Search results for "cookfox"

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How to Cook a Fox

COOKFOX and Gensler unveil office towers for Water Street Tampa
Water Street Tampa, a massive new mixed-use waterfront neighborhood, will receive two new high-tech office buildings courtesy of New York's COOKFOX Architects and Gensler. The two towers will be the first to rise in the development and will be Tampa, Florida’s, first ground-up office towers in 25 years. Combined, both buildings will bring nearly one million square feet of office space to Water Street Tampa, the first WELL-certified neighborhood in the world according to developer Strategic Property Partners (SPP). COOKFOX’s design for 1001 Water Street is reminiscent in form of New York’s classic cast-iron buildings, complete with a crowning cornice. The 20-story, mixed-use tower will hold 380,000 square feet of offices, and from the renderings, it looks like COOKFOX has integrated its signature biophilic touch. Nine planted, double-height terraces will wrap around the exterior of 1001 Water Street, and the building will be capped by a landscaped rooftop terrace. Inside, tenants and the general community will be able to make use of the Water Street Tampa wellness community center. No square footage has been given as of yet for the non-office components. 1001 Water Street will be connected to the University of South Florida’s Morsani College of Medicine courtesy of a Nelson Byrd Woltz Landscape Architects–designed plaza. Gensler has taken a decidedly glassier approach at 400 Channelside, offsetting glass-clad volumes to create a 500,000-square-foot, 19-story office tower. The building, much like COOKFOX’s, was designed with a focus on connecting tents with the outdoors and will include a 30,000-square-foot, landscaped “sky garden” on the fourth floor. Much like 1001 Water Street, 400 Channelside will also include floor-to-ceiling windows. Both buildings will be WELL and LEED certified­, though to what level hasn’t been revealed yet, and are expected to open sometime in 2020 or 2021. Once the new neighborhood is fully built out, Water Street Tampa will feature 2 million square feet of office space and is expected to serve up to 23,000 residents and visitors daily.
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bronx bricks

COOKFOX’s green affordable housing complex will open in the Bronx
This Wednesday, an affordable housing development in the the Bronx designed by COOKFOX Architects will hold its long-anticipated ribbon-cutting. The developments are dubbed Park House and Webster Residence, the former house containing 248 units and opening this week, the latter containing an additional 170 units and opening in 2018. Both are intended for low-income and formerly homeless households. The complex was topped off in May of last year. The complex has been built on what was formerly a vacant industrial plot. Its facade is set in a combination of brick tones, stratified and layered to produce a "biomimetic surface reminiscent of ocean sand or tree bark patterns," as the firm writes. The 12-story buildings also incorporate sustainable design techniques, utilizing green roofs, natural light, recessed green spaces, and a central garden and courtyard shared by tenants. As the firm's founding principal told AN last year, the materials and layout of the complex are meant to instill “a sense of permanence, a sense of belonging to the streetscape” – a motivation which seems especially apt when designing for the recently homeless. The project was completed through a partnership between COOKFOX Architects and the nonprofit Breaking Ground (formerly Common Ground), the city's largest housing provider for the homeless. Breaking Ground currently manages over 3,500 units of supportive and affordable housing largely within the New York metropolitan area, and have set a goal of building an additional 1,500 units for low-income and homeless families within the next five years – no small task. But with three more residences already planned in the Bronx, their target is well within reach.
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Nine Firms Total

COOKFOX, Olson Kundig, Morris Adjmi, and KPF are among the firms reshaping Tampa’s Downtown
COOKFOX, Olson Kundig, Gensler, Kohn Pederson Fox Associates (KPF), and Morris Adjmi Architects, have all been named as some of the nine architects spearheading Water Street Tampa, the $3 billion project that will give the Florida city a skyline. Spread over nearly 50 acres, 18 buildings comprise the scheme which is being backed by Strategic Property Partners—a consortium between Jeff Vinik, who owns NHL’s Tampa Bay Lightning, and Bill Gates’s Cascade Investment. Though first announced in early July this year, more details, such as the architects involved, have been released. Four New York firms are in on the act. COOKFOX will be designing two buildings: an office and a residential block which will sit atop some retail. KPF has been commissioned for a series of apartments and condominiums which will reside above some retail and a grocery store. Morris Adjmi Architects has scooped arguably the largest commission: a 157-key five-star hotel, a range of luxury condos, more apartments, and retail. Gensler, meanwhile, will be behind two office over retail projects. Seattle firm Olson Kundig is also doing a similar project and Baker Barrios, from Orlando, are to design a central cooling facility. Greenery is coming via Tampa-based Alfonso Architects, who are fronting the redevelopment vision for the city's Channelside with a new public park, waterfront shops, and living units. Another Flordian firm, Nichols Brosch Wurst Wolfe & Associates from Coral Gables, are designing a 500-key hotel. Finally, New Haven, Connecticut practice Pickard Chilton are behind three projects that will office and residential over retail. When finished, Water Street Tampa will boast more than two million square feet of offices. In doing so, the scheme will bring the first new office towers Downtown Tampa has seen in almost 25 years. Located on the Garrison Channel and Hillsborough Bay, the project, according to a press release, intends to bridge the city's cultural landmarks, including the Tampa Convention Center, Amalie Arena (where the Tampa Bay Lightning play), Tampa Bay History Center, and Florida Aquarium. This will be achieved via an array of public parks and spaces that lead to the waterfront where the Tampa Riverwalk, and five-mile-long Bayshore path, can be found.
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Breaking Ground

