Search results for "Miami Beach"

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Miami Heat
BIG's proposal for the Miami Convention Center.
Courtesy BIG

The heat has been turned up in Miami. Two final teams—South Beach ACE and Portman-CMC—are going head to head, sparing no harsh words, in a battle to win the commission to revamp the outdated Miami Beach Convention Center and redevelop the surrounding 52-acres.

Video rendering of OMA's proposal.
 

On May 14, the teams—Rem Koolhaas’ OMA and developer Tishman Hotel & Realty on South Beach ACE, and Bjarke Ingels Group (BIG) and developer Portman Holdings on the Portman-CMC team—presented their final master plans at a community meeting. With the Miami Beach Commission expected to vote on a proposal on July 8, the two camps are exchanging blows and making a final push to promote their proposals to the public.

 
 
Video rendering of BIG's proposal (top). View of the BIG scheme (left) and OMA's plan (right).
Courtesy BIG; OMA
 

The convention center, which was originally built in 1957, is wedged between busy avenues and several civic and cultural institutions. Many say that the facility acts like a roadblock, awkwardly severing Miami Beach. In addition, the aging building is struggling to meet the needs of such growing events as Miami Basel and the Miami Boat Show.

In 2012, the city issued a request for qualifications (RFQ), seeking submissions from development teams to overhaul the convention center. The RFQ called for a redesign of the existing structure as well as the improvement of access and pedestrian crossings. Two months later, the city received eight proposals, which it eventually whittled down to the two finalists. During a six-month period, South Beach ACE and Portman-CMC presented their plans to the public and the city several times, listened to feedback, and then tweaked their proposals accordingly.

OMA's proposal.
Courtesy OMA
 

“I am looking for the developer who is going to give us the most of what we need,” said City Commissioner Jerry Libbin. “I am looking to get as close to the base case: the ballroom and whatever associated parking we need. My preference is that we pick someone sooner than later.”

The program calls for a mix of high-end and functional components, including a new hotel, ample green space, an updated convention center with additional ballroom and meeting space, and increased connectivity to the surrounding areas of Miami Beach. The two teams have taken relatively different approaches.

 
Landscape views from BIG (left) and OMA (right).
Courtesy BIG; OMA
 

OMA’s proposal focuses on creating a centralized facility that allows for plenty of open space. It also reconfigures the layout of the convention center to enhance connectivity to Lincoln Road, green space, and existing hotels on the beach through the introduction of new entrance points on the south side and Washington Avenue.

“We wanted to expand the convention center without taking up more space within the city, so one of the key elements of our design is that we stack the hotel and ballroom,” said Jason Long, associate architect at OMA. “We integrated the hotel to reduce the footprint of the building and leave some breathing room for open space and as a buffer between the convention center and the Jackie Gleason Theater and new cultural building to the south.”

Kai-Uwe Bergmann, partner and director of business development at BIG, explained that his firm wanted to “provide a civic heart to the city.” The firm plans to accomplish this by creating Miami Beach Square, a public space that serves as a connecting hub to the convention center, hotel, city hall, and Jackie Gleason Theatre. “We really want to create a heart to this site and this is the Miami Beach Square opposed to a bunch of buildings with a park in it,” said Bergmann.

 
 
Areial view of OMA's proposal (top). Street scenes around the scheme (above, left and right).
Courtesy OMA
 

BIG also plans to carve out substantial space for the visual arts. The firm has included a new Latin American Cultural Museum in its proposal, in addition to space on the convention center’s roof for art installations that will be sponsored by an art foundation they plan to create.

“The developer is committing $25 million to the cultural programming of the facility. Our team is proposing three times more arts and cultural funding than our competitor,” said Bergmann. “The convention center is driven by art and design.”

Since the last public meeting, the two teams have exchanged some fighting words. Portman-CMC released a “Top 5 Reasons” document that outlines why their proposal is “the best plan for the City of Miami Beach and its competitors,” citing less cost for the public and a shorter construction timeframe.

 
 
Interior views from BIG's proposal.
Courtesy BIG
 

“We are really very saddened that the team has to make a point to attack us. We have been very consistent about illustrating our strengths,” said Shohei Shigematsu, partner and director of the New York office of OMA. “Architects are not supposed to hate each other like this. I hope the decision won’t be based on these kinds of battles.”

Shortly after the publication of Portman-CMC’s press release, South Beach ACE came out with its own polemic, questioning the other team’s “lack of a consistent vision for Miami Beach.”

All trash-talking aside, commissioner Libbin said that when making his decision in July, he’ll be considering other factors. “I am definitely looking at the numbers and seeing which developer is more flexible with us.”

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2013 Landmark Miami Competition Announces Winning Entries
Winners are in for the 2013 Landmark Miami competition. In DawnTown's sixth international ideas competition they challenged designers to explore the iconography of cities by creating a new landmark for the future of Miami that could be placed in Bayfront Park. Landmark Miami received over 100 entries from all over the world, including El Salvador, Cuba, Iran, the Philippines, and France. The jury selected three winners plus an honorable mention. 1st Place Project Name: Miami Lift Team Name: Studio Dror Location: New York City From the design team: Miami's extensive beaches, unique culture, and prime location for cruise travel create a cohesive identity, allowing the city itself to be an icon. Miami Lift pays tribute to this by elevating visitors giving them a new perspective of the city. 2nd Place Project Name: Lemonade Square Team Name: REMED Tame Members: David Giraldeau, Alexandre Guilbeault Locations: Montreal From the design team: The concept of Lemonade Square is a perforated platform of 57,600 square feet, floating above the ground. Floating on delicate legs, this museum-like object succeeds at creating superimposed plazas with contemporary characters. The upper level holds giant wading pools and allows people to escape from summer heat. Underneath, a glamorous public place benefits from the surprising sunlight effects and offers to the city a unique contemplative site. 3rd Place Project Name: Torre De Las Americas Team Members: Mauricio Gonzalez, Alfredo Anida Location: Miami/Santiago, Chlie From the design team: The Tower of the Americas is a spatial deluge. It is a vertical flood of platforms that creates an open exhibit that celebrates the diversity of our emergent metropolis. This open tower works with the vertigo of public space. It challenges its visitors as does the Eiffel Tower in Paris. It is a hiking museum. In each one of the platforms different events are generated. The tower is open, thus reducing the resistance to the torque forces generated by the wind. The proposal has a system of Multiple Tunned-Mass-Dampers and very short spans between the chromed columns. This strategy will allow for this tower to be the "tallest-slender tower" building in the world. Honorable Mention Project Name: Great Spirit Woods Team Name: Vojtěch Kolář + VIZarch.cz Team Members: Jakub Frolik & Vojtěch Kolář Location: Brno, Czech Republic From the design team: Great Spirit Woods is located in the southern part of Bayfront Park, which has always been a place of relax and rest. Idea of this proposal is to maintain these values and enrich them. Walking through an artificial forest made of steel columns of a circular cross-section...the highest columns rise up to 500 feet, the whole monumental project also has a function of a lighthouse.
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Miami’s development booming: Top 11 starchitect-designs remaking the Magic City
After a tumultuous few years, Miami’s real estate market is on the rise once again. When the recession hit the city in 2007, new developments came to a dramatic halt and abandoned construction sites became ubiquitous. But now, a surge of new projects—running the gamut from residential and retail to hotels and cultural institutions—are cropping up around Miami with many more slated for construction in the next few years. And some heavy hitters, such as Zaha Hadid, Rem Koolhaas, Herzog and de Meuron, and Bjarke Ingels, have signed up to lend their design sensibility to Miami's changing landscape. The Miami Herald reported that the city now boasts 20 new condo towers with an additional five towers in the works for neighborhoods just north and south of downtown Miami. AN has compiled a list of the most significant projects taking shape in the Magic City. Collins Park Garage by Zaha Hadid Your typical parking garage is usually a utilitarian, aesthetically bland structure that falls short on imagination. The city of Miami, however, has been reversing this trend and has commissioned architects to elevate the run-of-the-mill car park into a one-of-a-kind piece of architecture that draws visitors. Zaha Hadid is the latest architect to put her spin on the parking garage. For Collins Park, she has designed a sleek, curving structure that offers 400 parking spaces and retail on the ground level. The car park is in the process of being built. 1000 Museum by Zaha Hadid Zaha Hadid is leaving her imprint on Miami. Next up, she'll design a high-end residential tower, One Thousand Museum, for local developers Gregg Covin and Louis Birdman, that will be located on Biscayne Boulevard in Downtown Miami across from what will be Museum Park. According to Miami Condo Investments, the luxury high-rise will consist of 83 units and will run from $4 million up $12 million. Jade Signature by Herzog & De Meuron It seems like Herzog & De Meuron always have something brewing in Miami. The firm just released renderings of their new luxury condo, Jade Signature, located right on the ocean in Sunny Isles Beach. The planned 650-foot-tall, 55-story tower, though, might be over the Federal Aviation Administration’s height limit since any building over 499-feet at that location is considered dangerous. Asi Cymbal Building by TEN Arquitectos Developer Asi Cymbal has selected Enrique Norten and TEN Arquitectos to design a new mid-rise commercial building in Miami’s Design District. The development will consists of high-end retail, parking, offices, event space, and rooftop restaurant. The developer and Curbed Miami are currently holding a competition to name the new building. Portside Miami PortMiami launched a competition in 2011 commissioning plans for a new commercial district, dubbed the World Trade Center, and just recently revealed finalist PlusUrbia’s designs, which consists of a mix of infrastructure updates and major commercial and residential development. PlusUrbia’s plan includes new cruise-ship terminals and berths, and according to Curbed, skyscrapers, an expanded marina, hotels, retail, and luxury towers. SLS Hotel by Arquitectonica and Philippe Starck The chatter in Miami is that local developer Jorge Perez of the Related Group plans on building a 132-room SLS hotel designed by Arquitectonics with interiors by Philippe Starck, in addition to 450 condos ranging in size from 720 to 1,500 square feet, in the Brickell area. The 51-story tower is currently under pre-construction and is expected to be complete in 2015. The Patricia and Phillip Frost Museum of Science by Grimshaw The new Patricia and Phillip Frost Museum of Science (formally the Miami Science Museum), designed by Grimshaw Architects, is a $273 million complex that will house galleries, a planetarium, and wildlife center. This 250,000-square-foot building, located in Museum Park, will function like a “living building” with a vegetated roof and neighboring wetlands. The project is expected to be completed by 2014. Miami Marine Stadium This modernist 6,566-seat stadium perched on the Virginia Key has been abandoned for over twenty years, but now, steps are being taken to bring it back to life. Cuban-American architect Hilario Candela’s concrete modernist stadium is the first purpose-built venue for powerboat racing in the US. A few years ago, the stadium, now listed as a National Treasure, received $3 million in funding from Miami-Dade County Commissioners to preserve the modernist stadium and also turn it back into a water sports venue with concerts. At the end of last year, the Marine Stadium site plan, which includes a “Flex Space Park” and “Maritime Center” for operations and amenities, won the city’s approval, and next it goes in front of the Miami City Commission and the Miami Sports and Exhibition Authority. Once the plan gets the green light, Friends of Miami Marine Stadium will focus their efforts on fundraising for the stadium. The Grove at Grand Bay by Bjarke Ingels Group The once popular celebrity-frequented Grand Bay Hotel will become the site of Bjarke Ingels’ two new twisting residential towers in Coconut Grove. The 20-story luxurious high-rises will feature terraces, wraparound balconies, and a roof deck with private and communal pools. The $400 million project is slated for completion in 2014. Miami Beach Convention Center The competition is heating up in Miami between two developments teams vying for the massive Miami Beach Convention Center project. According to Curbed, Rem Koolhaas, the architect on the South Beach ACE team (with developers Robert Wennett and Tishman and landscape architect Raymond Jungles), went head to head with Bjarke Ingels of the Portman-CMC team (with developr Ugo Columbo and landscape architects West 8) at a public meeting a few weeks ago to show off their designs. Both teams propose new landscaping and parks, retail space, and residential developments for the 52-acre site in addition to plans for the convention center and updating the area around City Hall. Pérez Art Museum Miami Just as Herzog & de Meuron embarks on the Jade Signature tower, the firm is nearing completion of its 200,000 square-foot Pérez Art Museum Miami (PAMM and formally know as  the Miami Art Museum). The new three-story building will house interior and exterior programming space for the museum’s collections and special exhibitions; an educational complex with classrooms, auditorium, and digital workspaces; and a restaurant and store. Shaded by a canopy, the museum will sit on an elevated platform and open to a veranda and plazas. If all goes as planned, the new building will be open to the public by fall of 2013.
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Retail
Michael Stavaridis

