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And Another One

Johns Hopkins may tear down arts center by Tod Williams Billie Tsien Architects
Another Tod Williams Billie Tsien project appears to be headed for the wrecking ball. After years of planning and fundraising, Johns Hopkins University president Ronald J. Daniels announced this month that a new student center will be built for its Homewood campus at the intersection of Charles and 33rd Streets in Baltimore. The property chosen for the new building includes the current site of the Mattin Center, a 2001 arts complex designed by Tod Williams Billie Tsien Architects. Administrators indicate it will likely be demolished to make way for the student center. The announcement already has people upset. The Mattin Center would join the former American Folk Art Museum in New York on the list of Williams and Tsien buildings that have been leveled and replaced with even larger projects. Opened in 2001 like the Mattin Center, the Folk Art Museum was razed in 2014 to make way for an expansion of the Museum of Modern Art, currently under construction. The demolition was one of the biggest preservation controversies in the nation that year. Tsien has said she was unable to go by the site while the building was coming down and long afterward. There has been talk in Baltimore for the past several years that Hopkins was eying the Mattin Center as the site for a new student center, but administrators said they didn’t want to confirm anything until they had raised enough money to move ahead with the project. Hopkins is one of the few major universities in the United States that doesn’t have a full-fledged student center or student union on its main campus, and Daniels has wanted to build one to keep Hopkins competitive with other colleges and universities. On March 5, Daniels announced that the project is moving ahead with a target completion date of 2024. Without dwelling on demolition, his announcement was the most definitive statement he has made to date about securing funds and replacing the Mattin Center, which was built by a previous administration as a home for the visual and performing arts on campus. “As the needs of our student body have evolved, so has the desire for a different and dedicated student center taken hold,” he wrote in a message to the Hopkins community. “This will be a new kind of space for us—one that is not academically focused, but entirely social by design…It will be a site to which everyone lays equal claim and from which everyone benefits.” Planning for the student center began in 2013 when Hopkins formed a task force. A year later, it hired Ann Beha Architects of Boston and Gustafson Guthrie Nichol of Seattle to conduct a feasibility study and develop a preliminary design. Hopkins administrators have indicated the student center will cost between $100 million and $150 million. According to university spokesperson Karen Lancaster, an architect has not been selected and a final cost has not been determined, but “we have the funding we need to commit to this project” through a combination of institutional and philanthropic sources, including pledges from anonymous donors. The Mattin Center is the only project in Baltimore by Williams and Tsien. It cost $17 million and consists of three brick-clad structures that frame an open courtyard and together contain 50,000 square feet of arts-related spaces, including dance and visual arts studios, a digital media center, black box theater, music practice rooms, and café. It occupies a prominent site near the gateway to Hopkins’s Homewood campus, between the main academic buildings and the Charles Village neighborhood to the east. That site is largely what seems to have doomed the Mattin Center, because campus planners wanted to put the new student center in a “welcoming” location. At the nexus of town and gown, the Mattin Center site met their requirements more than any other property. According to Johns Hopkins’s news site, Hub, the final location was selected “based on the flow of students on and off campus from the Charles Street corridor and on its proximity to the heart of Homewood activity.” The Mattin Center’s size was also an issue, Lancaster said in an email. “While the building is less than 20 years old, our space requirements have evolved over time and the building, as designed, is not adequate to fulfill many of these specific needs—such as the larger gathering venues our students seek today.” In a further sign that Hopkins intends to demolish the Mattin Center, Lancaster noted that one of the next steps will be to figure out where to move the people and activities now based there. If the Mattin Center were to remain, planning for long-term relocation wouldn’t be necessary. “As part of the design and planning process,” Lancaster said, “we will be determining options for where to locate the groups and programs that are currently housed in the Mattin Center—both in the short-term during construction and permanently once a new center is opened.” Although the building’s design won a 2002 award from the New York Chapter of the American Institute of Architects, it has drawn criticism locally for “turning its back” on the city.   “It represents the end of an era when the university faced inward and was moving very gingerly to interact with the community,” said Sandra Sparks, former president of the Charles Village Civic Association, which represents the neighborhood next to the Hopkins campus. Williams and Tsien were selected by Hopkins after participating in a limited competition to design the arts center. The other competitors were Bohlin Cywinski Jackson of Pennsylvania and Heikkinen Komonen Architects of Finland. When they learned several years ago that Hopkins was considering razing their building, Tsien and Williams issued a lengthy statement defending its design. In it, they said Hopkins administrators at the time had expressed a desire for a secure setting. “When we won the competition to design the Mattin Center in the late 1990s, the City of Baltimore was a much tougher, more dangerous place,” they wrote. “A student, a musician, had been recently killed in a wooded section of the proposed site. So the university chose our design over the two others in part, because they wanted a protective environment for students to pursue their artistic interests which, at that time, were considered extracurricular. “The administration was concerned about the physical security of the students. The suggested program was not so large and that allowed us to organize spaces…around a large exterior courtyard at the heart of the site.” In their statement, the architects acknowledged that the university’s and the city’s needs have changed. They lamented that they weren’t involved in future planning for the site. “Today there is a desire to create a more direct connection to the city and for more socializing spaces for students,” they said. “The site of the Mattin Center is an important one for the University and campus, and we believe it can accommodate additional density and change. If the administration elects to demolish the Mattin Center, it should not be without very serious debate…because to do so is unimaginative, and unsustainable, and because it does not acknowledge the layers of history that are crucial to an understanding of our culture, our campuses, and our cities.” AN reached out to the firm last week but wasn’t given further information on Williams and Tsien’s thoughts about the recent announcement. In an email, the firm wrote: “We are aware of Johns Hopkins’s plan to build a new student center at the Mattin Center site, however, we do not know of any additional details regarding its development at this time.” The student center is one of several major projects that Hopkins has underway in Baltimore and Washington. Last fall it selected the Renzo Piano Building Workshop and Ayers Saint Gross of Baltimore to design the home for a new interdisciplinary center called the Stavros Niarchos Foundation Agora Institute. In January, the school announced plans to buy the Newseum in Washington, D. C., and convert it into a new home for its academic programs there. An architect for that project has not been announced. For its medical campus, Hopkins has hired William Rawn Associates of Boston and Hord Coplan Macht of Baltimore to design an addition to its school of nursing.
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Terrier Tower