COOKFOX–designed Bronx affordable housing with social mission—and stellar views—tops off
High on a hill in the West Bronx, the view from the top of COOKFOX's latest building plays tricks on the Manhattan skyline: One World Trade Center, the Empire State Building, and 432 Park Avenue seem to stand next to each other. Next year, thanks to a nonprofit developer, hundreds of lucky residents will get to take in the view. On Tuesday, the Bronx's latest affordable housing development for low-income and formerly homeless individuals and families topped off. The homeless services organization Breaking Ground (formerly Common Ground) partnered with New York City–based COOKFOX to design Park House and Webster Residence, twin structures that provide supportive housing with on-site social services and community space that complement the residences. Citywide, Breaking Ground operates two transitional houses (390 units) and 2,899 units of permanent supportive housing. The new Bronx apartments offer "a sense of permanence, a sense of belonging to the streetscape," explained Rick Cook, founding principal. Both buildings in this latest development, set between wide Park and Webster avenues, incorporate biophilic design, one of COOKFOX's guiding practices. The approximately 102,000- (Webster) and 247,000-square-foot (Park) structures are arranged around a residents-only courtyard; common areas are oriented towards green space. The warm brick and stone facade references the neighborhood's grand turn-of-the-century apartment homes. Recessed brickwork adds visual interest to the streetwall; up top, residents can access a green roof on the Webster Residence. The building, Cook noted, qualifies for Zone Green benefits, which allows additional floor area to be used for affordable housing. All interior treatments are low- or non-VOC, while  large windows take allow for ample natural light. The housing, Brenda Rosen, president and CEO of Breaking Ground, responds to community needs for two and three bedroom apartments. The most frequent questions she fields about the project are "How do I apply, and when?"
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Step inside COOKFOX’s new Brooklyn tower complex
Prolific construction watcher Field Condition recently toured phase two of COOKFOX's under-construction City Point development in Downtown Brooklyn. The firm's new pair of towers are already standing out in Brooklyn's bummer of a skyline with their non-glass facades and series of setbacks. The shorter of the pair—standing 19 stories tall—is 100 percent affordable and clad in grey-blue metallic panels. It stands next to the 30-story market-rate tower that has a primarily terracotta facade. The two buildings are scheduled to be completed next year, but why not take a look at where things stand now.
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COOKFOX’s second Pacific Park tower in Brooklyn breaks ground near the Barclays Center
This morning, Greenland Forest City Partners broke ground on 535 Carlton Avenue—the second tower to rise at Pacific Park in Brooklyn, the development formerly known as Atlantic Yards. The COOKFOX-designed masonry tower will rise 18 stories and include nearly 300 affordable units: 50 percent middle-income, 20 percent moderate, and 30 percent low-income. COOKFOX is also designing the nearby 550 Vanderbilt, a market-rate condo tower that is expected to get underway shortly. An eight-acre, Thomas Balsley–designed park—called "Pacific Park"—will run between these two towers, replacing what is currently a surface-level parking lot. Today's groundbreaking also came with the unveiling of a glossy new website for Pacific Park and some new renderings of 535 Carlton, seen below.
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Rick Cook of COOKFOX Discusses His Proposed Building Along the High Line
A new "class A" office building adjacent to the High Line, 510 West 22nd Street, is now in the planning stage and the developers have released a video of its designer, Rick Cook of COOKFOX Architects, describing the building. But is anyone worried that the High Line may become a dark walkway through forest of buildings? Not Cook, who bases his design on the public qualities of the old elevated rail line that transformed 10th Avenue from the "end of the world to the center of the universe." But has there been a bigger boon to real estate development in New York since Central Park?
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Pritzker on the Park

