Search results for "gensler"

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1300 Figueroa

Renderings revealed for Gensler's tenth tower along L.A.'s new hotel and entertainment district
Paperwork was filed this week with the Los Angeles Department of City Planning by developer Trical Construction, Inc. to replace the existing City Lights on Fig complex in Downtown Los Angeles with a Gensler-designed, 53-story glass hotel tower. The project, if completed, would add yet another monolith to the entertainment district’s growing contribution to the city’s skyline. Urbanize L.A. reports that the existing project, a 100-unit, five-story tall apartment complex, was built by the developer in 2004 and is being cleared, in part, to help achieve the city’s goal of increasing hotel supply around the Los Angeles Convention Center (LACC) and L.A. Live complex. The City is seeking to locate 8,000 hotel rooms within proximity to the LACC complex. A study from 2015 indicates that 3,172 hotel rooms exist in the area, with approximately 2,000 new ones on the way. The Trical Construction project would increase that number by over 50 percent, adding 1,024 rooms, and will be operated as two separate hotels. The developer has not announced which hotelier will run either of the two proposed establishments. Renderings for the proposed complex indicate that the new tower will make use of recently loosened restrictions that will no longer require tall buildings in the city to be capped by flat-topped helicopter evacuation pads. As a result, Gensler’s tower is designed to have a pointed, faceted top. The renderings depict a rectangular tower clad in riveted glass curtain walls. It's a relatively subdued design considering Gensler’s other, recently-revealed tower for the area, which is made up of stacked geometric shapes and punctured by a roughly 20-story hole. The newest project will comprise the 19th such tower for the growing entertainment district, ten of which are designed by Gensler. Renderings also depict large, ground level electronic signage in keeping with many of the other recently-proposed projects. The proposed tower, located in a new Sign District surrounding the LACC and L.A. Live areas, will bring a mix of commercial electric signage as well as art-focused installations to the pedestrian areas in the neighborhood.
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Facades+AM

Check out Gensler's perforated and fritted glass facade for this building in Tysons, VA
In central Tysons, VA, Gensler's Washington D.C. office has designed a mixed-use building that will house a fitness center, conference spaces, and offices. The latter will sit atop a nine-story, perforated metal-skinned podium that hosts a parking garage. The tactful metal facade bridges the two glass skins above and below it, mediating transparency in the process. At street level, glass fenestration encloses 25,000-square-feet of retail, amid other amenities—a bonus for shoppers stepping off the Greensboro Metro station which is a mere 50 yards away. Duncan Lyons, a senior associate at Gensler's D.C. office, said the building's design is “unique” for a mixed-use project and is “dynamic, yet flexible enough to attract a variety of tenants.” Floor plates will range from 20,000 to 28,000 square feet and the project offers public and private green terracing, shaped as triangles along the building’s stepped back and angled massing. The corresponding volumes are partially defined by skin, too, with various types of glazing being used either side of the parking garage’s metal facade. Above the garage, fritted glass panels—comprising 13 levels—are segmented into two volumes. Both facades employ a pattern of tall vertical piers and openings which link the levels together visually, while, according to Lyons, “providing a different material combination and view experience at each zone of the building.” Meanwhile, below the garage, a glass skin wraps around the corner edges facing onto the street. Due to the topography of the site, the glazing follows steps that run down the northside, westwards, and onto an entrance to the Greensboro Metro Station. This journey allows pedestrians to see more of the building’s street level interior as they go down, with entrances to this double-height space at both the top and bottom of the steps. “Within each zone, amenity spaces, collaboration areas, and extended terraces provide numerous interior and exterior experiences,” said Lyons. “It all adds up to a rich mixture; brings life, character, and vitality to the building; and makes the project a singular attractor,” he continued. “[The] design experience supports the continued growth of transit-oriented development and true place-making at Tysons Corner in the most responsive, distinctive, and adaptable way.” Duncan Lyons will be a co-chair for the Facades+AM conference in D.C. this March 9. He and Jeff Barber—design leader and principal and Gensler—will be speaking about this project in further detail. Seating is limited. To register, go to am.facadesplus.com.
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South-By-South-Art

