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SHoP Architects created an iPhone app to construct the Botswana Innovation Hub
New York’s SHoP Architects has created proprietary technology that is making it easier for them to organize materials during construction. During the construction of the Barclays Center from 2008 to 2012, the firm developed a novel iPhone interface capable of scanning facade components during fabrication, assembly, transport, and installation to keep an up-to-date digital catalog of the status of construction. Now, the firm is applying this comprehensive platform to the construction of its Innovation Hub located in Gaborone, Botswana, where on-site contractors can effortlessly scan recently installed items while checking in on the overall progress of the project.
The Botswana Innovation Hub is an ambitious project. The 310,000-square-foot facility is set to be the country’s first LEED-certified building, and environmental performance is significantly impacted by the structure’s complex assembly. SHoP designed an “Energy Blanket” roofscape, which incorporates large overhangs to shade interior spaces and collect rainwater for re-use. Photovoltaic panels are placed across the roofscape to further boost environmental performance.
The project’s complexity is further heightened by the incorporation of an undulating facade that projects off and indents the structural system. SHoP’s mobile interface plays an essential role in the project’s logistics and construction. The application labels each element—i.e AA2000—and the number of identical units. Each unit type is assigned to a specific construction crew that tracks the units in a database throughout assembly.
The interface has come a long way since its inception a decade ago. Initially a stitching together of off-the-shelf software applications commonly used by architects and contractors (Autodesk, NavisWorks, Filemaker), SHoP Architects has rewritten the code in-house, which allows for more seamless and scalable linking and visualization of 3-D models to live data. Why is this significant? SHoP can now take a holistic portfolio approach to track projects from earlier phases. In the next year, SHoP Architects hopes to implement its mobile interface across all of its projects.
SHoP Architects adds aluminum luster to Nassau Coliseum
Like an architect, fashion designer Thakoon Panichgul carefully balances contemporary and historical influences. His eponymous brand has won him fans from Michelle Obama to Target, but when it came time to build a brick-and-mortar store, Panichgul and New York–based SHoP faced a more complex balancing act. They wanted to carefully devise an interior that would reflect its Soho surroundings and the Thakoon aesthetic, all while grabbing the attention of passersby and setting itself apart from competitors.
“Thakoon was really interested in making [the store] of its place, of New York, bringing in the grit of the city,” said Coren Sharples, principal at SHoP. Concrete with dark aggregate covers the floors, and the architects tapped Brooklyn-based Fernando Mastrangelo Studio to cast multiple concrete walls throughout the store. Mastrangelo reproduced the subtle gradients of his furniture on an architectural scale, pouring multiple layers of gray-hued concrete in a single casting. “This was crazy, it was done on site,” said Sharples. “This was formed up and poured. Really a little scary, but [Mastrangelo] was amazing.”
Wood was also an important part of Panichgul’s vision—the designer had prepared a mood board with several wood treatments that figured prominently in other fashion brands’ aesthetics. These ranged from light treatments with vernacular ornamentation (what he called “American Traditional”) to richly grained and darkly stained (“American Glam”). SHoP and Panichgul ultimately chose an unfinished white oak (“American Cool”), a look that left the wood in its raw, natural state. White oak surfaces sinuously undulate along the showroom’s walls even as they retain a dry, coarse texture. The architects and client also worked closely with Brooklyn-based furniture maker Vonnegut/Kraft on the store’s wood furniture: Connection details, leather seating, and each edge and taper went through multiple iterations before landing on a design that features simple woven-leather straps. Vonnegut/Kraft’s pieces stand in the main showroom and hug the curves of each dressing room.
Extra seating is provided by travertine blocks that were CNC-milled in Italy to 3-D models provided by SHoP. Panichgul tapped London-based designer Michael Anastassiades for the principal lighting features: simple orbs with brass detailing. Brass is also used for the store’s clothing rods and the towering sculptural display rack that stands prominently in the main showroom.
Taken all together, the materials find ways to somehow be both angular and curved, smooth and gritty, even as their neutral tones give the clothing center stage. “We wanted it to be infused with material sensibility and warmth, but at the same time, it’s always this line you walk because you don’t want to overpower or dictate,” said Sharples.
We've always been interested in working with traditional materials.... Today's technologies allow us to draw out their material authenticity in new ways. The collaboration between SHoP, NBK Keramik, and Metalsigma Tunesi on WAVE/CAVE was an effort to demonstrate the poetic possibilities of terra cotta while suggesting new directions for its use in contemporary construction.Lighting was designed by PHT Lighting Design Inc. and engineering by Arup. This project will be on display until April 15.