Search results for "mia lehrer"

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More Green, Less Concrete

New L.A. River restoration renderings revealed by Mia Lehrer, AECOM, Gruen Associates and others
A partnership between the City of Los Angeles Bureau of Engineering, Los Angeles Mayor Eric Garcetti’s office, AECOM, Gruen Associates, Chee Salette, WSP,  CH2M, Mia Lehrer + Associates (MLA), and Tetra Tech has produced preliminary visioning plans for a segment of the Los Angeles River running through Downtown Los Angeles. The dramatic proposals aim to reconfigure a several-mile stretch of the concrete-lined river running from the southern tip of the Frogtown neighborhood north of Downtown to the Redondo Junction at its far southern end. Each of the seven teams was given a separate segment of the river to reconfigure and asked to take into account river-adjacent projects currently under development like BIG’s 670 Mesquit, among others. The teams were also asked to anticipate future planning approaches, including private-public partnerships and a potential extension of the Red Line subway to the Arts District. The proposals, according to a project website, are meant to focus on increasing pedestrian connectivity to the river while also “embracing bold, world-class design.” Gruen Associates, Barclay to Spring Street: Gruen Associates’ scheme seeks to reconfigure a narrow stretch of riverfront between Interstate 110 and the northern border of Chinatown by covering over an existing rail yard with a meadow and elevated public paths. WSP, Spring Street to Cesar Chavez Avenue: WSP’s proposal aims to create a series of stepped terraces that gradually meet the existing river bottom. The terraces expand as they reach the river, creating a broad, swoopy promenade. CH2M, Cesar Chavez Avenue to 1st Street: CH2M’s scheme creates a dramatic creek just south of Interstate 101 that rises up to meet the northern edge of the Arts District neighborhood. Renderings included with the proposal showcase broad bicycle and pedestrian paths as well as integrated seating and meandering trails. Chee Salette, 1st Street to 4th Street: Chee Salette’s proposal calls for a densely-packed sculpture garden sandwiched between Michael Maltzan Architecture’s (MMA) One Santa Fe complex and the L.A. River. The scheme features a river crossing that traverses the L.A. River’s bottom. Like the previous concepts, the scheme envisions placing a broad, stepped cap over the existing Metro rail yard that runs parallel to the waterway, where the Red Line extension would go.   Mia Lehrer + Associates, 4th Street to 7th Street: MLA’s proposal extends work the firm has proposed for the adjacent 670 Mesquit project—MLA is landscape architect for that project, as well—by adding a riverine forest, wetlands, and stormwater filtration pools to the eastern banks of the river. The scheme also envisions creating a connection between the forthcoming 6th Street bridge park underneath the new MMA-designed 6th Street bridge and the nearby Hollenbeck Park. AECOM, 7th Street to Olympic Boulevard: The AECOM proposal aims to utilize a network of new pedestrian bridges over the river to connect the western and eastern banks of the river around a segment of the Arts District that has seen several new development proposals in recent months, including a new SoHo House outpost and an 110-unit live/work complex by Studio One Eleven. The AECOM scheme proposes a series of elevated park islands resting on diminutive feet and focuses on improving a Department of General Services-owned lot with demonstration gardens and a new solar farm. Tetra Tech, Olympic Boulevard to 26th Street: The scheme for the final leg of the study area includes the grounds surrounding the vacant Sears, Roebuck & Company Mail Order Building, which is currently slated to be redeveloped by Izek Shomof into a mixed-use complex. The Tetra Tech scheme envisions a new bridge at East Washington Boulevard over the river as well as a series of terraced gardens along the western banks of the river as well as a covered promenade along the eastern banks. No word yet on which, if any, of these proposals will actually be built. A budget for the bridge-heavy collection of ideas has not been released. See the LA River Design Dialogue (3D) website for more information.
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Sad to FaB

