Search results for "morphosis"

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Soul Asylum

Deborah Berke Partners transforms Buffalo asylum into resort and conference center

For a psychiatric hospital built in the late 19th century, the Buffalo State Asylum for the Insane in Buffalo, New York, was remarkably ahead of its time. At the request of physician Thomas Story Kirkbride, who helmed the hospital’s design, emphasis was placed on access to natural light, fresh air, and pastoral views to benefit patient well-being. It was originally completed in 1880, combining Victorian and Romanesque elements.

Deborah Berke Partners (DBP) recently completed the asylum’s metamorphosis into the Hotel Henry Urban Resort and Conference Center. “The intentions for this building were about it being a welcoming and safe space,” said Stephen Brockman, senior principal of DBP. “The graciousness of the space is what’s fascinating. You open these doors, and it’s breathtaking,”

That said, converting the former asylum – located in the central portion of the sprawling National Historic Landmark Richardson Olmsted Campus – into a 191,000-square-foot luxury boutique hotel and conference center without losing its character was not without its challenges.

During early presentations of the project to the local community, conversations with the relatives of people who had spent time at the hospital and felt a close relationship with it created a desire “to make it feel like it was still theirs,” Brockman said. “Our interventions were subtle.”

The hotel and conference center houses 88 guest rooms, multiple conference facilities, a fine dining restaurant, a bar, and a cafe. Of the campus’s original 11 buildings, the hotel comprises three central buildings that were the asylum’s administrative hub and patient housing.

Along with the exterior, original interior elements, including windows, interior shutters, plasterwork, stairs, and tile and wood floors were preserved, while the grand staircase was restored. The spacious hallways, 200 feet long and 15 feet wide, were also kept intact. These corridors, which were originally called “day rooms” and functioned as the asylum’s social spaces, were flooded with ventilation and light to aid patient recovery.

“The grandeur of the building simply cried out to be a destination, so this is a perfect fit,” said Jean Carroon, principal at Goody Clancy, preservation architects for the project. “The exterior is rugged and beautiful. The interior has the high ceilings, natural daylight, and views, which were part of its first life.”

To transform the building into a modern hotel welcoming the 21st-century traveler, a flagstone-and-granite entry plaza was added. A new, second entrance, in glass and steel, glows at night, as do newly illuminated towers, lit internally to serve as beacons. A staircase created within the second entrance features an illuminated glass handrail and leads to the second-floor lobby. An attic was converted into large, loft-like guest suites with partially exposed beams and high, sloped ceilings. Guest rooms were updated in neutral tones and will feature works by local artists.

Landscape architecture and planning firm Andropogon Associates updated and restored the grounds, originally designed by Frederick Law Olmsted, adding a new roadway in Olmsted’s aesthetic, as well as guest parking. Andropogon also planted 125 new trees, interspersed with rain gardens of switchgrass, as well as grapevines and hawthorns.

It was important to pay homage to the hotel’s history as an asylum more prominently as well. To that end, Carroon noted, several patient rooms have been completely restored and will be part of the campus’s historic tours when the Lipsey Buffalo Architecture Center opens in late 2017 as a co-tenant with Hotel Henry. Celebrating Buffalo’s rich architectural history and honoring the site’s legacy, the center will feature a 400-square-foot interactive exhibit about the asylum and the history of mental health treatment in the U.S. 

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Back to School

Cornell Tech campus opens with three high-tech buildings
Yesterday Cornell Tech's campus opened on Roosevelt Island, a strip of land between Manhattan and Queens perhaps best known for housing medical institutions and mental hospitals. This development definitively stakes a new identity for the island. Created through an academic partnership between Cornell University and the Technion-Israel Institute of Technology, the project is the winner of a New York City competition for an applied-sciences campus initiated by the Bloomberg administration. The campus spans 12 acres and houses three new buildings by Morphosis, Weiss/Manfredi and Handel Architects. So far, what makes the buildings stand out is their aim to be among the most sustainable and energy efficient structures in the world. The four-story, 160,000-square-foot Bloomberg Center, designed by Morphosis Architects, serves as the heart of Cornell Tech. With its primary power source on-site, it is one of the largest net-zero energy academic buildings in the world. Smart building technology developed in collaboration with engineering firm Arup includes a roof canopy supporting 1,465 photovoltaic panels designed to generate energy and shade the building to reduce heat gain, a closed-loop geothermal well system for interior cooling and heating, a rainwater harvesting system to feed the non-potable water demand and irrigate the campus, and a power system conserving energy when the building is not in use. Another striking element is The Bloomberg Center’s facade, which is comprised of a series of metal panels designed to decrease the building's overall energy demand. The Bridge, designed by Weiss/Manfredi, is a seven-story “co-location” building intended to link academia to entrepreneurship. It houses a range of companies from diverse industries that have the opportunity to work alongside Cornell academic teams. The loft-like design of the building encourages dialogue between the University's academic hubs and tech companies. The building orientation frames full river views and brings maximum daylight into its interior. At the ground level, the entrance atrium opens onto the center of campus extending into the surrounding environment through a series of landscaped terraces. The House, designed by Handel Architects, is a 26-story, 350-unit dormitory for students, staff, and faculty. It is the tallest and largest residential passive house in the world, meaning it follows a strict international building standard to reduce energy consumption and costs. The House is clad with a super-sealed exterior facade created from 9-by-36-foot metal panels with 8 to 13 inches of insulation which are projected to save 882 tons of carbon dioxide per year. Yesterday’s opening comprises just the first phase of the campus development project at Cornell Tech. 
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Building Diplomacy

