Search results for "Nelson Byrd Woltz Landscape Architects "

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ASLA announces winners of its 2014 Professional Awards and Student Awards
The American Society of Landscape Architects (ASLA) has announced this year's winners of its Professional and Student Awards, which honor "top public, commercial, residential, institutional, planning, communications and research projects from across the U.S. and around the world." Each of the winning projects will be featured in the October issue of Landscape Architecture Magazine and be officially presented by ASLA at its annual meeting and expo in Denver on November 24th. In total, 34 professional awards were selected out of 600 entries. General Design Category   Award of Excellence  Bill & Melinda Gates Foundation Campus Seattle Gustafson Guthrie Nichol Honor Awards Slow Down: Liupanshui Minghu Wetland Park Liupanshui, Ghizhou Province, China Turenscape Gebran Tueni Memorial Beirut, Lebanon Vladimir Djurovic Landscape Architecture Segment 5, Hudson River Park  New York City Michael Van Valkenburgh Associates Inc. Salem State University Marsh Hall, Salem, Mass. WagnerHodgson Landscape Architecture Urban Outfitters Headquarters Philadelphia Navy Yard, Philadelphia D.I.R.T. Studio Laurance S. Rockefeller Preserve Grand Teton National Park, WY Hershberger Design for D.R. Horne & Company Hunter's Point South Waterfront Park Queens, NY Thomas Balsley Associates and Weiss/Manfredi Low Maintenance Eco-Campus: Vanke Research Center Shenzhen, China Z+T Studio Shoemaker Green University of Pennsylvania Andropogon Associates, Ltd.   Residential Design Category Award of Excellence Woodland Rain Gardens Caddo Parish, La. Jeffrey Carbo Landscape Architects Honor Awards Hill Country Prospect Centerport, Texas Studio Outside for Sara Story Design Vineyard Retreat Napa Valley, Calif. Scott Lewis Landscape Architecture Le Petit Chalet Southwest Harbor, Maine Matthew Cunningham Landscape Design LLC Sky Garden Miami Beach, Fla. Raymond Jungles Inc. West Texas Ranch Marfa, Texas Ten Eyck Landscape Architects Inc. GM House, Bragança Paulista São Paulo, Brazil Alex Hanazaki Paisagismo City House in a Garden Chicago McKay Landscape Architects   Analysis & Planning Category Award of Excellence Midtown Detroit Techtown District Detroit Sasaki Associates Inc. Honor Awards The Creative Corridor: A Main Street Revitalization for Little Rock Little Rock, Ark. The University of Arkansas Community Design Center and Marlon Blackwell Architect Devastation to Resilience: The Houston Arboretum & Nature Center Houston Design Workshop Inc., Aspen, and Reed/Hilderbrand Zidell Yards District-Scale Green Infrastructure Scenarios Portland, Ore. GreenWorks, PC Yerba Buena Street Life Plan San Francisco CMG Landscape Architecture Unified Ground: Union Square - National Mall Competition Washington, D.C. Gustafson Guthrie Nichol Communications Category Award of Excellence The Landscape Architecture Legacy of Dan Kiley The Cultural Landscape Foundation Honor Awards Freehand Drawing and Discovery: Urban Sketching and Concept Drawing for Designers James Richards, FASLA, published by John Wiley & Sons Inc. Monk's Garden: A Visual Record of Design Thinking and Landscape Making Michael Van Valkenburgh Associates Inc. Garden, Park, Community, Farm Nelson Byrd Woltz Landscape Architects Pastoral Capitalism: A History of Suburban Corporate Lands Louise A. Mozingo, ASLA, published by MIT Press   The Landmark Award Norman B. Leventhal Park at Post Office Square Boston Halvorson Design Partnership Inc.
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Fashion Anchors the Yards
Courtesy Oxford Properties

A flagship Neiman Marcus store, marking the company’s expansion into New York, is scheduled to open in Hudson Yards in 2018. The store will occupy 250,000 square feet—or one-fourth of the retail space—at the Shops at Hudson Yards, a retail destination designed by the Boston-based firm Elkus Manfredi Architects. The announcement by the high end retailer further cements Hudson Yards as a center for fashion-related businesses.

The building’s glass curtain wall will afford shoppers a view of the High Line and also the Culture Shed, a Diller Scofidio + Renfro and Rockwell Group–designed structure that is the planned home of Mercedes Benz Fashion Week Group. The three-story luxury store will face the public plaza designed by Nelson Byrd Woltz Landscape Architects in collaboration with Thomas Heatherwick. The store will have a dedicated entrance on 10th Avenue between 31st and 32nd streets, as well as multiple access points throughout the complex.

Neiman Marcus is not the first fashion brand to call Hudson Yards home. The high-rise tower at 10 Hudson Yards, now under construction, will be the world headquarters for the leather goods maker Coach and the U.S. corporate headquarters for L’Oréal.

The Dallas-based Neiman Marcus, which was acquired by Ares Management and the Canada Pension Plan Investment Board for about $6 billion last year, also owns the Bergdorf Goodman department store in New York City, which is scheduled to undergo a multimillion-dollar modernization. The company is also opening an outlet store, Last Call Studio, later this year in Brooklyn.

The Neiman Marcus store at Hudson Yards will be showcased in a three-month exhibition, Hudson Yards: New York’s Future Is Rising, that opened at the Time Warner Center at Columbus Circle on Saturday, September 6, 2014. The exhibition will feature models and renderings of the transformation already underway on Manhattan’s west side. Exhibit goers will receive a build-your-own Hudson Yards postcard set designed by paper engineer and graphic designer Keisuke Saka as part of the “Make City” series of paper crafts that includes New York, London, and Tokyo.

The 28-acre Hudson Yards, developed by Related Companies and Oxford Properties Group, is the largest private real estate development in U.S. history and will bring more than 17 million square feet of commercial and residential space, more than 100 shops and restaurants, 5,000 new residences, 14 acres of public open space, a public school, and a 175-room luxury hotel to the city.

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“Sculpture City” Invites Dialogue On Public Art in St. Louis
It’s open season for public art in St. Louis, according to the groups behind Sculpture City St. Louis 2014—an ongoing festival “intended to draw attention to the rich presence sculpture has in the visual landscape of our region.” The programming leads up to and continues after an April conference. Art exhibitions throughout the year aim to continue the conversation. For instance, Art of Its Own Making, a show at the Pulitzer Foundation for the Arts that features sculpture, installation, film, and performance works through August 20. St. Louis Sculpture City showcases public art, sculpture, and design throughout the year, before and after its April 10–12 conference “Monument / Anti-Monument,” which will encourage dialogue about art and public life. A full list of the shows and events that make up the ongoing examination of public art is available on the group's website. Non-profit institutions, for-profit enterprises, and government/civic art programs with programming within 100 miles of downtown St. Louis during 2014 can submit their program to Sculpture City St. Louis, which may list them on their website. St. Louis is a fitting place for the topic. From the two-block sculpture park dubbed CityGarden to plans for a revamped park at the base of the Gateway Arch, it’s a busy time for public space in St. Louis.
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Drawing a Line
Nelson Byrd Woltz's Naval Cemetery Landscape in the Brooklyn Navy Yard.
Courtesy NBWLA

The Brooklyn Greenway Initiative (BGI), a non-profit working to unify Brooklyn’s waterfront with a continuous 14-mile greenway, continues to make strides. The organization’s co-founders, Milton Puryear, Meg Fellerath, and Bian McCormick, are busy cutting ribbons from Bayview to Greenpoint. Soon a new section of the greenway will be unveiled on Van Brunt Street in the Columbia Waterfront Neighborhood, the Naval Cemetery Landscape in the Navy Yard is nearing site preparation, and concepts for large nodal parks are being shopped around.

The BGI is a 21st century model for how to develop flood-prone zones of cities under unified guiding principles. With the aid of DOT and consultation from the Regional Plan Association, BGI is able to approach the disjointed, irregular edge from a planning perspective, setting up the framework for park development and a network of open spaces. As the Greenway continues to weave its way along coastal Brooklyn, so too will opportunities for park development, storm surge protection, and green infrastructure.

 
 

Just south of Newtown Creek, West Street starts to unfold. Past the intertwined Ailanthus trees and rusty chain-link fences there is an ominous desolation in the canyon of empty factory warehouses. DOT recently secured $10 million for a capital project on West Street in order to address stormwater issues. The cross section of West Street reveals the design’s ability to retain initial stormwater and infiltrate runoff prior to its surface route to the East River, preventing it from entering the combined sewer system.

“We are in the midst of creating stormwater design guidelines for 14 of the 23 greenway capital projects,” said Milton Puryear of BGI. These will include surge and flood protection in some areas as well as green and gray infrastructure. “Our goal is to remove sub-watersheds along the greenway from the combined sewer system.”

A section of the greenway along Columbia Street.
Courtesy BGI
 

Kent Avenue reveals the potential of an effective greenway; where parked cars delineate motor traffic from greenway traffic, cyclist and pedestrians are prevalent and buildings are increasingly occupied. However, as you round Wallabout Channel to the east of the Brooklyn Navy Yard, you once again feel trapped in Brooklyn’s post-industrial margin between the expressway and weedy lots. BGI officials know this and they have a capital project in the works to ameliorate the issue. The eastern portion of the Navy Yard will soon be under construction to develop a passive recreation zone.

One of BGI’s capital projects, the Naval Cemetery Landscape, has secured $1 million in funding from the TKF Foundation, a non-profit devoted to the development of sacred urban spaces, and $800,000 from the City Council. Nelson Byrd Woltz Landscape Architects are creating a landscape that will shift in plant form with time, just as the program of the site has shifted from farm to hospital to cemetery. As site preparation and contract documentation begin on that project, BGI is on to the next: Williamsburg Bridge Park and Columbia Park.

