All posts in Southeast
Infrastructure Bites Back
Internet-infamous, truck-decapitating bridge will finally be raised
In the case of the Can Opener, the NCRR is undertaking a “Rehabilitation of NCRR bridge over Gregson Street in Durham to increase the roadway clearance from 11 feet, 8 inches to 12 feet, 4 inches for the purpose of improving safety and reducing damage to NCRR infrastructure from vehicle strikes,” according to their list of capital improvements. What took the NCRR so long? According to 11foot8, the railroad company had installed a crash bar to mitigate damage to the bridge, and lowering the road would be prohibitively expensive due to the sewer main that runs right below the span—thus placing the upgrade on the backburner, as the crashes weren’t impacting NCRR service. As Mel Magazine laments, the raising of the overpass marks a blow to collective internet meme-making and schadenfreude-based binge-watching. When one hits play on an 11foot8 video, they know exactly what they’re getting into, no matter how fast or slow the approaching truck tries to sneak under. Still, just because the bridge is getting raised doesn’t mean the “fun” is over; as numerous online commenters have pointed out, the maximum allowable height of a truck in North Carolina is 13 feet, 6 inches. 11foot8 might live on after all.
The North Carolina Railroad Overpass at Gregson Street (The 11'-8" Bridge) will be closed to all through traffic 24/7 from October 23 to Nov 5 in order to raise the 11’-8” Railroad Overpass. 1/4 pic.twitter.com/120XzikVbl— Durham Transportation Department (@movesafedurham) October 18, 2019
Pitted Against the Law
Judge rules Brad Pitt could be sued over poorly-built New Orleans homes
Why context-sensitive design is key to Urban & Architectural Design. When it is ignored, even well-intended, well-funded projects fail. Brad Pitt’s Make It Right foundation built 109 homes in New Orleans, but critics say many are badly flawed https://t.co/zsJ7RY5NXm via @BW— Steve Wright (@stevewright64) February 19, 2019
World's largest treehouse burns down in minutes
Design + Practice Exchange
New York and New Orleans women will tackle design leadership in a new conference
Joel Pominville and Aran Donovan of AIA New Orleans are helping prepare for the event this week. As a smaller organization compared to the AIA NY, they are thrilled to start the conversation surrounding the Design + Practice Exchange in their home city. “It’s critical that architects from cities of different scales, social, and political makeups come together around key issues in the field,” said Pominville, executive director of the AIA New Orleans and the New Orleans Foundation. “These types of discussions aren’t happening in New Orleans as much as they are in New York.” During the conference, there will be a series of roundtable discussions spearheaded by leaders from Studio West, FXCollaborative, Perez, Robert A.M. Stern Architects, Trapolin Peer Architects, and Fogarty Finger Architecture. These conversations will be less project-focused and more centered on workplace culture and leadership. “It’s good for women to know how other women are being perceived in other cities,” said Cassidy Rosen, a designer at Eskew+Dumez+Ripple who will be moderating the event. “We want to know that we’re on the same page as women in New York and know how to be engaged not just in professional development, but in community, social and networking aspects as well.” In addition, a session on advocacy and activism, two growing topics that architects today are more and more challenged by, will be lead by Colloqate’s Sue Mobley and Arielle Weiss of Urbhan. Whether it’s learning ways to uplift other women, bolster entrepreneurship, or combat gender discrimination and equal pay issues in the practice, the ideas exchange will give women from all backgrounds the support they need to do even better work. “We want greater collaboration,” said Rosen, “which is something that’s lacking between states.” The Design + Practice Exchange will take place Friday, September 27 at the Ashé Cultural Arts Center, with an evening reception at the Center for Architecture and Design New Orleans. There will be a tour of women-led projects and organizations along Oretha Castle Haley Blvd. on Saturday morning, September 28. The morning presentations and morning tour are free and open to the public, while the roundtable discussions and reception are limited with a registration fee. AN is an official media sponsor.View this post on Instagram
Sculpture Garden Irrigation
The New Orleans Museum of Art flaunts its waterside sculpture garden
In an effort to make the Gwinnett Place Mall truly feel like a time warp set specifically for the horror sci-fi series, the production team not only recreated the facades of iconic retail spaces with all period-appropriate signage and window displays, but in some cases, the entire stores themselves were redone. From Orange Julius to the Gap, Radio Shack, and JC Penny, the brief moments these places popped up on screen helped paint an authentic picture of 1980s consumerism. One of the most-filmed spots within Starcourt Mall was Scoops Ahoy, the made-up ice cream shop where Steven Harrington works. Trujillo called that project, which was built entirely from scratch, “our special little baby.” Spoilers ahead: In that ice cream shop is where Steve, Dustin, and newcomer Robin decode secrete Russian messages that lead them to discover there’s a world-ending operation taking place beneath their feet—the portal to the Upside Down is being reopened. That importance to the overarching plot helps explain why so much attention was paid to the layout of the mall. Apart from a scrapbook found on location with old images of the Gwinnett Place Mall from its heyday, the inspiration for the build-out came from the memories of staffers on the production and decoration teams. Most people on the team's leadership grew up in the 80s and 90s and made decisions for Starcourt based on what they remember it felt like to be in those spaces as a kid. “There is a homogeneity to the architecture of malls,” Trujillo told the L.A. Times. “They’re all calibrated to be similar spaces. We had to be somewhat specific about the regionality, but I definitely brought a lot of my childhood and teenage memories of hanging out and working in malls.” Though the set is closed to the public and is already being dismantled, according to one reporter who chronicled his visit for the Atlanta Journal-Constitution (AJC), that hasn’t stopped fans from trying to take photos of the interior through fences. As a focal point of “Stranger Things 3,” Gwinnett Place Mall will forever live on in memories of fans forever, despite its soon-to-be demolition. The AJC reported in February that a sports stadium developer plans to build a mixed-use complex with a 20,000-seat cricket arena on the site.
This is amazing—Stranger Things 3's Starcourt Mall wasn't a sound stage. It was all built inside an actual dying mall in Georgia. And the set designers made more than simple storefronts—they made FULL INTERIORS, even for stores that were never seen on-screen… pic.twitter.com/v5RahFLPeR— Andy Baio (@waxpancake) July 11, 2019