U.S. Department of State shortlists 26 firms to build embassies worldwide

A division of the U.S. Department of State in charge of constructing and maintaining embassies has selected more than two dozen architecture firms to design those facilities worldwide. Late last month, the Bureau of Overseas Buildings Operations (OBO) picked 26 firms for its Indefinite Delivery/Indefinite Quantity (IDIQ) Worldwide Design Services solicitation, a shortlist that's geographically diverse and includes a healthy mix of small-to-medium–sized firms (Marlon Blackwell, 1100 ArchitectLake|Flato) plus giants like Gensler and HOK

This time around, 136 firms vied for a spot on OBO's list, and the chosen designers are authorized to provide architecture and engineering services for building upgrades as well as new construction. Take a look at the full list, below: 1100 Architect Allied Works Architecture Ann Beha Architects Beyer Blinder Belle Architects Brooks + Scarpa Architects Clark Nexsen Diller Scofidio + Renfro Ennead Architects EYP, Inc. Gensler/Black & Veatch HOK International KieranTimberlake Krueck & Sexton Architects Lake|Flato Architects Machado and Silvetti Associates Mack Scogin Merrill Elam Architects Mark Cavagnero Associates Marlon Blackwell Architects Miller Hull Partnership Moore Ruble Yudell Morphosis Architects Richard + Bauer Architecture Robert A.M. Stern Architects SHoP Architects Studio MA ZGF Architects Next, shortlisted firms will have to put together a technical team, assemble information about past projects and team performance, and interview with OBO. Right now, the bureau's portfolio includes 285 missions around the world, with projects under construction and in design worth more than $7 billion.
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Texas Holl 'Em

Ground breaks on Steven Holl's design for the Museum of Fine Arts, Houston

Steven Holl's design for the Museum of Fine Arts, Houston (MFAH) has started construction. In 2015, Holl described the commission as "the most important" of his career.

Steven Holl Architects was awarded the job back in 2012, seeing off competition from Morphosis and Snøhetta, but working out the design has been a drawn-out experience. “What you see here is the culmination of a 36-month design process,” Holl said at a design unveiling two years ago. In addition to the 165,000-square-foot Nancy and Rich Kinder Building, and the Glassell School of Art, the architect also worked on the museum's master plan.

The 14-acre campus will also include the Sarah Campbell Blaffer Foundation Center for Conservation, designed by Lake|Flato Architects of San Antonio. The two-storey facility will sit above MFAH's existing parking garage and provide conservation labs and studios, and a street-level cafe. Holl's translucent Nancy and Rich Kinder Building, meanwhile, will see two floors of galleries circling a top-lit three-level atrium added along with a restaurant, theater, reflecting pools, vertical gardens, meeting rooms, and underground parking.

The building will have etched glass tubular cladding that will allow daylight to filter through and also give the building a soft glow come sunset. At ground level, six reflecting pools of water will amplify the luminous qualities of the structure's skin, which will also include seven vertical gardens. These will be cut into segments of vision glass instead of the translucent tubing. Inside, the two galleries will total 54,000 square feet. The upper level is to be shielded by a luminous canopy roof, which has concave curves inspired by Texas' billowing clouds. All of the gallery spaces feature natural light. Holl is working with New York–based lighting design firm L’Observatoire International on the project.