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Landscape Architects Recognized in 2013 ASLA Awards
Today, the American Society of Landscape Architects (ASLA) revealed its 2013 Honors recipients. The Honors acknowledge individuals and organizations for their lifetime successes and notable contributions to the landscape architecture profession. The process is straightforward – ASLA members submit nominations to be reviewed by the Executive Committee and forwarded to the Board of Trustees. This year, the awards will be presented in Boston during the ASLA Annual Meeting & EXPO, November 15-18, 2013. Warren T. Byrd Jr., FASLA, is the 2013 recipient of the ASLA Medal, the Society’s highest award for a landscape architect who has made a distinctive and lasting impression on public and environmental wellbeing. Byrd, who has taught full-time at the University of Virginia for 26 years, has served for seven years as chair of the landscape department. His firm, Nelson Byrd Woltz Landscape Architects, has won over 70 national and regional awards. Stuart O. Dawson, FASLA, is the 2013 recipient of the ASLA Design Metal, which recognizes an individual landscape architect who has continually produced an outstanding body of design work for a minimum of ten years. Dawson, founding principal at Sasaki in Watertown, Massachusetts, has practiced for more than 50 years. He received the ASLA Medal in 1999 and has been involved with numerous award-winning endeavors such as the Charleston Waterfront Park, which won the 2007 Landmark Award. Reed Hilderbrand is the 2013 recipient of the Landscape Architecture Firm Award, the highest award ASLA presents to a landscape architecture firm that has created an exceptional body of work and has influenced the landscape architecture profession. Since 1997, Reed Hilderbrand, comprised of Doug Reed, Gary Hilderbrand, and colleagues, has been acknowledged for its craftsmanship and innovative use of plants. The firm’s projects include residences, parks and cultural institutions. Hilderbrand has acquired 12 ASLA awards within the last decade. Additional honors include: Jot D. Carpenter Teaching Medal: Max Z. Conrad, FASLA LaGasse Medal – Landscape Architect: Stuart Weinreb LaGasse Medal – Non-Landscape Architect: Katherine F. Abbott Olmsted Medal: Renata von Tscharner Medal of Excellence: Shlomo Aronson Community Service Award: Nicholas T. Dines, FASLA
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Hudson Yards Breaks Ground as Manhattan’s Largest Mega-Development
Tuesday morning, New York's top power brokers gathered in a muddy lot on Manhattan's west side to mark the official groundbreaking of the 26-acre Hudson Yards mega-development. The dramatic addition to the New York skyline will comprise a completely new neighborhood of glass skyscrapers at the northern terminus of the High Line. The South Tower, the first structure to be built and the future headquarters of fashion-label Coach, will rise on the site's southeast corner at 30th Street and 10th Avenue, where Related CEO Stephen Ross, Mayor Michael Bloomberg, and others celebrated the first turning of dirt as a large caisson machine bored into the ground. Representing the largest single piece of undeveloped land in Manhattan and the largest private development since Rockefeller Center, Hudson Yards will eventually house towers designed by some of the biggest names in architecture: Kohn Pedersen Fox, Diller Scofidio + Renfro, David Rockwell, SOM, and Elkus Manfredi with landscapes by Nelson Byrd Woltz. Hudson Yards is being developed by Related Companies and Oxford Properties Group, who made a deal with rail yards-owner MTA for 13 million square feet of development rights in May 2010. Speaking at the groundbreaking, MTA chairman Joe Lhota remembered back to January 1995 when, acting as the NYC finance commissioner, he realized the lost economic potential in the Hudson Yards site as it generated no revenue for the city. With Hudson Yards, though, Lhota said, "It's not only going to be a new source of revenue. It's going to be something you rarely ever see in New York: the creation of a new neighborhood." The 47-story South Tower by KPF recently crossed the 80-percent-leased line, anchored by Coach which nabbed 740,000 square feet in the 1.7 million square foot building. The footprint of the first tower sits just south of the rail yards, below where a platform will be built to accomodate further development, and adjacent to the High Line, partially straddling a portion of the wildly successful park. A large atrium at the base of the South Tower will overlook the High Line. The tower is being designed to achieve LEED Gold certification and will be complete in 2015. Once additional tenants are secured, KPF's second, larger North Tower with 2.4 million square feet will be built atop the rail yards and linked to the South Tower by Elkus Manfredi's shopping mall complex along 10th Avenue, which will contribute 750,000 square feet, the majority of the overall 1.15 million square feet of retail space at Hudson Yards. "As more tenants commit to the area, Related will build the platform and the additional towers that will be constructed atop the platform allowing us to realize our vision," Bloomberg told the crowd. The North Tower will feature an observation deck precariously cantilevering 80 feet out into Manhattan's air space. "We began with two basic principles," Bloomberg said. "We determined Hudson Yards should be a mixed-use community and an extension of the Midtown central business district." He cited affordable housing, schools, and world class commercial spaces as key to the areas success. "The second principle was recognizing that public policy decisions and infrastructure investment will be crucial to this new community." He lauded the 2005 city council approval of a 300-acre rezoning of the area and an agreement with the MTA to expand the 7 line west from Times Square to this area, a project he was quick to point out is completely funded by the city. West of the South Tower, the flagship cultural component of Hudson Yards will occupy a dramatic spot alongside the High Line. "Working with dynamic architects Diller, Scofidio + Renfro and David Rockwell, [the Culture Shed] is another step in New York City's development as the world's home for innovation in the arts. And that's what gets an awful lot of people to come here," Bloomberg said. "The Culture Shed will welcome all the creative industries—performance, exhibitions, media, design, and fashion week—and be a destination for community events." The 100,000-square-foot Culture Shed is expected to build on recent cultural additions lining the High Line like the new Whitney Museum to the south. Elsewhere on the site, 5,000 residences and a luxury hotel in towers by DS+R and SOM and a new public school will be built. SOM's 60-story "E Tower" features rounded corners and gradual setbacks as it rises, meant to evoke abstracted canyons and produce stunning views. It will house the hotel, residences, office space, and a health club. The "D Tower" by DS+R will stand 72 stories tall and connect with the Culture Shed. The tower's main design feature is called "The Corset," an intricately deformed portion of the building's middle where criss-crossing "straps" that make the building appear fluid in form. Eventually, more than 40,000 people will live or work at Hudson Yards. The entire development is organized around large public spaces, which appeared in a recent issue of AN. Running north from 33rd Street, another public space by Michael Van Valkenburgh, called Hudson Park and Boulevard, will house a new entrance to the expanded 7 Line subway, expected to open in 2014. Be sure to check out the full multimedia gallery below, featuring renderings of all the buildings that will comprise Hudson Yards, the site today, speakers from the groundbreaking, and views of the site's detailed architectural model.
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Hudson’s New Front Yards
Courtesy Nelson Byrd Woltz

The dusty rail yards and blocks of barren concrete on Manhattan’s far west side are beginning to be transformed into the office, retail, residential, and cultural mega-development called Hudson Yards. At its center will be a new civic square designed by Nelson Byrd Woltz Landscape Architects (NBWLA). The firm is also designing the six acres of streetscapes for the project.

Hudson Yards will connect with three other significant landscapes: The High Line at the south, Hudson River Park to the west, and new Hudson Boulevard, which is being designed by Michael Van Valkenburgh, to the north. For NBWLA principal Thomas Woltz, the meandering nature of the High Line and Hudson Boulevard and the linearity of the Hudson River Park called for a large-scale gathering place within Hudson Yards, which would become a destination and defining feature for this tabula rasa neighborhood. “One of the goals is to connect to these landscapes fluidly but distinctly,” Woltz said. “The urban plaza should be a kind of sitting room for the entire west side. It should be a place for spectacle, large groups, small groups, and individuals.”

 

Though the design is still evolving, Woltz and the developers, Related and Oxford Properties Group, are planning a six-acre plaza ringed with trees, a water feature, and a large central artwork. Woltz intends to use innovative horticulture as a major formal feature of the plaza, including large stands of clipped native trees, and seasonally timed plantings to draw visitors and New Yorkers. “That could be a massive bulb display for Fashion Week,” Woltz said. “We want the horticulture to be something people come to see throughout the year.”

For the landscape architects, creating intimate spaces under the canopies will also give the space a human scale, something they feel is crucial given the great height of the adjacent skyscrapers. “It will create a soft ceiling,” Woltz said. Café chairs and tables on crushed stone will populate the ground beneath the monolithic tree canopies. The plaza will be a privately owned public space, so it should be highly maintained. “Related has made a commitment to create a great public space for New York over the long term. Too often maintenance is overlooked,” he said.

For the streetscapes, Woltz is looking at European models where sidewalks flow seamlessly into streets without curbs and bollards to protect pedestrians.

Though NBWLA has a national reputation built on dozens of award winning projects, Hudson Yards is by far the firm’s most prominent commission in New York to date. For Woltz, working on a landscape of this scale and civic impact is nothing less than “career-defining,” he said.

“The open spaces in Hudson Yards are our greatest honor and obligation to the city. This will be our legacy for all New Yorkers to enjoy,” wrote Jay Cross, president of Related Hudson Yards, in an email. As with LA’s new Grand Park, which Related helped develop and will maintain as a part of their massive Grand Avenue Project, the developers see high quality public space as a major amenity for real estate development.

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The Gatekeepers
At the United 93 Memorial in Shanksville, Pennsylvania, Paul Murdoch Associatess design includes a wall inscribed with the names of victims.
Eric Staudenmaier Photography

Whether a high-profile memorial or small museum addition, institutions have become increasingly cautious when it comes time to identify the right architect for the job. Stepping in to guide and shape the process is an expanding corps of elite advisors. Jonathan Lerner profiles today’s top consultants and finds out what an architect needs to do to catch their eye—and get the job.

Choosing the design for a major commission is complicated under the best of circumstances: Emotions run high, costs can spiral, stakeholders proliferate, and that’s all before the public weighs in.

When the curving walkway and wind-chime tower of Paul Murdoch Architects’ plan for the Flight 93 Memorial in Pennsylvania was revealed in 2005 following a competition that attracted over 1,000 entries by both professionals and amateurs, it was rabidly denounced as an Islamic crescent and minaret. In his current proposal for the Eisenhower Memorial in Washington, D.C., Frank Gehry’s 80-foot-high metal tapestries, with imagery best viewed from passing cars, are provoking similarly intense outrage. Negative public response—here focusing on the opacity of the process that zeroed in on Gehry, arguably the world’s most renowned architect, from an invitation-only list of just 44 contenders—is just one hazard a choice of design and designer can pose. No wonder those who commission architects often look for help to guide the selection process.

Increasingly, it is specialized consultants who help clients—and architects—navigate the selection process. These facilitators may be little known, and often keep themselves deliberately in the background, but they play a significant role in directing, and even shaping, many large commissions. What do these gatekeepers say about the choices that arise, the contributions they make, and what you have to do to be in the running?

The entry gate to the United 93 Memorial site.
 

