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Could L.A. get a second Hollywood sign?
New Kid on the Block
Neil Denari designs nine-story West Hollywood hotel development
Hollywood’s historic John Anson Ford Amphitheatre set to reopen after major renovation
It took decades of piecemeal construction—a new day school here, a dank brick chapel there—to build the Temple Israel of Hollywood (TIOH). But it would require 10 years of work by Koning Eizenberg Architecture to transform the 90-year-old Spanish Colonial Revival–style temple into a flexible and social campus for worship. So far, the project has yielded a collection of generous, sunlit spaces, including a sculptural multiuse chapel.
The chapel is a study in contrasts: A large glass wall populated by staggered, canted window panes fronts a courtyard framed by the masonry-clad temple and a low administrative wing, the glass surfaces of the new chapel sheathed by a folded-aluminum louver system. That steel-supported shade was meticulously designed and fabricated against the restrictive physical tolerances of the aluminum material—its design is partially inspired by the ceremonial tallit cloth. The expanse is interrupted by a wall enclosing the Ark of the chapel, an extra-thick volume that appears to be made of solid sandstone but is actually hollow inside. The sedimentary exterior treatment on the Ark is achieved by hand-applying compositions of different colored sands and tiny pebbles—brought to Los Angeles from congregants’ visits to Jerusalem—over a shotcrete substrate.
Nathan Bishop, principal at KEA and project designer for TIOH, explained that a tight budget forced the architects to develop custom but frugal approaches. “There are no off-the-shelf products,” Bishop explained regarding the chapel’s major components.
Along the inside of the chapel, the Ark itself is interrupted by a large vertical screen made of CNC-milled maple. The Ark screen is decorated by a dense geometric pattern that conceals a space containing a Torah. The chapel interior is topped by a suspended CNC-milled, segmented plywood ceiling. Its crisscrossing and angular profiles sweep from east to west, variable peaks and valleys rising and falling to create a cavernous lid. The segments allow for the ceiling to have two readings: an airy structure from below, and a solid one from afar.
Bishop explained that among the Ark wall, sunshade, and chapel ceiling, the designers aimed to establish an open-ended dialogue between architecture and ritual. The sunshade, for example, can exist as a discrete architectural element reflecting light every which way, while remaining vaguely associated with “something that feels like the frayed end of the tallit,” as Bishop put it.
This article appears in The Architect’s Newspaper’s April 2017 issue, which takes a deep dive into Florida to coincide with the upcoming AIA Conference on Architecture in Orlando (April 27 to 29). We’re publishing the issue online as the Conference approaches—click here to see the latest articles to be uploaded.
When it comes to theatrical architecture, Disney rarely disappoints. So when it came time to remodel the spherical Planet Hollywood in the Disney Springs Development, it turned to Boston-based Elkus Manfredi Architects to double down on the theme “Dine Amongst the Stars.”
Disney Springs is located near Disney’s collection of theme parks in Orlando, Florida. The recently expanded district is home to retail, dining, and entertainment, all modeled after a centuries-old American town that evolved along an alternate timeline to our own. The remodeled Planet Hollywood was envisioned as a stand-alone destination while still fitting into this fantastical setting.
Leveraging the existing iconic dome of the Planet Hollywood, Elkus Manfredi reimagined the building as an epic late-19th-century observatory. A new brick base, complete with arched windows and truss details, adds 5,000 square feet to the project. A tensile Teflon-coated silver fabric resurfaces the dome, referencing the metal domes of vintage observatories, and completes the thematic exterior transformation. Outdoor seating and an exterior stair, encased in a radio-tower-esque structure with another exterior bar, give guests a whole new set of dining options.
The interior of the spherical building has four levels. At the heart of the space, a mock vintage telescope rises through all three of the main dining and entertainment stories. Throughout the whole project, planetary and stellar motifs adorn everything from the custom carpet to the multimedia screens, but each floor has its own character. The main dining level is large and open, connected to the outdoor terrace overlooking Disney Springs. The second level is more intimate, with a smaller dining area and a lounge area geared toward adults. The top dining level on the fourth floor is the most intimate space in the restaurant. Guests here are closest to the dome and the projected stars on its inner surface.
While the restaurant will no longer sport the familiar 1990s Planet Hollywood branding, that does not mean that everything will be replaced. Multiple displays of Hollywood memorabilia are still part of the project’s experience.
The timing of this transformation seems only appropriate. As NASA continuously announces the finding of exoplanets in neighboring star systems, perhaps this new observatory will help Disney discover its own planet… Hollywood.