Furthermore, Holl's new Glassell School of Art will connect with the water pools and connect the campus to The Brown Foundation, Inc. Plaza. All in all, MFAH's additions will come to $450 million. Construction is touted for completion in 2019.
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Excellence in Design Awards

Bomb squad building, verdant library, and others score NYC design awards
Today officials revealed winners of New York's annual Awards for Excellence in Design, a recognition of the city's best civic projects. Timed to NYCxDESIGN, the city's annual celebration of all things design and architecture, the projects being recognized contribute to the city's public life, preserve its history, and exemplify sustainable approaches to buildings and landscapes. The awards, now in their 35th year, are presented by the Public Design Commission, an 11-member group of designers and representatives from New York's cultural institutions that reviews art, architecture, and landscape architecture on city property. "The best public projects are purposeful and use design to build a sense of community and civic pride," said New York City Mayor Bill de Blasio, in a prepared statement. "We commend the teams behind these critical and creative projects that will help build a stronger, more equitable city and improve services and recreational activities for every New Yorker." Tonight, the mayor, along with Deputy Mayor Alicia Glen, Public Design Commission President Signe Nielsen and Executive Director Justin Moore, will present awards to this year's and last year's honorees at a City Hall ceremony. Get a sneak peek at the eight winners below (unless otherwise noted, all images and project descriptions in quotes are from the Mayor's Office): AWARD WINNERS Greenpoint Library and Environmental Education Center Marble Fairbanks; SCAPE Landscape Architecture Greenpoint, Brooklyn Brooklyn Public Library "Exceeding LEED Silver goals, the center will become a demonstration project for innovative approaches to sustainable design, and an environmental learning tool for the community." Double Sun Mary Temple Williamsburg, Brooklyn Department of Cultural Affairs’ Percent for Art Program and Department of Parks & Recreation "Gracing the interior of McCarren Park Pool’s dramatic archway entrance, Mary Temple’s paintings create a subtle and elegant visual disturbance." Downtown Far Rockaway Streetscape  W Architecture and Landscape Architecture Far Rockaway, Queens Department of Design and Construction, Department of Transportation, and Department of Parks & Recreation "Incorporating Vision Zero strategies, this comprehensive streetscape design will foster a safer, more inviting, pedestrian experience in this central business district and transportation hub." Bomb Squad Building Rice + Lipka Architects; Liz Farrell Landscape Architecture Pelham Bay Park, Bronx Department of Design and Construction and New York Police Department "The simple and smart design of this resilient office and training facility elevates critical program elements above the floodplain and allows flood waters to flow through without damaging the building." Treetop Adventure Zipline and Nature Trek  Tree-Mendous The Bronx Zoo Department of Cultural Affairs, Department of Parks & Recreation, and Wildlife Conservation Society "Two new adventures provide unique perspectives at the zoo—visitors can zip across the Bronx River and navigate a series of bridges with narrow beams, obstacles, and climbing wiggling surfaces." FIT New Academic Building SHoP Architects; Mathews Nielsen Fashion Institute of Technology Agency: Department of Education and the Fashion Institute of Technology, State University of New York "The first newly-constructed building on the FIT campus in nearly 50 years has an NEA award-winning design that reflects FIT’s commitment to openness, community engagement, and the robust exchange of ideas across many platforms." Woodside Office, Garage, and Inspection Facility TEN Arquitectos; W Architecture and Landscape Architecture Woodside, Queens Agency: Department of Design and Construction and Taxi and Limousine Commission "Serving as the central inspection location for over 13,500 taxis, this facility will provide a welcoming and dignified experience for drivers, reduce queuing times, and increase inspection capacity by more than 200 cars per day." The Cubes Administration and Education Building LOT-EK Astoria, Queens Agency: Department of Parks & Recreation and Socrates Sculpture Park "Constructed of 18 shipping containers, the Cubes will be Socrates Sculpture Park’s first permanent structure in its thirty-year history and a manifestation of the organization’s emphasis on reclamation and adaptive re-use, as well as a reference to the neighborhood’s industrial roots." SPECIAL RECOGNITIONS: The Department of Environmental Protection, for the agency’s thoughtful design of green infrastructure in the watershed to help protect the city’s water supply. "DEP’s use of green infrastructure in its upstate properties not only results in resilient and innovative designs, but is a critical component of the agency’s ability to maintain the high quality of New York City’s drinking water supply." Conservation and Relocation of three WPA-era murals EverGreene Architectural Arts; Fine Art Conservation Group; Morphosis; Weiss/Manfredi Roosevelt Island, New York Economic Development Corporation and Cornell Tech "Commissioned in the 1940s by the Work Projects Administration (WPA), these murals were painted over and forgotten for decades. As part of the new Cornell Tech campus, the murals were uncovered and conserved and will be integrated into new campus buildings for public enjoyment." Tottenville Shoreline Protection Stantec; RACE Coastal Engineering Staten Island Governor’s Office of Storm Recovery, the Department of Parks & Recreation, the Department of Transportation, and the Dormitory Authority of the State of New York "In tandem with ReBuild by Design’s Living Breakwaters Project, this shoreline initiative will increase public access by creating an interconnected and seamless waterfront trail, incorporating wetland enhancement, eco-revetments, hardened dune systems, shoreline plantings, maritime forest restorations, and earthen berms."
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May 23

