Search results for "sustainability"

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Best of the West

AIA | LA design awards highlight Southern California’s best design
The American Institute of Architects Los Angeles chapter (AIA|LA) has announced its annual design awards winners for 2018, highlighting the work of many of the region's most creative and thoughtful architecture practices. Awarded across three categories—Design, Next LA, and Committee on the Environment (COTE) LA—the organization's award program is designed to recognize achievements in overall design, highlight the work by emerging designers, and bring attention to hallmark sustainability-focused projects. Within each category, awards are ranked into "honor," "merit," and "citation" rankings.

Design Awards

This year's design category awards acknowledge a wide array of project types, from an undulating transit station in Seattle by Brooks + Scarpa to a Modernist-inspired winery by Bestor Architecture. The highlighted projects feature simple geometries that come outfitted with performative architectural elements like screen walls and shading devices that not only lend formal interest to each project but also manipulate light in essential and evocative ways. A full list of the design winners is below:
HONOR AWARDS
Animo South Los Angeles
Los Angeles, CA
Parallax Gap
Washington, DC
Camelot Kids Child Development Center
Los Angeles, CA
KeltnerCo Architecture + Design
Mariposa1038
Los Angeles, CA
Lorcan O'Herlihy Architects (LOHA)
Fenlon House
Los Angeles, CA
Martin Fenlon Architecture
Mayumi
Culver City, CA
ShubinDonaldson
MERIT AWARD
Ashes & Diamonds
Napa, CA
Stoneview Nature Center
Culver City, CA
Ehrlich Yanai Rhee Chaney Architects
UCSB San Joaquin Student Housing
Santa Barbara, CA
Lorcan O'Herlihy Architects
Studio Dental II
San Francisco, CA
Montalba Architects, Inc.
 
CITATION AWARDS
Angle Lake Station
Seattle/SeaTac, WA
Brooks + Scarpa
Shirley Ryan AbilityLab
Chicago, Illinois
HDR | Gensler with Clive Wilkinson Architects
Advanced Stem & Design Institutes
Los Angeles, CA
 
G-Cubed
Los Angeles, CA
Skidmore, Owings & Merrill LLP
2018 AIA|LA Design awards jury:
Steve Dumez, FAIA – Principal and Director of Design, Eskew+Dumez+Ripple
Elaine Molinar, AIA, LEED AP – Partner and Managing Director – The Americas, Snøhetta
Brett Steele, AA DIPL, HON FRIBA, FRSA – Dean, UCLA School of the Arts and Architecture
 

Next LA Awards

AIA|LA's Next LA Awards highlight unbuilt or in-the-works projects that push the envelope in terms of design or programmatic configuration. Synthesis Design + Architecture's Nansha Scholar's Tower in Guangzhou, China, for example, is formally inspired by smooth river rock cultural artifacts known as Gongshi and features a pair of pass-through elevated terraces that cycle air through the mid-rise tower's core. R&A Architecture and Design's Sunset Tower, on the other hand, proposes to use extended, undulating floor plates to create variable balcony and terrace spaces for a speculative development in West Hollywood. A full list of the Next LA winners:
HONOR
Boyle Tower
Los Angeles, CA
MUTUO
MERIT
Apertures
Mexico City, Mexico
Belzberg Architects
The New Center of Science & Technology in Suzhou
Shishan Park, Suzhou, China
Kevin Daly Architects
Pioneertown House
Pioneertown, CA
PARA-Project
Camp Lakota
Frazier Park, CA
Perkins+Will
Mercado El Alto
Puebla, Mexico
Rios Clementi Hale Studios
CITATION
MLK1101 Supportive Housing
Los Angeles, CA
Lorcan O'Herlihy Architects
Sunset Tower
West Hollywood, CA
R&A Architecture + Design
Nansha Scholar's Tower
Guangzhou, China
Synthesis Design + Architecture & SCUT Architectural Design & Research Institute
2018 AIA|LA Next LA awards jury: 
David Benjamin – Founding Principal, The Living, and Assistant Professor at Columbia GSAPP
Mario Cipresso, AIA – Associate Principal, Hawkins/Brown
Elizabeth Timme – Co-Founder, LA-Más

COTE LA Awards

The Committee on the Environment (COTE) LA awards focus on performance and sustainability. Gensler's CSUN Sustainability Center at the California State University, Northridge, campus in the San Fernando Valley utilizes recycled materials and furniture, makes efficient use of passive lighting, and features solar-powered electricity and hot water. The Arizona State University Biodesign Institute C complex by ZGF Architects, an Honor award winner, delivers energy savings of over 44 percent when compared to existing campus laboratories. The full list of COTE LA winners:
HONOR
Arizona State University Biodesign Institute C Tempe, AZ
ZGF Architects
CSUN Sustainability Center
Northridge, CA
Gensler
 
MERIT
Otis College of Art and Design Campus Expansion Los Angeles, CA Ehrlich | Fisher   UCSB BioEngineering Santa Barbara, CA Moore Ruble Yudell Architects & Planners   West Hollywood Automated Parking Garage West Hollywood, CA LPA, Inc.   CITATION Robert Redford Conservancy for Southern California Sustainability, Pitzer College Claremont, CA Carrier Johnson + Culture  
2018 AIA|LA COTE LA awards jury: 
William Leddy, FAIA – Founding Principal, Leddy Maytum Stacy Architects
Douglas E. Noble, FAIA – Director, Master of Building Science USC School of Architecture
Anne Schopf, FAIA – Partner, Mahlum Architects
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Reality Check