Though many are trained architects, they tend to have pursued careers as academics, editors or writers instead and are among the usual suspects on prize and commission juries. Thus they gain familiarity with many practitioners. That’s certainly true of Reed Kroloff, former editor-in-chief of Architecture magazine, principal of Jones/ Kroloff Design Services and director of the Cranbrook Academy of Art. He sees his consultant role as helping “ensure that better architecture results,” and helping clients “learn about architects, planners, landscape architects, and designers that they might not know about.” His typical engagement with a client runs from program development to selection of the designer.

Karen Stein, whose primary experience is as a writer and editor, prefers to stay with a project longer. “It’s not just about anointing someone, although who designs the project is a central decision. It’s also about understanding what the client’s responsibilities are and how the process will unfold.” She defines herself as “an advocate that makes sure that dialogue is as constructive as possible.”

A central issue consultants advise on is the type of search. Kroloff said, “Some clients are working on projects that are very much in the public arena, some very much not. There are different strategies for each type. An open competition is more appropriate for large-scale public projects.” The openness can help elicit public buy-in, and raise a project’s profile, becoming a marketing tool for the institution and its new building, explained Kroloff. “But you can have a competition between two or three people for a private commission. We would never urge one methodology over another without first assessing with the client their goals and intentions.”

The controversial Eisenhower Memorial proposal designed by Frank O. Gehry.
Courtesy Frank O. Gehry Architects
 

Stanley Collyer has a journalism background and has consulted on only a few selections, but has edited Competitions since 1990. He favors open competitions especially for potentially touchy projects like memorials. Those for the Vietnam Veterans Memorial and the Flight 93 Memorial, he said, were “very well run and came out with a good result,” in contrast to the much-disdained selection process used for the Eisenhower Memorial. “Why wouldn't you do everything like that?”

But not all agree. “I worry about the long range effects of the public being too involved in a matter that they’re not equipped to deal with,” countered Bill Lacy, former executive director of the Pritzker Prize, who founded a selection consultancy in 1988 after having overseen many competitions as director of the National Endowment for the Art’s architecture and environmental arts program. He argues that an invited competition with “a jury that’s put together thoughtfully” runs less risk of ending up with a problematic winning design. And he goes further: “I prefer by far the process of going to see the work” with a client who is knowledgeable about design and empowered to make a choice, holding no competition at all. Lacy has been doing just that with the CEO of pharmaceuticals giant Novartis for its campuses in Switzerland and New Jersey, tapping Gehry, Chipperfield, Ando, Koolhaas, and other architects, both famous and less so.

Whether open or invited, “having a design competition can enlighten the client, and present a series of options that might not otherwise have been considered,” Kroloff said. “We try and structure our competitions to help our client understand how the designers are thinking, not so much to find a specific solution for that project.”

Just winning a competition can be a boost for architects, even if the projects are never realized, such as the unbuilt extension of the Weston Performing Art Center in Connecticut by ARO.
Courtesy ARO
 

Establishing a process that mirrors the core values of the institution is a growing trend. Stein is working with a foundation in Sao Paolo dedicated to showcasing Brazilian arts that needed a museum building. There, the process itself illustrates the client’s mission. They decided to “do the architectural search in a way similar to how the foundation runs itself,” she said. “I spent a lot of time interviewing younger Brazilian architects and then we had an invited competition, and chose a firm that’s not well known.” Andrade Morettin Arquitetos had won numerous ideas and design competitions, but their built portfolio was small, mainly residential with a few institutional projects. Stein’s process also defused a legitimate fear clients can have, that less experienced firms might prove unable to deliver. “That was the advantage of me going in advance to all the offices. You had some confidence that the participants in the competition had the ability to actually do the project,” Stein said.

Vetting candidate firms for the competence to fulfill the commissions is an essential part of the consultant’s job. Donald Stastny, author of the General Service Administration’s Design Excellence Program Guide, has managed major open competitions, including for the Flight 93 Memorial. “We put into the process that after the finalists were selected, if they didn’t have the capacity to complete the project, they would engage a team that did,” he said. Thus Paul Murdoch brought in experienced landscape architect Warren Byrd from Nelson Byrd Woltz for the memorial to develop the concept and give it a more coherent landscape presence. Stastny indicates that qualifications-based selection processes are more appropriate for “very complex projects. You have to have people who can take on that complexity.”

Andrade Morettin Architects’ design for the Instituto Moreira Salles museum in Sao Paulo.
Courtesy Andrade Morettin Architects
 

The cost to a client of hiring a consultant to run a competition or a search can vary enormously. “There’s no set rate,” said Collyer. “If they’re helping out with the program and the jury and more or less coordinating the competition you’d probably have to start with around $20,000. But for some of these GSA competitions I’m sure it runs into maybe $50,000 or $100,000. Those programs tend to get pretty detailed because they’re so budget conscious.”

Can younger and smaller firms get considered for invited competitions or qualifications-based searches? Several consultants suggest that, when restricting searches to boldface-name firms, clients may shortchange themselves; the work may be handed off to second-tier teams while the principals handle sexier projects.

David Resnicow, principal of Resnicow Schroeder, which consults mainly with arts institutions on strategic planning, is also noticing “greater concern on the part of institutions about hiring a starchitect. A lot of trustees feel that it means having added cost, and dealing with a prima donna. I do see interest in working with younger firms, and in urban context and planning” as opposed to heroic structures. This trend away from grandiosity may get a push forward by the recent University of Chicago report, Set in Stone, which found that many organizations had undertaken expensive, high-profile building projects only to find themselves unable to pay for and sustain them.

“We seek out emerging practices on a regular basis,” said Kroloff, “and bring those forward to clients” when the fit seems promising. He named several once relatively unknown firms he has included in searches, including SHoP and Architecture Research Office (ARO). “We won two projects that [Jones/ Kroloff] ran,” said ARO principal Stephen Cassell. “Neither ended up going forward,” but the resulting attention was a boost, “without question.”

Open, anonymous competitions give smaller firms a chance. But in preparing submissions Stastny urges entrants to consider “a jury walking into a room with 600 entries. You have to have something that’s engaging, that’s easy to get at. A juror may be looking, on his first run-through, only 30 seconds or a minute at each one. A jury will bring it down very quickly to those they understand.”

Unbuilt live-work artist housing by what!worx design collaborative.
Courtesy What!Worx Design Collaborative
 

“Firms need to find a way to speak about their work that stays away from encoded architectural jargon. Understand your audience. Sell to their needs and interests and in their language,” said Resnicow. “I have found the websites of firms to be overloaded and some even difficult to read—literally read—and navigate.”

“Competitions take a lot of thought and work,” said Stein. “Younger firms who haven’t done it before might not have had the chance to see what works well. But sometimes just experiencing going through the process can be a great advantage.”

Architect Ira Keer, of Minneapolis design collaborative what!worx would concur. They won a design competition for infill housing, along with first crack at negotiating to develop it. It was an open competition, but personal connection played a role: Keer wasn’t aware of it until urged to enter by its managing consultant, a former classmate. Recession—and a tornado that blasted the neighborhood—derailed the project. Still, it brought “quite a bit of notoriety,” including an exhibition and numerous articles.

So being known, or known about, by the gatekeepers is crucial. Although he is constantly on the look out, Kroloff also urges younger firms to approach him cold. “Invite us for a site visit. Send a portfolio,” he suggested. ARO has a high profile now, and “a lot of times we don’t know who puts us on a list,” said Cassell. In the competition’s game, knowing the key players makes all the difference.

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Redesigning the National Mall: Constitution Gardens
[Editor's Note: Following the unveiling of proposals to redesign the National Mall, AN will be running a three-part series to display the proposals for each of the three segments of the Mall: Constitution Gardens, Union Square, and the Washington Monument Grounds.] A 50-acre parcel of the National Mall, Constitution Gardens, lies just north of the Reflecting Pool and east of the Vietnam Veterans Memorial. Grade changes keep it somewhat hidden from the main stretch of the Mall, and many tourists (and locals) visit the monuments and Smithsonian museums without coming across it. The gardens' focal point is a small lake with an island that visitors can access by footbridge. The National Park Service has struggled with the site's poor soil conditions—the ground was dredged from the Potomac River back in the late 19th century—and with upkeep of the paths and other features. The National Mall Plan of 2010 calls for an "architecturally unique, multipurpose visitor facility, including food service, retail, and restrooms" to be developed at the east end of the lake, as well as a flexible performance space. Andropogon + Bohlin Cywinski Jackson propose a "resilient park landscape...sustained by biologically enhanced soils." Their design includes a Magnolia Bog in part of the current lake area and different edges for the lake (lakeside promenade, wetlands boardwalk, rock outcropping). The team envisions a marketplace along Constitution Avenue. The concept submitted by Nelson Byrd Woltz Landscape Architect + Paul Murdoch Architects features a cafe built into the parkland near Constitution Avenue, the ground seemingly tilting up to form its green roof. This scheme also proposes boardwalks, performance seating, and biodiverse plantings. In OLIN + Weiss/Manfredi's plan, distinctive braided pathways curve around and over the water. Interlaced pavilions would house a cafe and a more formal restaurant, as well as a gift shop. Spectators at the outdoor amphitheater would be entertained by performers on a floating barge. Rogers Marvel Architects + Peter Walker and Partners call for a large restaurant/pavilion to face a reflecting basin that would allow ice skating in the winter and model boating in the summer. Paths would be widened and, at the lakeshore, bordered by an aquatic shelf for filtration; connections with other parts of the Mall would be improved. Click on a thumbnail to launch the slideshow. All images courtesy respective firms.
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New Life
Elevated walking paths meander through the new memorial landscape.
Courtesy NBWLA

With a last fundraising push, the Brooklyn Greenway Initiative (BGI), a nonprofit group developing 14 miles of waterfront pedestrian access between Newtown Creek and Shore Parkway in Brooklyn, is preparing to develop former cemetery grounds in the historic Brooklyn Navy Yard. Over 2,000 marines and naval shipmen, along with their families, were once buried at the site adjacent to the Navy Yard’s hospital, but all remains were relocated to Cypress Hills Cemetery in Queens in the late 1920s. At 1.7 acres, the new Navy Yard Hospital Memorial Landscape is a small but significant piece of the larger redevelopment of the Navy Yard currently underway.

