Search results for "gensler"
Los Angeles’s newly completed Expo Line extension creates the first rail connection between Downtown and the Pacific coast in almost 60 years. An east-west route linking residential and employment centers at either end, the line represents an opportunity to change the characteristically low-rise region by enabling a 15.2-mile-long spine of mixed-use development. In the four years since the first spur of the Expo opened, developers have begun to wake to the untapped market for transit-oriented development along the corridor, signaling a shift not only in the ways in which Angelenos get to and from work, but where and how they live their lives beyond business hours. Now that the line has been completed, development along the western length of the corridor has sped up. Because of the transit-oriented nature of Expo-adjacent sites, designers must juggle multiple urban considerations such as density, parking, and pedestrian access. The following projects, all still under design and permitting, emphasize mixed-use configurations, offer an array of unit types, including affordable apartments, and are connected by generous, public open spaces.
Our trip down the Expo begins in Culver City, the former terminus of the line, where developers Lowe Enterprises, AECOM, and Cunningham Group have designed the 5.2-acre Ivy Station complex. The new development will sit on a current park-and-ride lot for the Expo Line and contain 200 apartments, a 150-room hotel, 200,000 square feet of offices, 75,000 square feet of ground-floor commercial space, and 1,600 parking spaces, with 300 spots reserved for transit riders. The wedge-shaped site offers an office complex designed by Ehrlich Yanai Rhee Chaney Architects, who also serve as architects of record for that portion of the project, and a retail block along Venice Boulevard, with a multiarmed courtyard apartment complex sandwiched between it and the hotel at the eastern end of the site.
Since completion of the master plan by Cunningham Group, Killefer Flammang Architects has taken over the project’s design documentation through the development’s completion. Landscape architects Melendrez also provided site and landscape design services for the project.
On its southwest corner, the site hosts a transit stop as well as a paseo bounded along its perimeter by porous ground floor connections, including colonnades and heroic staircases. The buildings have stepped and sharply angled facades, with each of the glazed office and retail floors bound by terraces. Meanwhile, the apartments and hotel are clad in modular metal sheathing articulated as coursed masonry or geometric panels, for the apartments and hotel, respectively. Renderings showcase red floor plates and structural walls in the office and retail areas with carved out loggia and projecting balconies along the facades of the apartment blocks.The 4.76-acre Martin Expo Town Center development at the Bundy Station further west is located on the current site of the Martin Automotive Group’s Cadillac dealership. Gensler, with landscape design by Rios Clementi Hale Studios, designed a terraced, 10-story, 160-foot tower containing 200,000 square feet of creative office spaces at the corner of the site, jaggedly staggering back and forth across its height, creating variable outdoor spaces accessible from the offices within. A mid-block paseo below is flanked by 99,000 square feet of commercial space, including a proposed 50,000-square-foot grocery store. The site’s 516 mixed-income residences are organized in a similarly terraced, seven-story perimeter block formation, with residences directly overlooking either the paseo or an interior courtyard. The complex will feature 192 studio, 181 one-bedroom, 137 two-bedroom, and six three-bedroom units. Of the total, 20 percent of residences will be affordable, with three-fourths of those affordable units operating as workforce housing and the remainder consisting of “very low income” units. “We wanted to design this project as a model transit development for L.A. by combining two things that have historically been perceived to be incompatible [here]: desirability and density,” Gensler’s design director for the project, Tom Perkins, said. “We are planning for multimodal access—including bus, metro, automobile, bicycle, and pedestrian—in order to connect with the neighborhood and create an active outdoor environment surrounded by new retail, residential, and office uses that attract local residents, office workers, and transit users.” As a part of this multimodal effort, the complex features parking stalls that are “decoupled” from the apartment units, allowing apartment dwellers to opt into renting a parking spot if they own an automobile while opening more parking spots for transit users. At the western terminus of the Expo Line in Santa Monica, two notable projects apiece by Koning Eizenberg Architects and Michael W. Folonis Architects aim to bring a variety of multifamily configurations to the coast. Koning Eizenberg Architects’ 84-foot-talldevelopment, 500 Broadway, features 249 market-rate residences and is organized as a bundled quartet of buildings connected by 35,000 square feet of ground-floor commercial space. The building features