Storefront’s Critical Halloween invites guests to vote on more than costumes
The Storefront for Art and Architecture’s annual Critical Halloween is trying to bring a dose of reality to this year's celebration—even if that means celebrating a day that is usually reserved for everything but reality. Perhaps, however, in a time of increasing unreality and (pun intended) dressing up the facts, a sobering celebration is what we need. The theme of this year’s event is REAL and it has a very real focus. Instead of the traditional glitzy party—last year’s hole-themed event was at the Museum of Sex—Storefront is inviting people to come their Soho gallery to have a drink and watch the hotly-contested midterm election results roll in on Tuesday, November 6 (after those who can have voted, of course). In place of tickets for purchase, this year Storefront is asking that attendees become members and is pledging to match the funds raised from the memberships in donations to the Movement Voter Project “in support of issues such as economic fairness, racial justice, gender equality, immigration, LGBTQ advocacy, healthcare access, and environmental sustainability through electoral change.” (Current members can also give with their RSVP and the amount will be matched.) Also, given that this Critical Halloween will be coming nearly a week after the actual day, instead of merely costumes Storefront is inviting ideas for slogans as part of what they’re calling the “Truly Democratic Costume and Campaign Slogan Competition,” which will be judged democratically by attendees rather than by jury as usual. They’re also inviting contributions to the event’s supporting bibliography, REAL REFERENCES.
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Take it to the Streets

Politics and protest in 15 years of The Architect’s Newspaper
To celebrate our 15th anniversary, we looked back through the archives for our favorite moments since we started. We found stories that aged well (and some that didn’t), as well as a wide range of interviews, editorials, and other articles that we feel contributed to the broader conversation. We also took a closer look at the most memorable tributes to those we lost, and heard from editors past and present about their time here. Here, we rounded up some of the most significant political shifts and statements that have run through our pages. 2003 Protest: Michael Sorkin on Ground Zero "Stop the demeaning arrogance of business-as-usual and the construction of an architectural zoo on this hallowed ground." 2005 Ethnic Cleansing, GOP-style "Tens of thousands of blue-collar white, Asian, and Latino residents of afflicted Gulf communities also face de facto expulsion from the region, but only the removal of African-Americans is actually being advocated as policy." 2007 Delirious Newark "As Mayor Cory A. Booker swept into office in 2006 on a platform of radical reform, he vowed to make Newark a 'national standard for urban transformation.'” 2008 Little has changed since deadly accident at Trump Soho "Despite complaints for months of an errant crane and other unsafe work conditions at the Trump Soho construction site; despite biweekly inspections by the city’s Department of Buildings; despite a previous tragedy on another of the general contractor’s worksites; despite all these warnings and precautions, it was not until the death of Yuriy Vanchytskyy, a construction worker from Greenpoint who fell 40 stories when a portion of the 42nd floor collapsed on January 12, that Bovis Lend Lease’s crane fell silent on the 46-story project." 2010 Mayor Daley’s Chicago Legacy "After 21 years as mayor, Richard M. Daley has left an indelible mark on Chicago’s built environment. The Architect’s Newspaper asked 11 Chicago architects to reflect on Daley’s impact on the city’s architecture, planning, and landscape, and to ponder the challenges facing the next mayor." 2013 Beyond Zuccotti Park "AN Editor-in-Chief William Menking convened a diverse group of thinkers to discuss the recent book Beyond Zuccotti Park, Freedom of Assembly and the Occupation of Public Spaces, an anthology on the Occupy Movement and the role of urban design and public space in contemporary democracy. Activist and curator Aaron Levy, planner Laura Wolf Powers, and architect Srdjan Jovanovic Weiss participated." 2016 How institutionalized racism and housing policy segregated our cities "In Baltimore in 1910, a black Yale law school graduate purchased a home in a previously all-white neighborhood. The Baltimore city government reacted by adopting a residential segregation ordinance, restricting African Americans to designated blocks. Explaining the policy, Baltimore’s mayor proclaimed, 'Blacks should be quarantined in isolated slums in order to reduce the incidence of civil disturbance, to prevent the spread of communicable disease into the nearby White neighborhoods, and to protect property values among the White majority.'" AIA pledges to work with Donald Trump, membership recoils "When an institution assumes control of all its members’ opinions without inviting debate, when it commits itself to as-yet-unspecified agendas, and ignores the human and environmental costs of its pledged actions, that institution is not neutral – it is complicit with the forces which seek to limit public life. We must remind ourselves that totalitarian regimes look to architects to build their image of strength and legacy without questioning the costs, and that to collaborate is to normalize those systems.” 2017 Milwaukee 50 years later, where the fight for fair housing continues "The lines dividing African Americans from whites have shifted, but are still staggeringly apparent. While the larger conversation about housing today is focused on affordability and sustainability, it is worth remembering that the simple act of wanting to live where you want is a battle that has been going on for decades." 2018 How the “Shitty Architecture Men” list can address abuse in architecture "Thanks to the #MeToo movement and the Shitty Architecture Men list, many survivors of harassment and assault in the architecture industry will, for the first time, experience the sense that they are believed and validated. They can recognize that the abuse of power follows recognizable patterns, and is neither unique nor deserved." EPA is now allowing asbestos back into manufacturing "As The Post covered, Trump has long been vocal about his skepticism about the harmful effects of asbestos, claiming in his 1997 book, The Art of the Comeback, that anti-asbestos efforts were 'led by the mob.'" Check out a selection of our favorite bits of gossip hereour best interviews here, and a fuller timeline of our articles here.
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No No Neom

