten stories. Because the four lower floors are an amalgam of different buildings, these volumes will feature 90,000-square-foot floor plates and 16-foot-tall ceilings. The new structure sports a glass curtain wall with angled fenestrations, and outside, the setbacks and the roof will be crowned with 11 terraces, YIMBY reportedPerkins Eastman as the architect of record. If all goes according to plan, the Commercial Observer noted the project is expected to be complete by the middle of next year.
Placeholder Alt Text

No Man's Land

Look inside the new Brooklyn outpost of The Wing, a women-only co-working network
Co-working network The Wing has opened the doors of its DUMBO, Brooklyn location, the first outside of Manhattan, and members can expect to find the company’s signature pastel pink hues, color-coordinated bookshelves, and eclectic mix of materials in play here as well. Founded in 2016 by Audrey Gelman and Lauren Kassan, The Wing was envisioned as a series of members-only co-working and social clubs for women, and quickly hit $42 million in investments. While The Wing only opened its first office in October 2016 in the Flatiron neighborhood, the company has been eyeing a rapid expansion, especially after competing co-working company WeWork contributed to its latest funding round. “Expanding to Brooklyn was a no-brainer for The Wing,” said Gelman in a statement sent to AN. “A third of The Wing’s current members call Brooklyn home, and it is consistently one of the most requested locations. We are excited to welcome new women into The Wing’s community and continue the company’s growth.” The Brooklyn branch is housed at 1 Main Street, the neighborhood’s former tape factory and home of the notorious Clock Tower penthouse. Keeping true to the building’s industrial past, architect Alda Ly and interior designer Chiara de Rege have stripped the ground floor space to its bare bones and left the columns, beams and ductwork exposed, and poured pink concrete for a distinctive flourish. The former factory also provided space for a double-height central atrium, and the duo used the opportunity to carve out a second-level balcony space. De Rege has said that utility and beauty don’t always go hand-in-hand, but despite being completely open, The Wing DUMBO uses the seemingly-eclectic interior finishes to break up the club’s different areas. While a pink granite dining table in the atrium draws attention as a central meeting place, the green velvet of the nearby conversation pit easily separates it from the subdued palette of the rest of the space. Color was a major component of the design, and the blues, golds and pinks set the plush interiors apart from the stoic wood-and-glass aesthetic of The Wing’s competitors. The café areas are marked by their thinner, more finely detailed chairs and pedestal tables, but the color-coded library is instantly recognizable as such by the assortment of plush and rounded couches. That lending library, curated in partnership with New York’s Strand Bookstore, contains over 2,000 books by women authors, and each bookshelf swings open to reveal soundproof phone booths. The partnerships don’t stop with The Strand. All of the featured art is curated by and features solely local women artists, The Wing’s café and bar, The Perch, serves food from women-owned partners, and copies of No Man’s Land, an-house magazine launched last fall, are available throughout. A podcast room, vintage photo booth, meditation room and shower are all open for members, but The Wing has opened its reception and retail sections on the ground floor to the public. The DUMBO office might have opened on February 26th, but if you want to join, you’ll have to wait your turn; the waitlist to become a member is at 13,000 names and growing. The company's fourth location will be opening in Washington, D.C. sometime this spring.
Placeholder Alt Text

Yard Work

Brooklyn Navy Yard to double in size after $2.5 billion investment
Already in the midst of a massive expansion, the Brooklyn Navy Yard is set to get even bigger. As first reported by Bloomberg, the Brooklyn Navy Yard Development Corporation (BNYDC), a non-profit group that manages and develops the yard, is set to reveal a $2.5 billion expansion plan that would double the manufacturing hub’s square footage. Space in the Navy Yard has been getting tight as of late, with an ongoing $1 billion expansion renovating the rest of the existing buildings on the 4.8-million-square foot campus, and as WeWork’s 16-story waterfront office building, designed by S9 Architecture, nears completion. “We’ve reached a point where we have really finished rehabbing all of the existing buildings at the yard, and we’ve been over 99 percent leased for the past decade,” Clare Newman, executive vice president of the BNYDC, told Bloomberg. The new long-term plan will add an additional 5.1 million square feet of vertical floor space to the 4.8-million-square-foot campus, and create more room for manufacturers as well as tech-oriented office space. While the Navy Yard currently employs 7,000 people in a variety of fields, from carpentry to farming, the first stage of the expansion is expected to boost that number to 20,000. The BNYDC predicts those figures will blast up to 30,000 once the long-term build-out is complete. As the BNYDC is an interim group that manages the Navy Yard for New York City, who owns the site, they’ve chosen to fund the $2.5 billion plan through a combination of tenant revenue, government grants, and tax breaks. The Navy Yard’s enlargement is driven in part by the Navy Yard’s success in attracting traditional and high-tech manufacturers, and the campus’s limited size; Newman notes that creative companies and designers often start off strong and outgrow the Navy Yard. By offering larger facilities, the BNYDC can retain this talent on-site. The newest expansion plan will likely kick off with the construction of a 2.7 million-square-foot complex on top of what’s currently being used as a parking lot for cars and trucks. While no timetable has been set yet, the first building will probably hold 75 percent manufacturing space and 25 percent office space for technology and creatives. The second building will likely contain the same mix of space and be built on what is currently being used as a tow lot for the New York Police Department. The third complex in the long-term plan will be built on what is now the Bureau of Prisons supply depot, the last federal tenant in the Navy Yard. The three sites in question are:
  • Kent Avenue (approximately 13 acres)
  • Flushing Avenue (approximately 6.5 acres)
  • Navy Street (approximately 5 acres)
Other than WeWork’s Dock 72 office building, the current Navy Yard growth plan involves the conversion of Admirals row into a Wegmans supermarket, the expansion of the Brooklyn College Barry R. Feirstein Graduate School of Cinema by Dattner, and Beyer Blinder Belle’s ongoing renovation of the 1-million-square-foot Building 77.