generously fenestrated and bifurcated facades, with louvered siding and simple, stucco walls alternating along courtyard faces. An unzipped, rumpled facade made up of extruded floor plates, canted walls, and corner windows marks the project’s northwest-facing front along Broadway. The development is notable for its commitment to exceeding the city’s affordable housing requirements, providing 64 deed-restricted affordable units around the corner at 1626 Lincoln Boulevard. This five-story structure will rent entirely to households earning 30 to 60 percent of the area median income (AMI). Owners of the complex preferred an off-site location for affordable units to better provide support services for residents, like after-school tutoring and healthcare. Also, the off-site location allows for more affordable units to be built overall, since integrating as many affordable units within a market-rate complex would have been impeded by height limitations imposed on 500 Broadway’s site. 1626 Lincoln consists of 17 three-bedroom apartments, 18 two-bedroom apartments, and 29 one-bedroom apartments, and features simply rendered massing that incorporates a mix of punched windows and doors across expanses of stucco walls with storefront glazing along the ground floor. Michael W. Folonis Architects (MWFA) is working on two mixed-income projects that also push the envelope in terms of urban program and form. MWFA’s Lincoln Collection, a 90-unit, mixed-income complex featuring 13,000 square feet of ground-floor retail space, is organized as a tight mass of apartment blocks connected by exterior circulation. The complex will have 18 affordable units, half of which will be set aside for households making 80 percent or less of the regional AMI, while the remaining nine affordable units are for those earning less than 50 percent of the AMI. The building’s white stucco facade is chopped up by inset, and sometimes interlocking, balconies. Walls along recessed areas are clad in blond wood or glass, as is the ceiling of a triple-height corner loggia space supported by a massive Y-column. The apartments themselves are organized around a central courtyard with a swimming pool and other leisure areas. This balcony-lined courtyard allows the building to utilize natural ventilation for individual units, while also providing an interior urban condition that is uncommon for L.A.
This “rear window” quality is better exhibited in MWFA’s 1415 5th Street project, an 84-foot tall mixed-use block that experiments with the city’s setback requirements by utilizing a mid-building doughnut hole to maintain a monolithic cornice line. MWFA’s stocky and pixelated apartment is carved intoby the designers, who, by removing more building mass than typical step-backs require, have arrived at a provocative method for embedding traditionally urban frontage in a community where development is highly contentious. “We thought we were going to have a huge fight on our hands,but [city officials] were very enthusiastic about it and encouraged us,” Folonis said. The project contains 64 units, 13 of which are affordable, and includes a mix of unit types that look out onto the complexly articulated, carved-out courtyard. These projects are among the first to make their way through planning and permitting phases since the Expo opened. Though with early ridership estimates already surpassing projections, it is likely that L.A.’s new transit corridor will soon be home to many more residents and workers.
Full Crit Coming Soon
See Iwan Baan's photos of DS+R's Vagelos Education Center
This 100,000-square-foot, 14-story tower—the tallest realized by DS+R and one of the rare medical school facilities designed as an integral vertical structure—inevitably raises the question of how successfully DS+R has negotiated the jump to the larger scale and challenge of a Manhattan high-rise. Happily, nothing in the Roy and Diana Vagelos Education Center, except perhaps the somewhat perfunctory lobby, misses a beat, from the circulation and separation of complex programs to the small footplate that eliminates long, alienating corridors and the soundproofing that admits city sounds while maintaining a welcome silence. The "study cascade" side of the tower evokes the "folded noodle" of DS+R’s unrealized Eyebeam design. But here, it is subject to a rigorous logic that is likely to establish the Vagelos Center as a textbook example of a much discussed design strategy, in the late 1990s and early twenty-first century, but not often realized in an effective and definitive form.
Glass vs. Gravity
How L.A.'s glass Skyslide stays strong 1,000 feet in the air, even through an earthquake
What is it like to whiz through a glass slide 1,000 feet above Los Angeles with nothing to hold on to other than a gray wool mat? The experience is so terrifying one would be forgiven for blocking out the memory entirely—but, thanks to the structural engineering capabilities of Brooklyn-based M. Ludvik Engineering, it is also incredibly safe. “We tested the pants off of absolutely everything,” Michael Ludvik, a structural engineer, told The Architect's Newspaper as he discussed the structural design for L.A.’s newest thrill-seeking-tourist attraction, the Skyslide at OUE Skyspace L.A.