Norman Foster and other leaders suspend participation in Saudi Arabian megacity
As the link between the alleged killing of Washington Post journalist Jamal Khashoggi and the Saudi Crown Prince Mohammed bin Salman grows stronger, leaders in many sectors, including in media and design, are distancing themselves from projects and conferences sponsored by the regime. This includes architects and design leaders on the advisory board of NEOM, a $500 billion megacity project announced last year at an international investment conference held in Riyadh, the Saudi Arabian capital city. NEOM is envisioned as a "smart city" rising on 10,000 square miles of desert with a separate governance structure and ambitious energy, tech, and sustainability goals, part of a larger "Saudi Vision 2030" plan intended to help move the country away from its dependence on oil revenue. The development's website advertises the city as one that "heralds the future of human civilization by offering its inhabitants an idyllic lifestyle set against a backdrop of a community founded on modern architecture, lush green spaces, quality of life…" and so on. The project posits modern architecture as a key part of what it means to live in the future. On October 9, an official announcement named notable leaders in the field who would participate on NEOM's advisory board. They included Sir Norman Foster, Carlo Ratti of MIT's Senseable Cities Lab, IDEO president and CEO Tim Brown, Sidewalk Labs chairman and CEO Dan Doctoroff, and Travis Kalanick, former CEO of Uber. The initial list also included Jonathan Ive, Apple's chief design officer, but his name was quietly removed from the initial list of 19 names soon after it was released. The announcement came a week after the October 2nd disappearance of Khashoggi, who was last seen entering the Saudi consulate in Istanbul, Turkey, with numerous news outlets reporting that he had most likely been killed there by Saudi agents, which the Saudi government denies. Since the initial announcement about the board, Doctoroff stated that his inclusion had been a mistake, and Brown also withdrew himself soon after. It appeared that Foster and Ratti were the few holdouts from the architecture world still left on the board. But today, Foster's office told AN: "Earlier this week Lord Foster wrote to the head of the NEOM Advisory Board stating that whilst the situation remains unclear he has suspended his activities in respect of the Board." Ratti's office offered this comment, "Both Carlo and our team are gravely concerned about the Khashoggi case. We are monitoring the situation closely as it develops hour by hour. We are waiting for the results of the U.S. investigation to evaluate the best course of action." With state department officials, major corporations, and media partners withdrawing from the conference where NEOM was announced last year and mounting global pressure to investigate what really happened to Khashoggi, it remains to be seen what impact this will have on any of the numerous deals and projects that have already been set into motion in Saudi Arabia. This not only includes massive undertakings like NEOM, but a range of built projects scheduled for completion later this year and the near future, including projects by SOM, Henning Larsen, and Adrian Smith + Gordon Gill Architects.  
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Green Queens

AIANY and ASLANY honor 2018’s best transportation and infrastructure projects
At an awards ceremony at Manhattan’s Center for Architecture on October 8, representatives from AIA New York (AIANY) and the New York chapter of the American Society of Landscape Architects (ASLANY) gathered for the first annual Transportation + Infrastructure Design Excellence Awards (T+I Awards). The winners, winnowed down from a pool of 67 entrants, showed excellence in both built and unrealized projects related to transportation and infrastructure, with a heavy emphasis on work that integrated sustainability and engaged with the public. Outstanding greenways, esplanades, and transit improvement plans were lauded for their civic contributions. A variety of merit awards were handed out to speculative projects, and the Regional Plan Association (RPA) was honored a number of times for the studies it had commissioned as part of the Fourth Regional Plan; it was noted that many of the solutions proposed in past Regional Plans had eventually come to pass. The jury was just as varied as the entrants: Donald Fram, FAIA, a principal of Donald Fram Architecture & Planning; Doug Hocking, AIA, a principal at KPF; Marilyn Taylor, FAIA, professor of architecture and urban design at the University of Pennsylvania; David van der Leer, executive director of the Van Alen Institute; and Donna Walcavage, FASLA, a principal at Stantec. Meet the winners below:

Best in Competition

The Brooklyn Greenway Location: Brooklyn, N.Y. Designers: Marvel ArchitectsNelson Byrd Woltz Landscape Architects, WE Design Landscape Architecture, eDesign Dynamics, Horticultural Society of New York, and Larry Weaner Landscape Associates Now six miles long and growing, the waterfront Brooklyn Greenway project kicked off in 2004 with a planning phase as a joint venture between the nonprofit Brooklyn Greenway Initiative (BGI) and the RPA. The 14-mile-long series of linear parks has been broken into 23 ongoing capital projects under the New York City Department of Transportation’s purview—hence the lengthy list of T+I Award winners. Funding is still being raised to complete the entire Greenway, but the BGI has been hosting events and getting community members involved to keep the momentum going.

Open Space

Honor

Hunter's Point South Park Location: Queens, N.Y. Park Designers: SWA/Balsley and Weiss/Manfredi Prime Consultant and Infrastructure Designer: Arup Client: New York City Economic Development Corporation With: Arup The second phase of Hunter’s Point South Park opened in June of this year and brought 5.5 new acres of parkland to the southern tip of Long Island City. What was previously undeveloped has been converted into a unique park-cum-tidal wetland meant to absorb and slow the encroachment of stormwater while rejuvenating the native ecosystem. Hunter’s Point South Park blends stormwater resiliency infrastructure with public amenities, including a curved riverwalk, a hovering viewing platform, and a beach—all atop infill sourced from New York’s tunnel waste.

