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SFMOMA celebrates moon landing with a Far Out space-inspired exhibit
In celebration of the semicentennial of the moon landing, the San Francisco Museum of Modern Art (SFMOMA) is holding an exhibition on space-related design that promises to be out-of-this-world. Far Out: Suits, Habs, and Labs for Outer Space opened on July 20th, 50 years to the day after Neil Armstrong became the first human to set foot on the lunar surface, and contains a variety of space suits, hypothetical space habitats, and moon-based laboratory designs.
The objects on display range in practicality from the tried-and-true to the downright quixotic. There are NASA spacesuits designed for real-life astronauts, as well as examples of Neri Oxman’s organically-grown, biomimetic work. Working with the Mediated Matter research group at MIT, she created a wearable that uses a photosynthetic membrane to convert sunlight into usable microbial material for its user. While the device has yet to be taken into outer space, its potential implications for the feasibility of long-term space travel earned it a spot in the exhibit.
Much of the work on display at SFMOMA is decidedly architectural. Architectural illustrator Rick Guidice's renderings of his Bernal Spheres and Toroidal Colonies, originally produced for NASA, depict suburban housing developments and agricultural landscapes as they might one day exist in free-floating space colonies. The exhibition also includes Mars Ice House, a collaborative project by Clouds Architecture Office (Clouds AO) and Space Exploration Architecture (SEArch) for NASA’s Centennial Challenge Mars Habitat Competition. In its design for a four-person habitat to be placed on the surface of Mars, the team proposed a 3-D printed structure that would be covered in a layer of ice to shield it from the planet’s harsh weather conditions. Visualizations of the design can be viewed in the exhibit, which will be on display through January 20, 2020.
Neri Oxman to get solo show at MoMA
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Milan shows examine design in the face of disaster
Nature, Nurture, Nouveau
The Cooper Hewitt's 2019 Design Triennial will tackle climate change
What role has public engagement played in the process of putting together this event? PA: We’ve done public symposia on Broken Nature already, which has helped not only spread awareness but organize our ideas and prepare content. Some of our contributors have already written essays about their projects, which we’ll use toward a book later that sums up our learnings. The symposia have also helped us test out a few ideas to see if they will work out on the national stage. What else should we know going into next year’s 7-month-long triennale? PA: Overall, we’re hoping people will be puzzled and inspired by the exhibition, but we do have three main desired outcomes for it. First, we’re doing this not only for the architecture and design community but for the Milanese citizens because we know they’re interested in design. We’re looking to them as the agent of change to exercise pressure on institutions and change behaviors. We hope citizens will come to the show and leave with a short-term sense of what they can do in their everyday lives to be restorative. Second, we want people to leave the building knowing we live in a complex world, so our actions need to be thoughtful as we move forward in interacting with nature. Third, we want people to have a long-term vision. We tend to always think of our children and our children’s children when it comes to caring for the earth. But beyond that into the third generation of humans, it’s hard to psychologically imagine what it will be like. We hope the exhibition will help people put the far-out future into perspective. Leading the curatorial effort alongside Antonelli for XXII Triennale di Milano are Ala Tannir, Laura Maeran, and Azzurra Muzzonigro. Laura Agnesi will act as lead coordinator for the event, while Marco Sammicheli will handle international relations.View this post on Instagram