Search results for "wHY"
New Lease on Life
L.A. might repurpose its General Hospital as affordable housing
Measure Once, Crack Twice
Transbay Authority orders full structural review of failing transit center
To have provided effective compartmentation would have meant deconstructing the interior of the Mackintosh Building to find where voids existed. Only by stripping it back to its masonry structure could we have been certain of stopping all these voids and providing compartmentation […] comprehensive elimination would have meant stripping the building completely – thus destroying what we were aiming to protect and conserve.The GSA also used the report to advocate for their continued stewardship of the Mac and that they were in the best position to lead the next restoration, arguing that they were a working, hands-on school. The 2018 fire gutted nearly everything replaced in the $48 million renovation, and it’s unclear how much reconstructing the Mac will cost this time. However, whoever owns the Mac won’t be starting from scratch, as Page\Park’s extensive survey of the building created a comprehensive 3-D model of the entire library, including the original materials and techniques used by Mackintosh in 1898 and 1909. The next reconstruction is expected to take anywhere from four to seven years to complete.
Limest Pun Ever
Limestone load-bearing exoskeleton spawns outrage in London
"An Exotic Place"
The new director of Cincinnati’s School of Architecture and Interior Design talks the future and Ohio
In the Santa Monica mountains that ring Los Angeles, the 85,550-acre Woolsey Fire has forced the temporary displacement of over 250,000 people as the cities of Thousand Oaks and Malibu and surrounding mountain communities were evacuated in advance of the fast-moving blaze.
Curbed reported that the fires have threatened several historic Hollywood filming locations and other notable structures located in the scenic mountains, including a replica of the set from the television series M*A*S*H and the recently-restored historic Sepulveda Adobe complex. Distressingly, the fire also reportedly consumed the Santa Susana Field Laboratory, a former Rocketdyne laboratory from 1949 that housed experimental nuclear reactors as well as radioactive waste.
Several of the wealthy areas hit by the fire have seen heavy losses, as well, including the destruction of several celebrity-owned mansions in Calabasas and Malibu. The homes of pop stars Miley Cyrus, Robin Thicke, and Neil Young and others were destroyed by the inferno, E! Online reported.
The Los Angeles Times reported that the Woolsey Fire is 15 percent contained.
Regarding California’s increasingly destructive and lengthening fire season, Governor Jerry Brown told The LA Times, “This is not the new normal; this is the new abnormal.” Brown added, “And this new abnormal will continue certainly in the next 10 to 15 to 20 years. Unfortunately, the best science is telling us that dryness, warmth, drought, all those things, they’re going to intensify. We have a real challenge here threatening our whole way of life, so we’ve got to pull together.”
The fires touched off a series of antagonistic—and “ill-informed”—tweets from President Donald Trump, who erroneously blamed the fires on “gross mismanagement” of the state’s forests. Fire officials instead point to the increasing effects of climate change, as well as growing so-called “wildland-urban interface” zones where human occupation and the state’s natural landscapes come into contact, as key causes for the latest series of conflagrations.
Because the state’s populated urban areas have gradually slowed development and downsized population capacity over the decades, much of the state’s explosive population growth has largely occurred in increasingly-far-flung and precarious areas, where drought-ridden brush is easily combustible and sprawling communities are perfect targets for wind-swept flames.
Crews in the state are working to battle the flames as winds, temperatures, and humidity levels work against their favor. AN will bring more coverage of California’s fires as information becomes available.
What role has public engagement played in the process of putting together this event? PA: We’ve done public symposia on Broken Nature already, which has helped not only spread awareness but organize our ideas and prepare content. Some of our contributors have already written essays about their projects, which we’ll use toward a book later that sums up our learnings. The symposia have also helped us test out a few ideas to see if they will work out on the national stage. What else should we know going into next year’s 7-month-long triennale? PA: Overall, we’re hoping people will be puzzled and inspired by the exhibition, but we do have three main desired outcomes for it. First, we’re doing this not only for the architecture and design community but for the Milanese citizens because we know they’re interested in design. We’re looking to them as the agent of change to exercise pressure on institutions and change behaviors. We hope citizens will come to the show and leave with a short-term sense of what they can do in their everyday lives to be restorative. Second, we want people to leave the building knowing we live in a complex world, so our actions need to be thoughtful as we move forward in interacting with nature. Third, we want people to have a long-term vision. We tend to always think of our children and our children’s children when it comes to caring for the earth. But beyond that into the third generation of humans, it’s hard to psychologically imagine what it will be like. We hope the exhibition will help people put the far-out future into perspective. Leading the curatorial effort alongside Antonelli for XXII Triennale di Milano are Ala Tannir, Laura Maeran, and Azzurra Muzzonigro. Laura Agnesi will act as lead coordinator for the event, while Marco Sammicheli will handle international relations.View this post on Instagram
Laying Down the Law
D.C.’s newest museum goes underground to explore the American police system
Wake Up, Dematerialize
L.A. artist designs glitchy facades to revitalize stale housing models
At 1017 Sierra Bonita, for example, Manferdini uses blue, white, and black Trespa panels, custom fritted glass, and gray stucco to lend a three-story apartment block atmospheric qualities. Hanging plants and balconies filled with hedges and landscape design by Green Republic Landscapes further dematerialize the five-unit building.The Trespa panels make another appearance in red, blue, and black at 1408 Poinsettia, where Manferdini has arranged ascending striped patterns with vertical building elements that camouflage each of the three-bedroom small-lot subdivision homes. At 1139 N. Detroit, Manferdini pursues a more subdued approach by using custom-designed mosaic tiles and painted stucco. In each of the projects, Manferdini works to play off of the architectural elements using unconventional patterning and color choices, perhaps a welcome approach for Hardie-panel weary observers. The designs are due to come online soon: Many of the projects are currently undergoing planning review, and 1408 Poinsettia is currently under construction.