Merit

Roberto Clemente State Park Esplanade Location: Bronx, N.Y. Landscape Architect: NV5 with Mathews Nielsen Landscape Architects Client: New York State Office of Parks, Recreation, and Historic Preservation With: AKRF, CH2M Hill

Citation

Spring Garden Connector Location: Philadelphia, Pennsylvania Landscape Architect: NV5 Client: Delaware River Waterfront Corporation With: Cloud Gehshan, The Lighting Practice

Planning

Merit

The QueensWay Location: Queens, N.Y. Architect: DLANDstudio Architecture and Landscape Architecture, and WXY Architecture + Urban Design Client: The Trust for Public Land Could a High Line ever land in Queens? That’s what The Trust for Public Land set out to discover, tapping DLAND and WXY to imagine what it would look like if a 3.5-mile-long stretch of unused rail line were converted into a linear park. The project completed the first phase of schematic design in 2017 using input from local Queens residents, but fundraising, and push-and-pull with community groups who want to reactivate the rail line as, well, rail, has put the project on hold.

Merit

Nexus/EWR Location: Newark, N.J. Architect: Gensler Client: Regional Plan Association With: Ahasic Aviation Advisors, Arup, Landrum & Brown

Projects

Merit

The Triboro Corridor Location: The Bronx, Brooklyn, and Queens, N.Y. Architect: One Architecture & Urbanism (ONE) and Only If Client: Regional Plan Association Commissioned as part of the Fourth Regional Plan, Only If and ONE imagined connecting the outer boroughs through a Brooklyn-Bronx-Queens rail line using existing freight tracks. Rather than a hub-and-spoke system with Manhattan, the Triboro Corridor would spur development around the new train stations and create a vibrant transit corridor throughout the entire city.

Structures

Honor

Fulton Center Location: New York, N.Y. Design Architect: Grimshaw Architect of Record: Page Ayres Cowley Architects Client: NYC Metropolitan Transit Authority With: Arup, HDR Daniel Frankfurt, James Carpenter Design Associates Fulton Center was first announced in 2002 as part of an effort to revive downtown Manhattan’s moribund economy by improving transit availability. Construction was on and off for years until the transit hub and shopping center’s completion in 2014, and now the building connects the 2, 3, 4, 5, A, C, J, and Z lines all under one roof (the N, R, and W trains are accessible through an underground passage to Cortlandt Street). Through the use of a large, metal-clad oculus that protrudes from the roof of the center, and the building’s glazed walls, the center, which spirals down from street level, is splashed with natural light.

Merit

Number 7 Subway Line Extension & 34th Street-Hudson Yards Station Location: New York, N.Y. Architect: Dattner Architects Engineer of Record: WSP Client: MTA Capital Construction With: HLH7 a joint venture of Hill International, HDR, and LiRo; Ostergaard Acoustical Associates; STV

Merit

Mississauga Transitway Location: Ontario, Canada Architect: IBI Group Client: City of Mississauga, Transportation & Works Department With: DesignABLE Environments, Dufferin Construction, Entro Communications, HH Angus, WSP

Merit

Denver Union Station Location: Denver, Colorado Architect: Skidmore, Owings & Merrill (SOM) Landscape Architect: Hargreaves Associates Client: Denver Union Station Project Authority (DUSPA) With: AECOM, Clanton & Associates, Kiewit Western, Tamara Kudrycki Design, Union Station Neighborhood Company

Student

Turnpike Metabolism: Reconstituting National Infrastructure Through Landscape Student: Ernest Haines Academic Institution: MLA| 2018, Harvard Graduate School of Design Anyone’s who’s ever cruised down a highway knows that equal weight isn’t necessarily given to the surrounding landscape. But what if that weren't the case? In Turnpike Metabolism, Ernest Haines imagines how the federal government can both give deference to the natural landscapes surrounding transportation infrastructure and change the design process to allow nature to define routes and structures.
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$1.7 billion Gadget