Rogers Stirk Harbour + Partners reveals new renderings of its Tribeca condo tower
The New York Times has dropped new renderings of the Rogers Stirk Harbour + Partners-designed One Beekman, Richard Rogers’ first residential building in the U.S. Although the 25-story mixed-use tower began rising in Tribeca in 2017, this is the first time that polished renderings have been released–including a glimpse at the spacious interiors. One Beekman is rising at the intersection of Park Row and Beekman Street diagonally across from City Hall Park. The entire building has been oriented for this view, with the circulation core shifted south, allowing each living room in the 31 condo units to look out on the park through oversized windows. This was also borne out of necessity; COOKFOX’s 54-story Park Row will be rising directly behind One Beekman. “We pulled the core right to the back, where there isn’t any view, and made the building very solid there,” Graham Stirk, the partner leading the project, the Times. The newly revealed aluminum facade extrudes from the tower’s bulk and divides to frame individual windows, aping SoHo’s cast-iron buildings and giving residents access to their own park-facing loggias. Perforated copper screens will infill the spaces between the building’s framing and the facade, the warm color of the metal referencing the brick and terracotta of the Beekman Hotel across the street. Retail space will go up on the first two floors, with office spaces on the third and fourth, amenities for condo owners on the fifth, and residential units proper starting on the sixth floor. Moving the residential section upwards has the beneficial side effect of preserving views of the park for the tower’s residents. Inside, Rogers has used a clean and light material palette for the residential areas. White oak flooring, “Tundra Grey” marble, and white-grey concrete lends the whole space an airy feel, and condo owners can expect a gym, yoga studio, common outdoor terrace, and an entertainment space on the fifth floor. Developer Urban Muse and real estate firm Compass are launching sales later this month, with prices ranging from $2 million all the way up to $14 million. Construction is moving swiftly, with One Beekman expected to top out this month and wrap construction in the middle of 2019. Rogers is no stranger to downtown Manhattan; the firm's 3 World Trade Center is nearly complete and slated to open on June 11th.
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Sugary Sweet

Check out in-progress photos and new renderings of the Domino Sugar Factory
Ahead of its June 2018 opening date, Domino Sugar Factory developer Two Trees Management has released new renderings of the project’s forthcoming park, as well as opened the site up for a tour. AN had a chance to check out the James Corner Field Operations-designed Domino Park, as well as the completed 325 Kent Avenue and the ongoing interior demolition at the Domino Sugar Refinery. The SHoP Architects-designed 325 Kent, a doughnut-shaped rental building set back from the Williamsburg waterfront, was the first building to reach completion at the SHoP-master planned site. The 16-story, 500-unit rental building (105 of them affordable) began welcoming residents back in September of 2017. As the weather warms up, residents will get to make use of the rooftop amenities on display, such as curved concrete furniture, lounge chairs, and the central strip of courtyard that runs between the building’s central arch. Domino Park is taking shape at the foot of 325 Kent and is on track to open in only 8 weeks. The quarter-mile-long park breaks its programming into “active” and “passive” activity spaces, with the more active areas located closer to the thrum of the Williamsburg Bridge. The second Domino Sugar Factory tower, the mixed-use, COOKFOX-designed 260 Kent, is on track to open in 2019. A dog run, two bocce ball courts, a 6,300-square-foot “flexible playing field” and a volleyball court make up the more energetic half. At the other end, a Japanese Pine garden, 80-to-100 person picnic area, and the Danny Meyer-run taqueria, Tacocina, will sit at the quieter half of the park. A technicolored children’s play space designed by artist Mark Reigelman, with industrial pieces inspired by the sugar refining process, can be found at the passive end of the park, as can 585-linear-feet of elevated walkway. The walkway sits directly on top of Tacocina, and incorporates 21 steel columns from the former Raw Sugar Warehouse into its superstructure; the sight will be a familiar one to visitors familiar with Kara Walker’s The Sugar Sphinx. Linking each area along the waterfront will be the Artifact Walk, a five-block-long stretch that proudly displays historical refining artifacts salvaged from the site. Four 36-foot tall cylindrical syrup tanks embedded in the Syrup Tank Garden, mooring bollards, signage, and corkscrews have been installed across an elevated platform on the water’s edge. Damaged during Hurricane Sandy, the existing platform was raised to a uniform height above the river, and the new piles have been encased in concrete. To build a historical link to the pre-existing structure, a hole has been cut in the platform and visitors can view the existing wood posts and river below. Work on gutting the Domino Sugar Refinery is still ongoing, in anticipation of the PAU-designed glassy office space that will soon sit within. While the exterior of the factory has been landmarked, preserving the interiors would have been impossible due to the interconnected nature of the refining machinery. Even though the factory shut down in 2004, the thick smell of molasses is still hanging around the building at the time of writing. As for the park, although it’s technically private, Two Trees has opened the expanse to the public and is working closely with the New York City Parks Department. A representative from the development company has stated that James Corner Field had their designs reviewed and approved by Parks, that the stretch will operate on normal NYC park hours (dawn to dusk), and that they’ve given the city permission to claim the park if maintenance falls behind. AN will provide a final look at the finished Domino Sugar Park once the project is completed this summer. COOKFOX's 260 Kent will be featured in detail at the upcoming Facades+ workshop "K. Domino Site A: Big Area Additive Manufacturing (BAAM) & When and Why to Use It" on April 20.
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15 Architecture Firms