SXSW announces inaugural art program installations
Austin, Texas–based South by Southwest (SXSW) Conference and Festivals has announced five art installations to be exhibited in its inaugural SXSW Art Program in 2017. This year’s festivities will take place March 10 through March 19 in Austin. The installations will include work by both established and emerging artists, including Raum Industries, Refik Anadol, and Circus Family. In a press release announcing the featured artists, Hugh Forrest, chief programming officer at SXSW said, "Art and Design [have] always been central to the SXSW ethos, and we have quickly become a recognized platform for visual artists to showcase art installations and connect with filmmakers, musicians, and technologists. The Art Program is the first time we have formalized the program and sought leading artists to design specific installations that we know will resonate with SXSW audiences." The 2017 slate of featured artists was selected as part of a collaboration between the SXSW Art Team and an external advisory board made up at least partially by art curators. See below for the 2017 SXSW art program’s selected artists.
  • Hyphen-Labs (Ashley Baccus-Clark, Carmen Aguilar y Wedge, Ece Tankal, and Nitzan Bartov) will showcase their NeuroSpeculative AfroFeminism NSAF Not Safe as Fuck art piece. The work is described in a press release as “a transmedia exploration told through a multi-layered possible future that transcends the constraints of the present using a roster of products thematically rooted in security, protection, and visibility.” The group is helmed by four women of color who, through their artwork, seek to use virtual reality to insert viewers into a “‘neurocosmetology lab’ where black women are the pioneers of brain optimization.”
  • Los Angeles-based installation artist Refik Anadol will showcase an artwork called Infinity that consists of an immersive environment that translates the viewer’s perception of reality into a “three-dimensional space of visualization.” Anadol’s work also includes large-scale LED installations, including the artist’s Convergence installation for the Gensler-designed Metropolis project currently under construction in Downtown Los Angeles. 
  • Artists Raum Industries will exhibit their interactive light exhibition Optic Obscura at SXSW this year. That artwork translates inputs from a user interface into a gridded surface made up of hundreds of optical fibers. The resulting pixelated image is used to illuminate the installation and its surroundings. 
  • Artists Circus Family’s work TRIPH creates an immersive “light experience” that is generated by the physical proximity of viewers. Sensors on the artwork translate nearby movement into sound and colors of varying intensities. 
  • Akinori Goto strikes a similar chord through their toki - series #02 work, an installation that depicts time in relation to the movement of a dancer. The dancer’s rhythms are projected onto a 3-D printed mesh sculpture.
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Holly-Art

The London-based Hospital Club to open Los Angeles outpost in 2018
Los Angeles will soon be home to the first American outpost of the London-based Hospital Club, a private social club aimed at arts-focused creative professionals. The new venture, designed by HKS architects, would establish a hotspot for artists and creative entrepreneurs in Los Angeles’s Hollywood neighborhood by taking over the existing Redbury Hotel at the intersection of Hollywood Boulevard and Vine Street. That building, located across from the historic Capitol Records building, will be renovated to contain a slew of performance and shared office and studio spaces, as well as hotel rooms. The new complex, dubbed h. Club LA, will house facilities for film screenings, musical performances, exhibitions, among other types of cultural programs. It will also provide up to 36 bedrooms for use by the public. Hotel guests will become temporary members during their stay and will have access to the member facilities. The club will also offer a slate of member-accessible amenities, like a rooftop patio and restaurant, co-working spaces, gym, and music studio. In recent years, Hollywood has exploded with a large crop of housing, office, and mixed-use developments, including an office tower currently under construction by Gensler called the Icon. Los Angeles-based LARGE Architecture is also working on a midcentury modern style-inspired mixed-use residential tower in the neighborhood. The area also hosts a growing contingent of technology-related companies including headquarters facilities for Netflix, CNN, and Live Nation. With its Hollywood outpost, Hospital Club owners are betting the growing creative industries in the area will be a boon to business. Sue Walter, chief executive of Hospital Club told the Los Angeles Times, “Big names are moving into the area. I have been astonished by the level of development. It’s like it’s on the cusp of something exciting that is about to explode and we want to be part of that.” The club, which offers half-price memberships to individuals who are under the age of 30, is scheduled to open in 2018.
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Hodge Podge Tower