Boston University turns a page with a statement-making tower
A new architectural era is dawning at Boston University (BU) with the announcement of the building of the Data Sciences Center on the university’s main Charles River campus. First, it is a bit of design daring not commonly seen in Boston: a ziggurat-shaped tower with multiple cantilevers that will be the tallest building on campus. But moreover, it represents a break from the past for an institution that eschewed contemporary architectural patronage for more than two generations. “It’s like a spark plug that jumps out at you,” said Bruce Kuwabara, a partner in KPMB Architects of Toronto, designers of the building. “BU wanted to make a statement.” Gary Nicksa, BU’s senior vice president for operations, concurred, adding: “The city has embraced the idea of more remarkable architecture at BU.” A little background is in order. John Silber, president of the university from 1971 to 1996 and from 2002 to 2003, was an academic curmudgeon whose conservative politics were matched by his disdain for cutting-edge architecture. He even wrote a manifesto of sorts, a book titled Architecture of the Absurd, in which he excoriated his fellow college presidents for commissioning the likes of Frank Gehry and Steven Holl to design eye-catching buildings, singling out Massachusetts Institute of Technology (Stata Center by Gehry, Simmons Hall by Holl) for special scorn. But that was then, this is now. For this new landmark, BU invited a number of top architects to submit quals and then narrowed the field down to five: KPMB, Safdie Architects, Kohn Pedersen Fox, Bohlin Cywinski Jackson, and Elkus Manfredi Architects. BU officials visited works by many of the architects, taking a field trip to Toronto to view KPMB’s. Kuwabara described the KPMB scheme as a “vertical campus” that celebrates the importance of data science by bringing together the mathematics and statistics departments and the computer science department under one roof. The architect said the building’s spaces “spiral” around an interior atrium that is all about spontaneous encounters with colleagues and students that are essential in the data sciences field. “You need a building that encourages collisions,” Kuwabara said. The cantilevered and stepped massing yields several advantages. It forms balconies and green roofs that allow occupants fresh air and stunning views of the Boston skyline and Charles River. It will cause a play of light and shadow. And, significantly, it will appear to be a beehive at night, with loft-like interior spaces highly conducive to work and creativity 24/7. The choice of some materials is still a work in process. At present, the rust-colored cladding is specified as terracotta panels, but that could change, Kuwabara said. But whether terra cotta or metal, he says, it will be aesthetically compatible with the ubiquitous red brick found throughout Boston. Without specifically stating it, it is clear that BU wants a new architectural profile commensurate with those of Harvard University and MIT. “This will get noticed across the river,” Kuwabara said.
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Illini

University of Illinois breaks ground on collaborative design center by Bohlin Cywinski Jackson
This past Wednesday, the University of Illinois Urbana-Champaign (UIUC) broke ground on its Bohlin Cywinski Jackson-designed (BCJ) Siebel Center for Design, a collaborative maker space for students in all majors. The 59,000-square-foot building is designed for flexibility, and UIUC students will have access to laser and water-jet cutters, a prototyping studio, 3-D printers, and CNC tools spread across five collaboration studios, with room for 400 students. Rooms have also been carved out for video and virtual reality spaces, as well as digital audio recording. Students at UIUC will be given the option to pursue their interests beyond the core curriculum via workshops and extracurricular activities that will be offered at the center once it’s open. "We wanted to create a building that focuses on human-centered design, one that encourages students to think more broadly,” said BCJ founding principal Peter Bohlin in a press release. "Everything will have multiple uses — we imagine people utilizing the spaces in ways neither you nor I can predict." It appears the BCJ has taken a characteristically glassy approach to the Siebel Center (named after tech executive Tom Siebel, who donated $25 million for the project). The low-slung building will be wrapped in windows broken up with vertical metal mullions, which should allow the collaboration spaces, common areas, and galleries to be naturally lit throughout. From the renderings, it seems the interiors will be spacious and flexible so that students can repurpose the more open areas for exhibitions. Outside, BCJ has included numerous cantilevering overhangs for students to gather under. Former executive director of the international design and consulting firm IDEO, Rachel Switzky, has been named as the center’s inaugural director. BCJ is no stranger to the University of Illinois, or Tom Siebel for that matter; the firm completed the $50 million Siebel Center for Computer Science in 2004. Construction in the Siebel Center for Design should be completed in early 2020.
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Inside Jobs