New renderings unveiled for Mia Lehrer + Associates and OMA’s FaB Park in L.A.
Designs for the forthcoming First and Broadway (FaB) Park by Mia Lehrer + Associates (MLA) and Office of Metropolitan Architecture (OMA) have been reconfigured to address community desires of Downtown Los Angeles residents. The new designs, portrayed in a collection of new renderings, depict a more leafy proposal for the two acre park than was originally proposed. The original design featured a central plaza flanked by groves of native plantings, sunken terraces, and a 100,000-square-foot food pavilion. The proposal was also dotted with large-scale shade structures and contained a small creek at its southwest corner. The new iteration of the project features a greater number of trees and shade structures, according to the renderings. The scheme also features a new 10,000-square-foot meadow that grows out of the creek bed, which had been retained in a reconfigured shape. The designers have also improved the food pavilion by adding a rooftop terrace and shade pavilion beside the structure. The two-story structure will host a restaurant, though a vendor has not been selected and there are community concerns regarding the future restaurant’s affordability. The project is expected to break ground in 2018 and be completed by 2020.
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Bike-Fernando Valley

Gruen Associates, Mia Lehrer, and Oyler Wu picked to design 12-mile long L.A. River bike path
Gruen Associates, Mia Lehrer + Associates, and Oyler Wu Collaborative have been selected to design a 12-mile long bike path running along the Los Angeles River through the city’s San Fernando Valley. The L.A. River has its headwaters in the Canoga Park neighborhood in the northwest San Fernando Valley, so the path will be a key and highly visible portion that will work in conjunction with the much larger, Frank O. Gehry and Associates-master plan for restoring the L.A. River. That wider project will use bicycle and pedestrian paths, parks, and public, open space to stitch neighborhoods along the 51-mile long concrete-lined flood control channel. By connecting to a three-mile long path already in existence that runs from Griffith Park, at the southeastern corner of the San Fernando Valley, through the Elysian Valley and into Downtown, the path will help mark a giant leap forward for the otherwise derelict flood control channel. Los Angeles Mayor Eric Garcetti made the announcement Tuesday afternoon via press release, saying, “The Los Angeles River is a common thread that links us to our history, and connects us to the natural world. This bikeway will give all Angelenos a new way to experience our city, build accessibility to our revitalized river, and expand green space for families to enjoy. I am proud to work with all of the partners who helped us reach this milestone.” The San Fernando Valley portion of the trail will be made possible through a special partnership between the offices of Mayor Garcetti and Los Angeles County Board of Supervisor Sheila Kuehl, with additional support from the City’s Department of Recreation and Parks and City Councilmembers Bob Blumenfield, Paul Krekorian, Nury Martinez and David Ryu. The project team will take nine months to study the route for the new trail in order to develop community-vetted strategies for the path. Construction on the project will then proceed in phases, with an unspecified timeline for project completion. The 12-mile stretch will be engineered by civil and structural engineering firm Psomas. “We are thrilled to bring together this exceptional team to work with us in the design of the Valley’s river bike path,” said Gary Lee Moore, City Engineer. “We have selected a group of designers known for their experience in successfully addressing architectural challenges, as well as bringing innovative and experimental thinking to their work.”
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Cool Off

Mia Lehrer selected to design L.A.’s FaB Park
The team led by Mia Lehrer and Associates (MLA), in partnership with Office of Metropolitan Architecture (OMA) and design innovation firm IDEO, was selected by the City of Los Angeles this morning to design the new $12 million public park located at the intersection of First and Broadway in Downtown Los Angeles. MLA’s proposal for the so-called FaB Park utilizes a mix of meadows, gardens, and terraces packed with native plantings and mature oak trees to create a shady “California oaklands” landscape that can handle and capture all on-site stormwater for treatment and infiltration. The design also features a large, split-level structure with amphitheater seating designed by OMA that will be programmed by IDEO with public events focusing on food and entertainment. The structure injects a sizable commercial element into the scheme and features and associated beer garden and test kitchen. Towering, leaf-shaped shade structures dot the central plaza adjacent to the restaurant and amphitheater and aim to distribute shade across the unplanted portions of the scheme. The plaza will be accessed from a variety of approaches connecting to surrounding sidewalks, each of which frames one of the scheme’s signature gardens. A paseo will runs across the site from the corner of First and Broadway to Spring Street and City Hall and cuts through the plaza. The park aims to not only create place of respite in one of downtown’s most symbolic sites, but also to connect foot traffic between the Rios, Clementi, Hale Studios-designed Grand Park adjacent to FaB Park, City Hall, and the Los Angeles Times headquarters, and new SOM-designed United States Courthouse across the street. FaB Park is the second major park-related development in the neighborhood, with the Agence Ter and SALT-designed, minimalist proposal for the blighted Pershing Square sitting just four blocks away released just a few weeks ago.
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Highlighting L.A.

