Search results for "NYC Parks"
City Council approves major Bronx rezoning
Zaq Landsberg, Islands of the Unisphere Flushing Meadows Corona ParkLandsberg recreates several islands from the adjacent Unisphere, which will form a publicly accessible archipelago representing the diversity of Queens. Rose DeSiano, Absent Monuments Rufus King Park These mirrored obelisks will stand upon blue and white Dutch Delft photographic tiles which interact with Native American pattern work. Staten Island: Jackie Mock, The Pencil Museum Faber Park The Pencil Museum is a collection of antique writing instruments, located on the former grounds of Johann Eberhard Faber's Mansion. Faber was the owner of the Johann Eberhard Faber Pencil Factory, the first of its kind in America. Adam Frezza & Terri Chiao, Stick Stump & The Lawn Lumps Tappen Park Frezza & Chiao's exhibit is a collection of playful forms meant for public interaction.
Greening the Bay
Brooklyn's Jamaica Bay waterfront slated for huge state park
Like the generous soul in the "Twelve Days of Christmas," Governor Andrew Cuomo likes to bestow gifts—usually big-ticket public projects—on the people of New York right before his annual State of the State address. In his speech this week, the governor dropped news that a new 400-acre state park is coming to Jamaica Bay, Brooklyn. Today (the Twelfth Night!), the governor's office, in conjunction with federal and local agencies, released more details on the forthcoming waterside green space, which, after Freshkills, will be New York City's second huge park on a former garbage dump.The planned park will sit atop the former Pennsylvania Avenue and Fountain Avenue landfills, which ceased operation in 1983. The sites, separated from each other by Hendrix Creek and from the rest of the neighborhood by the Shore and Belt parkways, is just a short jaunt from the Gateway Mall in East New York. Eleven years after the dumps closed, the land was given to the National Park Service as part of the Gateway National Recreation Area, an archipelago of open spaces in Brooklyn, Queens, Staten Island, and New Jersey. In 2009, the NYC Department of Environmental Protection completed a $235 million site remediation effort that prepared the land for other, non-garbage uses. Now, the newly-planted grasses and woodlands undergird coastal ecosystems and ease erosion along three and a half miles of shoreline. Plus, there are gorgeous views of New York Harbor and Jamaica Bay.
"This new state park will be a treasure in the heart of Brooklyn, offering hundreds of acres of beautiful parkland on the shores of Jamaica Bay," Governor Cuomo said, in a statement. "We are committed to ensuring every New Yorker can access the recreational, health and community benefits of open space, and this park will open new doors to wellness for New Yorkers who need it most."New York State has inked preliminary deals with the National Park Service to plan the park's financial future and maintenance operations. Under the agreement, New York State Parks will develop and run the park in collaboration with the Department of the Interior, the National Park Service and the New York City Department of Environmental Protection. Phase one of the project is funded by $15 million in state money, part of which will go towards building biking and hiking trails, fishing spots, and kayaking infrastructure, as well as park vitals like restrooms, shading, and food stands. The first phase, open next year, will also include coastal highlands planted with native species. At 407 acres, the green space will be a little less than half the size of Central Park. The landfill park is in East New York, one of the target areas of Vital Brooklyn, Cuomo's $1.4 billion revitalization initiative focused on the central Brooklyn neighborhoods of Brownsville, Flatbush, Crown Heights, Bedford-Stuyvesant and East New York.
Bay Area Basin
2017 Best of Design Awards for Urban Design
Lawrence Halprin’s Freeway Park slated for major overhaulSeattle’s Freeway Park, a pioneering work of modernist landscape architecture by Lawrence Halprin and Angela Danadjieva that's widely recognized as the world’s first freeway cap park, is undergoing a series of wayfinding-oriented renovations. Nonprofit park stewards Freeway Park Association (FPA) hired Seattle-based landscape architects SiteWorkshop to add a bandshell, new restroom facilities, a food kiosk, a playground, and even a bouldering wall to the Brutalist landscape. The interventions are meant to soften the verdant but austere park, a move that some say runs counter to Halprin and Danadjieva's original design intent. New York Public Library interiors landmarked The New York Public Library’s (NYPL) main branch in Midtown Manhattan is a definitive New York building, but until recently, its splendid interiors were mostly unprotected. That changed this summer when the New York City Landmarks Preservation Commission (LPC) added the Rose Main Reading Room and the Bill Blass Catalogue Room to its roster of interior landmarks. (The exterior of the Carrère & Hastings–designed building was protected 50 years ago.) Now, the structure is slated for extensive remodeling by Mecanoo and Beyer Blinder Belle, who debuted a master plan for the changes in November.