Here are the winners of the AIA Honor Awards 2018 in interior architecture
[Editor’s Note: This the second in a three-part series documenting the winners of the AIA 2018 Honor Awards, which are broken down into three categories: architecture, interior architecture, and urban design. This list covers the interior architecture awards, but additional segments spotlight winners in architecture and urban design.] The American Institute of Architects announced its 2018 recipients of the Institute Honor Awards January 12. The 17 winners were pulled from approximately 500 submissions from across the globe and five interior architecture projects took home the prize. The designs range from a high-end New York loft to a middle school in Missouri, with unique approaches to lighting, spatial volume, and material palette. The five-person jury that selected this year’s AIA Interior Architecture Honor Award winners included:
  • Brian Caldwell, THINKTANK Design Group;
  • Joshua Aidlin, Aidlin Darling Design;
  • Kiyomi Kurooka, DWL Architects + Planners Inc.;
  • John Paquin, Statesville;
  • William T. Ruhl, RUHL WALKER Architects.
Chicago Public Library, Chinatown Branch Skidmore, Owings & Merrill Chicago From the jury: “The conscious approach for the building’s ideals for interior decisions are evident in the artistic expression of the history of the cultural identity of the community." Photographer's Loft Desai Chia Architecture New York City From the jury: "This is exquisitely detailed and crafted so much so that it appears one would be living in artwork." Reeds Spring Middle School Dake Wells Architecture Reeds Spring, Missouri From the jury: "Such a clear concept organized the program around elements found in the Ozark landscape led to beautiful execution. Buried in a hill, yet bursting full of daylight is praiseworthy.” Sound Transit University of Washington Station LMN Architects Seattle From the jury: "An aesthetically inspiring jewel that doubles as fantastic public art." Square, Inc. Headquarters Bohlin Cywinski Jackson San Francisco From the jury: "The company’s ethos is reflected in every detail of their software and hardware products, with a crisp, minimalist design that is both intuitive and elegant."
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What an Honor