Los Angeles Design Festival to highlight city’s design chops this weekend
The Los Angeles Design Festival (LADF) returns to L.A. this weekend, offering up a wide-ranging slate of art- and design-focused events that aim to highlight the city’s growing design scene.  We’ve put together a few highlights for the weekend below. Though the festivities actually kicked off last night at the official opening party, things get serious today, with a bevy of installations and receptions opening to the public Friday and on through the weekend. Highlighting the day’s events will be a keynote address by Los Angeles Chief Design Officer and former Los Angeles Times architecture critic Christopher Hawthorne.  The keynote presentation will feature a discussion focused on housing in Los Angeles between Hawthorne, Barbara Bestor of Bestor Architecture, Julie Eizenberg of Koning Eizenberg Architects, and Jimenez Lai of Bureau Spectacular.  This evening, Antonio Pacheco, AN’s west editor, will be moderating a panel discussion at SPF:a Gallery titled “How I Learned to Stop Worrying and Love the L.A. River” that will focus on whether L.A. can avoid the dreaded “High Line Effect” as it revitalizes and restores the Los Angeles River. The discussion will feature panelists Deborah Weintraub, Chief Deputy City Engineer, and Chief Architect for the City of Los Angeles; Mia Lehrer, president and founder of Studio-MLA; Helen Leung, co-executive director, LA-Más; Mark Motonaga, partner at Rios Clementi Hale Studios; and Yuval Bar-Zemer, co-founder, managing partner at Linear City Development LLC. Saturday, the INTRO/LA modern furniture exhibition opens in the Row DTLA complex in Downtown Los Angeles. The annual exhibition will highlight the work of Another Human, Block Shop, Estudio Persona, Massproductions, and Waka Waka, among many others.  Saturday will also feature a special pop-up show featuring the work of L.A.-based offices Feral Office and Spatial Affairs. The exhibition will highlight the collaborative work of Berenika Boberska (Feral Office) and Peter Culley (Spatial Affairs) who have come together for a joint project titled “New Walled Cities and Hinterlands,” an exploration of Los Angeles’s particular urban forms as they relate to clustered densities and single-family neighborhoods.   Sunday will see another panel discussion—also at SPF:a Gallery—this one led by Steven Sharp, founder and editor-in-chief of Urbanize.LA, who will preside over a conversation titled “The Tech Frontier: The Rise of 'Silicon Beach'” that will address the socio-economic implications Silicon Beach could have over the long term as moneyed tech workers settle in Los Angeles. The panel will include Marc Huffman, vice president of planning & entitlements, Brookfield Residential; Michael Manville, assistant professor of urban planning at the UCLA Luskin School of Public Affairs; Li Wen, design director and Principal at Gensler; and Russell Fortmeyer, associate principal for sustainability, ARUP. The last day of the festival will showcase a “a critical round-table discussion” called “The Morning After” covering the DOPIUM.LA [ D / M E N S / O N S ] exhibition and event at the A+D Museum taking place the night before. The discussion will feature contributions from curators, designers, and artists involved with DOPIUM.LA, as well as a conversation centered on the notion of temporality and impermanence in the production and exhibition of works of design and art, including how those efforts contribute to material reality. The afternoon will also feature a conversation between Andrew Holder and Benjamin Freyinger of the Los Angeles Design Group hosted by THIS X THAT, Hem, and Poketo. See the LADF website for more information and a full slate of calendar events.
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Full Speed Ahead