London dispatch: Bloomberg HQ should not have won this year’s RIBA Stirling Prize
This week, Foster + Partners’ Bloomberg European headquarters in London picked up the 2018 RIBA Stirling Prize, an award ostensibly given to the best building in the U.K., marking the third time Norman Foster's firm has won the award. But was it actually the best piece of architecture on the shortlist of six projects? No. Let me start off by saying that the Bloomberg headquarters is by no means a bad building. The judging panel, chaired by Sir David Adjaye, was right to say the project “pushed the boundaries of research and innovation in architecture." They added in a statement: “Bloomberg has opened up new spaces to sit and breathe in the City,” and went on to laud “the visceral impact of the roof-top view across to St Paul’s from the concourse space,” the office’s helix ramp and its “dynamic new workspaces.” However, all of these listed items of praise are merely examples of pricey green gadgetry and fancy add-ons. While good in their own right, they have not come together well enough to form an exemplary piece of architecture worthy of winning the RIBA Stirling Prize. Inside, amid the myriad of seating, the scheme feels like a glitzy airport at times with stock markets being displayed on screens emulating departure boards. Views out are also hard to come by, besides one panorama of St Paul’s and a vista of the city reserved for Bloomberg's higher-ups as they dine.  The Bloomberg HQ may have also carved a new thoroughfare through this part of London, but it’s hardly space to breathe. The public feels somewhat ushered through the massive slabs of sandstone by undulating bronze fins that dominate the facade, being employed further up to aid air circulation and shun views out in the process. The only spaces where you don’t have to be a paying patron at an establishment to sit are two benches at the site’s southern corner, both of which have seating dividers to prevent rough sleepers. Poor people it seems shouldn’t be allowed to rest when in the presence of a $1.7 billion building. And that’s the project’s biggest issue: money. “Some people say the reason it took almost a decade to build this is because we had a billionaire who wanted to be an architect working with an architect who wanted to be a billionaire,” said former New York Mayor Michael Bloomberg at his building’s unveiling. Norman Foster is the U.K.’s wealthiest architect. This year, partners at his firm shared $30.4 million between them, a 43 percent increase on last year despite a downturn in profits and turnover with the company having to lose staff in the process. As critic Oliver Wainwright noted in a tweet, Foster's 'non-resident in the UK for tax purposes' status prevented him from even picking up the award in person. What does all this say about architects and the profession? That to design a good building you must find a client with apparently limitless pockets? That as an architect it is more important to be obscenely wealthy over everything else? Bloomberg’s London HQ is a far cry from last year’s winner, dRMM’s Hastings Pier, which exemplified civic architecture at its best. That delightful scheme made extensive use of timber salvaged from a fire that burned down the previous pier. It was truly a community project. dRMM held close consultations with the public and the charity funding it, and the pier was built for the public of Hastings (and those visiting, of course).   There were far better examples of architecture on this year’s Stirling Prize shortlist too. Take Waugh Thistleton Architects’ Bushey Cemetery for example. Using walls of rammed earth sourced from the site it rests on, the project demonstrates genuine material innovation and manages to convey a sense of weight and be delicate at the same time. Bloomberg, meanwhile, shipped in 600 tons of bronze from Japan and granite from India, and despite the similar earthy tones, feels dauntingly heavy. An example of working wonders when on a budget was also shortlisted: Storey's Field Centre and Eddington Nursery in Cambridge by MUMA. Like Hastings Pier, this was a celebration of civic architecture, with a community center and kindergarten surrounding a landscaped courtyard. “By building at a lower height than approved at planning…Bloomberg shows a high level of generosity towards the City,” the judges commented. In light of this, Jamie Fobert Architects’ Tate St Ives was arguably more adept at concealing space. Buried underground, yet still allowing bucket loads of light in, the museum has somehow doubled in size. It’s a remarkable piece of architectural contortion that keeps locals and the museum happy. Another shortlisted project, Níall McLaughlin Architects’ Sultan Nazrin Shah Centre for the University of Oxford, like the two aforementioned projects, articulated light in spectacular fashion. The project provided a lecture theater, a student learning space, seminar rooms, and a dance studio of immense quality and leads by example the quality of spaces students deserve. London studio Henley Halebrown’s Chadwick Hall student accommodation for the University of Roehampton, the final project on the list, did the same. A win for the project could have sent a message about what the standard of student housing in the U.K. should be. The majority of current student housing stock is dire. With space standards for student housing thrown out of the window due to it being temporary accommodation, the area has become a safe bet for investors looking to cram as many units in for a guaranteed profit. A message, in fact, was sent, coming in explicit form from RIBA President Ben Derbyshire. “This building is a profound expression of confidence in British architecture—and perfectly illustrates why the U.K. is the profession’s global capital,” he said in a statement. “This role and reputation must be maintained, despite the political uncertainty of Brexit.” This, however, feels like a lazy excuse to award a project the Stirling Prize. Defaulting to listing “Brexit” as a reason should not be in the criteria. Neither should sustainability, a high standard of which should be a baseline for all shortlisted projects. Let BREEAM (the U.K. equivalent of LEED) deal with recognizing that. The RIBA Stirling Prize doesn’t have to send any message, though. It just has to recognize the best building, and this it has not done.
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A Meeting of Modern Minds

Exhibit Columbus National Symposium embraces progressive preservation
How do historic places live for now? This was one of many questions presented during the 2018 Exhibit Columbus National Symposium held in Columbus, Indiana, from September 26 through 29. Using many of Columbus’s High Midcentury Modern structures as venues, curators, architects, and creators explored how architecture, art, and design can be used to make better places to live and inform new approaches to preservation that incorporate modern heritage and civic initiatives into the future of cities. A collaboration between Landmark Columbus, AIA Indiana, AIA Kentucky, Docomomo US, and Newfields, Exhibit Columbus kicked off with alternating programming, featuring a symposium one year and an exhibition the next. This year’s Exhibit Columbus National Symposium complements the 2019 Exhibit Columbus Exhibition, which invites artists and architects to create outdoor works that are inspired by and communicate with Columbus’s more than 80 structures, works of art, and landscapes designed by significant architects and artists, including Eliel and Eero Saarinen, Robert Venturi, Harry Weese, I.M. Pei, and Alexander Girard. Exhibit Columbus follows the original ethos of philanthropist and Cummins Corporation executive J. Irwin Miller, who saw the built environment as a means to create social change and saw a need for the revitalization of his hometown as it approached the mid-20th century. Establishing the Cummins Foundation in 1954, Miller offered to pay all architect fees for new public buildings in Columbus, which brought emerging architects to the small midwestern city to build schools, factories, offices, and houses of worship, and kickstarted the architectural radicalism that Columbus now defines itself by. The 2019 exhibition will bring 18 projects to downtown Columbus, including five J. Irwin and Xenia S. Miller Prize Installations, five Washington Street Installations, six University Design Research Fellowships, and the design team from Columbus High School’s C4 program. The symposium’s intent was to activate multiple aspects of the afterlife of historic places, giving the exhibition a collaborative, thoughtful context. While the bulk of the content related to Columbus’s High Midcentury Modernism, the conversations explored other sites and projects where progressive preservation has been implemented. The Cranbrook Center for Collections and Research's recently-acquired Usonian Smith House, and #NEWPALMYRA, an effort to reconstruct the ancient Syrian city of Palmyra as a virtual environment, were both part of separate discussions on interpretation and connection. The sense of progressive preservation at Exhibit Columbus was refreshingly unburdened by the lack of old-school historic preservation and architectural history thought chains, and discussion instead focused on innovation, creativity, and participation over historical facts delivered by academics. This was clearest in the presenters' choice of language; the overwhelming use of "cultural heritage" over "historic preservation" during sessions brought the field in America one tiny step closer to the cultural, community-centric model practiced in Europe. Discussions on sustainability looked at the role that historic architecture and design might play in making cities more equitable, not as the central pillar of the well-worn idea that the greenest thing is what’s already built, or the notion that a community can only venerate one period and thesis of historical significance. The most vital discussions occurred around exhibitions as civic action, and how historic sites might break out of their stasis and engage future creators and users of design, culminating with the introduction of the J. Irwin and Xenia S. Miller Prize Recipients, an exciting collection of firms tasked with creating the site-responsive installations that will mingle with Columbus’s existing heritage, a vision of the creative future of Columbus that could work anywhere.
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Building Well