Here are the winners of the 2018 AIA Honor Awards in architecture
This is the first article in a three part series documenting the 2018 AIA Institute Honor Awards. This lists the winners of the architecture category, while additional segments contain the winners in the interior architecture and regional & urban design categories. The American Institute of Architects (AIA) has announced the 2018 winners of the AIA Institute Honor Awards. The list contains projects from all around the world, and of varying programs and uses, and honors firms both large and small. From a girls’ school in Afghanistan to a municipal salt shed, this year’s widely diverse group of winning projects will be recognized at the AIA Conference on Architecture 2018 in New York City, in late June. This year's eight member jury panel included:
  • Lee Becker, FAIA (Chair), Hartman-Cox Architects
  • Anne Marie Decker, FAIA, Duvall Decker Architects
  • Susan Johnson, AIA, Strata; Anna Jones, Assoc. AIA, MOD Design
  • Caitlin Kessler, AIAS Student Representative, University of Arizona
  • Merilee Meacock, AIA, KSS Architects
  • Robert Miller, FAIA, Bohlin Cywinski Jackson
  • Sharon Prince, Grace Farms Foundation
  • Rob Rogers, FAIA, Rogers Partners.
  Project: Audain Art Museum Architect: Patkau Architects Inc. Location: Whistler, British Columbia, Canada From the AIA Jury: A beautiful, dynamic project that literally wraps users around nature, blurring the boundaries between man-made and natural. It creates a cultural magnet to help educate not only art, but eco-friendly design. The elegant structure hovers over a floodplain topography in an area that receives a large amount of snowfall, battling the elements through an architectural form that embraces the setting. Opportunity for people to live with art. The typology of the building is a stepping stone for Canada, a new icon, and a monument for British Columbia. It has helped elevate all of us. Project: The Broad Architect: Diller Scofidio + Renfro, Associate Firm: Gensler Location: Los Angeles From the AIA Jury: Simultaneously sedate and spectacular. It fits the context of the visually exuberant arts buildings in this neighborhood. More than holding its own as a figure, it also engages and takes the user in. The dark body-like, shapely vault is a beautiful counterpoint to the bright, thick, patterned light veil. The design intention is clear and carried through at every scale. The types of space created are unusual but engaging and composed. Project: Chicago Riverwalk Architect: Ross Barney Architects and Sasaki Associates Location: Chicago From the AIA Jury: A gift to city, it embraces Chicago's layered, diverse history by providing a range of amenities that provide forward looking opportunities. Transforms the once neglected downtown riverfront into a vast public space. Design that touches everyone. Subtle moments of education and insight into the ecology of the river, educating visitors and residents. It is the reinvention of urban life that brings attention back to the waterfront. Project: Gohar Khatoon Girls' School Architect: Robert Hull, FAIA, and the University of Washington, Department of Architecture Location: Mazar-i-Sharif, Afghanistan From the AIA Jury: A beautiful and restrained aesthetic with limited means. Architecture is a modern take on Afghan history and masonry construction. This elevates respect for women and girls overall when state resources are used to this extent and design, adding an intent to create an urban oasis and promote community engagement. This space and the process communicates a new era for girls and women very powerfully. It is remarkably resourceful by integrating natural sustainability measures while operating within a weak infrastructure in the country. Project: Manhattan Districts 1/2/5 & Spring Street Salt Shed Architect: Dattner Architects in association with WXY architecture + urban design Location: New York City From the AIA Jury: The Salt storage building took what is usually an industrial construction built as economically as possible into urban art. It raises the bar significantly for civic infrastructure. Unapologetic platonic shape with beautiful skin with commitment to civic expression, environmental responsibility, and sensitivity to the urban context design solution that successfully integrates critical services into the neighborhood. The pursuit of a visual oxymoron to sanitation, and investment therein, is laudable and uplifting to an entire neighborhood and heavily used city corridor. Highly innovative. Project: Mercer Island Fire Station 92 Architect: Miller Hull Partnership Location: Mercer Island, Washington From the AIA Jury: Operations drives design and the execution is flawless. A necessary renovation turned modern reinterpretation of a traditional civic building into a simple box with layers of transparency that visually and physically connect the functions to the street. Great balance of functionality and warmth of materials make this a beautiful facility. Balanced work and relaxation are desired combo for firefighting facilities and certainly that balance is achieved here. As a public project, it is clearly a labor of love. Super judicious use of materials; great scale, sense of public awareness. Best of all this honors the incredibly hard working firefighters deserving of such a light space. Project: New United States Courthouse Architect: Skidmore, Owings & Merrill LLP Location: Los Angeles From the AIA Jury: The design's fascination with natural light and white spaces is nicely contrasted by the golden wood interior figures and floors. The building's form is a representation of site and topography, functionality, environmental performance, civic presence, and public spaces. Traditional materials and architectural elements enliven its civic presence, while modern elements introduced through the glass assembly façade create an iconic image for a 21st Century courthouse building while also providing positive environmental performance. This powerful composition and the generosity of its public spaces gives the project a clear civic presence, separating it from its commercial neighbors. Project: Vol Walker Hall & the Steven L. Anderson Design Center Architect: Marlon Blackwell Architects Location: Fayetteville, Arkansas From the AIA Jury: A complimentary and progressive pairing of modern and traditional forms. Consistent orchestration of natural light and a sparse but powerful use of red to make landmark moments in the building is invigorating. Sets the opportunity for an interesting contrast between the old and new wings. The expanded facility unites all three departments – architecture, landscape architecture, and interior design – under one roof for the first time, reinforcing the School’s identity and creating a cross-disciplinary, collaborative learning environment. The overall design is a didactic model, establishing a tangible discourse between the past and present while providing state-of-the-art-facilities for 21st century architectural and design education. Every space seems equally well resolved, simple, elegant Project: Washington Fruit & Produce Company Headquarters Architect: Graham Baba Architects Location: Yakima, Washington From the AIA Jury: This sits on the landscape beautifully and creates space for meaningful community. The oasis among the warehouses is functional, sustainable, spatial and formal. The design idea is integral and cohesive. An idea with depth. Occupied spaces are oriented towards the heart of the place - the courtyard, avoiding views towards the surrounding freeway and industrial warehouses; earth berms surrounding the building focalize views out to the landscape and blurring the boundary of architecture and site. The owners’ commitment to creating a respite from the industrial environment for their employees led to an exploration of curating views and outdoor spaces. The result is a workspace that encourages quiet contemplation, community and productivity.
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Strike Out

There will be no AIA Twenty-five Year Award winner this year
For the first time since the Twenty-Five Year award program was opened in 1971, the AIA has decided that there is no winner. The award honors a building that has "stood the test of time for 25-35 years and continues to set standards of excellence for its architectural design and significance," according to the AIA. Moreover, the building must completed, in good shape, and not be significantly changed from its intended design. In 2017, the Twenty-five Year Award went to the Grand Louvre – Phase 1, by I.M.Pei & Partners (Pei Cobb Freed & Partners). According to a statement released by the AIA to AN, the jury "felt that there were submissions that appeal to architects and there were those that appeal to the public. The consensus was that the Twenty-five Year Award should appeal to both. Unfortunately, this year the jury did not find a submission that it felt achieved twenty-five years of exceptional aesthetic and cultural relevance while also representing the timelessness and positive impact the profession aspires to achieve." Needless to say, this is quite a snub to any buildings completed between 1983 and 1993. While it's hard to speculate what the top contenders would have been, perhaps this is also a comment on the speed of demolition and the challenges of preserving outstanding buildings from this decade. The 2018 jury included Lee Becker, FAIA, Hartman-Cox Architects (Washington, D.C.); Anne Marie Decker, FAIA, Duvall Decker Architects (Jackson, Miss.); Susan Johnson, AIA, Strata Architecture + Preservation (Kansas City, Mo.); Anna Jones, Assoc. AIA, Shyft Collective (Johnston, Iowa); Merilee Meacock, AIA, KSS Architects (Princeton, N.J.); Robert Miller, FAIA, Bohlin Cywinski Jackson (Seattle); Sharon Prince, Grace Farms Foundation (New Canaan, Conn.); Rob Rogers, FAIA, Rogers Partners (New York); student representative Caitlin Jean Kessler, the University of Arizona.
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Quacking Around