OUE Skyspace is part of a Gensler-designed, $60 million overhaul of the public areas of the 1,018-foot-tall, Pei Cobb Freed & Partners–designed U.S. Bank Tower; the renovations include a new ground-level plaza and lobby and, on the 54th floor of the tower, a snaking labyrinth of “digital interactivity” spaces, with moody hallways, panoramic video displays, and movement-sensitive light installations.The real big-ticket item, however, is the OUE Skyspace $8-per-ride Skyslide, a 1¼-inch-thick glass-panel slide that exits the building’s envelope at the 70th floor, curves out over the city 1,000 feet below, and swoops back onto an outdoor terrace at the 69th floor, where the rider is unceremoniously dumped onto a red, padded mat. Ludvik explained, “The majority of the glass is tempered and laminated with a special structural interlayer called SentryGlas [made by Kuraray], which is the same product used for hurricane glazing in Miami-Dade County. We also have some glass with a complex bent geometry, where tempering was not possible, so we chemically strengthened the glass to be as strong as steel.” It is no wonder that the slide, located as it is in a seismically active region, atop a building designed to sway as many as 30 feet during an earthquake, was engineered with a complex array of articulated, “soft touch” connections, containing ball joints that allow the slide to move independently of the massive building, that can carry a purported 40,000 pounds of pressure per connection (that’s the weight of a New York City subway car). “It would be scary as hell, but the glass wouldn’t break,” Ludvik said of the unlucky experience of riding the slide during an earthquake. “There is a system of pins which allow the glass to pivot and to be undamaged by the building’s inelastic seismic movements, plus a 2.4 g-force seismic acceleration capacity, all with a large factor of safety. This thing is a machine as much as a structure.”
Since each sheet of glass requires a structural joint that not only creates a point of potential structural weakness but, for the slide user, also the opportunity for a bumpy ride, Ludvik and his team designed Skyslide using Nastran, a stress analysis software used by NASA, to include as few pieces of glass as possible. They also worked with a complex, multinational team of fabricators to complete different portions of the slide. Renowned, China-based industrial-glass manufacturer North Glass fabricated the straight run of the slide, while the Italian company Sunglass crafted the curved portions.
Also important to the design of the slide were maintenance and cleaning operations, concerns about which resulted in the installation of operable windows along the tower’s facade facing the inboard side of the slide, so a traditional window-washing rig can reach it. “I will let you know how it all works after they hang me off the side for the first maintenance inspection,” Ludvik said.
Structural Engineering Services M. Ludvik EngineeringStructural Glass North Glass Sunglass SentryGlas by Kuraray
More details emerge on the massive Port of Los Angeles redevelopment
Gensler’s Los Angeles office has revealed plans for a $150 million expansion to the Port of Los Angeles by marine science and business innovation group AltaSea. Revealed plans detail a 280,000-square-foot facility encompassing a new waterfront promenade, aquaculture research center, and science hub that combines the existing dockside warehouses with a new visitor’s center and signal-house.
Three formerly industrial warehouse shells with exposed composite steel beams and original overhead trusses will house dedicated research and business development facilities for aquaculture and underwater robotics endeavors. The project’s development will be divided into phases beginning with the redevelopment of Warehouses 58 through 60, which will add 180,000 square feet of combined research and business hubs to the site. This phase also incorporates an education pavilion and wharf plaza. The second and third phases entail renovating Warehouse 57—which will contain 60,000 square feet of laboratory and classroom space—and the construction of the site’s two new structures.
Those new constructions, Berth 56 and a tower dubbed “the Viewing Structure,” are located between the arms of the two docks housing the science warehouse spaces. Berth 56 is a landscape-oriented community center with educational and exhibition spaces, as well as amenities like viewing platforms and a theater. The five-story viewing tower is located at the foot of a Berth 56’s roof terrace, which has been sculpted to blend with a street-level plaza.
Gensler expects to begin construction on the first phase of the project in 2016 with the community center set to open in 2023.