Gensler reveals renderings for 52-story tower in Los Angeles
It’s finally happened—the furious rush of development along Figueroa Street in Downtown Los Angeles stretching from the still-under-construction Wilshire Grand Tower has finally reached Interstate-10. The highway is Downtown L.A.’s informal southern boundary, separating the increasingly tony central city from starkly less affluent neighborhoods located directly to the south. Over the last year, as the Wilshire Grand Tower has gone up and the city’s transit system immediately below has expanded, a large collection of proposals for a new district of high-rise, residential towers has been gradually unveiled beside the L.A. Live and Los Angeles Convention Center complexes. The latest proposal, first reported by Los Angeles Downtown News, marks the 18th new tower proposed for the stretch, with at least 17 other new high-rise housing towers currently awaiting approval or actively under construction. Gensler has a hand in several of the projects, including the Metropolis (four towers), 1020 South Figueroa (three towers), and Fig+Pico (two towers) projects. SOM and P-A-T-T-E-R-N-S are behind the Olympia development (three towers), while CallisonRTKL is working on the Oceanwide Plaza (three towers) development, and Harley Ellis Devereaux and Hanson LA are partway through construction on the twin Circa towers. Gensler’s latest contribution to the district—1660 South Figueroa—will take over an existing car dealership lot and will contain more than 300 residential units, as well as a 250-key hotel and 15,000 square feet of ground-floor office and retail space. Broken down further, the tower is expected to contain 202 market-rate condominiums and 134 apartment units, including 23 condominiums and nine apartments reserved for low-income households. The project also calls for 499 parking stalls dispersed across nine levels of parking, five of which would be located underground. In contrast to many of the other projects mentioned above, most of which are articulated as generic, glass-clad mixed-use towers composed predominantly of vertically-extruded floorplates located atop ornamented retail and parking podia, 1660 South Figueroa is articulated as a hodge-podge of typological tower forms. The tower’s tripartite vertical organization exists as a long and narrow, 19-story housing block at its base that features balconies and large-scale punched openings at its upper reaches. That mass is topped by a pair of 20-story glassy condo towers, one canted slightly off-axis, creating a narrow and tall donut hole at the center of the building. Above that? A six-level mass itself topped by a diminutive, multi-story mid-rise mass. Throughout, the agglomerated mass of towers features grassy accretions, vegetated expanses of building mass punctured by horizontal, punched openings. Details for the project are forthcoming; groundbreaking, construction timeline and budget for the project have not been released.
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Big Willis Style

Chicago's Willis Tower to get $500 million renovation
Plans have been revealed for a $500 million renovation of Chicago’s iconic Willis Tower. The renovation will be the first since the 108-story tower was completed 43 years ago. Gensler’s Chicago office is leading the design for the project, which is being initiated by Blackstone and Equity Office. The plan for the Willis Tower includes the transformation of approximately 460,000 square feet of the building’s interior and a completely new public experience at its base. New amenities to the tower will include a fitness center, tenant lounges, and private event space. The tower’s observation floor, Skydeck Chicago on the 103rd story, will also be remodeled. The base will include more than 300,000 square feet of new retail, dining, and entertainment spaces, and 30,000-square-foot outdoor deck and garden space. Included in the base's redevelopment is a three-story glass structure atop the building's plinth, as well as a three-story subterranean winter garden. “With this historic investment the Willis Tower will remain a vibrant and modern icon that inspires both young and old for generations to come,” Chicago Mayor Rahm Emanuel said during the announcement of the renovation. “But more than that—today Blackstone is doubling-down on its confidence in the future we are building in the city of Chicago.” Built in 1973, the Willis Tower was the tallest building in the world for nearly 25 years. It is still the second tallest in the United States, behind New York’s One World Trade Center. To achieve its immense height, architect Bruce Graham and engineer Fazlur Rahman Khan envisioned the building as nine square structural tubes. As part of the renovation announcement, Equity Office committed to offering 5,000 Skydeck tickets to Chicago Public School students. Equity Office will also donate $100,000 to Project Pipeline, a program sponsored by the Illinois chapter of the National Association of Minority Architects (I-NOMA). Project Pipeline’s goal is to educate and mentor minority students through the process of becoming licensed architects. The tower was renamed the Willis Tower in 2009. Many Chicagoans still refer to the building by its original name, the Sears Tower.
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Circa 2018

