Search results for "Rafael Viñoly"
Our 12 top building reviews of 2016
PBS to air special on Eero Saarinen
At a presentation last night to Manhattan Community Board 1 (CB 1), the Philadelphia-based firm and its client, the Hudson River Park Trust, debuted their conceptual pier plans before an eager audience. Extending almost 800 feet from shore, renderings depict a Pier 26 shaped by an angular, elevated walkway that draws visitors above the waterline to take in views up and down the shore, sit quietly among native scrub, or galavant on an abstracted play-forest—a special habitat for New York children.
Based on meetings last year with Tribeca and lower Manhattan neighbors, OLIN teased out a need for open recreational space and native habitat but combined those wants with an even stronger desire for contemplative, relaxing outdoor spaces, into what the firm hopes will be an “iconic destination,” explained partner Lucinda Sanders. “We really tried to think of a place for you, not for tourists.” The pier, which sits south of Canal Street between Hubert and North Moore streets, juts almost 800 feet into the Hudson, a canvas of possibility on a blank concrete slab.
The plans hope to fill gaps in the offerings on other west side piers. In addition to standard-issue ballfields around the pier’s midsection, OLIN proposed a netscape—a pliable mesh surface that sags and bounces as people get on but brings everyone as close as possible—or legally feasible—to the water’s edge. Farther out, stadium-style seating could double as outdoor classrooms, while closer to shore, a large lawn could hold movie nights for 750-plus people. Migrating birds would have an exclusive, biped-free resting spot at the pier’s tip, while recreational boats could dock alongside the structure.
“There’s a whole hell of a lot of programming—but it’s fantastic,” said CB 1 member Bruce Ehrmann, echoing the room’s appreciative oohs and aaahs.
Wind turbines could power the pier’s estuarium (to be designed by New York’s Rafael Viñoly Architects) or other functions, but there was unexpectedly strong pushback from the assembled on the turbine’s potential noise and bird-killing capabilities. The board also worried about the cellphone-gobbling potential of the mesh nets. Sanders noted the firm is looking at ways to mitigate the loss of phones and keys, perhaps with a sub-net.
All told, the Trust estimates Pier 26 will cost $30.7 million. All of the funds are secured. There’s no plan for the foreseeable to transfer air rights to facilitate nearby development, a la Pier 40, so the area’s spaciousness will be preserved.
Mastering the Metropolis
Two new exhibitions at MCNY dive into the soul of New York
Richard Meier, Rafael Viñoly, and KPF will each design a tower in this Manhattan development
An architect combines restaurant and residential know-how to design chef Daniel Boulud's home kitchen
Essentially, this building is the architectural embodiment of sea sickness, waves of nausea frozen in sheaths of glass and colored aluminum that, when stared at for too long, summon queasiness, discomfort and, if you’re really unlucky, a reappearance of lunch as inevitably as puddles after a rainstorm.Incidentally, the much-maligned flats in question range from $1 million to $1.2 million. The developers behind the project, Galliard Homes, describe it as a "striking new landmark against Canary Wharf’s dazzling architecture." They go on to add: "Offering breathtaking views, first class facilities, and superlative living accommodation in a location of international status, Lincoln Plaza is set to provide one of the most prestigious and sophisticated new landmarks on Canary Wharf’s iconic skyline." Ijeh, though, was not impressed with this description.
Were anyone in any doubt as to the sheer level delusion and gall that has gripped London’s luxury housing market, then this asinine quotation should settle the matter once and for all. Lincoln Plaza is actually in South Quay and not Canary Wharf but what better way of showing contempt for your local context than by insinuating it is actually located in your flashier neighboring district that is more likely to be familiar to your target Malaysian investors? But, of course, this development does not show contextual contempt by words but by actions and it is these architectural actions and not the aforementioned “views” that are truly “breath-taking.” Lincoln Plaza is a putrid, pugilistic horror show that should never have been built. In its bilious cladding, chaotic form, adhesive balconies and frenzied facades, it exhibits the absolute worst in shambolic architectural design and cheap visual gimmickry. The only thing “sophisticated” about this scheme is the sheer level of artistry that must have been orchestrated in order to convince the local authority to award permission.Paul Finch, editorial director of the Architects' Journal—a rival to the publication that runs the not-so-coveted trophy—called for the competition to be ended last month. He also wrongly predicted, as did many, that:
Those who control the [Carbuncle Cup] seem to know next to nothing about commercial architecture, hate it, campaign against it and only keep quiet when a self-evidently ‘good’ architect, like Eric Parry, wins a commission to design the tallest tower in the City of London, demolishing the rather good [Aviva] tower in the process. The predictable tone of the [Carbuncle Cup] nominations is echoed by the predictability of the results. The judges don’t get out much, so the focus is generally on London. If you can attack a big name, all the better, hence the ludicrous abuse poured on the Cutty Sark project by Grimshaw. Commercial uses are a red rag to a bull, hence the campaign against another ‘winner’, the Tesco store with apartments above at Woolwich, a brave and successful attempt to revive a benighted town centre, which I supported while sitting on the design review panel which assessed the plan... My real objection to the [Cup] is that it is the product of mental idleness rather than genuine thought about the way in which architecture both absorbs and reflects culture, economics, fashion and the myriad other elements which inform the way we now live, work and play.Catherine Slessor, also writing in the same publication, however, made the case for the Carbuncle Cup:
Some might regard it as a cheap exercise in tabloid trolling that takes no account of the complexities and contradictions of the design process, in which architects are merely hapless pawns, buffeted by bad clients, bad briefs and bad legislation. Yet who could argue against the guilty pleasure of witnessing the pomposity of the great and the good being pricked or the hubris of provincial nonentities witheringly exposed? After all, these purveyors of ordure are paid for what they do. And, unlike genuine ordure, bad buildings cannot be swept away.
