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Nature, Nurture, Nouveau
The Cooper Hewitt’s 2019 Design Triennial will tackle climate change
What role has public engagement played in the process of putting together this event? PA: We’ve done public symposia on Broken Nature already, which has helped not only spread awareness but organize our ideas and prepare content. Some of our contributors have already written essays about their projects, which we’ll use toward a book later that sums up our learnings. The symposia have also helped us test out a few ideas to see if they will work out on the national stage. What else should we know going into next year’s 7-month-long triennale? PA: Overall, we’re hoping people will be puzzled and inspired by the exhibition, but we do have three main desired outcomes for it. First, we’re doing this not only for the architecture and design community but for the Milanese citizens because we know they’re interested in design. We’re looking to them as the agent of change to exercise pressure on institutions and change behaviors. We hope citizens will come to the show and leave with a short-term sense of what they can do in their everyday lives to be restorative. Second, we want people to leave the building knowing we live in a complex world, so our actions need to be thoughtful as we move forward in interacting with nature. Third, we want people to have a long-term vision. We tend to always think of our children and our children’s children when it comes to caring for the earth. But beyond that into the third generation of humans, it’s hard to psychologically imagine what it will be like. We hope the exhibition will help people put the far-out future into perspective. Leading the curatorial effort alongside Antonelli for XXII Triennale di Milano are Ala Tannir, Laura Maeran, and Azzurra Muzzonigro. Laura Agnesi will act as lead coordinator for the event, while Marco Sammicheli will handle international relations.View this post on Instagram
Age of the Machine
Neri Oxman’s Fiberbots autonomously build human-scale structures
Caddy Shack Palace
Sightings at the Venice Biennale and news from the UC Berkeley expansion
Highlights from ACADIA’s 36th conference at MIT
Disciplines & Disruption
A preview of ACADIA 2017, where disciplinary boundaries are blurred
Disciplines & Disruption
Thomas Heatherwick wins the ACADIA Design Excellence Award for 2017
Reactions to a Complex World
Experience fear and love in London’s new Design Museum, courtesy Sam Jacob Studio
When the new Design Museum in Kensington Gardens, London opened to the public on the November 24th, many aesthetically astute Brits flocked to the new "palace of culture." There they found the post-war (landmarked) relic, originally designed for the Commonwealth Institute by Robert Matthew Johnson-Marshall & Partners and opened by Queen Elizabeth II in 1962, reincarnated and open once again. However, despite director of the museum Deyan Sudjic recruiting the likes of John Pawson and OMA for the renovation, the reaction to the $104 million museum has been mixed. The exhibitions inside, though, have enjoyed a much warmer reception. The inaugural exhibit, Fear And Love: Reactions to a Complex World features exhibition design by Sam Jacob Studio and eleven diverse installations from the likes of Andrés Jaque, Neri Oxman, and OMA/AMO.
“To design the first show at the new Design Museum was both an honor and a challenge—a way to mark a new era in London’s design culture," said Jacob. "The subject of Fear and Love was always more of a mood than a statement. Our design attempts to embody this ambivalence in a way that adds mystery and imagination.”
The London-based designer has employed a 623-foot-long pleated felt curtain that articulates the installation spaces and acts as a fluid circulatory device as it meanders through the rectangular exhibition area. With breaks interspersed throughout the curtain trail, views across and into each of the installations are created, opening up what would be tight corners to form a coherent space.
While this material carries warmth with it on its journey through Fear And Love, the use of gray translucent PVC bares the opposite (and perhaps even hints at love in another sense). Working with graphic designers OK-RM, signage within Fear And Love displays information on a series of freestanding, bent steel frames of which have been given a protective, passivated finish, giving a modern and iridescent look. This aesthetic is furthered through a neon two-way mirror totem that displays the words "FEAR" and "LOVE" to those passing by the exhibition inside the museum.
Justin McGuirk, curator of Fear And Love and chief curator at the Design Museum, said: “Sam Jacob Studio’s exhibition design was central to setting the mood of Fear and Love: it creates a dream-like space that, in the most elegant way, heightens the sense of uncertainty that the exhibition explores.”Meanwhile, Chloë Leen, who spearheaded the project for Sam Jacob Studio commented: “It has been a great privilege to work with 11 designers at the forefront of shaping contemporary practice. Our design creates a unifying experience, choreographing these varied complex ideas and installations, while the spaces and moods of the exhibition design give each a distinct quality. This duality was at the heart of the de-sign challenge that the museum’s curatorial position presented.” Fear and Love runs through April 23, 2017.
Our AIA Convention 2016 reader
- Denise Scott Brown on the unknown history of architecture and planning at the University of Pennsylvania
- The challenge of preserving architectural heritage in Philadephia
- (Re)Working Architecture (May 20) at the AIA Convention 2016
- A new future for Old City: Vision2026 puts Philadelphians, not tourists, first
- Vanna Venturi House to be preserved by new buyer
- The National Park Service releases guide to the cultural landscapes of Philadelphia
- SHoP and West 8 reveal plans for Philadelphia “Innovation Neighbrhood” at Drexel University
- Does Snøhetta’s design for a new library at Temple University spell the end of books?
- Neri Oxman, the Architecture League of New York Emerging Voices Winner
- The American Institute of Architects has chosen ten firms for the 2016 Housing Awards -
- Here’s how Morris Adjmi’s ghostly aluminum carbon copy of a warehouse in Tribeca is shaping up -
- How landscape architects Nelson Byrd Woltz are building a “soil sandwich” to keep plants from cooking at Hudson Yards’ rail-yard-topping Public Square -
- SILO AR+D, the Architecture League of New York Emerging Voices Winner