Search results for "ROSSETTI"
SHoP to give the Cleveland Cavaliers’ basketball arena a huge overhaul
New York–based SHoP Architects working alongside Detroit-based stadia specialists Rossetti are to give the Quicken Loans Arena a massive makeover. The stadium, known as "The Q," has been open since 1994 and is home to the Cleveland Cavaliers. While a new arena would cost up to $750 million (according to Quicken Loans), the proposed refurbishment is set to total $140 million.
The Cavs will pay $70 million of this, plus any overrunning constructions costs. The rest will come from the City of Cleveland, Cuyahoga County, and Destination Cleveland. Work will begin next year and the stadium will remain open during this period; the Cavs will keep The Q as their home until 2034.
Despite only being 22-years-old, The Quicken Loans Arena is one of the oldest facilities in use on the National Basketball Association circuit. SHoP and Rossetti's design features a new glazed facade which stretches the stadium's footprint closer to the street edge. This fenestration reveals an undulating arrangement of what appears to be wood panels which, given their location well inside the facade and north-facing orientation, don't seem to serve any shading purpose. Aside from aesthetics, entrance and exit gangway areas will witness an increase in space, thus aiding circulation—a necessity considering The Q hosts more than 200 events every year.“The $140 million transformation, half of which the Cavalier’s will be paying, ensures that this public facility will remain competitive in the future,” Cleveland mayor Frank Jackson said in a press release. “This investment provides an innovative solution for extending the use and impact of The Q for years and years to come without the need for a much more expensive new arena. In addition, the seven year extension of the Cavalier’s lease through 2034 will represent one of the longest tenures in the same facility in all of sports.” Mayor Jackson, however, appears to be forgetting the wealth of stadia (for rugby, soccer, and cricket) in Europe and Australia that have endured for well over a century. Even Fenway Park in Boston and Wrigley Field in Chicago—home to the Red Sox and Cubs baseball teams respectively, surpass 100 years. Heck, the Indians' Progressive Field—a mere 200 feet away from The Q—opened six months before its basketball counterpart (sorry Jackson). Meanwhile, NBA Deputy Commissioner Mark Tatum said: “We understand the impact this project will have in continuing the great momentum we have all seen recently in the city. We look forward to holding our week of NBA All-Star events in Cleveland in the near future following the successful completion of The Q transformation project.”
The Architect’s Newspaper (AN)’s inaugural 2013 Best of Design Awards featured six categories. Since then, it's grown to 26 exciting categories. As in years past, jury members (Erik Verboon, Claire Weisz, Karen Stonely, Christopher Leong, Adrianne Weremchuk, and AN’s Matt Shaw) were picked for their expertise and high regard in the design community. They based their judgments on evidence of innovation, creative use of new technology, sustainability, strength of presentation, and, most importantly, great design. We want to thank everyone for their continued support and eagerness to submit their work to the Best of Design Awards. We are already looking forward to growing next year’s coverage for you.
2016 Best of Design Award in Facade: The Roy and Diana Vagelos Education Center at Columbia University
This state-of-the-art medical and graduate education building at Columbia University embraces how medicine is taught, learned, and practiced in the 21st century. The facility rethinks the conventional stacked floor plate typology of high-rise buildings by complementing traditional classroom and laboratory spaces at the north side of the building with a network of social and collaborative study alcoves that connect via a cascading open staircase on its south side. By combining this with a range of sustainable features, Diller Scofidio + Renfro and Gensler have created a forward-looking training ground for future healthcare practitioners.
Facade Consultant BuroHappoldStructural Engineer Leslie E. Roberston Associates Curtain Wall Fabricator/Installer Josef Gartner, Permasteelisa Group Glass BGT Bischoff Glastechnik AG Glass Fiber Reinforced Concrete (GFRC) David Kucera, Inc.
Honorable Mention, Facade: 371 Broadway
Architect: ODA New York Location: New York, NY
To balance this building’s modern appeal with the old world aesthetics of its environment, ODA New York reinterpreted Tribeca’s cast-iron typology with curving, basket-weave brick that expresses a similar scale to that of its pre-war neighbors.