Saffron Square Location: Croydon, London Architect: Rolfe Judd First on the "to-roast" list is Saffron Square (otherwise known as Saffron Tower) in Croydon, south London. Though Croydon currently holds the crown as having U.K.'s fastest growing local economy, the news surrounding its architecture scene has not been so positive. Developer Berkeley Homes’s offering, whose colorfully-clad tower can be seen from many-a-mile, has been described as having a “car crash of a facade.”
The Diamond Sheffield Twelve Architects This building in Yorkshire may provide accommodation for engineering students at the University of Sheffield, however, it is apparently “dwarfing” and “drowning” is neighboring church with its interior being “wasted,” “unused,” and “outrageously mismanaged.”
One Smithfield Stoke-on-Trent RHWL Architects "An aesthetic mutation between the nostalgic 1980s brain games of Connect 4 and Blockbusters might not seem like a natural breeding ground for architectural malevolence but this building proves what happens when color goes rogue," wrote BD in a scathing analysis of the multi-colored structure. Poole Methodist Church extension Poole, Dorset Intelligent Design Centre Churches have not faired well according to this year's iteration of the Carbuncle Cup. This extension to the existing gothic church has been derided as a building that "screams of the same bland, belligerent mediocrity that is the insidious moniker of ostensibly polite and ubiquitous background architecture everywhere."Beautiful day for a skate, this spot in Hanley is awesome!! #spotcheck #skate #metrogrammed #summerishere A photo posted by Will Lowe (@wimpstain) on
5 Broadgate London Make Architects Make Architects's 5 Broadgate is one of three buildings from London (last year had four) and the largest on the list. Such is the scorn that the structure has received that developers of the nearby 22 Bishopsgate project called 5 Broadgate the "worst large building in the City for 20 years." Ominously, last year's biggest building happened to be 20 Fenchurch Street (The Walkie-Talkie), the eventual winner.
New towers at Canary Wharf #1. Lincoln Plaza. #skyscraper #photography #London pic.twitter.com/pDQGNGxtbX — Skyscrapernews.com (@skyscrapernews) July 5, 2016Lincoln Plaza London BUJ Architects Last on the ill-fated architectural honors list is Lincoln Plaza. "31 stories of bilious cladding are piled one on top of the other to create an assortment of haphazardly assembled facades that are crude, jarring and shambolic," wrote BD in an unforgiving critique of the high-rise. And that wasn't all. "Were that not enough, the facades enwrap a grotesque Jenga game of rabid rectilinear blocks of no discernible form or profile and perforated by a series of balconies which one reader surmises “are an open invitation to commit suicide."
The winner of the Carbuncle Cup will be announced next Wednesday.
The University of Chicago has begun work on a two-story addition to its Laboratory for Astrophysics and Space Research (LASR). Designed by the Chicago office of Perkins Eastman, the addition will update and expand the original 1964 SOM-designed modernist single story building.The main goal of the new addition will be to bring the building up to current standards of physics research, and to house both the Theoretical and Experimental research groups in one building. The LASR will also house the University of Chicago’s acclaimed Department of Physics, including the Enrico Fermi Institute and the Kadanoff Center for Theoretical Physics. When finished, the 63,500-square-foot building will include day-lit offices and collaboration spaces, and two large gathering spaces. One of these spaces will cantilever over the existing building's footprint in order to accommodate larger groups. Expansive picture windows in the gathering spaces allow for views across the architecturally rich campus. A bright double-height commons and roof terrace will also provide spaces for less formal gatherings. Laboratories that are light-sensitive will be located below grade, and to the interior of the building. With a goal of LEED Silver, the building’s facade is calibrated to reduce the need for artificial light, while avoiding excessive solar heat gain. Heating and cooling will be handled by overhead chilled beams instead of forced air. Perkins Eastman joins a handful of architects currently working for the university including Studio Gang, Johnston Marklee, and HOK. The University of Chicago campus is a veritable theme park of architecture with projects by Frank Lloyd Wright, Henry Ives Cobb, Eero Saarinen, Ludwig Mies van der Rohe, Walter Netsch, Ricardo Legorreta, Rafael Viñoly, César Pelli, Helmut Jahn, Tod Williams and Billie Tsien Architects, and Holabird, Root and Burgee.