The Alchemist
1111 Lincoln Road
Miami, FL
Tel: 305.531.4815
Architect: Rene Gonzales

Shop for your designer goods in style at the newest Alchemist boutique on Lincoln Road, the Fifth Avenue of Miami Beach. Rene Gonzales’ newest design for the Alchemist boutique, located within Herzog and de Meuron’s famous parking structure, ventures far from his original space for the retailer. However, it has drawn similar praise for being both luxurious and sleek.

In his first design, Gonzales exposed shop merchandise from the outside, using a 306-degree transparent glass facade. His new design pockets these contents along angled, saw-tooth shelves that jet out from the shop’s perimeter, concealing clothing racks from street view. “The first store is meant to incorporate the environment and capture light and the Miami skyline,” Gonzales said. “Here, it’s the opposite. This store allows you to envision yourself in another place.”

Eye-catching, color-changing LED light strips line the interior walls, and neon seating streams through the shop, adding pops of color to clean white walls. The space transforms into a natural escape as it tunnels to the rear-fitting rooms; these are located behind a wall bathed in projections of tropical landscapes by artist Paris Kain that complement the natural wood beams and floors. With melamine-foam ceilings and walls, the shop is insulated from heat and noise, offering customers a cool and stimulating respite from Miami’s hot hustle.

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An Instagrammers-Eye-View of Art Basel Miami Beach 2012
(Editor's Note: FXFOWLE Architect’s PR head, Karen Bookatz, offers a brief, Instagrammed account of architecture and design highlights at Art Basel Miami Beach 2012.) Don’t get me wrong: I love art and I love attending art fairs. They provide one a unique opportunity to see what’s fresh and new in the art and design industries—or whatever trade is being rep’d—every few months. For me, however, a booth is a booth is a booth. Art fairs must continue to find new ways of further distinguishing themselves or otherwise run the risk of conventionality. What Frieze did last May with SO-IL’s tent design (and to a lesser extent, Bade Stageberg and Cox’s environmental design effort for The Armory Show 2012) was a major step in the right direction. Likewise, custom installations and collaborative efforts, while public relations/marketing ventures more than anything else, have proven to be undeniably effective in creating buzz and increasing visibility for the respective firm, artist, or collaborative. (This is why I was personally so adamant about my own firm’s presence—with an architectural installation/lounge project at the Miami Project art fair—at this year’s Basel.) Untitled Art Fair | Keenan/Riley Architects The example of Frieze was most certainly a source of inspiration behind the new Untitled Art Fair, the tent of which was designed by Keenan/Riley Architects . I had the chance to chat up the founder of Untitled over sunset cocktails on Friday evening. I asked if he was considering commissioning a new tent designer for subsequent years—an RFP, or a call for proposals, perhaps? Unfortunately, this did not seem like his intention, but I nevertheless applauded his efforts. And the location of the fair—right off 5th and Ocean Drive on the beach—was off the chain. Guiro | Absolut Art Bureau Perfectly situated on the beach (between the W Hotel and the The Setai), Guiro, Absolut Art Bureau’s glowing, egg-shaped installation that—quite literally—secreted vodka for nine hours every evening, all in view of top-notch curated art and music programming, is exactly what the doctor ordered. I can’t wait to see what Absolut Art Bureau has in store for us next year. Drift | Snarkitecture There’s not much else to report on this crowd-pleasing, Louise Bourgeois-inspired installation other than restating the obvious: it was awesome and there should have been/should be more installations like it. Miami Art Museum Construction Tour | Herzog & De Meuron A first for me at—what is, now, my fourth—Art Basel: a construction site tour. I spent a beautiful Saturday morning on an intimate site tour of Herzog & de Meuron’s new project for the Miami Art Museum—which is slated to open at Basel 2013—led by Jacques Herzog, in the flesh, along with MAM director Thom Collins. Perfect structure, perfect site….perfect everything.
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Tony Goldman, 1943-2012
Tony Goldman.
Ben Ritter

Tony Goldman—developer, connoisseur of history, patron of contemporary art—was a rare and exciting client from an architect’s perspective. I imagine that as a friend, a status to which I aspired, he was even better. The loss we feel from his absence, personally and professionally, is huge.

He has been routinely described as a visionary and over the course of 40 years his pioneering projects in SoHo and South Beach (just to name two) cement that reputation. He saw the possibility of renewal in moribund neighborhoods before the potential became clear to others and his insight was especially acute in regards to hiding-in-plain-sight architectural quality. I’ve heard others describe his incredulity at the beautiful loft buildings he was able to buy in the 1970s. I gather that when he fell for the character of a building or neighborhood he acted with infectious confidence. In late 2004 I experienced that confidence when he laid out his thoughts for a new building at 25 Bond St. This time, the setting wasn’t an overlooked neighborhood, but his appreciation for the street’s history and vitality was riveting. Looking toward the Bowery he said, “This is the balls of New York!” I thought, “Wow, not your usual marketing slogan.”

 
25 Bond Street, a development by Goldman Properties.
Paul Warchol / Courtesy BKSK
 

In his approach to the project, he pushed everyone to think hard, very hard, and to pitch bold ideas. Speaking of his goals for the building, he said, “Whenever you go into grand homes, you notice that the walls are thicker, the doors are bigger, and the ceilings are higher. I want that here.” Indeed, when you worked with Tony, life was a little thicker, bigger, and higher. Achieving something grand, even great, became more possible than usual.

He wasn’t grandiose or at all pompous. He could be brash, but arguably had earned the right to be dismissive of people who questioned his insight. Yet, at least during the course of our project, he never was. Characteristically, the start of construction was marked by a kick-off speech at the job site, mandating civility and respect among all parties. He meant it, and it worked.

He was always restless, those who worked with him said, and it is not easy to imagine him resting now. I’m told the original layout of his office in the SoHo Building included a rollerblade loop and that he used it often. In the rest of his life loops were not his forte. He always seemed ready to roll in a new direction, loathe to circle back and repeat.

Above all he tried to imbue everything with artistry. The artwork emanating from SoHo drew him there and the murals that comprise his Wynwood Walls project in Miami show his mature vision of art as integral to neighborhood life. The sidewalk at our 25 Bond project is a small, emphatic measure of his commitment to art in the public realm. The building was almost done, the units mostly sold. He began a seemingly quixotic quest to persuade his purchasers, his architects, the Public Design Commission, and the Department of Transportation to support a commissioned work by the artist Ken Hiratsuka—part of a solid granite sidewalk he, Ken, and ultimately all of us envisioned and now treasure. I urge everyone to go stand on one of those 8-inch-thick slabs and marvel, thinking of Tony and his magnificent life.

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Restaurant
Michael Stavaridis

Juvia
1111 Lincoln Road
Miami
Tel: 305.763.8272
Architect: Alejandro Barrios-Carrero

Guests at Juvia—Miami’s new penthouse restaurant that tops off Herzog & de Meuron’s parking garage on Lincoln Road—can ride up nine stories in a private elevator to the spacious rooftop bar and eatery by Venezuelan architect and interior designer Alejandro Barrios-Carrero. An impressive group of designers from all over the world worked on the interior, but with its white and purple color scheme, modern furnishings, and expansive ocean views, Juvia is still 100 percent Miami Beach.

French vertical garden guru, Patrick Blanc, sets the mood with a 22-foot-high, Amazon-inspired, soil-less plant wall lush with greenery native to South Florida. Natural, yet modern, elements continue throughout the 10,000-square-foot space with limestone tabletops, a communal bar-height table made from petrified wood, white oak dining tables by Piero Lissoni, and hand-woven chairs by Patricia Urquiola, all lit by renowned lighting designer Thomas Patterson. A long rectangular water feature divides the outdoor area—a simple, restrained fountain that flows gently over a minimalist horizontal slab. When the weather is less than tropical, Barrios-Carrero’s trackless, retractable roof enables year-round terrace dining, affording guests a sweeping view of Miami Beach even in the chilliest of 80 degree winters.

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The Lapidus Touch
In Magic City, the lobby staircase aims for a Lapidus
Courtesy Starz

A fictional proxy of that most famous of Miami Beach hotels, the Fontainebleau, has a starring role in Magic City, a new period docudrama from Starz set in early postwar Miami Beach. The fake hotel in question is called the Miramar Playa, and was thought up by Mitch Glazer, the show’s producer. Along with the rest of the show, it is a phantasmagoria of midcentury Miami architectural flamboyance, of woggles, cheese holes, zigzags, and bean poles (thin steel decorative poles that had a habit of jauntily going through things like tables and birdcages), inhabited by mobsters, Cuban refugees, and leggy models on beach blankets. But the more Magic City becomes distinctly Miamian, the more it becomes distinctly about architecture. Magic City is “International Style” glamour in a sticky bathing suit.