Honorable Mention, Facade: USTA Grandstand Stadium
Architect: Rossetti Location: Queens, NY
The stadium facade is composed of 486 individual Teflon-coated fiberglass membranes that vary in opacity and translucence, offering glimpses in and out of the stadium as if through foliage.
Arthur Ashe Stadium at the U.S. Tennis Association (USTA) Billie Jean King National Tennis Center in Queens recently unveiled its new retractable roof as well as numerous changes and additions to the tennis complex. Finished in time for this year’s U.S. Open, the roof and master planning of the rejuvenated site was served up by Detroit-based firm Rossetti.
Spanning 236,600 feet, the polytetrafluoroethylene (PTFE) waterproof roof primarily will be used to cover the court during periods of rainfall and is able to open or close in under six minutes. USTA executive director and chief operating officer Gordon Smith said it “remains to be seen” if the roof will be used as a shading device, later adding that the USTA’s “overriding goal is to be an open court tournament at all times.”
To counter water run-off issues, a 15-foot-wide and 4-foot-deep metal gutter traces the structure’s perimeter. Meanwhile, an attached power unit will aid temperature regulation and run the roof’s opening and closing system.
The new Grandstand stadium was built as part of the site’s master plan. The new 8,000 capacity venue uses a PTFE skin to form a partial bowl around the arena, intended to emulate the foliage of the stadium’s surrounding greenery. For more information on this development, see our full article here.Arthur Ashe Stadium Billie Jean King National Tennis Center Flushing Meadows-Corona Park, Queens, NY Tel: 718-760-6200 Architect and engineers: Rossetti
Come rain or shine, tennis will be played at this year’s U.S. Open
Spanning 236,600 feet, the Polytetrafluoroethylene (PTFE) weatherproof roof will be primarily used to cover the court during periods of rainfall. USTA Executive Director and Chief Operating Officer Gordon Smith said it "remains to be seen" if the roof will be used as a shading device, though later commented that the USTA's "overriding goal is to be an open court tournament at all times." At the unveiling, Smith and Matt Rossetti of Rossetti boasted of how the roof can open or close in under six minutes. This was put to the test only moments later with the roof being fully closed in five minutes and 22 seconds (under this author's watch). Once complete, there was a marked difference in both light and temperature. No longer necessary to squint, the PTFE significantly reduced sunlight glare while also drastically cooling the arena. The reopening however, wasn't quite as smooth. At the third time of asking after Billie Jeane-King beckoned: "Let there be light, again!" the roof finally opened in swift fashion. Smith later used this as a springboard to inform the audience of how the sensory components of the roof require perfect alignment for the structure to move along the track beds that are in place. Courtesy of the engineers on hand, the delay was only a mere ten minutes and Smith was quick to say that the situation of opening and closing in such a quick manner is unlikely to occur - if at all. It's worth noting that the Arthur Ash Stadium, built in 1997, is the largest tennis arena in the world though it was never designed to have a roof of any kind placed on it. Now though, it is part of an elite group of of a handful of tennis stadia worldwide that can boast a retractable roof, third on the Grand Slam tour to the Rod Laver Arena in Melbourne and Center Court at the Wimbledon Championships in London. Here, the roof takes a minimum of ten minutes to be fully deployed; conditions are ready for play around a further 20 minutes after. This added delay is mostly due to the fact that Wimbledon uses grass tennis courts in which moisture in the soil can lead to an increase in humidity when the roof is closed, making the ball behave differently. Explaining this to AN, Matt Rossetti pointed out how the U.S. Open uses a hard court system which negates this effect. Play would be able to get underway much more quickly with players barely noticing a difference. Rossetti also responded to questions from AN regarding the new problems a roof would create such as water run-off and climate control. In response to this, Rossetti identified the large metal guttering that traces the perimeter of the roofscape. 15 feet wide and four foot deep, Rossetti recalled how he reacted with shock to the design requirement. "We said no way, something's got to be wrong!" Rossetti exclaimed regarding the results of the calculations that stipulated such monumental guttering. In terms of maintaining a constant climate, Rossetti also noted the large power unit nearby which will power the the roof system as well as act as a chiller for the space. The roof isn't the only change going on at Flushing Meadows either. Part of a masterplan from Rossetti, a new Grandstand stadium has been built, replacing the old venue which was famed for its intimate environment. Rossetti iterated how this intimacy has been maintained as a key component of the new stadium's design. Sunk into the ground, the new 8,000-seat venue uses a PTFE skin to form partial bowl around the arena. Set against the edge of the nearby Flushing Meadows park, the bowl, which is perforated and broken down into segments, aims to imitate "the view through the foliage" in a similar fashion to the adjacent trees. The tectonic structure secures the 486 panels through a "cable structure with parametric geometry" while also mimicking the "branches" of the surrounding greenery. In addition to this, all the courts have seen an increase in capacity while the smaller courts have been pushed slightly south to free up circulation and facilitate the increase in visitors. Though the proposed landscaping isn't quite yet all in place, Rossetti said the esplanade to the north of the grand stand is a "phenomenal place to be."
