Perhaps one of the most unfortunate causes of the blaze was the newness of the employee who communicated the location of the fire to the guard. The NYT reported that it was only his third day on the job, and he had just started a double shift manning the presbytery room, which contained a complicated control panel that alerted him to smoke anywhere in the complex. There’s debate over whether he understood the alert and whether he communicated it correctly. Recent staff cuts at Notre-Dame had left him solo, according to The Telegraph. The cathedral’s spire had fallen an hour into the fight against the blaze, and the fire was so all-consuming that all firefighters on site were ordered to return to the ground where, after realizing the wind was pushing the fire towards the northern bell tower, they switched their efforts to save that structure instead. By 9:45 p.m., things were under control. This NYT report sheds light on the various elements that caused the fire at Notre-Dame to get so far out of control. By chronicling the night’s events, hour by hour, we can now see how fragile the cathedral truly was, and how close we were to losing it forever—and by some estimates, still are. An official investigation by the French government is still ongoing to determine the cause of the fire, though it’s believed that no malice was intended. As of yesterday, parliament has approved a bill to reconstruct Notre-Dame by 2024, meaning the $954 million collected in donations following the fire will go directly to the restoration. According to the Senate, the building will be rebuilt to historical accuracy, though it will be a while before that can begin. Work on reinforcing the structure is currently proceeding very slowly and the project’s chief architect says it could still collapse if the flying buttresses aren’t shored up properly, CNN reports.
Notre Dame’s medieval roof structure, known as "the forest," has been lost to the massive fire, according to the rector of the cathedral.The frame featured trees cut down between 1160 and 1170, forming one of the oldest parts of the structure.https://t.co/sGKyk2xNGy pic.twitter.com/gL8G3bc4SY — CNN (@CNN) April 16, 2019
The Evidence Room embodies the architecture of Auschwitz at the Hirshhorn
Futuro on the Roof
This strip club's VIP room is a long-forgotten Futuro house
Hashim Sarkis announces the 2020 Venice Architecture Biennale theme
Out of Season
Investors blame Isay Weinfeld’s design for the closing of the new Four Seasons Restaurant
Outta my cubicle!
Divvy up office spaces with these highly adaptive modular systems
Flexible operable wall systems can create virtually endless configurations to divide space up for solo and group work.
Tek Vue Teknion
This wall panel system features thin-profile frames linked together by a single glass wall section. Tek Vue is offered with pivot or barn doors and accommodates different ceiling heights for placement nearly anywhere on a floor plan.
This translucent glass wall system is available with framed and frameless partitions, and can be positioned open, partially open, or closed to create various integrated work and gathering spaces. It can be combined with different hardware and architectural glass in a wide array of finishes, patterns, colors, and textures.
Pairing glazed glass panels with vertical wooden slats makes this sliding system warm to the touch. It can be customized with Lauldi’s range of handles as well as different wood and glass finishes.
This acoustically rated, glass and aluminum panel system divides space and absorbs sound simultaneously. The collection features three operable partition applications: automatic, motorized, and demountable.
This glass partition system is uitable for a range of applications, from conference rooms to closets, and features flexible components for custom configurations. Spazio is made in Italy and available for purchase in the United States at DOM Interiors.
In an effort to make the Gwinnett Place Mall truly feel like a time warp set specifically for the horror sci-fi series, the production team not only recreated the facades of iconic retail spaces with all period-appropriate signage and window displays, but in some cases, the entire stores themselves were redone. From Orange Julius to the Gap, Radio Shack, and JC Penny, the brief moments these places popped up on screen helped paint an authentic picture of 1980s consumerism. One of the most-filmed spots within Starcourt Mall was Scoops Ahoy, the made-up ice cream shop where Steven Harrington works. Trujillo called that project, which was built entirely from scratch, “our special little baby.” Spoilers ahead: In that ice cream shop is where Steve, Dustin, and newcomer Robin decode secrete Russian messages that lead them to discover there’s a world-ending operation taking place beneath their feet—the portal to the Upside Down is being reopened. That importance to the overarching plot helps explain why so much attention was paid to the layout of the mall. Apart from a scrapbook found on location with old images of the Gwinnett Place Mall from its heyday, the inspiration for the build-out came from the memories of staffers on the production and decoration teams. Most people on the team's leadership grew up in the 80s and 90s and made decisions for Starcourt based on what they remember it felt like to be in those spaces as a kid. “There is a homogeneity to the architecture of malls,” Trujillo told the L.A. Times. “They’re all calibrated to be similar spaces. We had to be somewhat specific about the regionality, but I definitely brought a lot of my childhood and teenage memories of hanging out and working in malls.” Though the set is closed to the public and is already being dismantled, according to one reporter who chronicled his visit for the Atlanta Journal-Constitution (AJC), that hasn’t stopped fans from trying to take photos of the interior through fences. As a focal point of “Stranger Things 3,” Gwinnett Place Mall will forever live on in memories of fans forever, despite its soon-to-be demolition. The AJC reported in February that a sports stadium developer plans to build a mixed-use complex with a 20,000-seat cricket arena on the site.
This is amazing—Stranger Things 3's Starcourt Mall wasn't a sound stage. It was all built inside an actual dying mall in Georgia. And the set designers made more than simple storefronts—they made FULL INTERIORS, even for stores that were never seen on-screen… pic.twitter.com/v5RahFLPeR— Andy Baio (@waxpancake) July 11, 2019
Survive and Thrive
Akoaki is blending design disciplines in Detroit
No Flower Power
London's mayor blocks Foster + Partners' Tulip tower
I Was a Circus Horse Rider
Denise Scott Brown reflects on balancing architecture and urbanism
I have been a circus horse rider between architecture and urbanism most of my life. But reining together animals that have been tugging apart over five decades has made for a bumpy ride. My role as an architect and planner takes in more than physical planning or urban design. I have also penetrated beyond both architecture and planning toward the social sciences at one end and art and iconography at the other. When you have all these systems and all their functions and all their rules, it helps to understand Mannerism. Because these systems have to bend, some more and some less, to get something that works—but it’s also a way to look for beauty. That’s my view of functionalism. It has a moral component I uphold but an aesthetic component I love.