Tech+ expo: The future of the built environment is here

NYCxDESIGN kicks off this week, and our first ever Tech+ Expo will be part of it. Check us out on May 23rd from 8:30 a.m. to 6:30 p.m. at 639 West 46th St. For more information visit techplusexpo.com.

A wave of new technologies is transforming the architecture, engineering, and construction industries. On May 23, The Architect’s Newspaper will host the first trade expo and forum to investigate this convergence: TECH+. Taking place during NYCxDesign month, New York’s official citywide celebration of design, the conference incorporates visionary speakers, engaging panels, live demos, and product displays from leaders in emerging fields like virtual reality, smart buildings, parametrics, advanced materials, drones and robotics, AEC Software, and mobile apps.

Architects, engineers, designers, builders, real-estate professionals, investors, entrepreneurs, software developers, students, and makers will converge at Metropolitan West in New York—the center of one of America’s fastest growing tech markets—to discover innovations, come across start-ups, meet top experts, and build connections. A conference addressing new architectural technologies is both needed and timely, spurring new ideas, cross-pollination, and innovation.

“We see TECH+ as the place where technology companies and the AEC industry converge,” said The Architect’s Newspaper publisher Diana Darling. “We want to share what’s happening and start pulling people together. These fields are developing quickly, and people are eager to build a community.”

Over the past six years, AN has hosted 26 events for Facades+, a series of conferences taking place in cities around the country focusing on the future of building envelopes. TECH+ will build on that series’ success by teaming up with Microsol Resources TechPerspectives conference to host a full day of inspired presentations on the Innovation Stage.

Presenters at TECH+ will include keynote speaker Hao Ko, a Gensler principal who helped mastermind the Nvidia headquarters building in Santa Clara, California, and the Mercedes-Benz headquarters building in Atlanta; Kerenza Harris, leader of Morphosis Architects’ advanced technology team; and leaders of innovative companies like Graphisoft, Humanscale, Kohn Pedersen Fox (KPF), FXFowle, Thornton Tomasetti, and more.

Panels will discuss, among other topics, start-up technology investment, workplace design, digital printing and fabrication, virtual-reality environments, and on-site drone footage. More than a dozen exhibitors hail from around the AEC industry, in fields like BIM (building information modeling) software, virtual reality (VR), 3-D printing, engineering, and computer graphics. The conference will also showcase know-how from some of the city’s top tech incubators and research from cutting-edge technology programs at design schools like Columbia GSAPP, Parsons, MIT DesignX, and Pratt.

TECH+ is a new type of conference,” said Darling. “We’re focusing on completely new ideas and techniques, and gauging where the future of the AEC will be and how we get there.”

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Heart of L.A.