The Tech+ Workplace conference leads the cutting edge of workplace design

On September 25, The Architect’s Newspaper hosted its inaugural Tech+ Workplace conference. Located in New York City's Urban Tech Hub, the event brought together experts in the fields of office design, space planning, and facilities. Panels were split into three categories: Designing for Wellness, Designing for Performance, and Designing for the Future.

Melissa Marsh, Founder and Executive director of PLASTARC and Senior Managing Director - Occupant Experience at Savills Studley, and David Briefel, Sustainability Director at Gensler, examined new technologies driving higher standards for healthy work interiors. Both recognized the growing importance of following sustainable protocols, such as the Living Building Challenge and the WELL Building Standard. For Briefel, adherence to these standards includes the insertion of biophilic elements into his design process, including green surfaces, and natural shapes and patterns that encourage place-based relationships.

Technology is rapidly assuming greater tasks in workplace design. For HLW’s Director of Strategy and Discovery Mat Triebner, analytical tools allow for the mass collection of data on how occupants use their space. For the redesign of Willis Towers Watson’s New York’s headquarters, Triebner’s team effectively mapped the interior function and use of spaces. Following the collection of data, HLW produced a pilot redesign for the headquarters, reducing meeting rooms, while boosting common areas and mobile workstations.

John Capobianco, Design Director and Principal at IA Interior Architects' New York office, similarly described the accrual of data as key to a process based on “testing, learning, and integrating.” Capobianco zeroed in on his practice’s Scotiabank Digital Factory project as an example of design encouraging agile collaboration. The 70,000-square-foot office space is centered around a series of rotundas interlinked by axial paths, with the intended goal of fostering a string of “next generation ‘we’ spaces.”

Founded in 1978, FXCollaborative has consistently placed itself at the forefront of architectural technology. Guy Geier, Managing Partner at FXCollaborative, broke down emerging tools being adopted by architectural practices. For Geier, virtual reality is taking on a larger role in the presentation of prospective projects as well as the actual design process. FXCollaborative is also increasingly using building information modeling to track pedestrian flows and environmental conditions, crafting layouts and cladding to accommodate preexisting site characteristics.

The Urban Tech Hub, led by Robinson Hernandez, is located within the 1-million-square-foot Company Building adjacent to Grand Central Terminal. Currently undergoing a SHoP-designed renovation, the Hub is dedicated to the support of tech-related entrepreneurs from the pre-seed to full-growth stages.

The next Tech+ event will be hosted in San Francisco on February 8, 2019.

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New Chair in Town

Renee Y. Chow named new Department of Architecture chair at UC Berkeley
The College of Environmental Design (CED) at the University of California, Berkeley, has named professor of architecture and urban design Renee Y. Chow as its new Department of Architecture chair. Chow has taught at the CED since 1993 and was the associate dean for undergraduate studies at the college before beginning her current tenure in July. Chow held the Eva Li Chair in Design Ethics between 2005 and 2010 at CED, as well. Chow earned her M.Arch I and SBAD degrees from the Massachusettes Institute of Technology (MIT) and has also previously taught at MIT. Chow is also principal of Studio URBIS, an architecture and urban design practice formed in collaboration with her partner, Thomas Chastain. Projects completed with Studio URBIS include single- and multi-family structures, institutional and commercial buildings, and several development plans and studies. In a press release announcing her appointment, Chow remarked, "I hope to immediately strengthen our connections with the larger CED community—including professionals and alumni and with residents and agencies in the Bay Area." Chow added, "I want the Department of Architecture to be seen as a resource and a partner in exploring the future of architecture and environmental design." Chow has taught for over 25 years at the university. During this time, she has taught beginning and advanced design studios, design seminars, and housing seminars. Her practice and research focus on the “intersection between architecture and its locale,” according to the press release. Chow is the author of Suburban Space: The Fabric of Dwelling and Changing Chinese Cities: The Potentials of Field Urbanism, two works that interrogate the urban challenges of the 21st century and issues that arise from those challenges, including rising density in China, and environmental sustainability and urban diversity in the United States. CED dean Jennifer Wolch praised Chow in a statement as “one of the most highly-regarded educators in the field of architecture today.” Wolch added,  “At a time when technological innovation is reshaping the field, the design education and training of architects require clear vision and values. I'm delighted that Renee will be leading the College of Environmental Design's Department of Architecture."
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Best of Design Awards