Magic City is the loosely disguised story of the famous Fontainebleau Hotel and its owner Ben Novack, played by Jeffrey Dean Morgan. There have been some name changes (Novack is now Ike Evans) and personality overhauls (Novack was a tough guy in with the mob; Evans is a good guy who makes big mistakes) but many of the story lines are based in truth. In spite of copious on-screen nudity, pure history turns out to be more thrilling than the show’s fiction: the Fontainebleau was the biggest and most luxurious hotel in Miami Beach, and the first hotel built at that scale since the Waldorf-Astoria in New York. It was built with Mafia money, and was a place famous for its decadence and debauchery, for headliners like Frank Sinatra and the Rat Pack in the La Ronde supper club, and for high-stakes gambling tucked away in cabanas and hotel suites. Sean Connery played James Bond there, Miss Universe was crowned there, and in 1972 both the Democratic and Republican national conventions were held there.

The cast of Magic City channels James Bond.
 

Magic City is a show about a hotel and about the very specific city within which that hotel lies, and by extension, a show about that city’s architecture. And it’s about a specific time. Miami Beach had just woken up from the architectural slumber of the Depression and World War II, launching into a feverish building boom wearing new architectural clothes. It had also just imported an architect from New York with a lot of new ideas, named Morris Lapidus.

Lapidus built or decorated hotels all over Miami Beach, where his populist take on modernism became the new look of South Florida. With shocking singularity, he invented, using his expertise as a highly innovative retail architect, the entire look of Miami Beach in that era. Although it was Novack’s hotel, the Fontainebleau was the creation of Lapidus, whose designs have made him a legendary figure of Miami Beach history.

The Miramar Playa hotel is the Fontainebleau, more or less, with elements from other hotels liberally thrown in, making the result a slightly odd mash-up. In addition to bits of the Fontainebleau and Eden Roc hotels, there are also elements of Melvin Grossman’s slightly more subdued Deauville Hotel farther north on the beach and the smaller DiLido (now a Ritz Carlton) designed by Lapidus and Grossman together. The curve of the Miramar tower is a play on the Fontainebleau’s famous arc, but here it is a less elegant freeform curve to the Fontainebleau’s pure semicircle. The pool deck used for exterior shots is literally that of the current Deauville, one of the most boring lidos on the beach, and a far cry from the glory of the Fontainebleau’s grounds.

The lobby is the heart of the mess. To the left is the Eden Roc’s rotunda, with a tray ceiling hanging from skyhooks. To the right is Lapidus’s famous “staircase to nowhere,” a motif he used at many hotels. This one is most like the Fontainebleau’s, with clunkier details. The check-in counter is straight from the Eden Roc, but it is recessed into a wall from the DiLido. Perhaps most jarring of all is the Miramar’s color scheme: its blasé browns and golds are copied from the contemporary DiLido, going for a restrained luxury that wasn’t at all Lapidus’ taste. Any Lapidus original would have burst with brightly colored designs and patterns, often simultaneously.

Past the premiere, the locations in Magic City feel more comfortably natural, and less obvious in their boldness. There’s also more of Miami. The first episode said loudly, “We are at the Miramar Playa. Wish you were here.” By the third episode, Evans and his family move out into the city, where they have dinner at a stand-in for the Wreck Bar at the Castaways, a long-gone classic Miami dive.

 
Lapidus' Fontainbleau Hotel reimagined as the Miramar Playa in Magic City.
 

The broader range of Miami’s architectural evolution also emerges, and the city’s various styles lend some symbolic power to the plot’s themes. The real life Mediterranean Revival estates of Carl Fisher’s island developments contain an older, prewar, generation of Miami Beach wealth populated by white Gentiles with names like Firestone and Honeywell. They exclude Jews from their domains, like the classic Miami Beach Bath Club, just as they were excluded from Palm Beach society. We see this side of Miami Beach in the character of Meg Bannock, whose oceanfront estate was sold to Evans to become the site of the Miramar. Again, fiction mirrors the real story: the Fontainebleau was built on the site of the 15-bedroom Firestone estate.

As Miami’s old gentile population fades out, the nouveau mobsters move into Med Revival palazzos. Not incidentally, the house used as mobster character Ben Diamond’s house happens to be next door to the one used as Bannock’s new place.

Other Miami sites have made cameos. South Beach is a sleepy land of retired Jews from New York, and Ocean Drive is one long shuffleboard court. The Beaux Art Dade County Courthouse in downtown Miami is the DA’s office in the show. The University of Miami campus, a beautifully Pan-American composition by Marion Manley, Miami’s first female architect, isn’t literally in the show, but an interesting substitute for its sleek subtropical look is. Magic City uses the Bacardi Building on Biscayne Boulevard as a convincing stand-in, providing a rare, fortuitous glimpse inside the building, an iconic tower floating over a sunny plaza that does a good job of copying Manley’s architectural work.

Magic City is not a Miamian Mad Men, a show that uses the advertising industry as a way to analyze a fantasized historical American past. Magic City is about a city that could not possibly have happened anywhere else. Magic City is about the sudden growth of a new Miami, more specifically, a new Miami Beach in the decades after World War II. It is about that new city and its growing pains, where a lot of strange things were allowed to happen, as if the Floridian peninsula was another country and not quite the U.S.A.

Strongly rooted in the history of Miami, Magic City straddles the line between straight-up historical documentary (as ridiculous as that sounds for a sexed-up drama) and surreal vacation fantasy. The strong architectural identity of the Fontainebleau, and every other notable building used in the show, makes historical inaccuracies all the more keenly felt to those who know what to look for. As for Lapidus, it almost seems strange that, for his epic architectural influence, and his influence on the look of the show, he hasn’t been bestowed with the honor of a character. If only, when the show returns next season, Lapidus could have a walk-on part, perhaps, as the designer of a hotel to rival Miramar Playa in all its gilt pattern gaudiness, as he did at the Eden Roc in real life.

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Miami’s New Urbanist Experiment
New development along Miami's Biscayne Boulevard.
Courtesy of Duany Plater-Zyberk & Company and City of Miami Planning Department.

On February 9, Elizabeth Plater-Zyberk, the grande dame of New Urbanism, will present Miami 21, the first New Urbanist zoning code to be adopted by a major American city, at the AIA Center for Architecture in New York. Written by Plater-Zyberk, this form-based code was approved by the City of Miami in 2009. Miami has officially been New Urbanist—a theoretical Seaside on steroids—for the last three years. As mapped out by Miami 21, the citywide transformation away from automobiles and air-conditioned bubbles will take decades and will depend on Miami’s traditional boom-and-bust cycle of growth to accomplish this massive undertaking. It is an imperfect experiment with significant obstacles for the city, but there’s little doubt that it will work, and that it already has.

New Urbanism was born in Miami, at the hands of the city-planning duo Ms. Plater-Zyberk and her husband Andres Duany, and preached to the world by way of the University of Miami School of Architecture, where she is dean. Duany Plater-Zyberk’s (DPZ) most famous works of New Urbanism are out of town, but their presence in the city has always been felt to some extent.

DPZ designed the island community of Aqua in Miami Beach, and master planned some of the city’s older areas. New Urbanism-esque projects appeared by other architects as well, including the Midtown Miami development, CocoWalk, and Mary Brickell Village. Most were malls trying to function like cities, to varying degrees of success and abject failure. But while New Urbanism was achieving its early victories in Seaside and other picture-perfect small towns in the middle of nowhere, it gave us the reasons why our old pedestrian areas—places that never quite gave way to the car simply because many tourists come without one—worked so well. South Beach and Coconut Grove were still great for the same reasons they’d always been. And now they were seen as prototypes for the future city. Miami 21 challenges New Urbanism’s suburban reputation and tests its effectiveness on the scale of a real city.

South Florida seems to have finally developed an urban passion, a desire for civic beauty–just in time for Miami 21 and exemplified by such projects as Grand Central Park, an unlikely case of a nightclub owner founding a nonprofit organization for the creation of a park on leased land across the street from his venue. Enthusiasm for the park’s long-term success is high; with its great access to mass transit and proximity to downtown, and massive new developments expected nearby, it puts a particularly urban twist on New Urbanism.

 
Biscayne Towers in Miami.
 

A few blocks away from Grand Central Park, Biscayne Boulevard, one of Miami’s principal streets, was given an early taste and test of Miami 21, years before the rest of the city. By negotiating with developers of a series of new condo towers being built during the last boom on the strip, planners were able to steer redevelopment, creating a new pedestrian district in Miami in a matter of years.

The Boulevard’s transformation is far from complete. Here you see a thoroughfare halfway through a seismic shift, leading a city with even farther to go. Condo towers shot up, with parking garages concealed behind live/work spaces, double-height lofts, and street level retail, often shaded under sidewalk arcades. Porte cocheres are gone, and lobby entrances are now primarily pedestrian.

Biscayne Boulevard is still a mishmash, with plenty of older auto-oriented buildings and some vacant lots disrupting the continuity. Density, although high where the towers are, is still spotty. And if you’re going any farther than a few blocks, driving is still the easiest choice. Since each building sits on a massive garage, parking is readily available.

Therein lies one of the ironies of Miami 21. The code is not complete. Miami 21 is stymied by the fact that it is not a code for a complete city, but only for its zoning. Miami’s lack of quality mass transit is one of the city’s worst obstacles to growth, and yet transportation planning was firmly beyond their jurisdiction. The long battle to enact the code also led to compromises and conformity on such matters as parking requirements.  Although made far less obtrusive and visible in the Miami 21 code—by hiding them behind a layer of residential, retail, or other uses, and limiting driveways of single family houses to the width of one car—parking garages face no actual reduction in required capacity from the previous code. Transportation, whether by car, Metrorail (Miami’s subways are elevated, because a high water table makes tunneling problematic), or bus, is an unresolved issue for Miami 21. Density and walkability require mass transit, and there is substantial public support for rail expansion in Miami, but mismanagement and cost increases have practically halted the transit system’s growth.

It seems that city planners are not active enough in pushing people away from cars or toward anything else. If the city is going to lessen its dependency on private cars, the Metrorail must be massively expanded, and travel times must improve. A new rail spur, off the single Metrorail line, is now connecting Miami’s downtown with the airport and adding commuter rail to the Florida East Coast (FEC) tracks has been debated for the last ten years, but Miami’s lack of a coordinated plan to improve mass transit is a critical flaw in its development and probably the biggest threat to Miami 21’s citywide success. Complete New Urbanism includes good mass transit. Miami 21 does not.

The Miami Marlins ballpark is a new iconic–and huge–public building that doesn’t live up to Miami 21. Opening this year, it is a jumbo palazzo that is dripping in the kind of flashy luxury common in Miami (a private box behind the bullpen has a swimming pool, for the right price) but is practically hostile to its urban context. Metrorail is more than a mile away, parking garages loom ominously over neighborhood streets, and the building is out of scale and context with its low-density working-class neighborhood.