Brooklyn Navy Yard Development Corporation granted BGI the rights to design and maintain the space, and in 2011 BGI selected landscape architecture firm Nelson Byrd Woltz (NBW) and Rogers Marvel Architects (RMA) to create an outdoor environment that also honored the site’s history. Located along Williamsburg Street West, the site will be accessible to the public through a series of raised wooden walkways that will lead visitors around cement mooring blocks, stones, and native plantings that tie into the historical and material language of the waterfront, according to Vince Lee, project manager at RMA. Stone gabion “mattresses” serve as footings for the walkway, which circumvents the location of former graves located in the center of the site. In honor of those formerly buried beside the hospital, steel frames proportionate to the size of burial plots will be constructed and elevated a few feet off the existing grade.

 
The new landscape sits to the east of the old U.S. Naval Hospital (left) and a site plan for the cemetery memorial landscape (right).
 

The former burial plots will be planted with native New York meadow species that will spread over time, blurring the borders of the original graves. Thomas Woltz, partner of NBW, characterizes this approach as “open-ended ecology” where social and ecological conditions are “set up and their systems are allowed to flourish.” The team hopes this tactic applies not only to the plant life of this node along the 14-mile stretch of greenway, but also to the surrounding community.

Perhaps more innovative than the design itself are the donors that BGI has cultivated. In addition to $600,000 received from New York Department of State through the Local Waterfront Revitalization Program, the project is beneficiary of a $42,000 planning grant from the TKF Foundation, a private nonprofit supporting the creation of open space, which will support observation and evaluation of community use of the new park. BGI director Milton Puryear hopes to demonstrate that the new green space, which may be open as early as the summer of 2013, will positively impact the residents of the site’s surrounding low-income neighborhood.

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The Inner Circle
Milstein Hall, Cornell University by OMA.
Philippe Ruault

AN’s annual resource list may be published every year but it is never the same. Painstakingly drawn from extensive interviews by our editors with the architects and builders of the best architecture of 2011, these names are the too-often unacknowledged cornerstones that guarantee the quality and excellence of today’s architecture. We both herald and share them with you.

General Contractor / Project Manager

 

Arroyo Contracting Corp.
12 Desbrosses St.,
New York;
516-639-7618

Balfour Beatty/Barnhill
2311 North Main St.,
Tarboro, NC;
252-823-1021

Barr & Barr
460 West 34th St.,
New York;
212-563-2330

Bernsohn & Fetner
625 West 51st St.,
New York;
212-315-4330

F.J. Sciame Construction Co.
14 Wall St.,
New York;
212-232-2200

Graciano
18-73 43rd St.,
Astoria, NY;
718-932-7867

Jacobs
2 Penn Plaza, Ste. 0603,
New York;
212-944-2000

Keating Building Corporation
1600 Arch St.,
Philadelphia;
610-668-4100

Kreisler Borg Florman
97 Montgomery St.,
Scarsdale, NJ;
914-725-4600

L.F. Driscoll
9 Presidential Blvd.,
Bala Cynwyd, PA;
610-668-0950

 

Lavada
499 Van Brunt St.,
New York;
347-948-8894

Lettire Construction Corporation
336 East 110th St.,
New York;
212-996-6640

MG & Co
230 West 17th St.,
New York;
212-691-4001

Mascaro Construction Company
1720 Metropolitan St.,
Pittsburgh, PA;
412-321-4901

MJE Contracting
109-10 34th Ave.,
Corona, NY;
708-507-8661

Noble Construction
675 Garfield Ave.,
Jersey City, NJ;
201-721-6581

Plaza Construction
877-767-5292

Procida Realty & Construction
456 East 173rd St.,
Bronx, NY;
718-299-7000

RC Dolner Construction
15-17 East 16th St.,
New York;
212-645-2190

Saunders Construction
6950 South Jordan Rd.,
Centennial, CO;
303-699-9000

 

Schimenti
650 Danbury Rd.,
Ridgefield, CT;
914-244-9100

SoHo Restoration
104 Calyer St.,
Brooklyn, NY;
718-389-3550

Structure Tone
770 Broadway,
New York;
212-481-6100

Tishman Construction
666 5th Ave.,
New York;
212-399-3600

United American Builders
205 Arch St.,
Philadelphia;
215-551-5534

VCD Construction
35 Carroll St.,
Brooklyn, NY;
718-643-3775

Welliver
250 North Genesee St.,
Montour Falls, NY;
607-535-5400

Yorke Construction Corp.
140 West 31st St.,
New York;
212-564-8467

 
Penn Medicine / L.F. Driscoll / Rafael Viñoly (left); Film Society / Yorke Construction / Rockwell Group (right).
Brad Feinkopf (left) AND Albert Vecerka/Esto (right)
 

Arroyo Contracting did a good job on the Sunshine Bronx Business Incubator. It was a complicated project with many angled walls and corners. They looked into new ways of working, moving from their background in traditional design to contemporary design.”

Harel Edery
Mosza
 

Graciano has experienced masons that know how to work with terracotta and its reinstallation, using pieces that were reconditioned and some that were brand new.”

Joe Coppola
Dattner Architects
 
 

“We were fortunate to have RC Dolner build the Atrium. They had just finished the Greek and Roman galleries at the Met; we were confident they could make elegant and refined traditional detailing. At the Atrium they were able to apply their same high standards in a modern setting.”

Tod Williams
Tod Williams + Billie Tsien Architects
 

Yorke’s level of service was outstanding. The site superintendent in particular was exemplary and always in contact with us about how the construction was affecting the design. That attitude then filtered down to the contractor and subcontractors.”

Michael Fischer
Rockwell Group

https://cdn.archpaper.com/wp-content/uploads/2016/04/2012_best_of_11.jpgCentra at Metropark / DeSimone / KPF.
Michael Moran
 

Engineers

 

Civil/Environmental


Langan Engineering and Environmental Services
360 West 31st St.,
New York;
212-479-5400

Leonard J. Strandberg and Associates
One Edgewater Plz.,
Staten Island;
718-420-9693

Pennoni Associates
3001 Market St.,
Philadelphia;
215-222-3000

Geotechnical


Geodesign
224 West 35th St.,
New York;
212-221-6651

Mueser Rutledge Consulting Engineers
225 West 34th St.,
New York;
917-339-9300

P.W. Grosser Consulting
630 Johnson Ave.,
Bohemia, NY;
631-589-6353

Pillori Associates
71 Route 35,
Laurence Harbor, NJ;
732-335-0059

MEP


AKF
1501 Broadway,
New York;
212-354-5656

AltieriSeborWieber
31 Knight St.,
Norwalk, CT;
230-866-5538

AMA Consulting Engineers
250 West 39th St.,
New York;
212-944-7722

Ambrosino, DePinto & Schmieder
275 7th Ave.,
New York;
212-645-6060

Ballinger
833 Chestnut St.,
Philadelphia;
215-446-0900

Ettinger Engineering ASSOCIATES
505 8th Ave.,
New York;
212-244-2410

 

Fiskaa Engineering
589 8th Ave.,
New York;
212-736-9600

ICOR Associates
256 West 38th St.,
New York;
212-994-9593

Jaros Baum & Bolles
80 Pine St.,
New York;
212-530-9300

Joseph R. Loring and Associates
360 West 31st St.,
New York;
212-563-7400

P.A. Collins
15 West 26th St.,
New York;
212-696-5294

Rubiano Associates
64 Fulton St.,
New York;
212-732-7842

Multidisciplinary


Arup
155 6th AVE.,
New York;
212-229-2669

Birdsall Services Group
2100 Highway 35,
Sea Girt, NJ;
732-681-1165

Buro Happold
100 Broadway,
New York;
212-334-2025

DeSimone
18 West 18th St.,
New York;
212-532-2211

HDR
500 7th Ave.,
New York;
212-542-6000

ME Engineers
29 West 38th St.,
New York;
212-447-6770

Rosini Engineering
142 West 36th St.,
New York;
212-904-0422

Thornton Tomasetti
51 Madison Ave.,
New York;
917-661-7800

Watts Engineering
95 Perry St.,
Buffalo, NY;
716-206-5100

 

Weidlinger Associates
375 Hudson St.,
New York;
212-367-3000

WSP Flack + Kurtz
512 7th Ave.,
New York;
212-532-9600

Structural


Eipel Barbieri Marschhausen
224 West 35th St.,
New York;
212-695-5120

Gilsanz Murray Steficek
129 West 27th St.,
New York;
212-254-0030

Hage Engineering
560 Broadway,
New York;
212-358-7778

KPFF
180 Varick St.,
New York;
212-973-3748

Macintosh Engineering
21133 Sterling Ave.,
Georgetown, DE;
302-448-2000

Mulhern Kulp
20 South Maple St.,
Ambler, PA;
215-646-8001

Murray Engineering
307 7th Ave.,
New York;
212-741-1102

Office of Structural Design
9 Revere Rd.,
Belle Mead, NJ;
908-359-8977

Robert Silman Associates
88 University Pl.,
New York;
212-620-7970

Severud Associates
469 7th Ave.,
New York;
212-986-3700

WSP Cantor Seinuk
228 East 45th St.,
New York;
212-687-9888


Milstein Hall, Cornell University / Robert Silman Associates / OMA.
Philippe Ruault
 

“John Riner of PW Grosser is one of the handful of consultants in this area who has substantial experience with open loop wells.”

Michael Tucker
Beyer Blinder BellE

 

“We have worked on several historic buildings in New York, but when they are as high profile or popular as the Puck Building, you need a consultant who understands these types of spaces. EBM Structural Engineers is one of the preeminent firms in New York with vast experience in adaptive reuse in a historic context. We worked with Ken Eipel and Rich Grabowski on the REI Soho project and their expertise as historians on New York architecture made them valuable partners for Callison.”

David Curtis
Callison
 

Joseph R. Loring and Associates anticipated issues at NYU SCPS and worked creatively with the design team to insert contemporary mechanical systems into an existing building with a complex new program.”

Carol Loewenson
Mitchell/Giurgola Architects

 

Cantor Seinuk developed a core outrigger wall design that eliminated a lot of sheer walls, which helped a lot with the very complicated unit layouts at 8 Spruce. We just find them to be the best when it comes to structural engineers.”

Joe Recchichi
Forest City Ratner Companies
 

“Edward Messina at Severud Associates is known as ‘Fast Eddie’ around our business because you call him up and he’s right over.”