Here are the best architectural ducks of 2017
It has been 40 years since Learning from Las Vegas introduced the world to the idea of the architectural duck. Though often held up as everything that is wrong with postmodernism, ducks seem to have some real lasting power. Every year, a number of projects take the idea of the duck a few steps further. 2017 has been no exception. Here are some of this year’s most notable ducks. LEGO House  – Bjarke Ingels Group (BIG) Billund, Denmark There may be no toy in existence which has had a bigger impact on the minds of future architects than Legos. Located in Billund, Denmark, BIG’s LEGO House takes the idea of a duck to an extreme. The LEGO House’s is comprised of 21 LEGO-shaped volumes, with round skylights on the top level resembling the iconic two-by-four LEGO block. The project was conceived as an interactive attraction for the Billund’s Downtown, where LEGO is headquartered. Apple Flagship Store – Foster + Partners Chicago, Illinois Over the past decade and a half, Apple has been constructing flagship stores around the world by designers such as Bohlin Cywinski Jackson and Norman Foster. Their latest seems to take the company’s branding very seriously. The new Foster-designed Chicago flagship takes the undeniable form of an Apple laptop. Early rumors predicted the ultra-thin long-span carbon fiber roof would be adorned with the iconic apple symbol. While that rumor never proved to be true, the grey roof from above still resembles a giant Macbook Pro. "Domestikator" – Atelier Van Lieshout Paris, France Though originally created in 2015, "Domestikator" by Atelier Van Lieshout made its way back into the headlines when the Louvre refused to display the building-size artwork this year. The Louvre’s art director, Jean-Luc Martinez, stated that the fear of “being misunderstood by visitors” was the reason for the reversal in plans to show the work during the FIAC International Contemporary Art Fair in the Tuileries Gardens. Atelier Van Lieshout’s founder, Joep Van Lieshout, had planned to live in the structure through the duration of the festival. Seminole Hard Rock Hotel & Casino Hollywood, Florida Still under construction, the Seminole Hard Rock Hotel & Casino is a $1.5-billion entertainment development that takes the shape of a immense electric guitar body. At 450 feet tall, the hotel will include 600 rooms, multiple restaurants, and a 41,000-square-foot spa. While the shape of the hotel does not include the neck or head of the guitar, a series of six vertical fins resembling guitar strings run up the front of the building. Rather than a typical groundbreaking, the project had a “guitar smashing ceremony,” and is expected to be complete in 2019. Richard Gilder Center for Science, Education, and Innovation, American Museum of Natural History - Studio Gang Architects Washington, D.C. Studio Gang is no stranger to biomorphic forms in its designs. The new addition and renovation to the American Museum of Natural History, currently still in the design phases, takes this interest a few steps further. While the exterior resembles a weathered rock face, the interior takes on the form of a full-out natural cave. Though formally resembling a subterranean cavern, vast expanses of glass bring bright natural light into the space. The 235,000-square-foot Gilder Center is expected to open in 2020.
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Made in the Shade

2017 Best of Design Awards for Civic – Cultural
2017 Best of Design Award for Civic - Cultural: Jan Shrem and Maria Manetti Shrem Museum of Art Architect: SO-IL with Bohlin Cywinski Jackson Location: Davis, California Defining the museum as a landscape of cultivation, the design of the recently established Manetti Shrem Museum at the University of California, Davis, captures the Central Valley’s spirit of optimism, imagination, and invention. “Cultivation” has a divergent etymology, on one hand rural, on the other, urban-bourgeois. The overarching “Grand Canopy” seeks to embrace both contexts, extending a rolling form patchworked with aluminum beams over both site and building. An environmental silhouette, the design provides identity and awareness to multiple constituencies. "The project makes me optimistic for architecture in the U.S. —intelligent and rigorous architecture that is also delightful and humanist at the same time.  I love how the building connects an intimate experience to the scale of the landscape around it." —Eric Bunge, principal, nARCHITECTS (juror) Contractor: Whiting-Turner Structural Engineer: Rutherford & Chekene Mechanical Engineer: WSP Lighting: Fisher Marantz Stone Canopy Engineer: Front   Honorable Mention Name: Chrysalis Designer: MARC FORNES / THEVERYMANY Place: Columbia, Maryland Chrysalis is an amphitheater, but it is first a pavilion in a park, a tree house, and a placemaking public artwork, ready to be activated at any moment. Here, temporary occupations are staged under a series of cascading arches that vary in size and function: a structural system that gives form to play.
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42 Categories

