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Swedish retailer Hem gets a festive courtyard for its first U.S. showroom
What we’re getting wrong about gentrification and cultural heritage
In Fluxus We Trust
Fluxus-inspired installations are coming to the MAK Center in Los Angeles
State of Trains and Trust
High-speed rail plan for Pacific Northwest takes a step forward
Be a Bit More Ambitious
Don't ask Rem Koolhaas obvious questions
It’s a rookie mistake to try and ease Rem Koolhaas into a conversation. That’s what we learned during a recent interview with the notoriously cantankerous architect, who stopped himself midway into his first response to say, “I don’t know why Americans ask such obvious questions.”
“Be a bit more ambitious,” Koolhaas said. “Seriously.”
We never got a chance to ask him why his latest American project—the Audrey Irmas Pavilion for Wilshire Boulevard Temple in Los Angeles—looks like a project lifted from BIG.
Speaking of the “Rem,” did you catch Jack Self’s epic takedown of Koolhaas in his November 16 Architectural Review essay? Self’s best lines about the imperious Koolhaas:
No question, Rem is a genius. Nonetheless, his wake is toxic: stained by Randian egos (both triumphal and crushed), the intense interpersonal competition, and the exploitation of intellectual and manual labor. How does it all end, you wonder. In some ways, Tomas Koolhaas’s documentary was a preemptive eulogy. Death is present in every shot, tugging at the great man’s sleeve. The film is also suffused by an intense melancholy. It is the peculiar sadness of endings: when a family line is extinguished, when change erases beauty and meaning, when an entire world order disintegrates. Starchitects are still with us, even though their era is over. Koolhaas himself called time on it in the mid-aughts. It is no contradiction to honor them, while admitting that we must give ourselves permission to abandon the figure of the heroic architect, and along with it the Western blueprint for greatness.
Explaining the reasoning behind the merger, Mithun president Dave Goldberg said, “Finding such strong design talent and fit with Craig and Ming is remarkable, and we are very excited about the positive impact we will be able to make together in Southern California and beyond.”
But don’t think this is a path toward early retirement for Hodgetts and Fung, who have been practicing together for over 35 years. Hodgetts explained that the merger is, in fact, the opposite of that, saying, “Some well-established firms look for a merger as an exit strategy, but this is a re-entry strategy for me, Ming, and our firm to expand to a much larger stage which, quite frankly, is not readily available to a smaller practice.” Fung added to the sentiment, saying, “We have been approached to join other firms before, but from the very first conversation, it was clear we had a lot in common with Mithun in design approach and studio culture.”
With the merger, the firms will share a name in Los Angeles—Mithun | Hodgetts + Fung—for now, but that could change in a few years as the new entity becomes more established.
The union will give HplusF the “right muscle” to go after more employee-heavy housing-focused projects, Hodgetts explained, an interest the firm has always wanted to explore but has so far been unable to fully undertake until now. With local and state governments, especially in California, stepping up their efforts to rein in housing costs through new construction, housing of all types is set undergo drastic expansion on the West Coast in coming years. In exchange, Mithun will gain access to diverse culturally-driven clients, a realm the growing, design-focused firm has been hungry to enter itself.