Henry Smith-Miller
Smith-Miller + Hawkinson Architects

 

DeSimone designed the tree column and the big spans for Centra. It was a big effort to make that happen. They’re a really great engineering firm, and one thing that they’re great at is keeping the design team and client comfortable with very complicated things and also working with the construction team, while keeping everything on schedule.”

Lloyd Sigal and Hugh Trumbull
KPF
 

“The North Carolina Museum of Art is really all about daylight, and Arup did an extraordinary job calculating the amount of natural and artificial light and how it combined throughout the space.”

Thomas Phifer
Thomas Phifer and Partners

 

“At Clyfford Still, everything you see is structure. So KPFF's role was very key, especially in translating the structural design so it would be read in the perforated ceilings where the tolerances were very tricky, combined with reinforcing with rebar to maintain a crack-free finish.”

Chris Bixby
Allied Works Architecture

Facade & curtain wall

 

Consultants


Dewhurst Macfarlane and Partners
45 East 20th St.,
New York;
212-375-1600

Front
186 Varick St.,
New York;
212-242-2220

Gordon H. Smith Corporation
200 Madison Ave.,
New York;
212-696-0600

Heitmann & Associates
14500 South Outer Forty Rd.,
Chesterfield, MO;
314-439-1944

R.A. Heintges & Associates
126 5th Ave.,
New York;
212-652-2963

Simpson Gumpertz & Heger
19 West 34th St.,
New York;
212-271-7000

 

Manufacturers/ Installers


Airflex
937 Conklin St.,
Farmingdale, NY;
631-752-1309

APG International
70 Sewell St.,
Glassboro, NJ;
856-863-8034

Architectural Metal Fabricators
314 48th St.,
Brooklyn, NY;
718-765-0722

ASI Limited
4485 South Perry Worth Rd.,
Whitestown, IN;
317-769-7170

Cladding Corp.
215 South Hwy. 101,
Solana Beach, CA;
888-826-8453

EFCO
1000 County Rd.,
Monett, MO;
417-235-3193

GKD Metal Fabrics
825 Chesapeake Dr.,
Cambridge, MD;
410-221-0542

greenscreen
1743 South La Cienega Blvd.,
Los Angeles;
310-837-0526

 

Island International Exterior Fabricators
101 Scott Ave.,
Calverton, NY;
631-208-3500

Jakob/MMA Architectural Systems
Westfield Industrial Estate,
Midsomer Norton,
Somerset, United Kingdom;
+44-0845-1300-135

Jordan Panel Systems
196 Laurel Rd.,
East Northport, NY;
631-754-4900

Kwaneer
500 East 12th St.,
Bloomsburg, PA;
570-784-8000

Permasteelisa
123 Day Hill Rd.,
Windsor, CT;
860-298-2000

Schüco
240 Pane Rd.,
Newington, CT;
877-472-4826

W&W Glass
300 Airport Executive Park,
Nanuet, NY;
845-425-4000

 
Buffalo Courthouse / Dewhurst Macfarlane / KPF (left); Via Verde / FRONT / Grimshaw/Dattner Architects (right).
david seide (left) AND Robert Garneau (right)
 

Gordon Smith is a tried and true Manhattan curtain wall consultant. He kept us out of trouble and found good value for the wall at Centra. We could barely afford a curtain wall for this building and he helped us sneak it in and detail it really well so we can sleep at night.”

Lloyd Sigal and Hugh Trumbull
KPF
 

“There’s a learning curve on installing a European curtain wall system. Architectural Metal Fabricators took a real interest in jumping in and getting a technical understanding of the system.”

Henry Smith-Miller
Smith-Miller + Hawkinson Architects

 

Front was the key to unlocking the prefab facade at Via Verde. It cost a bit more, but it was faster to put together on site. They helped us translate that.”

Robert Garneau
Grimshaw Architects
 

“They protected me! At 8 Spruce, the extremely unique wall was largely aesthetically driven but it's just as advanced in performance and Heitmann took care of everything behind the wall in terms of feasibility, budget and schedule.”

Joe Recchichi
Forest City Ratner Companies

 

Island Fabrications knows how to bring all the components together; they ordered material globally and fabricated them locally.”

Bill Stein
Dattner Architects

Fittings & Furniture

 

Carpet & Textile


Bentley Prince Street
91 5th Ave.,
New York;
212-463-0606

Dune
156 Wooster St.,
New York;
212-925-6171

Gallery Seventeen Interiors
PO Box 549,
Nanuet, NY;
888-827-1182

Interface
404 Park Ave. South,
New York;
212-994-9994

Maharem
251 Park Ave. South,
New York;
212-319-4789

Re:Source of New Jersey
66 Ford Rd.,
Denville, NJ;
973-625-0715

Rose Brand East
4 Emerson Ln.,
Secaucus, NJ;
201-809-1730

Custom Fixtures & Signage


Artitalia Group
11755 Rodolphe Forget,
Montreal, QC,
Canada;
514-643-0114

Fleetwood
225 Peach St.,
Leesport, PA;
484-248-5271

REEVE Store Equipment
9131 Bermudez St.,
Pico Rivera, CA;
562-949-2535

Doors & Frames


Dynamic Architectural Windows & Doors
30440 Progressive Way,
Abbotsford, BC,
Canada;
800-661-8111

Goldbrecht USA
1512 11th St.,
Santa Monica, CA;
310-393-5540

 

PK-30 System
3607 Atwood Rd.,
Stone Ridge, NY;
212-473-8050

Furniture


Figueras International Seating

Fproduct
250 Saint Marks Ave.,
Brooklyn, NY;
917-202-2349

Greystone Seating
7900 Logistic Dr.,
Zeeland, MI;
616-931-1114

Haworth
125 Park Ave.,
New York;
212-977-5350

Irwin Telescopic Seating Company
610 East Cumberland Rd.,
Altamont, IL;
618-483-6157

Martela
384 Forest Ave.,
Laguna Beach, CA;
866-627-8352

Moroso
146 Greene St.,
New York;
212-334-7222

Resource Furniture
969 Third Ave., New York;
212-753-2039

Series Seating
20900 NE 30th Ave.,
Miami, FL;
305-932-4626

Tomas Osinski Design
4240 Glenmuir Ave.,
Los Angeles;
323-226-0576

Hardware


Assa Abloy
110 Sargent Dr.,
New Haven, CT;
800-377-3948

Häfele
25 East 26th St.,
New York;
800-423-3531

 

Kitchen & Bath


AF Supply
22 West 21st St.,
New York;
212-243-5400

Axor Hansgrohe
29 9th Ave.,
New York;
212-463-5790

Davis and Warshow
57-22 49th St.,
Maspeth, NY;
888-900-1392

Dornbracht
1700 Executive Dr. South,
Duluth, MN;
770-564-3599

Drimmers
1608 Coney Island Ave.,
Brooklyn, NY;
877-338-3500

Purekitchen
66 North 11th St.,
Brooklyn, NY;
718-715-0843

SieMatic New York
150 East 58th St.,
New York;
212-752-7900

Valcucine
66 Crosby St.,
New York;
212-253-5969

Zucchetti Rubinetteria
Via Molini di Resiga, 29,
Gozzano, Italy;
+39-0322-954700

Laboratory Casework


Thermo Fisher Scientific
1316 18th St.,
Two Rivers, WI;
920-793-1121

Vintage Furniture


RePop
68 Washington Ave.,
Brooklyn, NY;
718-260-8032

 
Louise Nevelson Plaza / John Lewis Glass / Smith-miller + Hawkinson Architects (left); 8 Spruce / Gehry Partners (right).
Michael Moran (left) AND Courtesy Forest City Ratner (right)
 

Glass

 

3form
520 8th Ave.,
New York;
212-627-0883

A-Val Architectural Metal Corp.
240 Washington St.,
Mount Vernon, NY;
914-662-0300

CBO Glass
13595 Broadway,
Alden, NY;
716-824-5000

Colory Metal & Glass
2522 State Rd.,
Bensalem, PA

EFCO
1000 County Rd.,
Monett, MO;
417-235-3193

Galaxy Glass & Stone
277 Fairfield Rd.,
Fairfield, NJ;
973-575-5235

J.E. Berkowitz
856-456-7800

John Lewis Glass
10229 Pearmain St.,
Oakland, CA;
510-635-4607

 

Lhotsky
Pelechov 17,
elezný Brod,
Czech Republic;
+420-483-389-334

Moduline Window Systems
930 Single Ave.,
Wausau, WI;
800-869-4567

National Glass & Metal Company
1424 Easton Rd.,
Horsham, PA;
215-938-8880

Oldcastle Glass
1350 6th Ave.,
New York;
212-957-5400

PPG Industries
One PPG Pl.,
Pittsburgh, PA;
412-434-3131

Prelco
94 Blvd. Cartier,
Rivière-du-Loup Québec;
418-862-2274

 

Skyline Sky-Lites
2925 Delta Dr.,
Colorado Springs, CO;
866-625-1330

Viracon
800 Park Dr.,
Owatonna, MN;
800-922-5374

Vitrocsa USA
5741 Buckingham Pkwy.,
Culver City, CA;
300-988-4455

Walch Windows
Zementwerkstraße 42,
Ludesch, Austria;
+43-0-5550-20290-0

Windsorsky
78 Joes Hill Rd.,
Brewster, NY
888-397-3330

Zecca Mirror & Glass
1829 Boone Ave.,
Bronx, NY;
718-589-3222

“Interior glass subcontractor A-Val worked creatively to ensure design intent in extremely complex conditions including the three-story open elliptical stair at the NYU SCPS.”

Carol Loewenson
Mitchell/Giurgola Architects
 

“You can get good window R-value in the United States but you can’t get the quality of high solar heat gain as you can with Walch. The combination is unmatched.”

Sam Bargetz
Loadingdock 5
 

CBO out of Buffalo did the glass veil and other curtain wall systems for the Buffalo Courthouse. The most difficult part was printing the Constitution on the glass with ceramic fritting. It took a lot of editing and laying it out and a very long time on our side and theirs.”

Bill Pedersen
KPF
 

John Lewis Glass would work closely with Tony Dominski at West Edge Metal. Even though it was a custom bench, it was even more custom because of the collaboration of the two firms.”