Edward Durell Stone gem gets a comprehensive rehabHalfway between Chicago and Denver along Interstate 80, Grand Island, Nebraska is perhaps best known as the home of the Nebraska State Fair, but it also hosts an important work of modern architecture. Designed by Edward Durell Stone in 1963, the Stuhr Museum of the Prairie Pioneer documents the lives of Europeans who first settled in Nebraska. Recently, the museum underwent a comprehensive renovation and rehabilitation, led by Lincoln, Nebraska–based BVH Architecture. Snøhetta takes on the AT&T Building Architects took to the streets to protest changes to the AT&T Building, Philip Johnson and John Burgee’s iconic postmodern tower. Among other changes, the Snøhetta-led redo would glass in the building’s signature 110-foot-tall arched stone entryway. Denise Scott Brown, Sean Griffiths, Adam Nathaniel Furman, Paul Goldberger, and others took to AN‘s pages to weigh in on the design (TL;DR most folks think glassing in the base is a bad idea). Thanks to activists’ efforts, the pomo marvel on Madison Avenue is now up for landmarking. OMA menaces Gordon Bunshaft's Albright-Knox addition When it was revealed that OMA would design an $80 million expansion of the Albright-Knox Art Gallery, preservationists were concerned. OMA's concept design—new galleries and parking organized around a huge class lobby—would eliminate Gordon Bunshaft's suave 1962 addition to the Buffalo, New York museum. Over protests, the museum is now raising money for the project, which it has dubbed AK360 (perhaps in reference to the assault on good taste). Helmut Jahn's Thomson Center still imperiled Designed by Helmut Jahn and completed in 1985, the James R. Thompson Center is the hub of Illinois state government in the City of Chicago. From the moment it was constructed, its vertiginous interior has turned heads and sparked debate. Today Governor Bruce Rauner is keen to see the building either demolished or converted into a private property. This year saw the premiere of Starship Chicago: A Building on the Brink, a new documentary on the oft-misunderstood building.
Louis Kahn’s endangered floating concert hall is headed to FloridaThis summer it looked like Louis Kahn's concert-hall-on-a-barge was headed to the scrap heap. The 195-foot-long boat, dubbed Point Counterpoint II, was commissioned as a floating venue for the American Wind Symphony Orchestra (AWSO) for the Bicentennial, and it's traveled the country's waterways ever since. Despite its design pedigree, longtime owner Robert Austin Boudreau struggled to find an owner for two decades, and was going to chuck the boat if he didn't find a suitable buyer. In early December, the Hudson Valley's Daily Freeman reported that Boudreau sold the vessel to a consortium of Florida businesspeople. This winter, it will be restored in Louisiana and will eventually dock in Lake Okeechobee, about 50 miles west of Palm Beach, Florida. Master plan for The Alamo stirs debate A $450 million plan for the treasured historic site of The Alamo in downtown San Antonio is causing a stir. Architects, planners, professors, patriotic preservationists, and the public are in disagreement over a rejuvenation scheme that looks to open up the plaza but relocates a historic cenotaph in the process. House of Tomorrow is saved The House of Tomorrow, the first residence to be clad with a glass curtain wall, is set to receive a much-needed update from a team of Chicago firms. Originally designed by Chicago architect George Fred Keck for the city's 1933 World’s Fair, the 12-sided glass-and-steel home sports an open floor plan, also a rarity for the time. After the fair, the early modern home was moved to Beverly Shores, Indiana, to be incorporated into a vacation village that was never completed. Now, Indiana Landmarks is spearheading the renovation of the National Register–listed property in collaboration with chosen firms. Monument removal After white nationalists provoked violence in Charlottesville, Virginia, and amid a national climate of heightened bigotry, cities and towns across the county are re-evaluating their public monuments. With little fanfare, under the cover of night, the City of Baltimore took down four Confederate monuments in August. After protests, New York City established an independent commission this fall to review the city’s public monuments for "symbols of hate." Should these monuments be saved in the name of history? Or should they be altered—even destroyed—because they no longer positively embody contemporary values?
The Landmarks Preservation Commission (LPC) has unanimously approved a Parks Department plan to build a grand new entrance to Fort Greene Park. While the redesign will make the park more visible from the street, the work will eliminate a rare public commission by the late modern landscape architect Arthur Edwin (A.E.) Bye, Jr.
In September, in light of conflicting testimony, Landmarks decided not to vote on the Parks Department’s plan. However, at a recent November 21 hearing, the agency approved Parks Department plans (PDF) to substantially modify the northwest entrance of the park by adding a grand promenade from the base of a McKim, Mead & White monument to the park’s northwest corner. Although Parks added more greenery around the proposed thoroughfare and narrowed the main stairs at the entrance, the plans were virtually unchanged from those presented to Landmarks in September.The $10.5 million scheme is part of Parks Without Borders, the Parks Department’s initiative to make green spaces more welcoming by removing physical barriers between parks and streets, among other design interventions. In service of this goal, the LPC-approved design completely removes three low-rise, cobblestone-edged landforms, Bye's work from the 1970s.