The strength of Miami 21 is not in big moves, like rail lines, or iconic public buildings. Miami 21’s power is urban infill, density, and the vitality of the pedestrian experience at the neighborhood level. Whether or not you can take the train to get across town, you’ll be able to walk to get groceries, run an errand, enjoy the company of other people, or, invoking a South Florida cliché, to have a Cuban coffee and pastelito. The strength of Miami 21 is in human things, like the Publix grocery store under construction at the new towers on Biscayne Boulevard. A cafe and other retail add a variety of sidewalk amenities, and the parking is on the roof.

The last big building boom ended a few years ago, but Miami is about to have a second act. Between now and 2020 the city of Miami will probably change tremendously. A new elevated rail line will connect downtown with the airport, Amtrak, and commuter rail. The old FEC tracks, which pass through the heart of the city, may finally be restored to passenger service. New parks, including Grand Central Park, Museum Park, the Brickell Green Space, and the Flatiron Park, will open. A $600 million tunnel will connect downtown with the Port of Miami, by passing under Biscayne Bay and the port’s main shipping channel. And $10 billion in new construction is planned within 20 blocks of downtown Miami, most likely including two mega casinos, a tower about the height of the Chrysler Building, and two major museums.

In the middle of the Great Recession, Miami is entering a construction boom comparable to the condo blitz of the last decade. Much of this construction has already started, and some of it is nearing completion. Some will never happen. The storm of new construction in the city’s heart is a great thing for Miami 21, and it means we will see the effects of the code rather quickly. It’s a substantial beginning and an experiment that is nowhere near an end.

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AIANY Names Seven Young Firms among 2012 New Practices
Seven young and creative architecture firms were named as recipients of AIANY's New Practices New York awards for 2012. Now in its fourth iteration, the biennial award established in 2006 and sponsored by Hansgrohe "honors firms that have utilized unique and innovative strategies, both for the projects they undertake and for the practices they have established." This year's New Practices honorees are SLO Architecture, Holler Architecture, Abruzzo Bodziak Architects, Marc Fornes and the Very Many, Formless, The Living, and Christian Wassmann. Winners will be featured in an exhibition opening June 14 at the Center for Architecture, participation in the AIA national convention, and, of course, a free subscription to The Architect's Newspaper (the competion's media sponsor). Abruzzo Bodziak Architects From the jury: "An inspiring—and very consistent—portfolio; a serious and mature practice for its relatively young age. Good dialogue between ideas, practice, architecture, client, builder, and consultants." Firm web site. Holler Architecture From the jury: "It was refreshing to see the 'systems approach' to sustainability that was evident in their work. The architects were careful to treat the complex processes with rigor and to leverage them to inform their innovative design propositions. Firm web site. formlessfinder (Garret Ricciardi and Julian Rose) From the jury: "John Cage once said that an experimental act is one where the outcome is not known in advance. For Garret and Julian, matter and ideas are one. The perform material experiments not with a specific outcome in mid, but in an authentic spirit of exploration—sometimes ugly, often surprising, the results are materially rich and experientially suggestive." Firm web site. Marc Fornes & The Very Many From the jury: "Marc Fornes designs and builds meticulous constructions that are formally intricate, tactile, and experientially complex. The one and the many have never been so many. He is a highly sophisticated scripter and user of complex software but he is also a canny, hand’s on maker of things, and it is this interplay between the virtual and the real that makes his work so compelling." Firm web site. The Living From the jury: "We loved the blend of invention, humor, and the deep conviction that the work done should make the world a better place. The communication of their research is done in ways that are elegant and absolutely visceral." Firm web site. SLO Architecture From the jury: "The 3 projects presented in this portfolio—Bronx River Crossing, Bushkill Overflow, and Harvest Dome—display a compelling and unified vision of architectural research. In their selection of what to focus on, who to work for and how to bring an architectural perspective to regional concerns they take seriously their claim to "explore how nature can transcend preconceived boundaries to trace new trajectories of urban life." Their formal creations-developed in dialog with users and the public- all bring a light, sensitive touch to their sites and show promise that SLO can themselves transcend preconceived boundaries of community architecture." Firm web site. Christian Wassmann From the jury: "Although we all had difficulty in navigating through the folding portfolio, when we did we found a coherent sense of exploration. Ideas were pursued at various scales and through various media and techniques—there is a clear sense that a true and thoughtful practice is in formation." Firm web site.   Click on a thumbnail to launch slideshow:
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The Inner Circle
Milstein Hall, Cornell University by OMA.
Philippe Ruault

AN’s annual resource list may be published every year but it is never the same. Painstakingly drawn from extensive interviews by our editors with the architects and builders of the best architecture of 2011, these names are the too-often unacknowledged cornerstones that guarantee the quality and excellence of today’s architecture. We both herald and share them with you.

General Contractor / Project Manager

 

Arroyo Contracting Corp.
12 Desbrosses St.,
New York;
516-639-7618

Balfour Beatty/Barnhill
2311 North Main St.,
Tarboro, NC;
252-823-1021

Barr & Barr
460 West 34th St.,
New York;
212-563-2330

Bernsohn & Fetner
625 West 51st St.,
New York;
212-315-4330

F.J. Sciame Construction Co.
14 Wall St.,
New York;
212-232-2200

Graciano
18-73 43rd St.,
Astoria, NY;
718-932-7867

Jacobs
2 Penn Plaza, Ste. 0603,
New York;
212-944-2000

Keating Building Corporation
1600 Arch St.,
Philadelphia;
610-668-4100

Kreisler Borg Florman
97 Montgomery St.,
Scarsdale, NJ;
914-725-4600

L.F. Driscoll
9 Presidential Blvd.,
Bala Cynwyd, PA;
610-668-0950

 

Lavada
499 Van Brunt St.,
New York;
347-948-8894

Lettire Construction Corporation
336 East 110th St.,
New York;
212-996-6640

MG & Co
230 West 17th St.,
New York;
212-691-4001

Mascaro Construction Company
1720 Metropolitan St.,
Pittsburgh, PA;
412-321-4901

MJE Contracting
109-10 34th Ave.,
Corona, NY;
708-507-8661

Noble Construction
675 Garfield Ave.,
Jersey City, NJ;
201-721-6581

Plaza Construction
877-767-5292

Procida Realty & Construction
456 East 173rd St.,
Bronx, NY;
718-299-7000

RC Dolner Construction
15-17 East 16th St.,
New York;
212-645-2190

Saunders Construction
6950 South Jordan Rd.,
Centennial, CO;
303-699-9000

 

Schimenti
650 Danbury Rd.,
Ridgefield, CT;
914-244-9100

SoHo Restoration
104 Calyer St.,
Brooklyn, NY;
718-389-3550

Structure Tone
770 Broadway,
New York;
212-481-6100

Tishman Construction
666 5th Ave.,
New York;
212-399-3600

United American Builders
205 Arch St.,
Philadelphia;
215-551-5534

VCD Construction
35 Carroll St.,
Brooklyn, NY;
718-643-3775

Welliver
250 North Genesee St.,
Montour Falls, NY;
607-535-5400

Yorke Construction Corp.
140 West 31st St.,
New York;
212-564-8467

 
Penn Medicine / L.F. Driscoll / Rafael Viñoly (left); Film Society / Yorke Construction / Rockwell Group (right).
Brad Feinkopf (left) AND Albert Vecerka/Esto (right)
 

Arroyo Contracting did a good job on the Sunshine Bronx Business Incubator. It was a complicated project with many angled walls and corners. They looked into new ways of working, moving from their background in traditional design to contemporary design.”

Harel Edery
Mosza
 

Graciano has experienced masons that know how to work with terracotta and its reinstallation, using pieces that were reconditioned and some that were brand new.”

Joe Coppola
Dattner Architects
 
 

“We were fortunate to have RC Dolner build the Atrium. They had just finished the Greek and Roman galleries at the Met; we were confident they could make elegant and refined traditional detailing. At the Atrium they were able to apply their same high standards in a modern setting.”

Tod Williams
Tod Williams + Billie Tsien Architects
 

Yorke’s level of service was outstanding. The site superintendent in particular was exemplary and always in contact with us about how the construction was affecting the design. That attitude then filtered down to the contractor and subcontractors.”

Michael Fischer
Rockwell Group

https://cdn.archpaper.com/wp-content/uploads/2016/04/2012_best_of_11.jpgCentra at Metropark / DeSimone / KPF.
Michael Moran
 

Engineers

 

Civil/Environmental


Langan Engineering and Environmental Services
360 West 31st St.,
New York;
212-479-5400

Leonard J. Strandberg and Associates
One Edgewater Plz.,
Staten Island;
718-420-9693

Pennoni Associates
3001 Market St.,
Philadelphia;
215-222-3000

Geotechnical


Geodesign
224 West 35th St.,
New York;
212-221-6651

Mueser Rutledge Consulting Engineers
225 West 34th St.,
New York;
917-339-9300

P.W. Grosser Consulting
630 Johnson Ave.,
Bohemia, NY;
631-589-6353

Pillori Associates
71 Route 35,
Laurence Harbor, NJ;
732-335-0059

MEP


AKF
1501 Broadway,
New York;
212-354-5656

AltieriSeborWieber
31 Knight St.,
Norwalk, CT;
230-866-5538

AMA Consulting Engineers
250 West 39th St.,
New York;
212-944-7722

Ambrosino, DePinto & Schmieder
275 7th Ave.,
New York;
212-645-6060

Ballinger
833 Chestnut St.,
Philadelphia;
215-446-0900

Ettinger Engineering ASSOCIATES
505 8th Ave.,
New York;
212-244-2410

 

Fiskaa Engineering
589 8th Ave.,
New York;
212-736-9600

ICOR Associates
256 West 38th St.,
New York;
212-994-9593

Jaros Baum & Bolles
80 Pine St.,
New York;
212-530-9300

Joseph R. Loring and Associates
360 West 31st St.,
New York;
212-563-7400

P.A. Collins
15 West 26th St.,
New York;
212-696-5294

Rubiano Associates
64 Fulton St.,
New York;
212-732-7842

Multidisciplinary


Arup
155 6th AVE.,
New York;
212-229-2669

Birdsall Services Group
2100 Highway 35,
Sea Girt, NJ;
732-681-1165

Buro Happold
100 Broadway,
New York;
212-334-2025

DeSimone
18 West 18th St.,
New York;
212-532-2211

HDR
500 7th Ave.,
New York;
212-542-6000

ME Engineers
29 West 38th St.,
New York;
212-447-6770

Rosini Engineering
142 West 36th St.,
New York;
212-904-0422

Thornton Tomasetti
51 Madison Ave.,
New York;
917-661-7800

Watts Engineering
95 Perry St.,
Buffalo, NY;
716-206-5100

 

Weidlinger Associates
375 Hudson St.,
New York;
212-367-3000

WSP Flack + Kurtz
512 7th Ave.,
New York;
212-532-9600

Structural


Eipel Barbieri Marschhausen
224 West 35th St.,
New York;
212-695-5120

Gilsanz Murray Steficek
129 West 27th St.,
New York;
212-254-0030

Hage Engineering
560 Broadway,
New York;
212-358-7778

KPFF
180 Varick St.,
New York;
212-973-3748

Macintosh Engineering
21133 Sterling Ave.,
Georgetown, DE;
302-448-2000

Mulhern Kulp
20 South Maple St.,
Ambler, PA;
215-646-8001

Murray Engineering
307 7th Ave.,
New York;
212-741-1102

Office of Structural Design
9 Revere Rd.,
Belle Mead, NJ;
908-359-8977

Robert Silman Associates
88 University Pl.,
New York;
212-620-7970

Severud Associates
469 7th Ave.,
New York;
212-986-3700

WSP Cantor Seinuk
228 East 45th St.,
New York;
212-687-9888


Milstein Hall, Cornell University / Robert Silman Associates / OMA.
Philippe Ruault
 

“John Riner of PW Grosser is one of the handful of consultants in this area who has substantial experience with open loop wells.”