Win an Archigram print by entering the AN Best of Design Awards 2018
Up for grabs at this year's AN Best of Design Awards is a signed 1971 print from Archigram. Made by Diana Jowsey in Endell Street, Covent Garden—Archigram's London Studio—the print includes features drawings from Peter Cook, Warren Chalk, David Greene, Ron Herron, and Michael Webb. For your chance to win this coveted print, enter the AN Best of Design Awards 2018 where there are 45 categories for submissions. In the sixth edition of the awards, winners will receive the signed Archigram print and will also be exposed to 1,000,000 AN readers and members of the AEC design community. Other worthy projects will be shared on AN's social media channels and will also be published in a special 2018 Design Annual publication created specifically for AN Best of Design Awards. The jury will judge submissions using several criteria: the strength of the presentation, evidence of innovation, creative use of new technology, sustainability, and, most importantly, good design. The jury will be composed of Tei Carpenter (Agency—Agency), Andrés Jaque (Andrés Jaque), Pratik Raval (Transsolar), Jesse Reiser (RUR Architecture DPC), and Archpaper's very own William Menking and Matt Shaw. The 45 categories are:
  • Adaptive Reuse
  • Building Renovation
  • Restoration & Preservation
  • Architectural Lighting – Indoor
  • Architectural Lighting – Outdoor
  • Architectural Representations – Analog
  • Architectural Representations – Digital
  • Building Renovation
  • Cultural
  • Public
  • Education
  • Healthcare
  • Commercial – Hospitality
  • Commercial – Office
  • Commercial - Retail + Mixed Use
  • Digital Fabrication; Facades
  • Green Building; Infrastructure
  • Interior – Institutional
  • Interior – Healthcare
  • Interior – Hospitality
  • Interior - Residential
  • Interior - Retail
  • Interior - Workplace
  • Landscape – Residential
  • Landscape – Public
  • Student Work
  • New Materials
  • Research
  • Residential – Multi
  • Residential– Single
  • Small Spaces
  • Temporary Installation
  • Exhibition Design
  • Unbuilt – Commercial
  • Unbuilt – Cultural
  • Unbuilt – Education
  • Unbuilt – Public
  • Unbuilt – Residential
  • Unbuilt - Urban Design
  • Unbuilt - Landscape
  • Unbuilt - Interior
  • Urban Design
  • Young Architects
Eligibility: Projects must have been completed within one year’s time of the submission deadline. Landscape projects must have been completed and Unbuilt projects initiated within two year’s time of the submission deadline. The Best Of Design Awards is open to Canadian, Mexican, U.S., and international firms (e.g., architects/consultants/engineers/manufacturers), but projects submitted must be located within Canada, Mexico, and the United States. Please submit by this Saturday, September 29, 2018 (Midnight PST), to be in the running for a chance to win. More information and how to register can be found at archpaperawards.com/design.
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Big Terminal Energy

Pelli Clarke Pelli creates a collection of new civic nodes in San Francisco
The Pelli Clarke Pelli Architects (PCPA)–designed Salesforce Transit Center and its 5.4-acre rooftop park in San Francisco are now officially open to the public. Decades in the making, the opening of the $2.1 billion, 1.2 million-square-foot terminal this August capped off eight years of construction and followed the completion of the 1,070-foot-tall Salesforce Tower next door in February. Taken together, the three elements—terminal, tower, and park—represent the beginning of a new era that, according to the planners behind the transformative project, is driven by a focus on public space and public transit. Dubbed the “Grand Central Terminal of the West” by its civic boosters, the new multimodal transit center is meant to be the crown jewel of a new high-rise, mixed-use, transit-oriented neighborhood anchored by the multifunctional rooftop park and capped off by the tower. The arrangement is one of the many by-products of a far-reaching district plan crafted to embrace the terminal and reshape the city’s skyline. Designed as a massive, skylit, indoor-outdoor living room sandwiched between transit and a park, the terminal is geared for public use first and foremost. Inside its cavernous halls, terrazzo-based flooring by Julie Chang, a light installation by artist Jenny Holzer, and a fountain by James Carpenter enliven the grand and formal spaces designed by PCPA. A total of 3,992 perforated white aluminum panels—designed in collaboration with British mathematician Roger Penrose—wrap the terminal, skinning a bulbous, undulating object that sneakily cuts across the neighborhood. The lacey wrapper brings light into a second-story bus terminal and helps to dematerialize the massive complex. This visual transparency becomes physical porosity along the ground floor, where the multiblock building spans over city streets, weaving through the commercial district with its 85,349 square feet of retail space. Fred Clarke, a founding partner at PCPA, described the transformative project and the whirlwind of construction it has engendered as “transit-oriented development at a scale we haven’t seen before” in the United States. Clarke observed, “Our car-oriented society typically works against this building type, so we feel like we are cutting new ground here.” The expression is quite literal in this case, as the complex begins 125 feet below ground, where a five-block-long concrete box acts as a massive foundation for the complex containing below-grade ticketing, retail, and concourse levels. For seismic resiliency, the 1,000-foot-long terminal is designed as three structurally isolated sections connected by a pair of 2-foot-wide expansion joints that allow each piece to move independently. Thornton Tomasetti is the engineer-of-record for the project and served as a sustainability consultant for the Salesforce Tower project, as well. The also building comes outfitted with one of the largest geothermal installations in the world, according to the architect. It is a design that not only allows for impressive energy efficiency, but also reduces the need for the clunky air handling units on the roof that would typically accompany conventional HVAC systems. Situated 70 feet above grade, the terminal is topped by a new public park designed in partnership with PWP Landscape Architecture. Flower beds and tree pits of varying depths meander around the rooftop, where the verdant park is home to 100 trees, a 1,000-seat amphitheater, three sculptural lanterns, a playground, and a 1,000-foot-long fountain by artist Ned Kahn, among other elements. The stormwater-retention-focused park is also sculpted by artificial mounds concealing elevator overrides and mechanical equipment. Standing beside all of this is the Salesforce Tower, a tapered pinnacle defined by rounded corners, “classical proportions,” and a large crown that lights up with a large-format LED video artwork by artist Jim Campbell. The 61-story tower connects directly to the park and touches the ground with a light, open lobby that is meant to enliven the district, “in a simple, elegant way,” according to Clarke.
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Tricks of the Trade