In its presentation, Parks dug deep into its archives to give the LPC commissioners a fuller picture of Fort Greene Park's design history. It's a long one: The park is Brooklyn’s first, conceived by Calvert Vaux and Frederick Law Olmsted in 1868. Since then, major American designers in three eras have shaped the park, each in the spirit of their time but in deference to the original plan. After Olmsted and Vaux, McKim, Mead & White added a grand monument and staircase, imposing neoclassical organization to the park’s wending paths and rolling hills. In the 1930s, Robert Moses’s parks designer, Gilmore D. Clarke, regraded the terrain and added a stone retaining wall, among other changes. In the 1970s, Bye added Brutalist landforms that acted as platform for events, a space to relax in the shade, and a gentle climbing terrain for children. Resembling burial mounds, the raised earth plateaus are a modern lead-up to McKim, Mead & White's imposing Prison Ship Martyr’s Monument at the top of the stairs. Bye, who eschewed drawing in favor of on-the-ground sculpting, worked with Berman, Roberts & Scofidio to produce stampable plans for the city. (Ricardo Scofidio eventually left the firm to found what is now DS+R.)
In the presentation, Bye's as-built work with Berman, Roberts & Scofidio is characterized as a "reality check" in the presentation, even though the other designers' as-built also changed substantially from concept to completion. When reached for comment on its word choice, Parks said that the plan "called for a radical transformation of the park that was likely not well received by Parks at the time due to historic design precedents as well as budget considerations."Beyond its antipathy for Bye's work, the agency says the mounds are not ADA-compliant and would have to be removed for the new proposal. However, the grand stone staircase, a historic feature double-underlined by the new entrance and allée, is also not ADA-compliant, but a Parks spokesperson said it has "has analyzed the entirety of Fort Greene Park and located possible ADA-compliant routes to the monument."
Paul Kidonakis, a landscape architect with the department, explained that, in the new plan, the agency had increased the planted area by 17 percent, with most of that greenery arranged along the contested allée. That thoroughfare will be widened into a grand promenade, leading strollers from a new low stone stair at the northwest entrance toward's the park's monumental stone steps. At 43 feet wide, the path will be a foot wider than the Central Park mall; there would be more paving—and more planting—overall, Kidonakis said. The view-impeding Honey Locust copse at the corner will be replaced by new trees as well.In light of September's divisive testimony, Chair Meenakshi Srinivasan and Commissioner Frederick Bland said they visited the park between the two hearings to get a better sense of the place and Parks' proposed modifications.
"The axial arrangement, the opening up of the park—not just metaphorically, but physically—to the disabled and to people pushing baby carriages [creates] a sense of place at the corner that is consistent with this park. The memorial at the top of the hill cannot be denied, and a more formal relationship to that hilltop seems to be important to have," Bland said. The paved plaza, he added, would open up the space to a greater variety of public gatherings.“This is a park that's really evolved and changed. Some respect the earlier designs, some are adding something new. To me, it was helpful to understand that evolution," said LPC Chair Meenakshi Srinivasan. According to landscape preservation consultant Michael Gotkin, all the designers responded to Olmsted and Vaux’s design intent, though it would be a grave mistake to assume the richly layered park could be returned to a pure or original form.
“[The] current proposal rolls out a massive paved plaza across the original green open space, removes the 1930s landscape details, and eradicates the modernist landscape mounds, and instead creates a strange ersatz rendition of a City Beautiful era formalism on steroids,” Gotkin said. “Actual survey drawings and photos of this corner of Fort Greene Park reveal a different story—of a modest green space at the base of the monumental staircase, where different generations of landscape designers attempted to reconcile the formality of a national monument with the informality of a pastoral neighborhood park."
Before this hearing, concerned neighbors formed a group, Friends of Fort Greene Park, to advocate against the Parks Department's proposed changes to the northwest entrance. (The group is separate from the Fort Greene Park Conservancy, the group that stewards the park.). To the Friends group, issues with the design extend beyond preserving Bye's mounds and up to the trees.
Back in August, a member of the group filed a Freedom of Information Act (FOIA) request for the department's forestry report to confirm if Parks had accurately represented the condition of the trees in the park, particularly the ones that would be felled for this project. To advance its design proposal, Parks told neighbors that dozens of trees near the northwest entrance were dying and needed to be felled for safety reasons. Of 54 trees slated for removal, the department's internal survey showed that only seven of them were in their sunset years, while the other 47 were to be removed for "design reasons."
When reached for comment, a Parks spokesperson clarified that some of the trees will be removed and replanted to advance the design, and that the others slated for removal are nearing the end of their lives and are species the department no longer plants. The spokesperson said that all the forestry reports obtained in the FOIA were different than the (more accurate) tree information the capital projects team accessed to prepare its recommendations for the redesign.The Friends group has retained attorney Michael Gruen to explore options for opposing the plan. Gruen is also the president of the City Club of New York, a civic advocacy group that was one of Pier 55's main opponents. As far as legal options go, "we are aware of possible approaches, and we're now going to consider what to do," Gruen said.