New renderings revealed for twin condo towers in Downtown Los Angeles
The architects and developers behind the new 2-million-square-foot Circa complex have revealed new renderings for their partially-completed project in Downtown Los Angeles’s South Park neighborhood. The project, designed by architects Harley Ellis Devereaux with interiors by Hanson LA, will bring 648 apartments to the neighborhood in a pair of 35-story high rounded, twin towers. Those units—located above a 48,000-square foot, five-story retail and parking podium—will be arranged in one-, two-, and three-bedroom configurations and will range in size from 700 to 3,800 square feet. The towers will be connected by a landscaped pool patio and cabana areas located atop the podium. Additionally, according to the new renderings released by the developer, the towers will also feature streamlined floor-to-ceiling glass curtain wall exteriors. The buildings’ eastern and western facades also contain protruding exterior balconies. A construction camera overlooking the site shows the podium level and towers’ structural components partially completed, with the towers rising out of the ground and nearly reaching their apex. The complex is located along a booming strip of development that includes a collection of at least 15 other new high-rise housing towers that are either undergoing approval or under construction, including Metropolis (four towers), Oceanwide Plaza (three towers), 1020 South Figueroa (three towers), Fig+Pico (two towers), and Olympia (three towers). These towers, funded predominantly by foreign capital and located directly across from the Staples Center, L.A. Live complex, and Los Angeles Convention Center are due to change not only the character of the areas immediately surrounding these venues—many of the proposed projects feature large-scale, electronic signs for advertisements and art—but also the city as a whole by introducing a large collection of luxury and market-rate apartments, condominiums, and hotels. Circa is due to open in early 2018. For more information on the project, see the Circa website.
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Lone Star Stars

Dallas AIA chapter announces 2016 Built Design Awards

Out of 46 submissions, the Dallas Chapter of the American Institute of Architects has selected four projects to receive its 2016 Built Design Awards. This year’s recipients were selected by a jury composed of internationally renowned architects Matthew Kreilich, AIA, design principal and partner at Snow KreilichArchitects in Minneapolis; David Lewis, AIA, a founding principal at LTL Architects in New York; and Sebastian Schmaling, AIA, founding principal at Johnsen Schmaling Architects in Milwaukee. The final award recipients were selected based on each project’s unique response to its cultural, social, environmental, programmatic, and contextual challenges. “The 46 entries submitted for Design Awards this year were commended for their quality and representation by the jury,” said Michael Friebele, associate AIA, 2016 AIA Design Awards chair and senior associate at FTA Design Studio. “The six awarded projects were recognized as not only the best in design, but also for their unique range of program and context, a direct reflection of the expertise behind our jury this year. We are pleased to honor and celebrate the recipients and their contribution to the elevation of design in our community.” The jury also recognized two additional projects with citation awards.

1. Fire Station No. 27, Perkins+Will (Dallas)

Fire Station 27 was designed to re-establish a proper civic presence and foster a strong connection to the surrounding community that is often lacking in this building type. Responding to a compact site, Fire Station 27 was the City of Dallas’s first multistory station in over one hundred years. It consists of 23,600 square feet with two levels above grade and one level of parking below grade with capacity for 15 personnel per shift.

Jurors commended the project’s success as an urban infill building, as well as its strong organizing concept and celebratory story wall.

2. Prospect House, Max Levy Architect (Dripping Springs)

At this rural wedding and event center, celebrations are accommodated inside, outside, and on a big screened-in breezeway. Above the main hall is a huge wind vane whose mast extends down into the room and supports a 12-foot-diameter ring that turns with the breezes, connecting festivities inside with the world outside.

Jurors celebrated the thoughtful, restrained design, its elemental quality, and the overall modesty and simplicity of the project.

3. Hilti North America Headquarters, Gensler (Plano)

In the new Hilti North America Headquarters, the client’s top priority was celebrating the culmination of Hilti’s people and products. Not only was the entire office built exclusively with Hilti construction tools, over 26,000 modified Hilti products were woven into the architecture of the space—all intended to generate and showcase a pride in the product and the people who design, create, and market it.

Jurors praised the project’s clear concept, clean detailing, and the creation of shared spaces that foster interaction and collaboration.