L.A. to heal planning scars with ambitious Civic Center Master Plan
The City of Los Angeles is moving quickly in its efforts to rework the historic Civic Center district as it aims to rectify nagging post-World War II era planning and building legacies amid a period of intense development within surrounding Downtown Los Angeles neighborhoods. The areas around the district—roughly encompassed by the 101 Freeway, Judge John Aiso Street, 1st Street and Grand Avenue—are already undergoing broad change, including the recent completion of the SOM-designed Los Angeles U.S District Courthouse and the forthcoming First and Broadway park by Mia Lehrer+Associates and OMA. The area is also due to receive a series of high-rise residential towers from Canadian developers Onni Group, including a boxy scheme by Gensler and a collection of pointed condo towers by AC Martin. The draft plan aims to convert the purpose-built bureaucratic and administrative quarter into a “Civic Innovation District”—a mixed-use neighborhood containing street-fronting retail, startup office space, broad pedestrian paths, a bounty of public parks, and high-rise residential housing. In March, the Los Angeles City Council voted to approve the new Civic Center Master Plan—a document based on a study by multi-service firm IBI Group that would guide the redevelopment of the area. The plan envisions adding 1.2 million square feet of office space to the area, as well as roughly 1.1 million square feet of housing, and at least 217,500 square feet of retail space, all the while reworking surrounding streets and blocks into a network of interconnected, axially-driven, pedestrian-friendly promenades. Most controversially, instituting the plan involves demolishing a variety of structures, including the historic but socially-problematic former Los Angeles Police Department headquarters from 1955—designed by architect Welton Becket and known as Parker Center. The modernist-style City Hall East building and the Metropolitan Detention Center, a 757-bed federal prison, would also be demolished via the plan, among other structures. Another aim of the plan is to establish City Hall as the visual and conceptual locus for an area that would stitch together the Bunker Hill, Little Tokyo, Arts District, and El Pueblo neighborhoods. The plan would be implemented over six phases beginning later this year with the demolition of Parker Center. That structure was recently denied historic status and is headed toward demolition, to be replaced with a high-rise tower containing 712,500 square feet of office space and 37,500 square feet of ground floor retail. The existing City Hall South building will be replaced starting in 2019 with 569,000 square feet of housing and 90,000 square feet of retail uses in a podium-style tower that would also create a paseo between itself and the City Hall East building. The housing tower would face the Morphosis-designed CalTrans Building from 2004 and would sit diagonally from the new Los Angeles Police Department Headquarters building by AECOM from 2009 that made the Parker Center structure functionally redundant. Starting in 2021, the scheme calls for converting the existing Los Angeles Mall into a 390-foot tall tower complex containing 675,000 square feet of government office, commercial, and flexible spaces. The podium-style building will leave generous, wedge-shaped areas along the ground as open space. A fourth phase would bring another 520,000 square feet of housing and 90,000 square feet of retail to the southern portion of the block containing the Parker Center’s replacement between 2024 and 2027. Planning documents show those structures as a series of wedge-shaped housing towers and low commercial buildings organized around a continuation of the paseo started on the block just to the north. This paseo would connect to the booming Little Tokyo and Arts District neighborhoods, which are due to receive a slew of high-rise, mixed-use developments along the Alameda Corridor, as well. Following that development—the document times phase five to start in 2027—the Metropolitan Detention Center at the eastern edge of the block will make way for a 360,000-square-foot government office and retail tower. It is unclear whether the prison will be replaced locally or elsewhere. The final phase of the plan would demolish the modernist-style City Hall East building, replacing the striking 13-story tower with a small cultural building and a civic plaza. The plan, as specified, would be completed sometime between 2030 and 2032. A recently-released rendering by IBI Group describes the area as a more uniformly 12-20 story tall cluster of towers separated by broad swaths of open space. The plan—more radically—also envisions placing a lid over a three-block section of the 101 Freeway currently dividing the Civic Center from the El Pueblo and Union Station areas. The connection would make the Civic Center area accessible to the currently-under-construction $410 million La Plaza de Cultura project by Johnson Fain, Benchmark Contractors, and the non-profit Cesar Chavez Foundation. That project aims to bring 355 housing units at 46,000-square feet of retail space to the area.   Once completed, the Civic Center Master Plan has the potential to convert the sleepy, bureaucratic district into the lynchpin of a continuous, mixed-use center spanning from Pershing Square at the heart of downtown to the western banks of the Los Angeles River on one end and Chinatown on the other. The areas between the Civic Center and the Arts District are expected to receive a series of stops along the new Regional Connector subway line, a condition that will surely drive further residential and commercial growth in the area. The plan was recently approved by the Los Angeles City Council’s Entertainment and Facilities Committee. It now heads for consideration by the full city council, and eventually, the mayor’s office.
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The Mayne Event

Thom Mayne will be Pratt's first "critic at large"

Pratt Institute's Graduate Architecture and Urban Design (GAUD) program has selected Thom Mayne as the school's first "critic at large."

In this role, Mayne will work directly with architecture students on their projects while facilitating discussion about the field and related disciplines.

The Pritzker Prize–winning architect, who is a tenured professor in UCLA's Department of Architecture, will serve in the critic's role through the 2017-2018 academic year.

Mayne co-founded Los Angeles– and New York–based Morphosis in 1972. New Yorkers can see his built work at the Cooper Union, and soon on Roosevelt Island, where construction on the firm's academic building for the Cornell Tech campus is expected to be complete this year.

According to Pratt, the position was created to "expand discourse across the GAUD curriculum and build connections between the pedagogical and professional aspects of the program." The public, too, will be able to get in on select Mayne discussions and events: The first one is free and scheduled for next Thursday, April 13.

More information on the critic at large program and the upcoming lecture can be found here.