Massive $3 billion development will accelerate Tampa, Florida’s growth

This article appears in The Architect’s Newspaper’s April 2017 issue, which takes a deep dive into Florida to coincide with the upcoming AIA Conference on Architecture in Orlando (April 27 to 29). We’re publishing the issue online as the Conference approaches—click here to see the latest articles to be uploaded.

Tampa, Florida, is one of the fastest growing cities in America. But one development in particular is set to catapult it forward more quickly than any other.

Developer Strategic Property Partners (SPP) is planning a roughly 50-acre, 9-million-square-foot, $3 billion, mixed-use project on the south side of the city’s downtown that will employ more than 15 architecture teams, designing more than 20 buildings. The first phase is slated to be complete by the end of 2020.

While the full team will be announced next month, confirmed architects include Morris Adjmi, COOKFOX, and Alfonso Architects, and landscape architects Reed Hilderbrand. Master planners include David Manfredi of Elkus Manfredi Architects, Jeff Speck of Speck & Associates, and David Dixon of Stantec.

Currently the site, edging the Hillsborough River and other local bodies of water, is a warren of oversized roads, parking lots, empty warehouses, and some lonely-feeling, but important, buildings like the Tampa Convention Center, Amalie Arena, Tampa Bay History Center, and the Florida Aquarium.

In order to create a more vibrant, urban environment, the team, said SPP CEO James Nozar, is paying careful attention to elements like walkability, architectural and programmatic variety, sustainability, landscape, and public space.

“We want it to feel authentic despite the fact that everything is going up at the same time,” said Nozar, who focused on the exceptional variety of architectural talent involved, a re-instituted street grid, and a careful balance of “depth, shadow, [and] context,” and “defining where the special moments happen and where the background fabric is.”

A dizzying amount of uses include over 2 million square feet of corporate office space, 200,000 square feet of creative and tech office space, a 320,000-square-foot facility for the University of South Florida Morsani College of Medicine, a 400,000-square-foot medical arts building, 5,000 new residential apartment and condominium units, 750,000 square feet of new retail and cultural arts uses, a new arts pavilion, two new hotels, and the renovation of the existing Marriott Waterside Hotel & Marina.

The project, added Nozar, is pursuing WELL Building Certification, focusing on human health and wellness elements like fitness, light, and comfort. SPP is a joint venture between Cascade Investment LLP (Bill Gates’s investment fund) and local businessman Jeff Vinik, who owns the Tampa Bay Lightning hockey team.

The city of Tampa has pledged to chip in $100 million for the site’s infrastructure, including new and updated roads, sidewalks, water, sewer, and park spaces, confirmed Bob McDonaugh, Tampa’s economic opportunity administrator. “They have very ambitious plans and we’re very supportive of them,” said McDonaugh. “It’s an interesting opportunity; instead of doing this piecemeal, it seems to make sense to do this all at once.” Pending approvals, building is set to begin next spring.