New renderings unveiled for Lucas Museum ahead of groundbreaking
MAD Architects and the Lucas Museum of Narrative Art have unveiled a trio of new renderings for the $1 billion project in advance of a formal groundbreaking ceremony taking place in Los Angeles’s Exposition Park this morning. The renderings come as work on the spaceship-like structure is set to begin in earnest, capping off over a decade of uncertainty for the Lucas Museum following high-profile public battles between the budding institution and several potential host cities, including San Francisco and Chicago. The proposed museum was redesigned several times over the course of these battles before a dual-lobed, elevated structure pitched to Los Angeles was accepted there late last year. Lucas Museum board president Don Bacigalupi told the Los Angeles Times, “The building itself will certainly be an icon of 21st century design,” adding, “And as we operate the museum, we’re looking at 21st century technologies and also, how the museum views art.” The 300,000-square-foot complex is due to rise roughly 115 feet high and will be divided into two main masses along the ground and first floors, with the levels above connected to create continuous gallery spaces. The bulbous museum complex will be located atop former parking lots that will give way to 11-acres of new parklands designed by Mia Lehrer+Associates (MLA). The building itself will be topped by two-acres of landscaped areas in an effort to add even more greenery to the site. Despite the fact that the new museum will be located beside multiple transit stops, the complex will contain a whopping 2,425 parking stalls located in a subterranean garage. Renderings for the complex depict new views of the building’s lobby areas showing vaulted waiting and ticketing areas flanked by glass tube elevators. A new rendering for the building exterior shows a more streamlined massing for the structure, while a new view of MLA’s work depicts walkways and seating areas bordered by expanses of scrubby bushes and tall deciduous trees. The structure is expected to be complete by 2021.
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Awards Season