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Be like Monier

Get ahead and stay ahead at this year's Tech+ Expo in New York City
In 1849, Joseph Monier, a Frenchman, invented reinforced concrete. He didn't do much with it at the time, aside from making a few robust plant pots. Eighteen years later he finally showed off his radical technological innovation at the Paris Exposition of 1867. That year, Monier patented his creation and eight years and four more patents later, he designed the world's first iron-reinforced concrete bridge at the Castle of Chazelet. Thankfully today, the world is a great deal more connected than it was back in the 19th Century. Industry leaders can share their ideas instead of dithering around with flowerpots for decades. The Tech+ Expo is that forum. A hotbed of technological innovation, Tech+ is where you can find the latest advancements in virtual reality, rapid prototyping, smart materials, intelligent building systems, mobile apps, and software platforms. This year, The Architect’s Newspaper and Microsol Resources’ TechPerspectives have combined forces to present a full day program of industry leaders on the innovation stage at Tech+.Ten speakers will be presenting their thoughts and insight on various facets of technology and its role in architecture at Tech+ on May 23 in New York. A list of speakers can be found below:
  • Keynote Presenter: Hao Ko, Principal at Gensler
  • Zachary Aarons, Co-Founder MetaProp NYC
  • Daniel Diez, EVP, Chief Marketing Officer, R/GA
  • Cindy McLaughlin, CEO, Envelope
  • Kerenza Harris, Morphosis Architects
  • Jerrod Kennard, Architectural Designer at KPF
  • Alexandra Pollock, Director of Design Technology at FXFOWLE
  • Robert Otani, Principal at CORE Studio, Thornton Tomasetti
  • Joseph Romano, VP Surveying & Mapping, Langan Engineering
  • Jonathan Schwartz, Co-Founder + CPO Voodoo Manufacturing
  • Zoltan Toth, BIM Implementation Consultant, GRAPHISOFT
  • Luc Wilson, Associate Principal and Director at KPF Urban Interface
More speakers are due to be announced. Tech+ will be at Metropolitan West on 639 West 46th Street in Manhattan on May 23. To register and find out more, visit techplusexpo.com.
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Jet Set

SOM Foundation announces annual travel fellowship winners
The SOM Foundation has announced the 2016 SOM Foundation Fellowships. Since 1981, the foundation has awarded over 200 graduating undergraduate and graduate students of architecture, design, urban design, and structural engineering with money to fund travel and research in the year after graduation. This year’s winners include MIT M.Arch graduate Jongwan Kwon, Columbia University M.Arch graduate Lindsey Wikstrom, and MIT M.S. in Building Technology graduate Nathan Collin Brown. The SOM Foundation also awarded three $5,000 SOM China Prizes to recent graduates in China. The awardees are chosen by independent juries composed of multi-disciplinary professionals and SOM Foundation officers. The mission of the awards is to “nurture future leaders in design by giving them the opportunity to broaden their cultural and aesthetic horizons through travel outside of their countries.” The top award, the SOM Prize, was awarded to Jongwan Kwon for his proposed research topic, “After Efficiency: Logistics Infrastructure from a Regional Perspective.” With the awarded $50,000, Kwon will travel through international ports, airports, canals, and tunnels to study the impact infrastructure projects have on their regional environment. Kwon will interview noted scholars and practitioners throughout his travels to better understand the subject. After graduating from the Massachusetts Institute of Technology with a Master of Architecture degree and a Certificate in Urban Design, Kwon was appointed as a Teaching Fellow at the school. Kwon has worked at Kengo Kuma & Associates and Morphosis Architects. The $20,000 SOM Travel Fellowship was awarded to Lindsey Wikstrom, a recent graduate of Columbia University’s Graduate School of Architecture, Preservation and Planning (GSAPP). Wikstrom’s research topic “An Immersive Catalogue of Housing Systems,” will focus on producing a catalogue exploring the how living environments are produced through the “convergence of markets, demand, and social vitality.” The catalogue will be a “comprehensive visual report of the systems, occupants, and typologies.” The SOM Structural Engineering Travel Fellowship was awarded to Nathan Collin Brown. The Structural Engineering Travel Fellowship “aims to foster an appreciation of the aesthetic potential in the structural design of buildings and bridges.” Browns proposal, “Integrating Secondary Goals into Structural Design,” will take him to North America, Europe, the Middle East, Asia, Australia, and New Zealand. The SOM Foundation was established in 1979. The fellowships were set up in order to provide support outside of the traditional academic setting. Awardees are expected to use the money to travel internationally to conduct research and “broaden their cultural and aesthetic horizons.”
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Double Trouble