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Top Opinion Pieces

AN’s hottest critical takes of 2016
This year gave us plenty to complain about, and plenty of debates to weigh in on. Writers from all over the country and many disciplines—from curators to economists—have contributed their knowledge to The Architect's Newspaper (AN), whether in writing or as a precursor to editorials. Here are some of the best editorials and opinion pieces we have published in 2016. You might not agree with all of it, but we hope they are thought-provoking and you enjoy reading them! (See the rest of our Year in Review 2016 articles here.) AIA pledges to work with Donald Trump, membership recoils Upon the election of President-Elect Trump, AIA CEO Robert Ivy issued a statement of solidarity with the newly-minted PEOTUS, mainly in support of his infrastructure spending. Our editorial staff responded with a statement questioning this move, and we solicited reactions from architects within and outside of the AIA. The hybrid article helped elicit a pair of apologies from Ivy, and we kept up on the outpouring of reactions as they came in. How Donald Trump transformed New York without any regard for design quality When The Donald was still one of a cadre of GOP candidates, Editor-in-Chief William Menking took a historical look at the architecture of Trump and the critical reactions it has garnered. Designing the Border Wall? When outrage erupted from the online competition "Building the Border Wall?" and many were discussing the ethics of building such a wall, architect and educator Ronald Rael took a closer look at the nuances of the conditions at the border. Why the Met Breuer Matters When the newly-refurbished Met Breuer opened, Senior Editor Matt Shaw visited the building with Associate Professor and Director of Historic Preservation at Columbia GSAPP Jorge Otero-Pailos to take a look at how it shaped up and what it means for New York. What happened to the MAS? Why has the Municipal Art Society—a once-proud organization with a century and half of history—been handed over to the real estate industry? Female-ness, Corb, and Contraband Architect Andreas Angelidakis and artist Juliana Huxtable's contribution was the first in a series of partnerships between AN and Façadomy, a contemporary journal that reflects on issues of identity through the lenses of art and architecture. Is the U.S.’s Biennale Pavilion actually the Quicken Loans Pavilion? Editor-in-Chief William Menking was less than enthused about the proposals put forth by the curators of the 2016 U.S. Pavilion at the Venice Biennale. Renzo Piano’s Whitney is an architectural “tourist trap” One year after its opening, Senior Editor Matt Shaw reflected on what the new Whitney Museum of American Art brings to the city of New York and its architecture heritage. Architectural education is broken—here’s how to fix it Los Angeles architect Peter Zellner wonders what can be better in architecture education today, and posits a new direction for the academy. Todd Gannon, cultural studies coordinator at SCI-Arc, issued a response to the following article that can be found here. Zellner subsequently launched a school. Respecting the SITE An odd design by an odd choice of architect at SITE Santa Fe raises questions about what the Southwest is really about, says Senior Editor Matt Shaw. Are micro-apartments a revolutionary trend? Or are developers exploiting an out-of-control market? The recent trend of smaller units with more amenities could be part of a solution to the housing crisis, but it has the potential to be a territorial concession for the renting class, says Web Editor Zachary Edelson. How institutionalized racism and housing policy segregated our cities Richard Rothstein of the Economic Policy Institute details the history of state-sponsored segregation, focusing on housing policy in the postwar era to today. After Oakland, here’s how architects can help make DIY spaces safer Princeton, New Jersey–based Melissa J. Frost and Seattle-based Susan Surface are initiating a discussion to educate the operators of DIY venues about safety measures to prevent injuries at their spaces. Joel Sanders on the past and future of gender issues in architecture Alessandro Bava of London-based collective åyr sits down with STUD author Joel Sanders to discuss the 20th anniversary of the book and what it means today. What do New Yorkers get when privately-funded public art goes big? Associate Editor Audrey Wachs wonders what the $200 million geegaw at Hudson Yards will offer the city of New York. Hudson River Park/Pier 40 deal reveals the tangled web of calculated collusion that shapes NYC Michael Sorkin "follows the money" to expose a decades-long history of a controversial site on New York's west side.
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Terra-cotta in context: a contextual bridge between past and present