AIA|LA awards highlight diverse range of practices and projects
The American Institute of Architects Los Angeles (AIA|LA) chapter recently announced the winners of its 2017 Design Awards, which recognizes practices and projects across the region in categories celebrating overall design, status as rising talent, and quality of environmental sustainability. The three award categories—Design Award; Next L.A.; and COTE—paint a picture of the diverse and multi-faceted character of Los Angeles’s architecture scene, with winners representing a broad spectrum of practice.   Design Awards AIA|LA’s Design Awards highlighted two projects in particular with top honors: The New United States Courthouse by SOM and the Crest Apartments by Michael Maltzan Architecture (MMA). Since opening in late 2016, the new courthouse has become one of the region’s premier public buildings. The iconic cube-shaped structure utilizes a 28-foot cantilever over the ground floor areas to create an open, public plaza and garden designed by Mia Lehrer + Associates. MMA’s Crest Apartments, on the other hand, is a very different sort of project. The 64-unit affordable housing project utilizes minimal ground floor structure and exuberant plantings and paving strategies to create flexible recreation spaces that double as car parking when not in use. The project was developed with Skid Row Housing Trust to benefit veterans who have previously experienced homelessness. The following projects were awarded “merit” and “citation” designations by the AIA|LA Design Awards jury:   Merit Awards Road to Awe, Dan Brunn Architecture West Hollywood, CA Hyundai Capital Convention Hall, Gensler Seoul, South Korea Oak Pass Main House, Walker Workshop Beverly Hills, CA House Noir, Lorcan O'Herlihy Architects Malibu, CA Citation Awards Helmut Lang Flagship Store, Standard Los Angeles, CA Southern Utah Museum of Art, Brooks+Scarpa Cedar City, Utah South Los Angeles Pool Renovation, Lehrer Architects LA South Los Angeles, CA Sunset La Cienega Residences, Skidmore, Owings & Merrill LLP + Lorcan O'Herlihy Architects West Hollywood, CA Prototype | A True Starter Home, Lehrer Architects LA South Los Angeles, CA The Salkin House, Bestor Architecture Los Angeles, CA Corner Pocket House, Edward Ogosta Architecture Manhattan Beach, CA Ayzenberg Group, Corsini Stark Architects Pasadena, CA Platform, Abramson Teiger Architects Culver City, CA Desert Palisades Guardhouse, Studio AR&D Architects Palm Springs, CA The Evelyn and Mo Ostin Music Center at the UCLA Herb Alpert School of Music, Kevin Daly Architects Los Angeles, CA Rice University Moody Center for the Arts, Michael Maltzan Architecture Houston, TX Saddle Peak Residence, Sant Architects Topanga, CA Mar Vista House Addition and Renovation, Sharif, Lynch: Architecture Los Angeles, CA 2017 AIA|LA Design Awards jurors were Gabriela Carrillo, co-founder, Taller | Mauricio Rocha + Gabriela Carrillo; Lance Evans, associate principal and senior vice president, HKS Architects; and Neil  M. Denari, professor, Department of Architecture and Urban Design at UCLA. AIA|LA Next L.A. The AIA|LA Next L.A. awards honor yet-to-be-built projects that are in the design and planning stage.  This year’s winning project—The West Hollywood Belltower—is designed by Tom Wiscombe Architecture. The project aims to redefine the vernacular billboard as a spatial, digital installation framed by a public park. The proposal was generated as part of a design competition orchestrated by the City of West Hollywood to guide the design of future billboards. The following projects were awarded “merit” and “citation” designations by the AIA|LA Next L.A. awards jury:   Merit Award Los Angeles Residence, Baumgartner + Uriu Los Angeles, CA   Citation Award St. Georges Church, PARALX Beirut, Lebanon A4H Office Building, P-A-T-T-E-R-N-S Glendale, CA Varna Library, XTEN Architecture Varna, Bulgaria Sberbank Technopark, Eric Owen Moss Architects Moscow, Russia Silver Lake Duplex, Warren Techentin Architecture Los Angeles, CA Twin Villa, Patrick TIGHE Architecture & John V Mutlow Architects Beijing, China Second House, Freeland Buck Los Angeles, CA Jurors for AIA|LA Next L.A. awards were: Mark Foster Gage, principal, Mark Foster Gage Architects; Alvin Huang, design principal, Synthesis Design + Architecture; and Julia Koerner, Director, JK Design GmbH.   COTE Award AIA|LA’s Committee on the Environment focuses on highlighting projects that “demonstrate achievement in the implementation of sustainability features” and is awarded by a panel of experts who focus on performance, systems integration, and sustainability research. For 2017, the committee awarded four projects with top honors, including the Mesa Court Towers at University of California, Irvine designed by Mithun. The project features a LEED Platinum sustainability rating, exterior circulation, and an emphasis on day-lit spaces. Other winners in the category include: the J. Craig Venter Institute La Jolla by ZGF Architects; the New United States Courthouse by SOM; and The SIX Veterans Housing by Brooks+Scarpa.   Citation Award UCLA Hitch Suites & Commons Building, Steinberg Los Angeles, CA Kaiser Permanente, Kraemer Radiation Oncology Center, Yazdani Studio of CannonDesign Anaheim, CA The jurors for the 2017 AIA|LA COTE Awards were: Ezequiel Farca, creative director, Ezequiel Farca + Cristina Grappin; Dan Heinfeld, president, LPA; and Ben Loescher, founding principal, Loescher Meachem Architects.   Other Awards At its award ceremony last week, the organization also presented its 2017 Presidential Honoree awards, which included honors for architects Design, Bitches, builders MATT Construction, and Mike Alvidrez of the Skid Row Housing Trust, among others. Those awards include: Emerging Practice Award: Catherine Johnson, AIA; Rebecca Rudolph, AIA | Design, Bitches Design Advocate, Builder Award: Steve Matt, Affiliate AIA|LA, Co-Founder, MATT Construction; and the late Paul Matt, Co-Founder, MATT Construction Community Contribution Award: Southern California Chapter, National Organization of Minority Architects (SoCalNOMA) 25-Year Award: Grand Central Market Restoration Design Advocate, Developer Award: Mike Alvidrez, Chief Executive Officer, Skid Row Housing Trust Building Team Award: Wilshire Grand Building Team Honorary AIA|LA Award: Tibby Rothman, Marketing Strategist, AIA|LA | journalist, writer, creative Educator Award: Dr. Douglas E. Noble, FAIA, Ph.D; Discipline Head, Building Science, Director of the Master of Building Science, University of Southern California, School of Architecture Gold Medal: Lawrence Scarpa, FAIA; Design Principal, Brooks + Scarpa
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RCH Wins