SOM uses interdisciplinary collaboration to design innovative facade systems
On September 21, Facades+ is coming to Chicago for the first time in three years. The conference features moderators and speakers of leading firms from across the country. Skidmore, Owings & Merril—the architecture and engineering firm that has called Chicago home for over 80 years—will have a particularly strong presence at the upcoming conference. To learn more about what Chicago’s largest firm is up to and to investigate larger industry trends, AN sat down with SOM’s Dan O’Riley, associate director, and Lucas Tryggestad, technical director. The Architect’s Newspaper: For over a century, Chicago has been at the forefront of architecture and engineering. What do you find most interesting about facade and structural innovation in Chicago today? Dan O’Riley: What’s most interesting about innovation in Chicago is that, aside from all the advancements the industry has made in materials, design, and construction over the years, the city continues to innovate based on the same philosophy of discovery and collaboration that has always put Chicago at the forefront of architecture and engineering. Chicago is the city that “makes no little plans,” and while nothing is built without reference to the past, the city is constantly looking towards the future. For example, 400 Lake Shore Drive, currently under development, blends contemporary materials, such as glass, with traditional materials, such as terra-cotta, matching historical vernacular, but creating something totally new. We’re also seeing new designs and concepts that go beyond the standard limitations of glass, which are applied to facades at larger scales, such as the Apple Store in the shadow of the Tribune Tower. And projects such as the IIT Innovation Center are experimenting with new facade materials, such as ethylene tetrafluoroethylene (ETFE) foil cushions. Together these types of innovations continue to keep Chicago at the forefront. Currently, what projects are you working on that demonstrate SOM’s longstanding synergy of architecture and engineering? Lucas Tryggestad: For 80 years, SOM has operated at the forefront of design, engineering, and urban planning. While each project is unique, collectively the firm’s projects represent the integration of these disciplines. Several of our current and recent projects represent this synergy through the facade expressions, the space layout, and how buildings interact with their contexts. In North Sydney, Australia, 100 Mount Street has an innovative, cross-braced exoskeleton structure and soaring glass curtain wall. It has an offset core and two rows of columns that allow for a 6-meter cantilever running the whole length of the facade. In Salt Lake City’s financial district, our 111 Main project is a Class A office tower anchoring a larger urban redevelopment in the area. To ensure that the project would not compromise the functionality of an existing theater at its base, the entire structure is suspended from a steel hat truss on top of the building, allowing the theater to slide under the tower’s south side. These synergies have always been integral to SOM’s buildings throughout the firm’s history, visible here in Chicago from the Inland Steel Building, the Willis Tower (formerly Sears Tower) and 875 North Michigan Avenue (formerly John Hancock Center), to projects currently underway, such as “The Porch” on 330 North Green Street. How can AEC firms confront the challenges and opportunities presented by sustainable design in facade systems, and how can fenestration and enclosure innovation to boost performance? DO: Innovations in sustainable design for facades and facade systems must begin from a holistic point of view. The initial stages of a project’s design should account for and integrate different building systems and programs within the building, drawing input and expertise from different design and engineering disciplines to create better and more informed high-performance solutions. The idea of high-performance design at SOM is an interdisciplinary collaboration integral to the total set of design activities that develop sustainable environments responsive to their environmental context and recognizing the impact of the built environment on the planet’s collective resources. By prioritizing collaboration, AEC firms have the opportunity to design and take advantage of integrated mechanical systems, active facades, and energy-efficient strategies for solar control, thermal comfort, glare, and other factors affection a project’s overall sustainable performance. For example, the Roche Diagnostics Learning and Development Center in Indianapolis, designed by SOM, has a building enclosure that utilizes high-performance, low-e coated, argon-filled insulated glazing units and a window-to-wall ratio of less than 60 percent. The east, west, and southern facades also incorporate computer-controlled exterior Venetian blinds to protect and regulate the building envelope. Interdisciplinary collaboration allowed the project team to respond to the needs of the client and the context of the project itself to achieve a very strict set of high-performance goals, with great success. SOM is increasingly taking on transportation-related projects; Moynihan Train Hall, Chhatrapati Shivaji International Airport Terminal 2, Denver Union Station, to name a few. What lessons from these projects are translatable to tower and super tall construction? LT: SOM is active across a wide range of practices and research areas, including transportation, aviation, healthcare, urban planning, and interior design. While each project is distinct, the lessons learned from what we’re doing for an airport terminal, for example, inform what we’re doing for a rail and transit hub. This is the value of working within an integrated practice, where ideas and strategies are continually evolving to create buildings that are distinctive and synthesize programmatic function, structural rationale, and environmental sustainability.