Here are the winners of the 2017 AN Best of Design Awards
The 2017 AN Best of Design Awards was our most successful yet. After expanding the categories to a whopping 42, we got over 800 submissions that made the judging more difficult than ever. Projects in all shapes and sizes came from firms big and small from every corner of the country. While we were surprised by the quantity of submissions, we were not surprised by the quality of the work put forth by our trusty base of architects and designers. There were some telling trends, however. First, the Adaptive Reuse category could have been three times as big as it was, because almost every category received some kind of reuse project. From lofts to retail spaces in disused buildings, the amount of old structures made new is astounding and speaks to larger movements in U.S. architecture. Reclaimed spaces are currently stylish and it is generally better for the environment and local culture when we reintegrate existing structures into their cities. One surprise was that our Northeast Building of the Year, the MASS MoCA renovation by Bruner/Cott Architects, took home the prize. The massive reuse project skillfully renegotiates an old factory, which the jury found to be more successful and important than some other new buildings that might have won in the past. Similarly, for Midwest Building of the Year, we saw a tie between two powerhouse campus projects. Studio Gang’s University of Chicago Campus North Residential Commons and WEISS/MANFREDI’s Kent State Center for Architecture and Environmental Design ignited a strong debate among the jury, and in the end they both proved worthy of the award. It is refreshing to see such good architecture being realized in the Midwest, and it says something about the state of architecture nationwide. Our jury this year was a blast as always, with a very talented group that sparked vigorous discussions and refined the way we look at architecture. It is always good to get more people involved in the conversation, and we are constantly shifting our views on what is relevant and interesting. We hope you enjoy this selection of winners and honorable mentions, and we look forward to hearing from you next year as we keep searching out the best architecture and design to award! William Menking, editor in chief Matt Shaw, senior editor We will be updating this list over the next few days with winner and honorable mention profiles. To see the complete feature, don't miss our 2017 Best of Design Awards issue, out now! 2017 AN Best of Design Awards Building of the Year Midwest Winners (tie) University of Chicago Campus North Residential Commons Studio Gang Chicago Kent State Center For Architecture and Environmental Design WEISS/MANFREDI Architecture/Landscape/Urbanism Kent, Ohio Building of the Year West Winner Point Loma Nazarene University Science Complex Carrier Johnson + CULTURE San Diego, California Building of the Year Northeast Winner The Robert W. Wilson Building at MASS MoCA Bruner/Cott Architects North Adams, Massachusetts Building of the Year Mid-Atlantic Winner Lewis Center for the Arts at Princeton University Steven Holl Architects Princeton, New Jersey Building of the Year Southwest Winner Arizona State University Beus Center for Law and Society Ennead Architects Phoenix Building of the Year Southeast Winner Grove at Grand Bay Bjarke Ingels Group (BIG) Coconut Grove, Florida Restoration Winner The Benacerraf House Michael Graves Architecture & Design Princeton, New Jersey Honorable Mentions ROW DTLA Produce Renovation Rios Clementi Hale Studios Los Angeles Aurora St. Charles Senior Housing Weese Langley Weese Architects Aurora, Illinois Adaptive Reuse Winner The Contemporary Austin Jones Center Lewis.Tsurumaki.Lewis Architects Austin, Texas Honorable Mentions New Lab at the Brooklyn Navy Yard Marvel Architects Brooklyn, New York MASS MoCA, The Robert W. Wilson Building Bruner/Cott Architects North Adams, Massachusetts Building Renovation Winner Black House Oza / Sabbeth Architecture Sagaponack, New York Honorable Mentions Billboard Building SHULMAN + ASSOCIATES Miami The Beckoning Path BarlisWedlick Architects Armonk, New York Lighting – Outdoor Winner Longwood Gardens Renovation L’Observatoire International Kennett Square, Pennsylvania Honorable Mentions University of Iowa, Hancher Auditorium Cline Bettridge Bernstein Lighting Design Iowa City, Iowa City Point Mall Focus Lighting Brooklyn, New York Lighting – Indoor Winner Second Avenue Subway Domingo Gonzalez Associates New York Honorable Mention Body Factory BFDO Architects New York Civic – Administrative Winner Boston Emergency Medical Services The Galante Architecture Studio Boston Honorable Mentions United States Courthouse, Los Angeles Skidmore, Owings & Merrill Los Angeles San Diego Central Courthouse Skidmore, Owings & Merrill San Diego Civic – Cultural Winner Jan Shrem and Maria Manetti Shrem Museum of Art SO-IL with Bohlin Cywinski Jackson Davis, California Honorable Mention Chrysalis MARC FORNES / THEVERYMANY Columbia, Maryland Civic – Educational Winner Elmhurst Community Library Marpillero Pollak Architects Queens, New York Honorable Mentions Lakeview Pantry Wheeler Kearns Architects Chicago University of California, San Diego Jacobs Medical Center CannonDesign La Jolla, California Hospitality Winner Broken Rice Undisclosable Denver Honorable Mention Wilshire Grand Tower Complex AC Martin Los Angeles Office & Retail Winner Albina Yard LEVER Architecture Portland, Oregon Honorable Mentions Cummins Indy Distribution Headquarters Deborah Berke Partners Indianapolis Zurich North America Headquarters Goettsch Partners Schaumburg, Illinois Facade Winner United States Courthouse - Los Angeles Skidmore, Owings & Merrill Los Angeles Honorable Mention University of South Florida, St. Petersburg, Kate Tiedemann College of Business ikon .5 architects, Harvard Jolly Architects St. Petersburg, Florida Green – Residential Winner Casa Querétaro DesignBridge Chicago Honorable Mention Inhabit Solar Cabana Inhabit Solar Queens, New York Green – Civic Winner Princeton University Embodied Computation Lab The Living Princeton, New Jersey Honorable Mention United States Courthouse, Los Angeles Skidmore, Owings & Merrill Los Angeles Infrastructure Winner 10th and Wyandotte Parking Garage BNIM Kansas City, Missouri Interior – Residential Winner Chilmark House Schiller Projects with Lisa Gray of GrayDesign Chilmark, Massachusetts Honorable Mention Capsule Loft Joel Sanders Architect New York Interior – Retail Winner Health Yoga Life BOS|UA Cambridge, Massachusetts Interior – Workplace Winner Memphis Teacher Residency archimania Memphis, Tennessee Honorable Mention RDC-S111 Urban Office Retail Design Collaborative Long Beach, California Landscape – Private Winner LaGrange Landscape Murray Legge Architecture La Grange, Texas Honorable Mention De Maria Garden Gluckman Tang Architects Bridgehampton, New York Landscape – Public Winner Confetti Urbanism Endemic (Clark Thenhaus) San Francisco Honorable Mentions Farnham-Connolly State Park Pavilion Touloukian Touloukian (Pavilion Architect) with Crosby Schlessinger Smallridge (Landscape Architect) Canton, Massachusetts The Meriden Green Milone & MacBroom Meriden, Connecticut Mixed Use Winner North Main Bates Masi + Architects East Hampton, New York Honorable Mention Brickell City Centre Arquitectonica Miami Residential – Multi Unit Winner True North EC3 Detroit Honorable Mentions American Copper Buildings SHoP Architects New York 2510 Temple Tighe Architecture Los Angeles Residential – Single Unit Winner Michigan Lake House Desai Chia Architecture with Environment Architects Leelanau County, Michigan Honorable Mentions Constant Springs Residence Alterstudio Architecture Austin, Texas Upstate Teahouse Tsao & McKown Pound Ridge, New York Urban Design Winner India Basin Skidmore, Owings & Merrill San Francisco Honorable Mentions Atlanta’s Park Over GA400 Rogers Partners and Nelson Byrd Woltz Landscape Architects Atlanta The Reconstruction of Astor Place and Cooper Square WXY New York Small Spaces Winner Five Fields Play Structure Matter Design + FR|SCH Projects Lexington, Massachusetts Honorable Mention Attic Transformer Michael K Chen Architecture New York Unbuilt – Commercial/Civic Winner The Ronald O. Perelman Center at The World Trade Center REX New York Honorable Mention Lima Art Museum (MALI) Young Projects Lima, Peru Unbuilt – Infrastructure Winner The Regional Unified Network ReThink Studio New York Honorable Mention Rogers Partners Galveston Bay, Texas Unbuilt – Landscape Winner Maker Park STUDIO V Architecture Brooklyn, New York Honorable Mentions The Statue of Liberty Museum FXFOWLE Liberty Island, New York Pier 55 Mathews Nielsen Landscape Architects New York Unbuilt – Residential Winner 14 White Street DXA studio with NAVA New York Honorable Mentions Long Island City Oyster Carlos Arnaiz Architects (CAZA) New York Necklace Residence REX Long Island, New York Young Architects Winner mcdowellespinosa architects Charlottesville, Virginia and Brooklyn, New York Honorable Mentions Spiegel Aihara Workshop San Francisco Hana Ishikawa Chicago Temporary Installation Winner Living Picture T+E+A+M Lake Forest, Illinois Honorable Mentions Big Will and Friends Architecture Office Syracuse, New York and Eindhoven, the Netherlands Parallax Gap FreelandBuck Washington, D.C. Representation – Analog Winner Cosmic Metropolis Van Dusen Architects Conceptual Honorable Mention Trash Peaks DESIGN EARTH 2017 Seoul Biennale of Architecture and Urbanism Architectural Representations – Digital Winner Three Projects SPORTS New York Honorable Mentions MIDDLE EARTH: DIORAMAS FOR THE PLANET NEMESTUDIO Conceptual New Cadavre Exquis NEMESTUDIO Conceptual Digital Fabrication Winner Under Magnitude MARC FORNES / THEVERYMANY Orlando, Florida Honorable Mentions Flotsam & Jetsam SHoP Architects Miami As We Are Matthew Mohr Studios Columbus, Ohio New Materials Winner Indiana Hardwood Cross-Laminated Timber IKD Columbus, Indiana Research Winner Snapping Facade Jin Young Song (University at Buffalo, Dioinno Architecture) Conceptual Honorable Mention The Framework Project LEVER Architecture with the Framework Project Portland, Oregon Student Work Winner Preston Outdoor Education Station el dorado inc Kansas State University, College of Architecture, Planning, and Design Elmdale, Kansas Honorable Mentions Waldo Duplex el dorado inc Kansas State University, College of Architecture, Planning, and Design Kansas City, Missouri Big Vic and the Blue Furret Rajah Bose California College of the Arts San Francisco, California A special thanks to our 2017 AN Best of Design Awards Jury! Morris Adjmi Principal, Morris Adjmi Architects Emily Bauer Landscape Architect, Bjarke Ingels Group Eric Bunge Principal, nARCHITECTS Matt Shaw, Senior Editor, The Architect’s Newspaper Nathaniel Stanton Principal, Craft Engineer Studio Irene Sunwoo Director of Exhibitions, GSAPP
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Ward Village