Jai & Jai Gallery becomes an essential hub for L.A.'s young artist-designers
Jai & Jai Gallery, a 350-square-foot exhibition space sandwiched between a barbecue smokehouse and a former vintage music store in Los Angeles’ Chinatown neighborhood, is a beacon in the city’s bustling young architecture scene. Whereas older generations strove for the empty warehouses of Culver City and Santa Monica, a new generation of designers is looking toward the inner city as a place to make and exhibit art and design, positioning galleries and art spaces like Jai & Jai as loci of experimentation for the city’s foremost millennial makers. This scene at Jai & Jai is typical of an opening night: As a heavy mix of creative young professionals gossip about their latest projects, Jomjai and Jaitip Srisomburananont, the sisters behind the gallery, hold court with potential buyers, guide new visitors toward wine, and play host to what often has more in common with a low-key San Fernando Valley house party than any staid Westside art gallery opening. Jaitip explains to The Architect’s Newspaper (AN) that though the gallery’s social importance is somewhat unintentional, it reflects a deeply personal part of who they are as individuals, saying the transformation from art space to social hub “mostly happened organically; [our events] always have that ‘Jai & Jai vibe.’ It’s just like how we treat our family: You come to our house, have a drink, see some art. Thankfully, it’s echoed through our business as well.” The Jais, as they are known by the ever-expanding social scene surrounding the gallery, keep a frenetic pace at these openings, and if you manage to grab their attention, it’s usually only for a few minutes. Mid-conversation, if you’re, say, discussing writing an article about the show at hand, Jomjai will pull out her iPhone to tap out an email (to you). She’ll then pivot to someone who looks like a prospective buyer and deliver him or her to the featured artist before moving on to someone else, maybe an intern snapping photographs or someone potentially cooking up the gallery’s next show. The Jais do this for hours, until the gallery shuts down and the party moves to one of the nearby dive bars. By the time you get home that night, you’ll likely have another email waiting for you and maybe even a press kit. It might seem cliché to focus on this aspect of the gallery first, but it reflects a larger and equally obvious truth of the Los Angeles art and architecture economy of today: It takes a lot of hard work to make things happen. This tendency is something of a common denominator for the Jais, the resident social patrons who frequent their gallery, and the exhibited artists themselves. Of those two latter groups, many are early-on in their careers and necessarily run art and design practices parallel to their 9-5 jobs. They also use their exhibited artworks to fund or support client-based commissions for their own independent practices. Many other are fresh out of school, having recently launched their own practices, or are teaching at an area architecture schools. Jomjai describes the gallery as, “More of an open forum” than an incubator, where the sibling gallerists “allow an opening for new ideas.” According to the sisters, the gallery provides young practitioners “a chance to express themselves, their ideas and theories, whether they’re artistic, academic, or architectural.” Jaitip adds, “We like to engage everyone and for us, the gallery acts as platform that lets us do that at equal levels.” Since it opened in 2012, a who’s who of L.A.’s rising stars have exhibited work on the gallery’s walls, creating a self-reinforcing narrative for the storefront as a kick-back space for the city’s young, energetic, and experimental designers. The gallery, which recently expanded into the neighboring thrift store, intentionally takes on challenging exhibitions and works with its artists to chart new terrain. In 2015, Jimenez Lai of Bureau Spectacular wrapped the interior of the exhibition space in panels of his trademark architectural cartoons, transforming the tiny space into a cave-like work of art. The work, Beachside Lonelyhearts, is carved up into a series of truncated and geometrically-shaped canvases; fragments of it can still be found in Jai & Jai’s growing archive. The year prior, Laurel Consuelo Broughton of Welcome Projects and Andrew Kovacs came together for a three-part show. Their Gallery Attachment and As-Built exhibitions took place in a parking lot across the street and inside the gallery, respectively. The parking lot show exhibited monochromatic, full-scale elements of architectural oddities while the show inside the gallery displayed a collection of measured as-built drawings made from the team’s collection of detritus outside. The duo also produced a zine to accompany and compliment their other trans-dimensional, multimedia works. Broughton told AN, “Before Jai & Jai the only spaces in Los Angeles for architectural exhibitions were institutionally sponsored. Being small and without institutional ties allows the gallery to exhibit work outside the traditional comfort zone for architecture and design,” to which Kovacs added, "Jai & Jai is an absolute asset for architecture in Los Angeles. I feel the gallery has a very open and flexible outlook that makes it possible to take risks with shows and explore new ideas." Mike Nesbit, independent artist and project designer at L.A.–based architecture firm Morphosis, has exhibited works of his “abstract-technical” art at Jai & Jai several times. His glitch-pointillist drawings and thickly-silkscreened, supersized concrete panel canvases filled the space last autumn for his Swipe show. The artist carted in massive slabs of cement coated in toothsome swipes of colored paint, lending a bit of L.A.’s abstract art bona fides to the space. And more recently, Clark Thenhaus of Endemic Architecture deployed office-based research as an exhibition titled Mind Your Mannerisms that catalogs, interprets, and manipulates San Francisco’s architectural turrets in paintings and models. Thenhaus’s show is the eighth show at Jai & Jai in the last year, with probably an equal number of gallery talks and panel discussions to support the exhibitions and promote other creative endeavors happening in the space over this period, as well. Thenhaus described the value of a space like Jai & Jai to AN  via email, saying, “The gallery enables a kind of exploratory freedom to more deeply consider and speculate on building and practice-related ideas in ways that cannot be achieved to the same level through more conventional outlets or client projects as a young office,” adding, “The value of this is, for a young practice, a way to stake an intellectual claim while also working directly on, and through, ideas related to disciplinary interests or to buildings that are yet to be fully designed or built.” If it seems like the work seems is all over the place, that’s because it is, and by design. The Jais intentionally take on challenging exhibitions and work with their artists to chart new terrain. Jaitip explains, “The main component through and through and from the beginning, has always been to engage the audience, whether they agree with the work or not.” This engagement plays out in the constantly changing gallery displays, which transform the space over and over again as the year goes on. Jaitip explained that for her, group shows like the 2014 show Chess, which showcased showpiece chess sets by a slew of designers, are the most rewarding, remarking, “To us, as gallerists, group shows are really inspiring to work on because [we coordinate] a group of people who believe in one concept and help bring them come together to tell a story. Chess and Bust were defining moments for Jai & Jai Gallery, as was Goods Used.” The gallery also timed the debut of their new online print shop with another group show earlier this year, Resolution – The Digital Print Group Exhibition, that used numbered prints of the work on display as a way of lowering the cost barrier for potential buyers. Jaitip explains, “We developed limited edition prints of these exhibited pieces to sell to a younger crowd and open up another branch for the gallery as a business and an organization that supports this type of success.” Chess sets and cartoon-caves as cutting edge architecture? In L.A., yes. That’s because the L.A. art and architecture scene is in a primal flux, not because art and architecture haven’t gone hand-in-hand here since the days of the deconstructionists and blobitects, but because in certain segments of the professional and academic architecture scene, they have become one and the same. Whether it’s the proximity to entertainment culture, the easier access to larger studio spaces, or the more readily available infrastructure for large-scale art production, L.A.-based architects are dabbling in a simultaneity of production and exhibition. Jai & Jai plays a central role in that conversation. As the Jais told me at the end of our conversation, they aim to keep working. “The goal is always to grow. Just grow, and to do that organically.”
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The Hub @ GCT