Michael Tucker
Beyer Blinder BellE

 

“We have worked on several historic buildings in New York, but when they are as high profile or popular as the Puck Building, you need a consultant who understands these types of spaces. EBM Structural Engineers is one of the preeminent firms in New York with vast experience in adaptive reuse in a historic context. We worked with Ken Eipel and Rich Grabowski on the REI Soho project and their expertise as historians on New York architecture made them valuable partners for Callison.”

David Curtis
Callison
 

Joseph R. Loring and Associates anticipated issues at NYU SCPS and worked creatively with the design team to insert contemporary mechanical systems into an existing building with a complex new program.”

Carol Loewenson
Mitchell/Giurgola Architects

 

Cantor Seinuk developed a core outrigger wall design that eliminated a lot of sheer walls, which helped a lot with the very complicated unit layouts at 8 Spruce. We just find them to be the best when it comes to structural engineers.”

Joe Recchichi
Forest City Ratner Companies
 

“Edward Messina at Severud Associates is known as ‘Fast Eddie’ around our business because you call him up and he’s right over.”

Henry Smith-Miller
Smith-Miller + Hawkinson Architects

 

DeSimone designed the tree column and the big spans for Centra. It was a big effort to make that happen. They’re a really great engineering firm, and one thing that they’re great at is keeping the design team and client comfortable with very complicated things and also working with the construction team, while keeping everything on schedule.”

Lloyd Sigal and Hugh Trumbull
KPF
 

“The North Carolina Museum of Art is really all about daylight, and Arup did an extraordinary job calculating the amount of natural and artificial light and how it combined throughout the space.”

Thomas Phifer
Thomas Phifer and Partners

 

“At Clyfford Still, everything you see is structure. So KPFF's role was very key, especially in translating the structural design so it would be read in the perforated ceilings where the tolerances were very tricky, combined with reinforcing with rebar to maintain a crack-free finish.”

Chris Bixby
Allied Works Architecture

Facade & curtain wall

 

Consultants


Dewhurst Macfarlane and Partners
45 East 20th St.,
New York;
212-375-1600

Front
186 Varick St.,
New York;
212-242-2220

Gordon H. Smith Corporation
200 Madison Ave.,
New York;
212-696-0600

Heitmann & Associates
14500 South Outer Forty Rd.,
Chesterfield, MO;
314-439-1944

R.A. Heintges & Associates
126 5th Ave.,
New York;
212-652-2963

Simpson Gumpertz & Heger
19 West 34th St.,
New York;
212-271-7000

 

Manufacturers/ Installers


Airflex
937 Conklin St.,
Farmingdale, NY;
631-752-1309

APG International
70 Sewell St.,
Glassboro, NJ;
856-863-8034

Architectural Metal Fabricators
314 48th St.,
Brooklyn, NY;
718-765-0722

ASI Limited
4485 South Perry Worth Rd.,
Whitestown, IN;
317-769-7170

Cladding Corp.
215 South Hwy. 101,
Solana Beach, CA;
888-826-8453

EFCO
1000 County Rd.,
Monett, MO;
417-235-3193

GKD Metal Fabrics
825 Chesapeake Dr.,
Cambridge, MD;
410-221-0542

greenscreen
1743 South La Cienega Blvd.,
Los Angeles;
310-837-0526

 

Island International Exterior Fabricators
101 Scott Ave.,
Calverton, NY;
631-208-3500

Jakob/MMA Architectural Systems
Westfield Industrial Estate,
Midsomer Norton,
Somerset, United Kingdom;
+44-0845-1300-135

Jordan Panel Systems
196 Laurel Rd.,
East Northport, NY;
631-754-4900

Kwaneer
500 East 12th St.,
Bloomsburg, PA;
570-784-8000

Permasteelisa
123 Day Hill Rd.,
Windsor, CT;
860-298-2000

Schüco
240 Pane Rd.,
Newington, CT;
877-472-4826

W&W Glass
300 Airport Executive Park,
Nanuet, NY;
845-425-4000

 
Buffalo Courthouse / Dewhurst Macfarlane / KPF (left); Via Verde / FRONT / Grimshaw/Dattner Architects (right).
david seide (left) AND Robert Garneau (right)
 

Gordon Smith is a tried and true Manhattan curtain wall consultant. He kept us out of trouble and found good value for the wall at Centra. We could barely afford a curtain wall for this building and he helped us sneak it in and detail it really well so we can sleep at night.”

Lloyd Sigal and Hugh Trumbull
KPF
 

“There’s a learning curve on installing a European curtain wall system. Architectural Metal Fabricators took a real interest in jumping in and getting a technical understanding of the system.”

Henry Smith-Miller
Smith-Miller + Hawkinson Architects

 

Front was the key to unlocking the prefab facade at Via Verde. It cost a bit more, but it was faster to put together on site. They helped us translate that.”

Robert Garneau
Grimshaw Architects
 

“They protected me! At 8 Spruce, the extremely unique wall was largely aesthetically driven but it's just as advanced in performance and Heitmann took care of everything behind the wall in terms of feasibility, budget and schedule.”

Joe Recchichi
Forest City Ratner Companies

 

Island Fabrications knows how to bring all the components together; they ordered material globally and fabricated them locally.”

Bill Stein
Dattner Architects

Fittings & Furniture

 

Carpet & Textile


Bentley Prince Street
91 5th Ave.,
New York;
212-463-0606

Dune
156 Wooster St.,
New York;
212-925-6171

Gallery Seventeen Interiors
PO Box 549,
Nanuet, NY;
888-827-1182

Interface
404 Park Ave. South,
New York;
212-994-9994

Maharem
251 Park Ave. South,
New York;
212-319-4789

Re:Source of New Jersey
66 Ford Rd.,
Denville, NJ;
973-625-0715

Rose Brand East
4 Emerson Ln.,
Secaucus, NJ;
201-809-1730

Custom Fixtures & Signage


Artitalia Group
11755 Rodolphe Forget,
Montreal, QC,
Canada;
514-643-0114

Fleetwood
225 Peach St.,
Leesport, PA;
484-248-5271

REEVE Store Equipment
9131 Bermudez St.,
Pico Rivera, CA;
562-949-2535

Doors & Frames


Dynamic Architectural Windows & Doors
30440 Progressive Way,
Abbotsford, BC,
Canada;
800-661-8111

Goldbrecht USA
1512 11th St.,
Santa Monica, CA;
310-393-5540

 

PK-30 System
3607 Atwood Rd.,
Stone Ridge, NY;
212-473-8050

Furniture


Figueras International Seating

Fproduct
250 Saint Marks Ave.,
Brooklyn, NY;
917-202-2349

Greystone Seating
7900 Logistic Dr.,
Zeeland, MI;
616-931-1114

Haworth
125 Park Ave.,
New York;
212-977-5350

Irwin Telescopic Seating Company
610 East Cumberland Rd.,
Altamont, IL;
618-483-6157

Martela
384 Forest Ave.,
Laguna Beach, CA;
866-627-8352

Moroso
146 Greene St.,
New York;
212-334-7222

Resource Furniture
969 Third Ave., New York;
212-753-2039

Series Seating
20900 NE 30th Ave.,
Miami, FL;
305-932-4626

Tomas Osinski Design
4240 Glenmuir Ave.,
Los Angeles;
323-226-0576

Hardware


Assa Abloy
110 Sargent Dr.,
New Haven, CT;
800-377-3948

Häfele
25 East 26th St.,
New York;
800-423-3531

 

Kitchen & Bath


AF Supply
22 West 21st St.,
New York;
212-243-5400

Axor Hansgrohe
29 9th Ave.,
New York;
212-463-5790

Davis and Warshow
57-22 49th St.,
Maspeth, NY;
888-900-1392

Dornbracht
1700 Executive Dr. South,
Duluth, MN;
770-564-3599

Drimmers
1608 Coney Island Ave.,
Brooklyn, NY;
877-338-3500

Purekitchen
66 North 11th St.,
Brooklyn, NY;
718-715-0843

SieMatic New York
150 East 58th St.,
New York;
212-752-7900

Valcucine
66 Crosby St.,
New York;
212-253-5969

Zucchetti Rubinetteria
Via Molini di Resiga, 29,
Gozzano, Italy;
+39-0322-954700

Laboratory Casework


Thermo Fisher Scientific
1316 18th St.,
Two Rivers, WI;
920-793-1121

Vintage Furniture


RePop
68 Washington Ave.,
Brooklyn, NY;
718-260-8032

 
Louise Nevelson Plaza / John Lewis Glass / Smith-miller + Hawkinson Architects (left); 8 Spruce / Gehry Partners (right).
Michael Moran (left) AND Courtesy Forest City Ratner (right)
 

Glass

 

3form
520 8th Ave.,
New York;
212-627-0883

A-Val Architectural Metal Corp.
240 Washington St.,
Mount Vernon, NY;
914-662-0300

CBO Glass
13595 Broadway,
Alden, NY;
716-824-5000

Colory Metal & Glass
2522 State Rd.,
Bensalem, PA

EFCO
1000 County Rd.,
Monett, MO;
417-235-3193

Galaxy Glass & Stone
277 Fairfield Rd.,
Fairfield, NJ;
973-575-5235

J.E. Berkowitz
856-456-7800

John Lewis Glass
10229 Pearmain St.,
Oakland, CA;
510-635-4607

 

Lhotsky
Pelechov 17,
elezný Brod,
Czech Republic;
+420-483-389-334

Moduline Window Systems
930 Single Ave.,
Wausau, WI;
800-869-4567

National Glass & Metal Company
1424 Easton Rd.,
Horsham, PA;
215-938-8880

Oldcastle Glass
1350 6th Ave.,
New York;
212-957-5400

PPG Industries
One PPG Pl.,
Pittsburgh, PA;
412-434-3131

Prelco
94 Blvd. Cartier,
Rivière-du-Loup Québec;
418-862-2274

 

Skyline Sky-Lites
2925 Delta Dr.,
Colorado Springs, CO;
866-625-1330

Viracon
800 Park Dr.,
Owatonna, MN;
800-922-5374

Vitrocsa USA
5741 Buckingham Pkwy.,
Culver City, CA;
300-988-4455

Walch Windows
Zementwerkstraße 42,
Ludesch, Austria;
+43-0-5550-20290-0

Windsorsky
78 Joes Hill Rd.,
Brewster, NY
888-397-3330

Zecca Mirror & Glass
1829 Boone Ave.,
Bronx, NY;
718-589-3222

“Interior glass subcontractor A-Val worked creatively to ensure design intent in extremely complex conditions including the three-story open elliptical stair at the NYU SCPS.”