Scot Teti
Smith-Miller + Hawkinson Architects

Sustainability

 

Airside Solutions


Aircuity
39 Chapel St.,
Newton, MA;
866-602-0700

Brownfield Consultant


D.I.R.T.
473 West Broadway,
New York;
917-972-3478

Consultants


7group
183 West Main St.,
Kutztown, PA;
610-683-0890

Association for Energy Affordability
505 Eighth Ave.,
New York;
212-279-3902

Atelier Ten
45 East 20th St.,
New York;
212-254-4500

Bright Power
11 Hanover Sq.,
New York;
212-803-5868

 

BVM Engineering
834 Inman Village Pkwy.,
Atlanta, GA;
404-806-2018

Crescent Consulting
80 Broad St.,
New York;
646-419-4900

Natural Logic
1250 Addison St.,
Berkeley, CA;
510-248-4940

Steven Winter Associates
307 7th Ave.,
New York;
212-564-5800

TRC Environmental Corp.
1430 Broadway,
New York;
212-221-7822

Veridian
21 West 38th St.,
New York;
212-704-9920

 

Green Roofs


Emery Knoll Farms
3410 Ady Rd.,
Street, MD;
410-452-5880

ZinCo Green Roofs
Grabenstraße 33,
Unterensingen, Germany;
+49-7022-6003-540

Solar


Namasté Solar
4571 Broadway St.,
Boulder, CO;
303-447-0300

Sunpower
800-786-7693

SOLAR SHADING


Mechoshade Systems, Inc.
42-03 35th St.,
Long Island City, NY;
212-254-4500


David Rubenstein Atrium / steven winter associates / Tod Williams Billie Tsien Architects.
NIC LEHOUX
 

Aircuity did the recovery wheels and air handlers at Penn Medicine. Their system helped the owner meet their energy goals. It monitors the occupancy and the amount of CO2 in a space and optimizes the number of air changes so you wind up saving energy and money.”

Jim Herr
Rafael Viñoly Architects
 

Crescent was good in assisting the contractor in LEED complience during construction and helped focus the team on elements that really mattered.”

Michael Tucker
Beyer Blinder Bell

 

Bright Power did a great job of administering and coordinating the LEED application and they were responsible for designing the photovotaic system which was an important part of the building's design.”

Bill Stein
Dattner Architects
 

“We used Veridian as the sustainability consultant on Centra. Originally, we were just aiming for LEED certification. Now the numbers are coming in and they're very good. It looks like we're going to get Platinum.”

Lloyd Sigal and Hugh Trumbull
KPF

“Julie Bargmann of D.I.R.T.’s knowledge of brown fields, Navy Yards, and their detritus, was a really nice fit.”

Matt Berman
workshop/apd

Metal

 

AccuFab
232 Cherry St.,
Ithaca, NY;
607-273-3706

Alcoa
50 Industrial Blvd.,
Eastman, GA;
478-374-4746

Armstrong World Industries
2500 Columbia Ave.,
Lancaster, PA
888-207-2321

Belzona New York
79 Hazel St.,
Glen Cove, NY;
516-656-0220

Canatal Industries
2885, Boul. Frontenac Est.,
Thetford Mines, Quebec, Canada;
418-338-6044

CCR Sheet Metal
513 Porter Ave.,
Brooklyn, NY;
718-387-2473

Doralco
5919 West 118th St.,
Alsip, IL;
708-388-9324

Eliou
19 Frost St.,
Brooklyn, NY;
718-387-4716

Ferra Design
63 Flushing Ave.,
Brooklyn, NY;
718-852-8629

 

Firestone
1001 Lund Blvd.,
Anoka, MN;
800-426-7737

GageMetal
803 South Black River St.,
Sparta, WI;
800-786-4243

KC Fabrications
39 Steves Ln.,
Gardiner, NY;
845-255-0097

Lamcel
80 Montana Dr.,
Plattsburgh, NY;
514-457-4760

Lecapife Corp.
283 Liberty Ave.,
Brooklyn, NY;
718-342-3305

Maloya Laser
65A Mall Dr.,
Commack, NY;
631-543-2327

Metalman
110 Troutman St.,
Brooklyn, NY;
718-456-8759

Millenium Steel
344 West 38th St.,
New York;
212-268-1755

Nelson Industrial
1155 Squires Beach Rd.,
Pickering, ON, Canada;
905-428-2240

 

Paul C. Steck
25 Brown Ave.,
Springfield NJ;
973-376-1830

Precision Shape Solutions
243 East Blackwell St.,
Dover, NJ;
973-989-7199

Robinson Iron
1856 Robinson Rd.,
Alexandra City, AL;
800-824-2157

Veyko Design
216 Fairmount Ave.,
Philadelphia;
215-928-1349

West Edge Metal
25064 Viking St.,
Hayward, CA;
510-782-2050

 
NItehawk cinema / Maloya Laser / Caliper Studio (left); Brooklyn Navy Yard / Ferra Design / workshop/APD and Beyer Blinder Belle (right).
Ty Cole / OTTO (left) AND Robert Garneau (right)
 

Armstrong worked closely with us in providing customized, perforated metal ceiling panels that met the design intent of the Frick Chemistry Laboratory. Additionally, they did a excellent job field coordinating the installation of those panels with adjacent elements.”

Chris Stansfield
Payette Architects

“The project involved finishing hundreds of custom fabricated steel elements—KC Fabrications was extremely flexible with the schedule and was able to turn around material on short notice. They are always willing to do what is necessary to achieve the highest quality finish work.”

Charles Wolf
Dean/Wolf Architects
 

“For custom metal work that requires demanding precision and meticulous crafting, Metalman is an invaluable resource. If you can't find the right piece of hardware from a manufacturer, he will design and fabricate a custom piece to fit the requirement.”

Charles Wolf
Dean/Wolf Architects

 

“Mani from Millenium Steel is very accurate, and very budget-oriented. We worked with him before. He was able to make big steel pivot pieces.”

Jeremy Edmiston
SYSTEMarchitects
 

“We sent our drawings of pleated metal panels to a few people and got the impression that something custom would be too expensive. But a rep introduced us to Gage, who worked with our contractors to make our designs for the panels in a cost competitive way.”

Michael Fischer
Rockwell Group


Americano / Propylaea Millwork / ten arquitectos.
courtesy ten arquitectos
 

Wood

 

Custom Fabrication/ Carpentry


B & V Contracting Enterprises
590 Tuckahoe Rd.,
Yonkers, NY;
914-337-1086

Bauerschmidt & Sons
119-120 Merrick Blvd.,
Jamaica, NY

Benchcraft Concepts
A-427, Ghitorni, MG Rd.,
New Delhi, India;
+91-989-903-8395

DKDI
1021 Meyerside Rd.,
Mississaugua, ON, Canada;
416-732-8819

George Nakashima Woodworker
1847 Aquetong Rd.,
New Hope, PA;
215-862-2272

 

Ivory Build
67 35th St.,
Brooklyn, NY;
718-369-2482

JB Millworks
383 Bandy Ln.,
Ringgold, GA;
706-965-6940

Minzner & Co.
2100 Liberty St.,
Easton, PA;
610-258-5449

Monarch Industries
99 Main St.,
Warren, RI;
401-247-5200

Propylaea Millwork
795 East 135th St.,
Bronx, NY;
718-401-9393

Seetin Design
57 Grand St.,
Brooklyn, NY;
718-486-5610

ShoreTech Manufacturing
757-999-5592

 

Tom Kozlowski
347-403-3859

Suppliers


Armstrong World Industries
2500 Columbia Ave.,
Lancaster, PA
888-207-2321

J.Padin
243 Parkhurst St.,
Newark, NJ;
973-642-0550

Siberian Floors
145 Hudson St.,
New York;
212-343-1510

Terra Mai
205 North Mt. Shasta Blvd.,
Shasta, CA;
530-925-1937


aA Shelter / ShoreTech Manufacturing/Tom Kozlowski / SYSTEMarchitects.
systemarchitects/tony jin
 

“The careful execution of the FSC certified teak screens and planters at Carnegie Hill House resulted from the close collaboration between our design team and Ivory Build. Their skill and rigorous approach to craft enabled us to unify this sequence of outdoor spaces through the meticulous stacking and subtle articulation of teak slats.”

Thomas Woltz
Nelson, Byrd and Woltz
 

Bob Seetin is irrepressible and has a 'bring it on' attitude. He created the metal tables, wine racks, and counters we needed for the Film Society cafe quickly and even joyfully, turning everything around within a few weeks.”

Michael Fischer
Rockwell Group
 

Tom Kozlowski is an exceptional carpenter. He was able to think around unpredicted problems. He comes up with very straightforward and quick solutions. It no longer looks like construction work, it starts to resemble millwork.”

Jeremy Edmiston
SYSTEMarchitects
 

“A pivotal design goal for REI Soho was the adaptive reuse of the materials from the existing historic Puck Building and its subsequent transformation into a retail space. Callison’s vision from the outset was to bring the space back to its original context, from the wood cladding that was repurposed from the interior brick piers to the timber from the ceiling above the ground floor that was remilled and reused for the monumental staircase treads. Terra Mai was a collaborative partner through the entire reuse process providing expert guidance and advice.”

David Curtis
Callison

Lighting

 

Designers


Amber Lite Electric Corporation
443 Wild Ave.,
Staten Island, NY;
718-761-4323

Auerbach Pollock Friedlander
266 West 37th St.,
New York;
212-764-5630

Claude R. Engle, Lighting Consultant
2 Wisconsin Cir.,
Chevy Chase, MD;
301-654-5502

Clinard Design Studio
228 Park Ave.,
New York;
646-580-5344

Davis Mackiernan Lighting
180 Varick St.,
New York;
212-431-8675

Fisher Marantz Stone
22 West 19th St.,
New York;
212-691-3020

George Sexton Associates
242 West 30th St.,
New York;
212-736-4842

Grenald Waldron
260 Haverford Ave.,
Narberth, PA;
610-667-6330

 

Kugler Ning
48 West 38th St.,
New York;
212-382-2100

L'Observatoire International
414 West 14th St.,
New York;
212-255-4463

Leni Schwendinger Light Projects
336 West 37th St.,
New York;
212-947-6282

Lumen Arch
214 West 29th St.,
New York;
212-564-6469

Peridot Lighting
419 Lafayette St.,
New York;
212-360-2339

Tillett Lighting Design
172 North 11th St.,
Brooklyn, NY;
718-218-6578

Tillotson Design Associates
40 Worth St.,
New York;
212-675-7760

Fixtures


Amerlux
23 Daniel Rd. East,
Fairfield, NJ;
973-882-5010

Artemide
46 Greene St.,
New York;
212-925-1588

 

BEGA
1000 BEGA Way,
Carpinteria, CA;
805-684-0599

Flos
152 Greene St.,
New York;
212-941-4760

Holly Solar
1340-D Industrial Ave.,
Petaluma, CA;
707-763-6173

Lighting By Gregory
158 Bowery, New York;
212-226-4156

Lithonia Lighting
Conyers, GA;
770-922-9000

Lutron
7200 Suter Rd.,
Coopersburg, PA;
888-588-7661

Rambusch
160 Cornelison Ave.,
Jersey City, NJ;
201-333-2525

Selux
5 Lumen Ln.,
Highland, NY;
845-691-7723

Sistemalux
5455 de Gaspé,
Montréal, Quebec, Canada;
514-523-1339

Zumtobel Lighting
44 West 18th St., New York;
212-243-0460

   
North Carolina Museum of Art / Fisher Marantz stone / Thomas Phifer and Partners/Pierce Brinkley Cease + Lee (left); Buffalo Courthouse / Tillotson / KPF (center); Sunshine Incubator / Lighting by Gregory / Studio Mosza (right).
Iwan Baan (left); david seide (center); AND Ori Dubow (right)
 

Paul Marantz's lighting design is one of the most mesmerizing aspects of the 9/11 Memorial and plaza.”