The facade on Honolulu's Ae’o tower will make wind visible
Want to live in Hawaii? The Howard Hughes Corporation is building a 40-story residential tower in Honolulu's Kaka’ako neighborhood. The 3.6-acre community, known as Ward Village, includes Ae’o tower designed by the Seattle office of Bohlin Cywinski Jackson (BCJ), the same firm behind the recently-completed Manetti Shrem Museum at UC Davis. The glass-clad tower is officially titled Ae’o and will sit atop a podium that includes Whole Foods Market. This will provide street level retail, while the tower itself will house 466 units. Tom Kirk, a partner at BCJ, told The Architect's Newspaper (AN) that the "Ae’o tower plays a crucial role in the development of the larger Ward Village project." "Great care was afforded to panoramic vistas within the tower and amenity deck that respect the mauka (mountains) and makai (ocean) views," Kirk said. The placement of project components such as the seventh-floor amenity level and a sky terrace "honor the unique environment and promote Hawaiian lifestyle." To achieve this, BCJ used the Ae'o tower's skin as a device to transmit the island way of life. "The idea of taking a force in nature such as wind, an important element in Hawaiian culture, and abstracting it into a built form was particularly intriguing to us," said Kirk. "Wind cannot be seen, but is felt; we extracted invisible waves of the trade winds around the islands and represented it as 3-D folds in the podium screen. In order to articulate the mass of the tower, view windows, or ‘wings,’ peel off the like wind-swept waves to create a heightened sense of place. This positions the residence living spaces toward the stunning ocean view, while allowing for a profound connection back toward the mountains." The Ae'o tower is due for completion next year. Kirk will speaking about the project in greater detail at the upcoming Facades+ AM conference on September 25 in Philadelphia. There, he will be joined by Jeff Goldstein, a principal at DIGSAU; Petar Mattioni, a partner at KSS Architects; and moderator Jon McCandlish, an associate at KieranTimberlake. Using the Ae'o tower as a precedent, Kirk will join his fellow panelists to discuss how facade performance can encompass more than just technical environmental properties. "I think conversations about envelope performance focus a lot on U-value, or air tightness, or technical environmentally performative aspects," McCandlish told AN. "That is obviously critical and some of the primary criteria we as designers use when considering building facades. However, the idea of performance as a phenomenon, being something that provides layering, texture—these don't have to be additive criteria, but something that works in symbiosis with environmental performance." Facades+AM Philadelphia is being held at the National Museum of American Jewish History. More information on the conference can be found at am.facadesplus.com. Seating is limited.
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Instagram Eavesdrop