Carol Loewenson
Mitchell/Giurgola Architects
 

“You can get good window R-value in the United States but you can’t get the quality of high solar heat gain as you can with Walch. The combination is unmatched.”

Sam Bargetz
Loadingdock 5
 

CBO out of Buffalo did the glass veil and other curtain wall systems for the Buffalo Courthouse. The most difficult part was printing the Constitution on the glass with ceramic fritting. It took a lot of editing and laying it out and a very long time on our side and theirs.”

Bill Pedersen
KPF
 

John Lewis Glass would work closely with Tony Dominski at West Edge Metal. Even though it was a custom bench, it was even more custom because of the collaboration of the two firms.”

Scot Teti
Smith-Miller + Hawkinson Architects

Sustainability

 

Airside Solutions


Aircuity
39 Chapel St.,
Newton, MA;
866-602-0700

Brownfield Consultant


D.I.R.T.
473 West Broadway,
New York;
917-972-3478

Consultants


7group
183 West Main St.,
Kutztown, PA;
610-683-0890

Association for Energy Affordability
505 Eighth Ave.,
New York;
212-279-3902

Atelier Ten
45 East 20th St.,
New York;
212-254-4500

Bright Power
11 Hanover Sq.,
New York;
212-803-5868

 

BVM Engineering
834 Inman Village Pkwy.,
Atlanta, GA;
404-806-2018

Crescent Consulting
80 Broad St.,
New York;
646-419-4900

Natural Logic
1250 Addison St.,
Berkeley, CA;
510-248-4940

Steven Winter Associates
307 7th Ave.,
New York;
212-564-5800

TRC Environmental Corp.
1430 Broadway,
New York;
212-221-7822

Veridian
21 West 38th St.,
New York;
212-704-9920

 

Green Roofs


Emery Knoll Farms
3410 Ady Rd.,
Street, MD;
410-452-5880

ZinCo Green Roofs
Grabenstraße 33,
Unterensingen, Germany;
+49-7022-6003-540

Solar


Namasté Solar
4571 Broadway St.,
Boulder, CO;
303-447-0300

Sunpower
800-786-7693

SOLAR SHADING


Mechoshade Systems, Inc.
42-03 35th St.,
Long Island City, NY;
212-254-4500


David Rubenstein Atrium / steven winter associates / Tod Williams Billie Tsien Architects.
NIC LEHOUX
 

Aircuity did the recovery wheels and air handlers at Penn Medicine. Their system helped the owner meet their energy goals. It monitors the occupancy and the amount of CO2 in a space and optimizes the number of air changes so you wind up saving energy and money.”

Jim Herr
Rafael Viñoly Architects
 

Crescent was good in assisting the contractor in LEED complience during construction and helped focus the team on elements that really mattered.”

Michael Tucker
Beyer Blinder Bell

 

Bright Power did a great job of administering and coordinating the LEED application and they were responsible for designing the photovotaic system which was an important part of the building's design.”

Bill Stein
Dattner Architects
 

“We used Veridian as the sustainability consultant on Centra. Originally, we were just aiming for LEED certification. Now the numbers are coming in and they're very good. It looks like we're going to get Platinum.”

Lloyd Sigal and Hugh Trumbull
KPF

“Julie Bargmann of D.I.R.T.’s knowledge of brown fields, Navy Yards, and their detritus, was a really nice fit.”

Matt Berman
workshop/apd

Metal

 

AccuFab
232 Cherry St.,
Ithaca, NY;
607-273-3706

Alcoa
50 Industrial Blvd.,
Eastman, GA;
478-374-4746

Armstrong World Industries
2500 Columbia Ave.,
Lancaster, PA
888-207-2321

Belzona New York
79 Hazel St.,
Glen Cove, NY;
516-656-0220

Canatal Industries
2885, Boul. Frontenac Est.,
Thetford Mines, Quebec, Canada;
418-338-6044

CCR Sheet Metal
513 Porter Ave.,
Brooklyn, NY;
718-387-2473

Doralco
5919 West 118th St.,
Alsip, IL;
708-388-9324

Eliou
19 Frost St.,
Brooklyn, NY;
718-387-4716

Ferra Design
63 Flushing Ave.,
Brooklyn, NY;
718-852-8629

 

Firestone
1001 Lund Blvd.,
Anoka, MN;
800-426-7737

GageMetal
803 South Black River St.,
Sparta, WI;
800-786-4243

KC Fabrications
39 Steves Ln.,
Gardiner, NY;
845-255-0097

Lamcel
80 Montana Dr.,
Plattsburgh, NY;
514-457-4760

Lecapife Corp.
283 Liberty Ave.,
Brooklyn, NY;
718-342-3305

Maloya Laser
65A Mall Dr.,
Commack, NY;
631-543-2327

Metalman
110 Troutman St.,
Brooklyn, NY;
718-456-8759

Millenium Steel
344 West 38th St.,
New York;
212-268-1755

Nelson Industrial
1155 Squires Beach Rd.,
Pickering, ON, Canada;
905-428-2240

 

Paul C. Steck
25 Brown Ave.,
Springfield NJ;
973-376-1830

Precision Shape Solutions
243 East Blackwell St.,
Dover, NJ;
973-989-7199

Robinson Iron
1856 Robinson Rd.,
Alexandra City, AL;
800-824-2157

Veyko Design
216 Fairmount Ave.,
Philadelphia;
215-928-1349

West Edge Metal
25064 Viking St.,
Hayward, CA;
510-782-2050

 
NItehawk cinema / Maloya Laser / Caliper Studio (left); Brooklyn Navy Yard / Ferra Design / workshop/APD and Beyer Blinder Belle (right).
Ty Cole / OTTO (left) AND Robert Garneau (right)
 

Armstrong worked closely with us in providing customized, perforated metal ceiling panels that met the design intent of the Frick Chemistry Laboratory. Additionally, they did a excellent job field coordinating the installation of those panels with adjacent elements.”

Chris Stansfield
Payette Architects

“The project involved finishing hundreds of custom fabricated steel elements—KC Fabrications was extremely flexible with the schedule and was able to turn around material on short notice. They are always willing to do what is necessary to achieve the highest quality finish work.”

Charles Wolf
Dean/Wolf Architects
 

“For custom metal work that requires demanding precision and meticulous crafting, Metalman is an invaluable resource. If you can't find the right piece of hardware from a manufacturer, he will design and fabricate a custom piece to fit the requirement.”

Charles Wolf
Dean/Wolf Architects

 

“Mani from Millenium Steel is very accurate, and very budget-oriented. We worked with him before. He was able to make big steel pivot pieces.”

Jeremy Edmiston
SYSTEMarchitects
 

“We sent our drawings of pleated metal panels to a few people and got the impression that something custom would be too expensive. But a rep introduced us to Gage, who worked with our contractors to make our designs for the panels in a cost competitive way.”

Michael Fischer
Rockwell Group


Americano / Propylaea Millwork / ten arquitectos.
courtesy ten arquitectos
 

Wood

 

Custom Fabrication/ Carpentry


B & V Contracting Enterprises
590 Tuckahoe Rd.,
Yonkers, NY;
914-337-1086

Bauerschmidt & Sons
119-120 Merrick Blvd.,
Jamaica, NY

Benchcraft Concepts
A-427, Ghitorni, MG Rd.,
New Delhi, India;
+91-989-903-8395

DKDI
1021 Meyerside Rd.,
Mississaugua, ON, Canada;
416-732-8819

George Nakashima Woodworker
1847 Aquetong Rd.,
New Hope, PA;
215-862-2272

 

Ivory Build
67 35th St.,
Brooklyn, NY;
718-369-2482

JB Millworks
383 Bandy Ln.,
Ringgold, GA;
706-965-6940

Minzner & Co.
2100 Liberty St.,
Easton, PA;
610-258-5449

Monarch Industries
99 Main St.,
Warren, RI;
401-247-5200

Propylaea Millwork
795 East 135th St.,
Bronx, NY;
718-401-9393

Seetin Design
57 Grand St.,
Brooklyn, NY;
718-486-5610

ShoreTech Manufacturing
757-999-5592

 

Tom Kozlowski
347-403-3859

Suppliers


Armstrong World Industries
2500 Columbia Ave.,
Lancaster, PA
888-207-2321

J.Padin
243 Parkhurst St.,
Newark, NJ;
973-642-0550

Siberian Floors
145 Hudson St.,
New York;
212-343-1510

Terra Mai
205 North Mt. Shasta Blvd.,
Shasta, CA;
530-925-1937


aA Shelter / ShoreTech Manufacturing/Tom Kozlowski / SYSTEMarchitects.
systemarchitects/tony jin
 

“The careful execution of the FSC certified teak screens and planters at Carnegie Hill House resulted from the close collaboration between our design team and Ivory Build. Their skill and rigorous approach to craft enabled us to unify this sequence of outdoor spaces through the meticulous stacking and subtle articulation of teak slats.”

Thomas Woltz
Nelson, Byrd and Woltz
 

Bob Seetin is irrepressible and has a 'bring it on' attitude. He created the metal tables, wine racks, and counters we needed for the Film Society cafe quickly and even joyfully, turning everything around within a few weeks.”

Michael Fischer
Rockwell Group
 

Tom Kozlowski is an exceptional carpenter. He was able to think around unpredicted problems. He comes up with very straightforward and quick solutions. It no longer looks like construction work, it starts to resemble millwork.”

Jeremy Edmiston
SYSTEMarchitects
 

“A pivotal design goal for REI Soho was the adaptive reuse of the materials from the existing historic Puck Building and its subsequent transformation into a retail space. Callison’s vision from the outset was to bring the space back to its original context, from the wood cladding that was repurposed from the interior brick piers to the timber from the ceiling above the ground floor that was remilled and reused for the monumental staircase treads. Terra Mai was a collaborative partner through the entire reuse process providing expert guidance and advice.”