RCH Studios is selected to redevelop L.A.’s historic Lincoln Heights Jail
A team led by Rios Clementi Hale Studios (RCH Studios) and developers Lincoln Property Company and Fifteen Group has been recommended by the Los Angeles Chief Legislative Analyst to redevelop the Los Angeles River–adjacent Lincoln Heights Jail. The recommended scheme calls for repurposing the 90-year-old jail facility while also redeveloping an adjacent 3.2-acre parcel already controlled by Fifteen Group, Urbanize.la reports. The new scheme will be anchored around the Los Angeles River and the historic complex, utilizing the river frontage to create a broad promenade that stitches together new and historic buildings with the river. The plan incorporates new bicycle infrastructure and new street trees to connect and improve the surrounding blocks. Though project details are subject to change, the proposal currently calls for 268,250 square feet of residential spaces, 200,000 square feet of commercial uses, and 57,000 square feet of designated manufacturing and retail spaces. The project is slated to contain an unspecified amount of affordable housing. The RCH Studios–led development team was selected from among two other proposals—one led by CIM Group, Lorcan O'Herlihy Architects, LA Más, and Superjacent, and the other made up of WORKS, Mia Lehrer+Associates, Omgivning, and Killefer Flammang Architects. The teams were tasked with finding a productive and equitable approach for redeveloping the 229,000-square-foot art deco and modernist jail complex. The former jail was built in 1927, expanded in the 1950s, and finally decommissioned in 1965. The facilities were used variously thereafter until 2014. Plans call for adding three new structures on the eastern edge of the site to create new housing and a commercial strip, while redeveloping the former jail complex into a manufacturing-focused “makers hall.” The top three levels of the repurposed jail will contain residential functions as well. The project site would be anchored on one end of the riverwalk by a sports field, with a terraced amphitheater occupying the other extremity. The far eastern corner of the triangular site will host a nine-story commercial tower. The project is depicted in renderings as containing various roof gardens and planted areas, with the spaces between the existing and proposed buildings designed as pedestrian paseos. Interior renderings for the residential units in the repurposed jail depict exposed concrete beam ceilings and untreated concrete walls and columns. The project is scheduled for review and approval by the Los Angeles City Council on November 1st.
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White Cubes

Frederick Fisher & Partners to expand L.A.’s Natural History Museum
Frederick Fischer & Partners (FFP) and the Los Angeles County Natural History Museum (NHM) have unveiled initial conceptual designs for an ambitious 485,000-square-foot expansion and modernization plan for the museum that aims to reorient the complex amid increased development in Exposition Park. The 104-year-old institution wrapped up a previous modernization plan in 2013 that produced a new wing designed by CO Architects as well as 3.5 acres of updated performative landscape designs by Mia Lehrer + Associates. The FFP-designed addition will boost the museum’s overall square footage by an additional 60,000 square feet over current designs. Initial renderings for the FFP expansion depict a three-story, glass-clad structure rising along the western edge of the historic NHM building. The new addition will be designed with the intent of creating visual porosity between the institution and the surrounding park lands, an increasingly-important aim as the museum and the new expansion will soon be flanked by the forthcoming MAD Architects–designed Lucas Museum of Narrative Art. To better connect with Lucas Museum visitors, FFP’s addition will feature a ground floor atrium wrapped in double-height, operable walls that can open and close with the institution’s needs. The building’s uppermost level is depicted in early renderings with a rooftop terrace containing a restaurant that is open on two sides while other areas appear more generic in nature. The addition is wrapped in a grid of square-framed curtain wall sections that give way to the double-height entry lobby along the southern facade. A key component of the expansion includes the addition of new theater facilities to “serve as a meeting space for dialogue about critical issues affecting our natural and cultural worlds, and as a vital gathering place for the community and neighborhoods around Exposition Park,” a press release announcing the expansion states. In the statement, Frederick Fisher, design principal and founder of FFP said, “What I find thrilling about the [NHM], in addition to its amazing collections and wonderful presentations, is the way it serves as a point of focus for the diverse communities that gather there, and as an intersection between these communities and the museum’s activities.” The NHM addition comes amid sweeping change for one of L.A.’s marquee urban parks. Aside from the addition of the Lucas Museum, the park will soon host the new Banc of California soccer stadium designed by Gensler for the Los Angeles Football Club. Development is booming in surrounding areas as well, fueling community displacement amid a regional housing and transportation crisis. Exposition Park is currently in the process soliciting proposals for a new master plan for the park as the Office of Exposition Park Management seeks to prepare the park for the addition of new facilities as well as for the central role it will play in the 2028 Olympic Games. FFP is also currently developing a long-term facilities plan for the museum that will guide further design efforts for the expansion.
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Jail No More