Matthew Donham
PWP Landscape Architecture

 

“A company in California called Holly Solar fabricated the LED lights in the facade of the Nitehawk Cinema. It’s a small little company, but they do custom light fixtures. They’re good.”

Stephen Lynch
Caliper Studio
 

Kugler Ning is on board with understanding the world architects work in—working with tectonics—to create the right effect. Sometimes lighting designers can be more interested in the fixtures than the final effect. Kugler Ning helped to make the lighting fixtures disappear.”

Scot Teti
Smith-Miller + Hawkinson Architects
 

“We worked with Lumen Arch on the lighting design of Penn Medicine. They just did a fabulous job. We implemented a lot of lighting controls, occupancy sensors, daylight sensors, and things of that nature in the labs to bring down the energy usage and Lumen really knew their way around those systems.”

Jim Herr
Rafael Viñoly Architects
 

“We worked with Lighting By Gregory who helped us get the most energy efficient fixtures for the Sunshine Bronx Business Incubator. We as architects know what’s out there, but Lighting By Gregory opened our eyes to more LED opportunities.”

Harel Edery
Mosza

 
Inverted Warehouse Townhouse / Paul Warchol Photography / Dean/Wolf Architects (left); Museum of the Moving Image / Peter Aaron/Esto / Leeser Architecture (right).
Paul Warchol Photography (left) AND peter aaron/esto (right)
 

Photography

 

Esto Photographics
222 Valley Pl.,
Mamaroneck, NY;
914-698-4060

Halkin Architectural Photography
915 Spring Garden St.,
Philadelphia;
215-236-3922

Iwan Baan
Schippersgracht 7-1,
Amsterdam;
+31-06-54-630468

Jock Pottle Photography
259 West 30th St.,
New York;
212-760-1466

 

JoPo Photography
504 East 12th St.,
New York;
212-614-3122

Michael Moran Photography
98 4th St.,
Brooklyn, NY;
718-237-8830

Nic Lehoux
604-874-0918

Paul Warchol Photography
224 Centre St.,
New York;
212-431-3461

 

Scott Frances
79 Broadway,
New York;
212-777-0099

T.G. Olcott Photography
2 Greglen Ave.,
Nantucket, MA;
508-360-6312

Ty Cole Photography
332 Bleeker St.,
New York;
212-777-0075


 
City Center Facade Restoation / Boston Valley / Terra Cotta  / dattner architects (left); Tashan / Stone Source / Archi-tectonics (right).
Aislinn Weidele/Ennead Architects (left) AND don pearse photopgraphers (right)
 

Concrete, Masonry, Stone, & Tile

 

ADM Concrete Construction
9726 99th St.,
Ozone Park, NY;
718-738-1186

American Orlean

American Precast Concrete
PO Box 328,
Floresville, TX;
830-393-7731

Art In Construction
55 Washington St.,
Brooklyn, NY;
718-222-3874

Blenko Glass Company
P.O. Box 67, Milton, WV;
877-425-3656

Boston Valley Terra Cotta
6860 South Abbott Rd.,
Orchard Park, NY;
716-649-7490

Cathedral Stone Products
7266 Park Circle Dr.,
Hanover, MD;
410-782-9150

Commodore
230 South 5th Ave.,
Mt. Vernon, NY;
914-297-3000

Extech Industries
87 Bowne St.,
Brooklyn, NY;
718-852-7090

Fusion Floors
Buford, GA;
704-775-1050

Get Real Surfaces
143 West 29th St.,
New York;
212-414-1620

 

Helical Line Products
659 Miller Rd.,
Avon Lake, OH;
440-933-9263

James J. Totaro & Associates
95-1047 Ala'oki St.,
Mililani, HI;
808-626-9500

Kings County Waterproofing and Masonry
1200 Utica Ave.,
Brooklyn, NY;
718-629-6300

L&L Stone & Tile
900 South Oyster Bay Rd.,
Hicksville, NY;
516-349-1900

Masonry Solutions
PO Box 1036,
Sparks, MD;
410-771-1922

Modern Mosaic
8620 Oakwood Dr.,
Niagara Falls, ON, Canada;
905-356-3045

North Carolina Granite Corporation
P.O. Box 151,
Mount Airy, NC;
336-786-5141

Pavestone
18 Cowan Dr.,
Middleboro, MA;
508-947-6001

Porcelanosa
600 Route 17 North,
Ramsey, NJ;
201-995-1310

Port Morris Tile & Marble
1285 Oakpoint Ave.,
Bronx, New York;
718-378-6100

 

Reginald D. Hough Concrete Construction
115 Montgomery St.,
Rhinebeck, NY;
845-876-1048

RNC Industries
770-368-8453

Roman Mosaic and Tile Company
1105 Saunders Ct.,
West Chester, PA;
610-692-3100

Savema
Via Aurelia 24-55045,
Pietrasanta, Italy;
+39-0584-794407

Sheldon Slate
143 Fox Rd.,
Middle Granville, NY;
518-642-1280

Speranza Brickwork
15 High St.,
Whitehouse Station, NJ;
908-534-2176

Stepstone
800-572-9029

Stone Source
215 Park Ave. South,
New York;
212-979-6400

The Pike Company
One Circle St.,
Rochester, NY;
585-271-5256

Vermont Structural Slate Company
3 Prospect St.,
Fair Haven, VT;
800-343-1900

Zanaglia
Via Longobarda 19,
Massa, Italy;
+39-0585-834566


Milstein Hall / Reginald Hough/The Pike Company / OMA.
Philippe Ruault
 

“Peter Dagostino at ADM Concrete made it possible to get the building up. He coordinated everything. ADM is a very smart company and did a quick job.”

Werner Morath
Loadingdock 5
 

Boston Valley is one of the premier companies to go to for very careful matching of terracotta.”

Joe Coppola
Dattner Architects
 

“The excellent stone work by Port Morris Tile & Marble helped us make this a place of permanence and beauty. They worked with our vision and found the spectacular green marble for the benches.”

Tod Williams
Tod Williams Billie Tsien

 

“The slate siding from Vermont Structural Slate was naturally resistant to spray paint.”

Amy Yang
Toshiko Mori
 

“We used Reginald Hough as a concrete consultant for Milstein Hall. They came in during construction process to facilitate the subcontractor, Pike, and help us to decide on some of the materials to test and techniques to use. The lower levels have a smooth concrete dome ceiling with integrated lighting. Because it is both architecture and structure, it required a very precise installation method. Hough was invaluable in achieving that.”

Ziad Shehab
OMA


DiMenna Center for Classical Music / Akustiks / H3/Hardy Collaboration Architecture.
francis dzikowski/esto
 

Consultants

 

A/V & Acoustics


Acentech
33 Moulton St.,
Cambridge, MA;
617-499-8000

Acoustic Dimensions
145 Huguenot St.,
New Rochelle, NY;
914-712-1300

Akustiks
93 North Main St.,
South Norwalk, CT;
203-299-1904

Clarity Custom
1792 West 11th St.,
Brooklyn, NY;
718-787-9699

DHV
Laan 1914 no 35, 3818 EX
Amersfoort, The Netherlands;
+31-33-468-2000

Electrosonic
318 West 39th St.,
New York;
212-206-7711

Jaffe Holden Acoustics
114–A Washington St.,
Norwalk, CT;
203-838-4167

Kirkegaard Associates
801 W. Adams St.,
Chicago;
312-441-1980

Polysonics
405 Belle Air Ln.,
Warrenton, VA;
540-341-4988

Scharff/Weisberg
36-36 33rd St.,
Long Island City, NY;
212-582-2345

Blast Consultant


RSA Protective Technologies
1573 Mimosa Ct.,
Upland, CA;
909-946-0964

Commissioning


Strategic Building Solutions
708 3rd Ave., New York;
212-209-1037

Cost Estimator


VJ Associates
100 Duffy Ave.,
Hicksville, NY;
516-932-1010

Fire Protection/ Code Consulting


Code Consultants Professional Engineers
215 West 40th St.,
New York;
212-216-9596

JAM Consultants
104 West 29th St.,
New York;
212-627-1050

 

Montroy Andersen DeMarco
99 Madison Ave.,
New York;
212-481-5900

Property Intervention Consultants
72 Reade St.,
New York;
212-267-4666

Food Facility Planning


JGL Foodservice Consultants
224 Cleveland Ln.,
Princeton NJ;
732-274-1694

Green Wall


Vertical Garden Technology
954 Lexington Ave.,
New York;
646-339-6222

Historic Preservation


Building Conservation Associates
44 East 32nd St.,
New York;
212-777-1300

Office for Metropolitan History
11 West 20th St.,
New York;
212-799-0520

Powers and Company
211 North 13th St.,
Philadelphia;
215-636-0192

PreCon LogStrat
PO Box 417,
Mastic Beach, NY;
631-772-9540

IT/Telecommunications


Archi-Technology
115 Metro Park,
Rochester, NY;
585-424-1952

TM Technology Partners
250 West 39th St.,
New York;
212-398-2424

Laboratory Planning


Jacobs Consultancy
70 Wood Ave., Iselin, NJ;
732-452-9200

Landmarks


Higgins Quasebarth & Partners
11 Hanover Sq.,
New York;
212-274-9468

 

Owners Representative


Levien & Company
570 Lexington Ave.,
New York;
212-702-0888

Radiant Consulting Services


The Stone House
1111 Route 9,
Garrison, NY;
845-788-3620

Security


Ducibella Venter & Santore
250 State St.,
North Haven, CT;
203-288-6490

The Clarient Group
630 9th Ave.,
New York;
212-586-5840

Tritech Communications
28-30 West 36th St.,
New York;
212-695-1880

Specifications


Heller & Metzger
11 Dupont Cr. NW,
Washington, DC;
202-364-2222

Theatrical


Fischer Dachs Associates
22 West 19th St.,
New York;
212-691-3020

North American Theatrix
60 Industrial Dr.,
Southington, CT;
860-863-4112

Turf and Sports Regulations


Stantec
1735 Market St.,
Philadelphia;
215-751-2900

Vertical Transportation


Van Deusen & Associates
7 Penn Plz.,
New York;
212-868-9090

Wind Analysis


CPP
1415 Blue Spruce Dr.,
Fort Collins, CO;
970-221-3371


Penn Park / Stantec / michael van valkenburgh associates.
Courtesy UPenn
 

Acoustic Dimensions was great. They were really hands on, heavily involved in the Nitehawk. We have apartments above the movie theater so acoustic isolation is a big part of this project. They designed the second floor’s ceiling to hang on springs. They also tested the sound transmission when it was all done and you can’t hear a thing.”