Imagine floating in a gondola through East Harlem. How about leisurely kayaking by Hell Gate, the East River’s most dangerous bend? What if signage alongside the FDR drive promoted neighborhood engagement in Jenny Holzer–style graphics? These somewhat outré civic solutions represent the first, second, and third place winners of the Reimagining the Waterfront competition, sponsored by Civitas, a citizen’s action group. More than 90 entrants from 25 countries entered the competition to address the crumbling East River Esplanade from 60th to 125th streets.
Last year attention was focused on closing the greenway gap between 38th Street and 60th Street. Meanwhile, just north of that stretch, the 60-year-old esplanade with its crumbly sinkholes and limited access points across the FDR foretold the challenges of maintaining a riverside park in the long term.
The three winners of the ideas competition address crucial aspects of rethinking the waterfront. The first place winner, Syracuse University architecture student Joseph Wood, dreamed up canals leading inland to integrate the Upper East Side and East Harlem. Second place winner Takuma Ono was no less ambitious, but he took a holistic approach that incorporated below-water ecosystems with practical engineering and a web of boardwalks on the water. Third place winner Matteo Rossetti envisioned strategically placed “writing the esplanade” modules, where the community could drop by and write down what they would like to see happen on that site. The modules could later be transformed into participants’ suggestions.
Rob Rogers of Rogers Marvel Architects was joined on the jury by architects Adam Yarinsky, Billie Tsien, Jack Travis, Signe Nielsen, Manhattan borough parks commissioner William Castro, Warren James, and attorney Al Butzel.
Rogers explained the unconventional scheme that took first place. “This was an ideas competition, and as such, part of the notion was to create intrigue and excitement about what the East Side could be,” he said. “It is ambition beyond traditional boundaries, beyond the scheme.” For his part, Wood said he was stunned that the jury selected his design, which was assigned as part of an architecture studio. “I was very surprised because they presented the competition like a basic nuts-and-bolts problem,” said Wood said by phone. “I think they took a step out of themselves to allow such a conceptual idea to win.”
The water flow of Wood’s interlocking canals would be regulated in part by gates and filtration equipment. Tiered plantings would filter storm water before flowing into the river-bound canals. In a telephone interview, Wood didn’t delve too deeply into the technical details, to say nothing of Upper East Side/East Harlem politics. “This is more about the big picture,” he said. “It could be refreshing in a way to envision a new realm of the city without having to worry about the politics. This is more to spark conversation.”
Ono, an inaugural fellow at the Isabella Stewart Gardner Museum in Boston, used historical maps as a starting point to study features of the landscape and its geology before accentuating them in tetrapods to create “ecological infrastructures.” “I’m always inspired by projects that look beyond the contemporary landscape and back into the past to see what can emerge from the existing rubble,” he said.
Rossetti’s civic approach rounded out the selection by bringing in neighborhood participation. “It is really difficult for the community to live pleasantly in a space that isn’t the mirror of the community itself,” the Italian architect said in an email.
The winners and five honorable mentions will be presented in an exhibit at the Museum of the City of New York from June 6 through late September.