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After nearly ten years, Downtown Brooklyn's City Point—a three-phase, 1.8 million-square-foot mixed-use development—was recently completed. It features a unique assemblage of housing towers—one dedicated to market-rate housing, with another predominantly containing affordable housing—atop a shared retail podium. Designed by New York–based architecture firm COOKFOX, the development is directly adjacent to the planned Willoughby Square Park, Albee Square, and the historic 1908 Dime Savings Bank. The architects said the project is about “tying together Downtown Brooklyn’s grand past with its thriving future.” This is represented through a dynamic faceted massing strategy that responds to a triangular corner lot on Fulton Street, and a white and pale gray terra-cotta rainscreen that subtly reflects the marbled exterior of the century-old bank next door. COOKFOX spokesman Jared Gilbert said when the project began in 2007 only 200 units of housing existed in the neighborhood, which now boasts tens of thousands of units. "We needed to design something that met this new reality of Downtown Brookyln, which is that it is a full-service 24-hour neighborhood."
  • Facade Manufacturer Shildan (Phase 1); Island International Exterior Fabricators (Phase 2 Tower 1)
  • Architects COOKFOX Architects with Greenberg Farrow Architects (Phase 1); COOKFOX Architects with SLCE Architects (Phase 2 Tower 1)
  • Facade Installer Acadia Realty Trust, Crowne Architectural (Phase 1); International Exterior Fabricators, Empire Glass, Elite Glass (Phase 2 Tower 1)
  • Facade Consultants Frank Seta & Associates (Phase 2 Tower 1)
  • Location Brooklyn, NY
  • Date of Completion 2012 (Phase 1); 2016 (Phase 2 Tower 1)
  • System steel frame with terra-cotta rainscreen (Phase 1); Prefabricated mega-wall panels with standing seam zinc cladding and Skyline aluminum windows (Phase 2 Tower 1)
  • Products ALPHATON® Terra-cotta Rainscreen and BAGUETTE® Sunscreen by Shildan, VM Zinc (Phase 1); Rheinzink in “Blue Gray," Rheinzink in “Graphite Gray," Invarimatte Stainless Steel, Skyline Windows (Phase 2 Tower 1)
As architects increasingly confront the issue of contextualism of our cities, terracotta rainscreen manufacturer Shildan is seeing an enormous increase in demand. "We see many more terra-cotta projects each year, with projects getting larger and more complicated. Designers are pushing the envelope to create more complicated shapes, details, and custom finishes, and it’s not just the architects and owners [who] need to be satisfied. We work closely with various kinds of administrators, historic commissions, city planners, government boards and committees, etc—those with a vested interest in seeing the entire context unfold cohesively.” City Point's Phase One retail base is composed of a typical stick built facade with layers of waterproofing and insulation over stick built metal stud construction. An applied rainscreen system by Shildan is installed by first mounting a framework of sub-girts with integral clips to the facade. The open joint terra-cotta panels are then hung off this system. Moshe Steinmetz, president of Shildan, said City Point was a milestone terra-cotta project in the US for its incorporation of custom blends of glazes and profiles. "There has been more and more demand for unique glazing. We are now seeing unique glazing on the terra-cotta on about 50% of our jobs." Steinmetz says terra-cotta has a particular "wow factor" that provides an owner an exterior facade system that has energy savings, incorporates healthy wall construction (open joint rainscreen systems minimize mold and mildew growth), low maintenance, and high durability. He says 30- and 40-year-old terra-cotta systems are clearly outperforming other building components: "You don't see the age of the building on the terra-cotta material - you see it elsewhere in the the windows and other finishes." The architects incorporated two terra-cotta extrusions into the design that are finished in a series of glazes and colors that helps to randomize the facade. The resulting variation promotes what their office calls an interest in the concept of biophilia—people’s natural affiliation to the complexity of natural patterns in the world. This subtle variation in the glaze and the variation in profiles and the way they are randomly deployed is to create a somewhat more natural pattern and rhythm,” said Susie Teal, senior associate at COOKFOX. This interest in patterning can also be seen in Phase Two, which was recently completed. At over 1 million square feet, this phase includes a retail podium and two residential towers that involve separate developers with separate programs. Teal said Tower One includes 80% affordable housing and features a “low-budget facade system” composed of prefabricated “megapanels,” unitized 10-by-40-foot panels, by Island International Exterior Fabricators in a defunct Long Island-based airplane hanger. The panels were craned off a truck, set onto the facade, and gasketed together for rapid assembly. The wall panels are finished in a standing seam zinc with staggered spacing varying from 5-inches, 10-inches, and 20-inches. Randomly locating the zinc standing seams helped the architects visually conceal large 1-inch joints while mimicking a more varied natural pattern. "This helps to blend in a construction system so you don't see a lot of seams," said Teal. “Also, zinc is a natural material—most famously used in Parisian roofs. It lasts a long time and patinas dependent on the local atmospheric conditions. The north side might end up weathering different than the south side. This was all intentional. In order to watch this material change, we have randomly distributed stainless steel panels that will stay bright and shiny.”