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Cynthia Phifer Kracauer, AIA, is the Managing Director of the Center for Architecture and the festival director for Archtober: Architecture and Design Month NYC. She was previously a partner at Butler Rogers Baskett, and from 1989-2005 at Swanke Hayden Connell. After graduating from Princeton (AB 1975, M.Arch 1979) she worked for Philip Johnson, held faculty appointments at the University of Virginia, NJIT, and her alma mater. email@example.com
Swedish photo museum plans its first New York City outpost
Students at RISD imagine how a climate change museum in New York City could reclaim a vulnerable site
At the entrance to the tunnel, local Washington Heights artist Andrea von Bujdoss, also known as Queen Andrea, welcomes pedestrians with her mural entitled, 'Primastic Power Phrases,' a series of typographical designs that include phrases such as, 'Today is Your Day,' 'Live your Dreams' and 'Estoy Aqui!' As one travels further into the tunnel, Maryland-based artist team Jessie Unterhalter and Katey Truhn have created, 'Caterpillar Time Travel,' a series of colorful, geometric designs. Next, Queens-based artist Nick Kuszyk takes viewers through 'Warp Zone,' a geometric design that plays with perspective and 'warps' the tunnel walls. Chilean artist Nelson Rivas, also known as Cekis, has created a dense jungle landscape with, 'It’s like a Jungle/Aveces es como una jungla.' At the end of the Tunnel, local artist Fernando Cope, Jr., also known as Cope 2, created 'Art is Life' to remind pedestrians to 'Take Your Passion, Make it Happen' and to 'Follow Your Dreams.'If you're wondering why the DOT oversaw this project, it's because the tunnel is technically mapped as a city street. Anyway, onto the pictures!
The Museum of Trans Hirstory & Art (MOTHA) queers monument design
The Museum of Transgender Hirstory & Art (MOTHA) is dedicated to moving the hirstory and art of transgender people to the center of public life. The Museum insists on an expansive and unstable definition of transgender, one that is able to encompass all transgender and gender-nonconforming art and artists. MOTHA is committed to developing a robust exhibition and programming schedule that will enrich the transgender mythos by exhibiting works by living artists and honoring the hiroes and transcestors who have come before. Despite being forever under construction, MOTHA is already the preeminent institution of its kind.The artists participating in The Stonewall Re-Memorialization Project take MOTHA’s subversive wit into the contemporary political climate, one in which trans communities are again both under attack and fighting back. President Trump recently announced that he is considering reversing rules protecting the 1.4 million Americans who identify as transgender, while at the same time a historic amount of LGBTQ candidates are running for office and are poised to hold greater political power. Trans entertainers and performers are achieving recognition even as transgender people in the U.S. are being killed in record numbers. “There were always limitations in accepting and inclusion," Vargas said. “This political moment has highlighted the limitations.” Monuments have become a particular flashpoint in the U.S.'s fraught political climate, and Vargas says that he began the Stonewall project questioning the role of monuments. "I went into it with a real critical lens, but to be honest, I’ve become more understanding of the importance they play…There’s a way they can evolve over time." Vargas cited the influence of the work of the artist Isa Genzken, whose Ground Zero sculpture series imagined for the World Trade Center site in New York City a series of kaleidoscopic churches and discos instead of drab office towers. Like Genzken's sculptures, the Stonewall proposals embrace messy emotionality and exuberant vitality over orderly construction. The carnivalesque approach reflects the overall strategy for MOTHA, a roving institution that Vargas says will never have a permanent physical home. “At the heart of my approach to this project is an acknowledgment that once you start you canonizing, once you start making an official history, you have to start policing boundaries of what is or isn't considered transgender, and I don't think the identity category lends itself to that approach." Vargas added, "I don’t think it makes sense to have a traditional institution…It makes sense to have it exist as an evolving parasitic entity.” Which is not to say that Vargas wouldn’t want architects to imagine what a home for MOTHA could look like. “It’s been a dream of mine to have an architectural design competition for the institution,” Vargas said. Architects, take note. Consciousness Razing—The Stonewall Re-Memorialization Project will be on view at the New Museum in New York City through February 3, 2019.