4. Houndstooth Coffee and Jettison Cocktail Bar, OFFICIAL (Dallas)

The design for Houndstooth Coffee and Jettison Cocktail Bar was driven by the building’s dual function as a bar and a coffee shop and their shared connection. The design centers on an elemental concept of day to night, with Houndstooth filling the larger, sunlit space, and Jettison occupying the intimate back corner. High ceilings create openness in the coffee shop and a “floating” wood-clad volume, referred to as the cloud, serves as the central focal point, drawing the eye up while balancing the space and concealing the mechanical system. Jettison Cocktail Bar takes the inverse of the cloud design with a lowered ceiling and a central void looking into the painted gold trusses that have the character of a chandelier.

Jurors appreciated the elegant yet playful interiors, the creative use of light, and the duality of the distinct spaces.

Projects receiving Juror Citations are:

5. House at Rainbo Lake, Max Levy Architect (Henderson County)

Located in a swampy forest along a lake, this weekend retreat houses an extended family of sportsmen and nature enthusiasts. Each room is a separate building, and a screened in porch connects each building. Color is instrumental to this design, and coloration of exterior materials merges with the site.

6. Twin Gables, FAR + DANG (Dallas)

Set within a transitioning East Dallas neighborhood, this project bridges the traditional forms of the existing surrounding homes with a modern, high-density prototype. These duplex units embrace the length of the property and are designed around visual connections to a series of carefully composed outdoor spaces.

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A Landmark No More

AC Martin and Onni group to demolish William Pereira-designed L.A. Times building in Los Angeles
Los Angeles-based architects AC Martin and Canadian developer Onni Group have released preliminary renderings for the long-rumored, 1,126-unit Times Mirror Square development that aims to replace the 1970s-era William Pereira addition to the Los Angeles Times building in Downtown Los Angeles. The project, part of a larger, overall redevelopment of the L.A. Times headquarters complex that also includes a new, 30-story tall tower by Gensler, would connect to the existing L.A. Times building via ground floor retail spaces and an outdoor, retail-lined paseo. The original 1940s-era, art deco style L.A. Times headquarters is expected to receive modest restorations via the project while the iconic, late modern era Pereira-designed structure will be completely demolished to make way for the development. The Pereira structure is just four years shy of being eligible for the National Register of Historic Places and is not listed as a local Historic-Cultural Monument. Urbanize LA reports that AC Martin would bring a pair of high-rise residential towers to a neighborhood soon-to-be-brimming with open space amenities like the forthcoming revamp to Pershing Square park by Agence Ter, First and Broadway (FaB) park by Mia Lehrer and Associates and OMA, and the five year old Grand Park by Rios Clementi Hale Studios. A 37-story tower would be located directly across the street from Lehrer's FaB Park, with a taller, 53-story monolith located directly behind. Both towers are capped by pointy, crenelated caps and will reportedly rise 465- and 655-feet in height, respectively. The towers will contain parking stalls for 1,000 vehicles despite being located almost directly atop a forthcoming transit stop on the city's Regional Connector line. This article appears on HoverPin, a new app that lets you build personalized maps of geo-related online content based on your interests: architecture, food, culture, fitness, and more. Never miss The Architect’s Newspaper’s coverage of your city and discover new, exciting projects wherever you go! See our HoverPin layer here and download the app from the Apple Store.
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Banc of California Stadium

New renderings revealed for Los Angeles Football Club stadium
The Los Angeles Football Club (LAFC) and architects Gensler have revealed new renderings for the $250-million LAFC stadium in Los Angeles’s Exposition Park. The new renderings also showcase the stadium’s new name—the Banc of California Stadium—and provide a glimpse into the complex’s sleek interiors. The 22,000-seat stadium was approved by the Los Angeles City Council in 2016 and is now currently under construction. The structure is designed as an open-air stadium with steeply-raked and sweeping seating areas shaped around the field. That “European-style” arrangement, according to the architects, emphasizes fans’ experience of watching each match by putting the viewer in a closer relationship with the field and players. The complex will also include commercial and restaurant functions oriented toward the larger community. Renderings for the complex show generous pedestrian areas surrounding the main entry of the stadium as well as tree-lined paths leading to other attractions in the park. The stadium joins a growing number of new attractions coming to the urban park, including the recently-proposed Lucas Museum of Narrative Art (LMNA) building designed by Chinese firm MAD Architects. The board of directors for the LMNA announced last week it was choosing Los Angeles as the location for its new museum. LAFC’s new stadium takes the place of the recently-demolished Welton Becket-designed L.A. Sports Arena, a structure built in 1959 that played host to the Los Angeles Lakers and Los Angeles Clippers professional basketball teams as well as college basketball teams for University of Southern California and University of California, Los Angeles. The L.A. Sports Arena held its final event in March when Bruce Springsteen performed a sold-out concert there. The new stadium is expected to open for the 2018 soccer season. This article appears on HoverPin, a new app that lets you build personalized maps of geo-related online content based on your interests: architecture, food, culture, fitness, and more. Never miss The Architect’s Newspaper’s coverage of your area and discover new, exciting projects wherever you go! See our HoverPin layer here and download the app from the Apple Store.
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Episode III: Exposition Park