Stephen Lynch
Caliper Studio

 

Richard Demarco is the most informed architect in New York City about building code and law. This guy is a joy to work with.”

Henry Smith-Miller
Smith-Miller + Hawkinson Architects
 

Clarity Custom is a terrific 'full system' provider and installer who took the lead on specifying A/V equipment and lighting control systems. There was an excellent interface with the general contractor and architect to minimize coordination issues. Clarity did a great job of integrating hardware, wiring and controls in a project where every detail matters.”

Charles Wolf
Dean/Wolf Architects

 

Building Conservation Associates have areas of expertise that bring refinement and an ability to find the resources.”

Joe Coppola
Dattner Architects
 

“At the Museum of the Moving Image, Scharff/ Weisberg and Jaffe Holden had a real hand in setting the stage to accommodate different uses in terms of all the data and audio visual systems that allow the museum to be a plug + play environment.”

Simon Arnold
Leeser Architecture

 

Bob Powers is very keen in navigating the historic restoration tax break. He's tech savvy and politically savvy, which helps get city, state, and federal approvals.”

Frank Grauman
Bohlin Cywinski Jackson
 

“Laurent Corradi of Vertical Garden Technology has created two grand and beautiful green walls that are loved by all. His knowledge of the botany and technical aspects of plant walls will insure that these features will thrive for generations to come.”

Tod Williams
Tod Williams + Billie Tsien

 

“The Musuem of the Moving Image faced a lot of challenges not to mention being a publicly-funded project in hard economic times. Levien took it all in stride and helped us meet the extra demands on budget cutting without sacrificing quality.”

Simon Arnold
Leeser Architecture

Other Services & Suppliers

 

Arborist


Paul Cowie Associates
11 Beverwyck Rd.,
Lake Hiawatha, NJ;
973-263-4801

Art Restoration


Rustin Levenson Art Conservation
212-594-8862

Artist


Michael Singer

Casework


Lab Crafters
2085 5th Ave.,
Ronkonkoma, NY;
631-471-7755

Curtain Design


Inside Outside Petra Blaisse
Erste Nassaustraat 5, 1052 BD
Amsterdam, The Netherlands;
+31-20-6810-801

Custom Fabrication


Associated Fabrication
72 North 15th St.,
Brooklyn, NY;
718-387-4530

Custom Materials


Panelite
5835 Adams Blvd.,
Culver City, CA;
212-947-8292

Electrical


Arthur Metzler and Associates
47 Hillside Ave.,
Manhasset, NY;
516-365-6966

Graphic Design/Signage & Wayfinding


2 X 4
180 Varick St.,
New York;
212-647-1170

Amuneal Manufacturing Corp.
4737 Darrah St.,
Philadelphia;
215-743-1715

C & G Partners
116 East 16th St.,
New York;
212-532-4460

Duggal
29 West 23rd St.,
New York;
212-242-7000

Entro Communications
122 Parliament St.,
Toronto, Ontario, Canada;
416-368-6988

Karlssonwilker
36 6th Ave.,
New York;
212-929-8064

Pentagram Design
204 Fifth Ave.,
New York;

Enclosure Testing / Facade Maintenance


Architectural Testing
130 Derry Ct.,
York, PA;
717-764-7700

 

Entek Engineering
166 Ames St.,
Hackensack, NJ;
201-820-2802

Epoxy Specialists and Supply


Aspen Supply Corp.
888-866-5757

Felt artist


Claudy Jongstra

Finishes and Coatings


Creative Finishes
27 West 20th St.,
New York;
212-929-6920

Fountain Consultant


Dan Euser Waterarchitecture
58 Major Mackenize Dr. West,
Richmond Hill, ON, Canada;
905-884-4176

Heat Recovery Ventilator


Zehnder
540 Portsmouth Ave.,
Greenland, NH;
603-422-6700

Interior Decoration


Pamela Banker Associates
136 East 57th St.,
New York;
212-308-5030

Irrigation Distributor


Storr Tacktor
175 13th Ave.,
Ronkonkoma, NY;
631-588-5222

Landscaping


Capri Landscaping
4005 Victory Blvd.,
Staten Island, NY;
718-494-8973

Plant Specialists
42-45 Vernon Blvd.,
Queens;
718-392-9404

Light Fixture Restoration


Robert True Ogden
3311 Broadway St. NE,
Minneapolis, MN;
612-524-3432

Modular Units


Capsys
63 Flushing Ave.,
Brooklyn, NY;
718-403-0050

Murals


Stingray Studios
2144 Citygate Dr.,
Columbus, OH;
614-220-8878

 

Nursery


Shemin Nurseries
42 Old Ridgebury Rd.,
Danbury, CT;
203-207-5000

Painting & Epoxy Installation


Anton Berisaj
917-440-4262

Plastic Lumber


Tangent Technologies
1001 Sullivan Rd.,
Aurora, IL
630-264-1110

Plastics


E&T Plastics
45-45 37th St.,
Long Island City, NY;
800-221-9555

Radiant Systems


Barcol-Air
115 Hurley Rd.,
Oxford, CT;
203-262 9900

Riggers to the Arts


Dun-Rite
1561 Southern Blvd.,
Bronx, NY;
718-991-1100

Security


S.O.S. Advanced Security
197 7th Ave.,
New York;
212-206-7777

Security Bollards/ Traffic Barriers


Delta Scientific
40355 Delta La.,
Palmdale, CA;
661-575-1100

Moli Metal
8380 Rue Lafrenaie
Montreal, QC;
514-326-6839

Theatrical Equipment


Gerriets International
130 Winterwood Ave.,
Ewing, NJ;
609-771-8111

Vertical Transportation


Persohn / Hahn Associates
908 Town & Country Blvd.,
Houston, TX;
713-467-4440

Waterproofing Systems


Sika Sarnafil
100 Dan Rd.,
Canton, MA;
781-828-5400

 
museum of the moving image / karlssonwilker / leeser architecture (left); Metrotech / Delta Scientific / WXY (right).
peter aaron/esto (left) AND courtesy wxy (right)
 

“At Queens Plaza, we collaborated with Michael Singer, an artist whose commitment to the public realm complements Margie Ruddick's environmental sensibility for landscape. He designed and produced special pre-cast components integrated into the architecture of new social spaces that withstand the site's powerful infrastructural presence.”

Linda Pollak
Marpillero Pollak Architects
 

Claudy Jongtstra’s artistry is present in two monumental tapestries that cover both long walls of the Atrium. These extraordinary artworks were made possible by her artistic vision as much as her involvement in the technical aspect, managing all from Europe.”

Tod Williams
Tod Williams + Billie Tsien Architects

 

“Fountain consultant Dan Euser is really familiar with the potentials and limits of water dynamics. He's visionary in terms of creating things of beauty and simplicity.”

Matthew Donham
PWP Landscape Architecture
 

“When the graphic designers Karlssonwilker joined the team, the design of the Museum of the Moving Image was fairly well resolved, but they were able to complement and add to its strength in a way that carried through the branding of the entire institution”

Simon Arnold
Leeser Architecture

 

“The reception desk at the Sunshine Bronx Business Incubator is custom designed and Panelite made it easy for me because they built a model on site for approval and I was able to see our 3-D computer drawings in real life before the desk was fabricated.”

Harel Edery
Mosza
Placeholder Alt Text

Stage 1 Finalists Announced for National Mall Design Competition
The Trust for the National Mall has announced the finalists for the first round of its National Mall Design Competition. The 700-acres of parkland have been worn down over the years thanks hoards of visitors (25 million a year), marches, and certain bi-annual decathalons. The scope of the competition includes three distinct areas of the mall: Union Square, the Washington Monument Grounds at Sylvan Theater, and Constitution Gardens. Finalists were selected for each area, and will move on to stage two of the competition (team interviews), and then—finally—a selected few will be asked to envision a design for one of the three designated area. From over 1,200 entrants, here are the firms who made the first round cut: Union Square Diller Scofidio Renfro & Hood Design Gustafson Guthrie Nichol & AEDAS Pei Cobb Freed & Partners Architects & Workshop: Ken Smith Landscape Architect Reed Hilderbrand & Chan Krieger NBBJ Rogers Marvel Architects & Peter Walker Snohetta & AECOM  Washington Monument Grounds Balmori Associates & Work Architect Company Diller Scofidio Renfro & Hood Design Handel Architects & W Architecture and Landscape Architecture Michael Maltzan Architecture & Tom Leader Studio OLIN & Weiss/Manfredi Ten Arquitectos & Andrea Cochran Landscape Architects Constitution Gardens Adropogon & Bohlin Cywinski Jackson Lee and Associates & Arthur Cotton Moore/Associates McKissack & McKissack & Oehme Van Sweden Nelson Byrd Woltz Landscape Architect & Paul Murdoch Architects OLIN & Weiss/Manfredi Rogers Marvel Architects & Peter Walker and Partners