Grand Central Tech inaugurates new space for urban-focused startups
With the Cornell Tech campus (which features buildings by Weiss-Manfredi and Morphosis) and the Jacobs Technion-Cornell Institute rising on Roosevelt Island, and the New Lab humming away in the Brooklyn Navy Yard, New York suddenly doesn't seem to have a shortage of venues catering to tech start-ups. Today marked the inauguration of one more addition to "Silicon Alley." City officials and corporate executives gathered to kick-off The Hub @ GCT, a 50,000-square-foot business incubator located at 335 Madison Ave. Tech entrepreneurs and startups apply to use the space, which is run by the business accelerator Grand Central Tech (GCT). Unlike many accelerators, GCT offers its resources—office space, in-house recruiting team, access and mentoring from corporate sponsors—free of charge for one year. (Corporate sponsors include the likes of Google, Microsoft, G.E., Goldman Sachs, and IBM.) In exchange, GCT hopes to induce startups that "graduate" to rent offices in their other 40,000 square feet of coworking-style space at 335 Madison Ave. The New York Business Journal reports that last year 18 applicants were accepted from a pool of over 1,000 hopefuls. The Hub aims to host companies that are tackling urban challenges ranging from energy efficiency and public transportation. At the opening ceremony, Alicia Glen, NYC deputy mayor for housing and economic development, extolled New York City's virtues as a test bed for new urban-focused technology enterprises, saying, "If you can make it here, you can make it anywhere." Maria Torres-Springer, president and CEO of the New York City Economic Development Corporation (NYCEDC), similarly lauded The Hub's potential to work with the city, calling it another part of the "tech ecosystem we're building in New York City." The NYCEDC, who helped fund New Lab, contributed a $2.5 million grant to the Hub, which was supplemented by $5 million from Millstein Properties, who owns the building. For more details, visit Grand Central Tech's website.