David Curtis
Callison

Lighting

 

Designers


Amber Lite Electric Corporation
443 Wild Ave.,
Staten Island, NY;
718-761-4323

Auerbach Pollock Friedlander
266 West 37th St.,
New York;
212-764-5630

Claude R. Engle, Lighting Consultant
2 Wisconsin Cir.,
Chevy Chase, MD;
301-654-5502

Clinard Design Studio
228 Park Ave.,
New York;
646-580-5344

Davis Mackiernan Lighting
180 Varick St.,
New York;
212-431-8675

Fisher Marantz Stone
22 West 19th St.,
New York;
212-691-3020

George Sexton Associates
242 West 30th St.,
New York;
212-736-4842

Grenald Waldron
260 Haverford Ave.,
Narberth, PA;
610-667-6330

 

Kugler Ning
48 West 38th St.,
New York;
212-382-2100

L'Observatoire International
414 West 14th St.,
New York;
212-255-4463

Leni Schwendinger Light Projects
336 West 37th St.,
New York;
212-947-6282

Lumen Arch
214 West 29th St.,
New York;
212-564-6469

Peridot Lighting
419 Lafayette St.,
New York;
212-360-2339

Tillett Lighting Design
172 North 11th St.,
Brooklyn, NY;
718-218-6578

Tillotson Design Associates
40 Worth St.,
New York;
212-675-7760

Fixtures


Amerlux
23 Daniel Rd. East,
Fairfield, NJ;
973-882-5010

Artemide
46 Greene St.,
New York;
212-925-1588

 

BEGA
1000 BEGA Way,
Carpinteria, CA;
805-684-0599

Flos
152 Greene St.,
New York;
212-941-4760

Holly Solar
1340-D Industrial Ave.,
Petaluma, CA;
707-763-6173

Lighting By Gregory
158 Bowery, New York;
212-226-4156

Lithonia Lighting
Conyers, GA;
770-922-9000

Lutron
7200 Suter Rd.,
Coopersburg, PA;
888-588-7661

Rambusch
160 Cornelison Ave.,
Jersey City, NJ;
201-333-2525

Selux
5 Lumen Ln.,
Highland, NY;
845-691-7723

Sistemalux
5455 de Gaspé,
Montréal, Quebec, Canada;
514-523-1339

Zumtobel Lighting
44 West 18th St., New York;
212-243-0460

   
North Carolina Museum of Art / Fisher Marantz stone / Thomas Phifer and Partners/Pierce Brinkley Cease + Lee (left); Buffalo Courthouse / Tillotson / KPF (center); Sunshine Incubator / Lighting by Gregory / Studio Mosza (right).
Iwan Baan (left); david seide (center); AND Ori Dubow (right)
 

Paul Marantz's lighting design is one of the most mesmerizing aspects of the 9/11 Memorial and plaza.”

Matthew Donham
PWP Landscape Architecture

 

“A company in California called Holly Solar fabricated the LED lights in the facade of the Nitehawk Cinema. It’s a small little company, but they do custom light fixtures. They’re good.”

Stephen Lynch
Caliper Studio
 

Kugler Ning is on board with understanding the world architects work in—working with tectonics—to create the right effect. Sometimes lighting designers can be more interested in the fixtures than the final effect. Kugler Ning helped to make the lighting fixtures disappear.”

Scot Teti
Smith-Miller + Hawkinson Architects
 

“We worked with Lumen Arch on the lighting design of Penn Medicine. They just did a fabulous job. We implemented a lot of lighting controls, occupancy sensors, daylight sensors, and things of that nature in the labs to bring down the energy usage and Lumen really knew their way around those systems.”

Jim Herr
Rafael Viñoly Architects
 

“We worked with Lighting By Gregory who helped us get the most energy efficient fixtures for the Sunshine Bronx Business Incubator. We as architects know what’s out there, but Lighting By Gregory opened our eyes to more LED opportunities.”

Harel Edery
Mosza

 
Inverted Warehouse Townhouse / Paul Warchol Photography / Dean/Wolf Architects (left); Museum of the Moving Image / Peter Aaron/Esto / Leeser Architecture (right).
Paul Warchol Photography (left) AND peter aaron/esto (right)
 

Photography

 

Esto Photographics
222 Valley Pl.,
Mamaroneck, NY;
914-698-4060

Halkin Architectural Photography
915 Spring Garden St.,
Philadelphia;
215-236-3922

Iwan Baan
Schippersgracht 7-1,
Amsterdam;
+31-06-54-630468

Jock Pottle Photography
259 West 30th St.,
New York;
212-760-1466

 

JoPo Photography
504 East 12th St.,
New York;
212-614-3122

Michael Moran Photography
98 4th St.,
Brooklyn, NY;
718-237-8830

Nic Lehoux
604-874-0918

Paul Warchol Photography
224 Centre St.,
New York;
212-431-3461

 

Scott Frances
79 Broadway,
New York;
212-777-0099

T.G. Olcott Photography
2 Greglen Ave.,
Nantucket, MA;
508-360-6312

Ty Cole Photography
332 Bleeker St.,
New York;
212-777-0075


 
City Center Facade Restoation / Boston Valley / Terra Cotta  / dattner architects (left); Tashan / Stone Source / Archi-tectonics (right).
Aislinn Weidele/Ennead Architects (left) AND don pearse photopgraphers (right)
 

Concrete, Masonry, Stone, & Tile

 

ADM Concrete Construction
9726 99th St.,
Ozone Park, NY;
718-738-1186

American Orlean

American Precast Concrete
PO Box 328,
Floresville, TX;
830-393-7731

Art In Construction
55 Washington St.,
Brooklyn, NY;
718-222-3874

Blenko Glass Company
P.O. Box 67, Milton, WV;
877-425-3656

Boston Valley Terra Cotta
6860 South Abbott Rd.,
Orchard Park, NY;
716-649-7490

Cathedral Stone Products
7266 Park Circle Dr.,
Hanover, MD;
410-782-9150

Commodore
230 South 5th Ave.,
Mt. Vernon, NY;
914-297-3000

Extech Industries
87 Bowne St.,
Brooklyn, NY;
718-852-7090

Fusion Floors
Buford, GA;
704-775-1050

Get Real Surfaces
143 West 29th St.,
New York;
212-414-1620

 

Helical Line Products
659 Miller Rd.,
Avon Lake, OH;
440-933-9263

James J. Totaro & Associates
95-1047 Ala'oki St.,
Mililani, HI;
808-626-9500

Kings County Waterproofing and Masonry
1200 Utica Ave.,
Brooklyn, NY;
718-629-6300

L&L Stone & Tile
900 South Oyster Bay Rd.,
Hicksville, NY;
516-349-1900

Masonry Solutions
PO Box 1036,
Sparks, MD;
410-771-1922

Modern Mosaic
8620 Oakwood Dr.,
Niagara Falls, ON, Canada;
905-356-3045

North Carolina Granite Corporation
P.O. Box 151,
Mount Airy, NC;
336-786-5141

Pavestone
18 Cowan Dr.,
Middleboro, MA;
508-947-6001

Porcelanosa
600 Route 17 North,
Ramsey, NJ;
201-995-1310

Port Morris Tile & Marble
1285 Oakpoint Ave.,
Bronx, New York;
718-378-6100

 

Reginald D. Hough Concrete Construction
115 Montgomery St.,
Rhinebeck, NY;
845-876-1048

RNC Industries
770-368-8453

Roman Mosaic and Tile Company
1105 Saunders Ct.,
West Chester, PA;
610-692-3100

Savema
Via Aurelia 24-55045,
Pietrasanta, Italy;
+39-0584-794407

Sheldon Slate
143 Fox Rd.,
Middle Granville, NY;
518-642-1280

Speranza Brickwork
15 High St.,
Whitehouse Station, NJ;
908-534-2176

Stepstone
800-572-9029

Stone Source
215 Park Ave. South,
New York;
212-979-6400

The Pike Company
One Circle St.,
Rochester, NY;
585-271-5256

Vermont Structural Slate Company
3 Prospect St.,
Fair Haven, VT;
800-343-1900

Zanaglia
Via Longobarda 19,
Massa, Italy;
+39-0585-834566


Milstein Hall / Reginald Hough/The Pike Company / OMA.
Philippe Ruault
 

“Peter Dagostino at ADM Concrete made it possible to get the building up. He coordinated everything. ADM is a very smart company and did a quick job.”

Werner Morath
Loadingdock 5
 

Boston Valley is one of the premier companies to go to for very careful matching of terracotta.”

Joe Coppola
Dattner Architects
 

“The excellent stone work by Port Morris Tile & Marble helped us make this a place of permanence and beauty. They worked with our vision and found the spectacular green marble for the benches.”

Tod Williams
Tod Williams Billie Tsien

 

“The slate siding from Vermont Structural Slate was naturally resistant to spray paint.”

Amy Yang
Toshiko Mori
 

“We used Reginald Hough as a concrete consultant for Milstein Hall. They came in during construction process to facilitate the subcontractor, Pike, and help us to decide on some of the materials to test and techniques to use. The lower levels have a smooth concrete dome ceiling with integrated lighting. Because it is both architecture and structure, it required a very precise installation method. Hough was invaluable in achieving that.”