L.A. picks three finalists for Lincoln Heights Jail redevelopment
The dilapidated and boarded-up Lincoln Heights Jail—a five-story, 229,000-square-foot art deco and modernist complex adjacent to the Los Angeles River—is on the verge of transformation as L.A. City Council officials prepare to implement redevelopment plans for the three-acre site. Sandwiched between Downtown Los Angeles and the city’s economically-stressed Eastside neighborhoods, the shuttered complex is one of the city’s most prominent historic landmarks. The triangular site sits in the city’s Cleantech Corridor and is written into the Cornfields Arroyo Seco specific plan as well. Those designations help poise the site for the type of high-end industrial redevelopment that is currently remaking the nearby Arts District while also threatening nearby communities with displacement. The jail was built in 1927 and was designed to hold 625 prisoners, though by the 1950s, it imprisoned more than 2,000 individuals, according to the Los Angeles Conservancy. Because of overcrowding, it was expanded in 1953 with a modernist wing. The jail has played an important role in the city’s history, holding individuals arrested during the Zoot Suit Riots of 1943 and the Watts Riots of 1965, for example. Individuals who had been arrested over suspicions regarding their sexual orientation were also imprisoned at the Lincoln Heights jail, which even contained a separate wing dedicated to incarcerating gay prisoners. The jail was decommissioned in 1965 and became vacant in 2014. Currently, developers CIM Group, WORKS, and Lincoln Property Company are each vying for the opportunity to remake the site. Developer CIM Group has proposed redeveloping the site as a mixed-use district called “The Linc” containing offices, housing—including multifamily and low-income units—retail shops, restaurants, and a community garden. The proposal calls for converting the art deco portion of the structure into a hotel with a rooftop restaurant. The 1953 addition would be converted to residential use while a triangular structure on the far end of the site will contain a single story of retail programming. CIM has partnered with architects LOHA, LA Más, and landscape architects Superjacent for the proposal. Nonprofit housing developer WORKS—Women Organizing Resources Knowledge and Service—is looking to re-envision the site as a community-driven enterprise called “Las Alturas.” The complex would include 122 housing units, including 66 permanent supportive housing and 47 moderate-income homes. The proposed complex would also include a community center, child care facilities, theater, and generously-landscaped areas designed by Mia Lehrer + Associates (MLA). Mia Lehrer, principal at MLA explained to The Architect’s Newspaper that the WORKS-led proposal represented “the kind of community-focused investor you imagine exists but you don’t get meet very often,” adding that the design team included partnerships with Cal Poly Pomona’s agriculture program, and architects Omgivning and Killefer Flammang Architects. A third proposal by Lincoln Property Company, Rios Clementi Hale Studios, and Fifteen Group is also on the table. That scheme—called the Lincoln Heights Makers District—calls for a commercial- and manufacturing-focused district containing four acres of open space. The plan includes 268,250 square feet of residential space, including an affordable housing component; 220,000 square feet of commercial space; and 57,000 square feet of manufacturing and retail spaces. The designers envision repurposing the existing jail facility as a manufacturing center with associated housing and commercial spaces located alongside.  The project has been proposed by the developer as part of a larger scheme that includes an adjacent, privately-owned 3.2-acre site that will contain live/work spaces. The proposal would include connections to the L.A. River as well as outdoor community-oriented leisure and work spaces.  The schemes are currently being vetted by the City's economic development committee before heading to the full City Council for consideration. The City Council is expected to decide on the proposals as soon as this fall.  
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Hillside Backdrop