BREAKING: Los Angeles chosen as new site for MAD Architects' Lucas Museum
The Board of Directors for the Lucas Museum of Narrative Arts elected this afternoon to pursue Los Angeles as the latest site for their troubled museum proposal. The decision marks the third time the museum board has attempted to find a site for the $1 billion, MAD Architects-designed scheme. The firm's initial San Francisco proposal was rebuffed in 2015. The team made a try for a site in Chicago, only to scrap the plans in the face of fierce opposition to the project by a local community group known as Friends of The Park. Instead, Los Angeles's Exposition Park, home to the Los Angeles Memorial Coliseum, California African American Museum, California Science Center, and the Museum of Natural History of Los Angeles County will now potentially host Lucas's namesake museum. The Los Angeles proposal was selected after the museum team made parallel pitches for a second site on San Francisco's Treasure Island and one in L.A.'s Exposition Park. The new museum, if built, will be located along the city’s Expo Line light rail line, within proximity of the forthcoming Gensler-designed Los Angeles Football Club soccer stadium, and would cap a park already brimming with global cultural and entertainment destinations. In announcing their decision, the Lucas Foundation's board of directors extolled the virtues of the urban park and its surrounding neighborhood, saying, "While each location offers many unique and wonderful attributes, South Los Angeles’s Promise Zone best positions the museum to have the greatest impact on the broader community, fulfilling our goal of inspiring, engaging and educating a broad and diverse visitorship." In an effort to preserve the green spaces of the park, the selected scheme will include public open space on its rooftop. Renderings for the proposal show the curvaceous museum located in a leafy, park setting topped with tufts of greenery. The museum also appears to gingerly touch the ground by coming down in a series of large, discrete piers. It's still unclear what sorts of developmental hurdles the museum will need to surpass prior to start construction, but the project clearly has a fan in L.A. mayor Eric Garcetti, who after learning of the decision, remarked to the Los Angeles Times, “It’s a natural place to have this museum in the creative capital of the world and in the geographic center of the city. It’s a banner day for L.A.” This article appears on HoverPin, a new app that lets you build personalized maps of geo-related online content based on your interests: architecture, food, culture, fitness, and more. Never miss The Architect’s Newspaper’s coverage of your area and discover new, exciting projects wherever you go! See our HoverPin layer here and download the app from the Apple Store.
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Labor, Fees, and Wages

The Architecture Lobby to hold public Think-In at Gensler Oakland
The Bay Area chapter of The Architecture Lobby is starting off the new year with a public Think-In on January 13 from 5:00 to 9:00 pm at Gensler Oakland. The Lobby is a new national organization devoted to the issues of architectural labor and working rights. This public event will focus on the current state of architectural labor, the profession, education, and the public perception of architects. The Lobby has invited distinguished panelists and a professional facilitator for the evening to critically debate and discuss work related topics that are important for architects at every career level. These guests include: Margaret Crawford, Maria Danielides, Eva Hagberg Fisher, Jason Geller, Doris Guerrero; Janette Kim, Nancy Levinson, Rosa Sheng, Nancy Alexander; as a facilitator. Think-In details 5pm-9pm, Friday, January 13 Gensler Oakland 2101 Webster St, #2000 Oakland, CA 94612 Think-In Topics Labor, Fees and Wages Contemporary Professionalization Architectural Institutions Media and the Public Perception of Architecture