Ziad Shehab
OMA


DiMenna Center for Classical Music / Akustiks / H3/Hardy Collaboration Architecture.
francis dzikowski/esto
 

Consultants

 

A/V & Acoustics


Acentech
33 Moulton St.,
Cambridge, MA;
617-499-8000

Acoustic Dimensions
145 Huguenot St.,
New Rochelle, NY;
914-712-1300

Akustiks
93 North Main St.,
South Norwalk, CT;
203-299-1904

Clarity Custom
1792 West 11th St.,
Brooklyn, NY;
718-787-9699

DHV
Laan 1914 no 35, 3818 EX
Amersfoort, The Netherlands;
+31-33-468-2000

Electrosonic
318 West 39th St.,
New York;
212-206-7711

Jaffe Holden Acoustics
114–A Washington St.,
Norwalk, CT;
203-838-4167

Kirkegaard Associates
801 W. Adams St.,
Chicago;
312-441-1980

Polysonics
405 Belle Air Ln.,
Warrenton, VA;
540-341-4988

Scharff/Weisberg
36-36 33rd St.,
Long Island City, NY;
212-582-2345

Blast Consultant


RSA Protective Technologies
1573 Mimosa Ct.,
Upland, CA;
909-946-0964

Commissioning


Strategic Building Solutions
708 3rd Ave., New York;
212-209-1037

Cost Estimator


VJ Associates
100 Duffy Ave.,
Hicksville, NY;
516-932-1010

Fire Protection/ Code Consulting


Code Consultants Professional Engineers
215 West 40th St.,
New York;
212-216-9596

JAM Consultants
104 West 29th St.,
New York;
212-627-1050

 

Montroy Andersen DeMarco
99 Madison Ave.,
New York;
212-481-5900

Property Intervention Consultants
72 Reade St.,
New York;
212-267-4666

Food Facility Planning


JGL Foodservice Consultants
224 Cleveland Ln.,
Princeton NJ;
732-274-1694

Green Wall


Vertical Garden Technology
954 Lexington Ave.,
New York;
646-339-6222

Historic Preservation


Building Conservation Associates
44 East 32nd St.,
New York;
212-777-1300

Office for Metropolitan History
11 West 20th St.,
New York;
212-799-0520

Powers and Company
211 North 13th St.,
Philadelphia;
215-636-0192

PreCon LogStrat
PO Box 417,
Mastic Beach, NY;
631-772-9540

IT/Telecommunications


Archi-Technology
115 Metro Park,
Rochester, NY;
585-424-1952

TM Technology Partners
250 West 39th St.,
New York;
212-398-2424

Laboratory Planning


Jacobs Consultancy
70 Wood Ave., Iselin, NJ;
732-452-9200

Landmarks


Higgins Quasebarth & Partners
11 Hanover Sq.,
New York;
212-274-9468

 

Owners Representative


Levien & Company
570 Lexington Ave.,
New York;
212-702-0888

Radiant Consulting Services


The Stone House
1111 Route 9,
Garrison, NY;
845-788-3620

Security


Ducibella Venter & Santore
250 State St.,
North Haven, CT;
203-288-6490

The Clarient Group
630 9th Ave.,
New York;
212-586-5840

Tritech Communications
28-30 West 36th St.,
New York;
212-695-1880

Specifications


Heller & Metzger
11 Dupont Cr. NW,
Washington, DC;
202-364-2222

Theatrical


Fischer Dachs Associates
22 West 19th St.,
New York;
212-691-3020

North American Theatrix
60 Industrial Dr.,
Southington, CT;
860-863-4112

Turf and Sports Regulations


Stantec
1735 Market St.,
Philadelphia;
215-751-2900

Vertical Transportation


Van Deusen & Associates
7 Penn Plz.,
New York;
212-868-9090

Wind Analysis


CPP
1415 Blue Spruce Dr.,
Fort Collins, CO;
970-221-3371


Penn Park / Stantec / michael van valkenburgh associates.
Courtesy UPenn
 

Acoustic Dimensions was great. They were really hands on, heavily involved in the Nitehawk. We have apartments above the movie theater so acoustic isolation is a big part of this project. They designed the second floor’s ceiling to hang on springs. They also tested the sound transmission when it was all done and you can’t hear a thing.”

Stephen Lynch
Caliper Studio

 

Richard Demarco is the most informed architect in New York City about building code and law. This guy is a joy to work with.”

Henry Smith-Miller
Smith-Miller + Hawkinson Architects
 

Clarity Custom is a terrific 'full system' provider and installer who took the lead on specifying A/V equipment and lighting control systems. There was an excellent interface with the general contractor and architect to minimize coordination issues. Clarity did a great job of integrating hardware, wiring and controls in a project where every detail matters.”

Charles Wolf
Dean/Wolf Architects

 

Building Conservation Associates have areas of expertise that bring refinement and an ability to find the resources.”

Joe Coppola
Dattner Architects
 

“At the Museum of the Moving Image, Scharff/ Weisberg and Jaffe Holden had a real hand in setting the stage to accommodate different uses in terms of all the data and audio visual systems that allow the museum to be a plug + play environment.”

Simon Arnold
Leeser Architecture

 

Bob Powers is very keen in navigating the historic restoration tax break. He's tech savvy and politically savvy, which helps get city, state, and federal approvals.”

Frank Grauman
Bohlin Cywinski Jackson
 

“Laurent Corradi of Vertical Garden Technology has created two grand and beautiful green walls that are loved by all. His knowledge of the botany and technical aspects of plant walls will insure that these features will thrive for generations to come.”

Tod Williams
Tod Williams + Billie Tsien

 

“The Musuem of the Moving Image faced a lot of challenges not to mention being a publicly-funded project in hard economic times. Levien took it all in stride and helped us meet the extra demands on budget cutting without sacrificing quality.”

Simon Arnold
Leeser Architecture

Other Services & Suppliers

 

Arborist


Paul Cowie Associates
11 Beverwyck Rd.,
Lake Hiawatha, NJ;
973-263-4801

Art Restoration


Rustin Levenson Art Conservation
212-594-8862

Artist


Michael Singer

Casework


Lab Crafters
2085 5th Ave.,
Ronkonkoma, NY;
631-471-7755

Curtain Design


Inside Outside Petra Blaisse
Erste Nassaustraat 5, 1052 BD
Amsterdam, The Netherlands;
+31-20-6810-801

Custom Fabrication


Associated Fabrication
72 North 15th St.,
Brooklyn, NY;
718-387-4530

Custom Materials


Panelite
5835 Adams Blvd.,
Culver City, CA;
212-947-8292

Electrical


Arthur Metzler and Associates
47 Hillside Ave.,
Manhasset, NY;
516-365-6966

Graphic Design/Signage & Wayfinding


2 X 4
180 Varick St.,
New York;
212-647-1170

Amuneal Manufacturing Corp.
4737 Darrah St.,
Philadelphia;
215-743-1715

C & G Partners
116 East 16th St.,
New York;
212-532-4460

Duggal
29 West 23rd St.,
New York;
212-242-7000

Entro Communications
122 Parliament St.,
Toronto, Ontario, Canada;
416-368-6988

Karlssonwilker
36 6th Ave.,
New York;
212-929-8064

Pentagram Design
204 Fifth Ave.,
New York;

Enclosure Testing / Facade Maintenance


Architectural Testing
130 Derry Ct.,
York, PA;
717-764-7700

 

Entek Engineering
166 Ames St.,
Hackensack, NJ;
201-820-2802

Epoxy Specialists and Supply


Aspen Supply Corp.
888-866-5757

Felt artist


Claudy Jongstra

Finishes and Coatings


Creative Finishes
27 West 20th St.,
New York;
212-929-6920

Fountain Consultant


Dan Euser Waterarchitecture
58 Major Mackenize Dr. West,
Richmond Hill, ON, Canada;
905-884-4176

Heat Recovery Ventilator


Zehnder
540 Portsmouth Ave.,
Greenland, NH;
603-422-6700

Interior Decoration


Pamela Banker Associates
136 East 57th St.,
New York;
212-308-5030

Irrigation Distributor


Storr Tacktor
175 13th Ave.,
Ronkonkoma, NY;
631-588-5222

Landscaping


Capri Landscaping
4005 Victory Blvd.,
Staten Island, NY;
718-494-8973

Plant Specialists
42-45 Vernon Blvd.,
Queens;
718-392-9404

Light Fixture Restoration


Robert True Ogden
3311 Broadway St. NE,
Minneapolis, MN;
612-524-3432

Modular Units


Capsys
63 Flushing Ave.,
Brooklyn, NY;
718-403-0050

Murals


Stingray Studios
2144 Citygate Dr.,
Columbus, OH;
614-220-8878

 

Nursery


Shemin Nurseries
42 Old Ridgebury Rd.,
Danbury, CT;
203-207-5000

Painting & Epoxy Installation


Anton Berisaj
917-440-4262

Plastic Lumber


Tangent Technologies
1001 Sullivan Rd.,
Aurora, IL
630-264-1110

Plastics


E&T Plastics
45-45 37th St.,
Long Island City, NY;
800-221-9555

Radiant Systems


Barcol-Air
115 Hurley Rd.,
Oxford, CT;
203-262 9900

Riggers to the Arts


Dun-Rite
1561 Southern Blvd.,
Bronx, NY;
718-991-1100

Security


S.O.S. Advanced Security
197 7th Ave.,
New York;
212-206-7777

Security Bollards/ Traffic Barriers


Delta Scientific
40355 Delta La.,
Palmdale, CA;
661-575-1100

Moli Metal
8380 Rue Lafrenaie
Montreal, QC;
514-326-6839

Theatrical Equipment


Gerriets International
130 Winterwood Ave.,
Ewing, NJ;
609-771-8111

Vertical Transportation


Persohn / Hahn Associates
908 Town & Country Blvd.,
Houston, TX;
713-467-4440

Waterproofing Systems


Sika Sarnafil
100 Dan Rd.,
Canton, MA;
781-828-5400

 
museum of the moving image / karlssonwilker / leeser architecture (left); Metrotech / Delta Scientific / WXY (right).
peter aaron/esto (left) AND courtesy wxy (right)
 

“At Queens Plaza, we collaborated with Michael Singer, an artist whose commitment to the public realm complements Margie Ruddick's environmental sensibility for landscape. He designed and produced special pre-cast components integrated into the architecture of new social spaces that withstand the site's powerful infrastructural presence.”

Linda Pollak
Marpillero Pollak Architects
 

Claudy Jongtstra’s artistry is present in two monumental tapestries that cover both long walls of the Atrium. These extraordinary artworks were made possible by her artistic vision as much as her involvement in the technical aspect, managing all from Europe.”

Tod Williams
Tod Williams + Billie Tsien Architects

 

“Fountain consultant Dan Euser is really familiar with the potentials and limits of water dynamics. He's visionary in terms of creating things of beauty and simplicity.”

Matthew Donham
PWP Landscape Architecture
 

“When the graphic designers Karlssonwilker joined the team, the design of the Museum of the Moving Image was fairly well resolved, but they were able to complement and add to its strength in a way that carried through the branding of the entire institution”

Simon Arnold
Leeser Architecture

 

“The reception desk at the Sunshine Bronx Business Incubator is custom designed and Panelite made it easy for me because they built a model on site for approval and I was able to see our 3-D computer drawings in real life before the desk was fabricated.”

Harel Edery
Mosza
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Eavesdrop> Libeskind & Son’s Big Bang
Daniel Libeskind’s latest project promises to illuminate your living room and the origins of the universe. He has joined the likes of Zaha Hadid and Hani Rashid in collaborating with Zumtobel, the Austrian lighting company. Libeskind’s chandelier, “eL Masterpiece,” debuted last month at Art Basel Miami Beach and while its name evokes a dodgy canvas proffered on the streets of South Beach, the design is actually an LED-studded feat of quantum complexity. Enter Libeskind fils, Noam, a rocket scientist at the Leibniz Institute for Astrophysics Potsdam, who was tapped by his father to whip up an algorithm that controls the chandelier’s 1,680 twinkling LED modules and tells the story of how light came into being. “By turning on the eL and watching it through its loop, you’re actually recreating 14 billion years of cosmic history,” explains Herr Doktor Libeskind.