Hollywood’s historic John Anson Ford Amphitheatre set to reopen after major renovation
The newly upgraded and renovated John Anson Ford Amphitheatre in Los Angeles is making its official debut this weekend following nearly three years of construction. Levin & Associates Architects acted as design architect while Mia Lehrer + Associates (MLA) performed landscape architecture services on the $72.2 million project; both firms are based in L.A. The 1,200-seat outdoor amphitheater complex was originally built in 1931 as a replacement structure for a previous theater that had burned down. The complex—then known as the Pilgrimage Theatre—was built out of masonry to resemble the fabled gates of Jerusalem. The original complex utilized rough, board-formed concrete surfaces throughout, with smoother treatments deployed across the crenelated towers and walls that make up the theater’s stage areas. The completed renovation brings a new two-story, 11,055-square-foot concessions and office structure to the complex that includes a commercial kitchen, new projection booth, control room, and a series of catwalks designed to optimize new stage lighting upgrades. The renovations also carved out 3,500 square feet of “found space” from underneath the stage. The removal of the underlying bedrock allowed the design team to address rampant drainage issues—The stage is embedded into the hillside site, an arrangement that resulted in storm runoff rushing directly into the complex’s basement levels. Levin & Associates also added ADA-compliant artists’ spaces, including accessible restrooms and dressing areas, as well as new telecommunications systems. MLA has reworked the hillside landscape behind the stage to introduce a native “generational landscape” that will age gracefully in place and is designed to be held in place by a series of retaining walls. The landscape architects also added a series of mature tree specimens to the site, including two mature coast live oaks and two strawberry madrone trees. The amphitheater area is wrapped in a modular acoustical metal panel wall assembly that is designed to keep sound from performances inside the complex while deflecting the traffic and noise of the nearby Interstate-101. The entry and approach areas of the complex were also reworked to be ADA-accessible.
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Garden Room with a view

Another L.A. parking lot bites the dust for MLA’s Ishihara Park

Since opening in 2016, the Los Angeles Metropolitan Transit Authority’s (Metro) new Expo Line light rail has yielded an array of world-class public amenities at its western end in Santa Monica, including the new Ishihara Park by Mia Lehrer + Associates (MLA).

The 2.35-acre buffer park—named after local World War II veteran George Haruyoshi Ishihara and commissioned by the City of Santa Monica—is built on a slight 110-foot-by-55-foot space set aside during construction of a new maintenance facility servicing Metro's Expo Line fleet.

Astrid Sykes, senior associate at MLA, said that the firm designed Ishihara Park to be “more than just a buffer” between the low-rise neighborhood and the monolithic maintenance depot. “We designed it to be a true asset for the community as well,” Sykes explained. The multifaceted park, shaped by local input, reflects a desire to create spaces for recreation and decompression that also sequester carbon and groundwater.

To meet these ends, the park is organized as a series of discrete “garden rooms”—a bird habitat, community pavilion, rock garden, fruit grove, and meadow—connected by a meandering half-mile-long walking trail.

The far western end of the park not only contains vine-covered trellis structures, salvaged pine trees, and lush undergrowth habitats for birds, but also has a collection of stationary exercise equipment. Tranquil wooded trails flow through the bird-habitat/exercise area and lead to a central community space. Here, a pair of lawns and two picnic pavilions flank a plaza. The picnic pavilions are spared in their construction: A set of steel-beam structures that provide shade over streamlined cast-concrete picnic benches. Between the pavilions, low concrete walls studded with integrated cantilevered seating frame the plaza, while four light poles run tidily through the center of the space in parallel with surrounding trees. The eastern pavilion runs into a second, diminutive lawn populated by smooth concrete sitting-rocks and benches made from planed-off logs.

Beyond the lawn is a fenced playground—called the “rock garden”—containing a parabolic swing set, climbing-rock area, merry-go-round, and an assortment of sinuous cast-concrete benches. Further down its length, the park contains a fledgling orchard and a teaching garden. At the far eastern end, the walking path splinters into a series of sand-packed trails that frame a collection of ficus trees.

The ends of the park are populated by trees, some already existing on the site, others transplanted from along the light rail line’s path. The end result, according to Sykes, is “a new park in the spirit our changing metropolis.”