Search results for "zaha hadid"
David Adjaye and Ron Arad revise design for the UK Holocaust Memorial
Here Comes the Sun
Peruse our favorite spring 2019 architecture book releases
Show Me the Money
Making money as an architect is majorly affected by where you work
Pay equity is arguably one of the biggest issues in the industry today. In February, The Architects’ Journal released its 2019 report on the U.K.'s gender pay gap, which unveils all documented salaries at firms that employ 250 or more people. Legally, these large-size practices must publicly reveal their gender pay gap in an effort to spread awareness on the issue. According to the article, Foster + Partners, which employs 1,061 people, includes 36 percent female architects who earn a median pay that’s 6.9 percent lower than their male counterparts. Zaha Hadid Architects has nearly the same amount of women on staff as Foster’s office, but the median pay gap is 21 percent. Arup, the global engineering and design firm, pays its female employees 16.9 percent less. Here in the U.S., where it's not a requirement to disclose firm-wide salaries, people are beginning to think more seriously about how gaps in gender, race, and pay equity may affect the internal culture of a firm and the subsequent projects produced its employees. Last summer, Jeanne Gang revealed she had closed the pay gap at Studio Gang, becoming the first firm in the country to do so. As Gang pointed out in her Fast Company article, the pay gap is one of architecture's greatest injustices and diversity in design isn’t just about filling a quota with different faces of different colors in a single office. It’s about recognizing the value that architects of all backgrounds bring to the table, and compensating them appropriately. Like any profession, the dollar amounts for an architect's salary will differ from state to state, but the respect for the mind and skills of a designer, no matter their race, gender, or language, should be the same across the board. That, according to Gang, will truly allow creativity to flourish.
Architecture firms @ZHA_News and @Hawkins_Brown have become the latest practices to report their gender pay gaps – with both failing to improve on their figures from last year. #equalpayday #genderpaygap https://t.co/JANJG9KVPY— AIA Advocacy (@AIA_Advocacy) April 2, 2019
Junya Ishigami ordered to pay interns after Serpentine uproar, as Elemental ends internships
The Serpentine Gallery, which only uses paid labor on its installations, told the Architect’s Journal that it was unaware of the practice and would contact Ishigami + Associates over the matter. Now it appears that the gallery has ordered Ishigami to pay any interns working on the pavilion. While the problem has been framed as something that’s ubiquitous in Japan—the 2013 pavilion designer Sou Fujimoto was also criticized at the time for using unpaid labor—that doesn’t mean unpaid internships aren’t prevalent elsewhere. After the news originally broke, commentators and architects spoke out and provided examples of studios that still don’t pay their interns.
Alejandro Aravena’s Elemental reached out to Dezeen yesterday in a collective open letter and announced that it would be taking the drastic step of ending all internships. The studio, which claims that it has hosted over 150 interns over the years, framed the move as not wanting to be seen as exploiting its interns in an atmosphere of hysterics. The firm laid out a number of benefits that its interns had received in the past, including a “transfer of knowledge,” but also conceded that prospective applicants would need to move to Chile and support themselves for 4 months. In a quote pulled from a comment below the recently recirculated 2016 Archinect editorial, “Brexit: a chance to roll back the interventionist state and unleash entrepreneurial creativity,” Patrik Schumacher of Zaha Hadid Architects laid out his stance on the issue. In his defense of unpaid or low-paid internships, Schumacher claimed they are the result of a well-functioning market, where such internships are transactions between employers and their employees, and that students had the option of not accepting them. Additionally, he claims that mandating internships be paid would be the government meddling in the free and open competition between companies. “I’m just happy that there is some momentum on this,” said Adam Nathaniel Furman, who has regularly been posting exploitative job listings via Instagram under the hashtag of #archislavery. “It seems to pop up every few years but nothing is done, however now with the model of metoo and other forms of communal pressure, I think it is time to end these practices which are exclusionary of those from less well-off backgrounds (I have heard so many stories of those from less well-off backgrounds leaving the profession because of encountering this culture), and exploitative of those who do take them up. I’m hoping this will start a chain reaction where the whole ecosystem of low paid cultural commissions, unpaid competitions and free pitch work that this sustains, is finally blown to smithereens and consigned to the scrapheap of history where it belongs...”
Junya Ishigami + Associates declined to comment when reached for this story.
That's Going to Smudge
Dubai’s ruler will literally leave his fingerprint on the city with new supertall tower
Sweat Like an Architect
Zaha Hadid Design fashions women’s activewear collection
The new flagship location for the Kasmin Gallery opened next to the High Line last October, sporting a boxy, angled exterior of white concrete with a subtle wood texture. Designed by studioMDA, the 3,000-square-foot building features a column-free interior that can smoothly showcase large-scale sculptures beneath a coffered ceiling full of skylights. The super-waffle grid not only diffuses natural light into the space below, but also creates a pattern for the gallery’s rooftop sculpture garden.
The undulating landscape, designed by Future Green Studio, allows plants and artwork to be set deeply in the soil. The outdoor gallery is visible from the elevated park next door, and is part of Related Companies’ latest efforts to broaden the artistic and architectural appeal of Zaha Hadid’s adjacent 520 West 28th Street condominiums. Kasmin Gallery’s rooftop garden attracts High Line visitors and condominium residents alike. Notably, the High Line Nine, an elongated, multitenant gallery directly underneath the rail park, was also designed by studioMDA.Architect: studioMDA Landscape Architect: Future Green Studio 509 West 27th Street New York 212-563-4474
Timber Faster, Higher, Stronger
Kengo Kuma is crafting a timber temple to sports for the 2020 Olympics
This article originally appeared as part of our January 2019 print issue in the timber feature.
Kengo Kuma’s $1.4 billion National Stadium is over 25 percent complete and should open in November 2019 for six months of testing before the Tokyo 2020 Summer Olympics kickoff. The three-tiered stadium is expected to seat 68,000 during the games and 80,000 when it’s converted into a home field for the Japan National Football Team.
Utilizing a half-covered roof and an abundance of overflowing greenery, Kuma’s flat structure is a far cry from the yonic stadium designed by Zaha Hadid Architects, which was originally chosen in 2015. The distinct layers and open-air columns of Kuma’s stadium are references to the 1,300-year-old Gojunoto pagoda at Horyuji Temple in Ikaruga, the oldest timber building in the world.
Kuma has pledged that the stadium will source over 70,000 cubic feet of larch and cedar wood from nearly all of Japan's 47 prefectures, with an emphasis on areas hit hardest by the 2011 earthquake and tsunami.
The steel roof over the ovoid stadium will be supported by a lattice of exposed timber beams and joists. Kuma has rimmed the track and field building with open-air loggias and clad the edges in a screen of vertical wood, creating a breezy, naturalistic setting that’s perfect for the summer games. It’s not all smooth sailing for the Tokyo 2020 commission, however, as the U.S.-based Rainforest Action Network has accused the group of sourcing endangered tropical timber from Malaysia and Indonesia to build the 2020 stadiums. A Tokyo 2020 spokesman has denied the claims, but the commission is working to further tighten up its sourcing standards regardless.