MVRDV creates a "levitating" model, Libeskind teases new memorial, and other updates from the architects of Instagram
At The Architect’s Newspaper, we’re plain addicted to Instagram. Sure, we love seeing Brutalist concrete through “Inkwell” or “Ludwig” filters, but there’s also no better place to see where architects are getting their inspiration, how they’re documenting the built environment, and where they’ve traveled of late. Below, we bring you some of the best Instagrams of this past week! (Also, don’t forget to check out our Instagram account here.) MVRDV created this impressive model that showcases the many levels of the firm's Gaîté-Montparnasse project.
Adjaye Associates proudly displayed the shiny new catalogue for Francis Kéré’s Serpentine Pavilion; Adjaye contributed texts to the book.
Studio Libeskind showcased the sculptural concrete forms of its under-construction National Holocaust Memorial in Ottawa.

National Holocaust Memorial in Ottawa opens in September! #concrete #ontheroadwithsdl #libeskind #architecture

A post shared by Studio Libeskind (@daniellibeskind) on

Florian Idenburg of SO-IL was excited to discover that the firm's Manetti Shrem Museum is now part of the UC Davis logo.
 

New @ucdavis logo includes @manettishrem museum! @solidobjectives @bohlincywinskijackson

A post shared by Florian Idenburg (@florianidenburg) on

Last but not least, Bureau Spectacular teased an upcoming project that looks like it'll involve more "super furniture."
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BQDA

AIA Brooklyn + Queens Design Awards winners announced
The American Institute of Architects Brooklyn + Queens Design Awards (BQDA), which now works with AIA Staten Island and AIA Bronx, has announced the winners for its 2017 gala, the second edition of the awards. This year, the AIA chapters of Brooklyn, Queens, The Bronx, and Staten Island, all collaborated for the awards. They're aiming to promote chapter members and affiliates by recognizing, as they said in a press release, "the best architecture and professionals that Brooklyn, Queens, Staten Island, and The Bronx can offer." A jury from AIA Long Island sifted through more than 100 entries, and after a month's worth of deliberation, allocated awards in 13 categories; each AIA Chapter also has its own award. 2017 Brooklyn Chapter Award Casa de Sombra Bade Stageberg Cox 2017 Queens Chapter Award Spire Lofts Zambrano Architectural Design
2017 Staten Island Chapter Award Midtown Redevelopment Project: The City of Monessen v+b Architects
2017 BQDA Design of the Year Elmhurst Community Library Marpillero Pollak Architects Below, are the winners of the 13 categories: Residential (1-2 Family) BQDA Award of Excellence and People's Choice Winner Artist Residence, Brooklyn Lynch Eisinger Design Architects, LLP BQDA Award of Merit Prismatic Bay Townhouse, Brooklyn Peterson Rich Office, LLC

Residential (Multiple Family/Multiple Dwelling)

BQDA Award of Excellence Creston Avenue Residences, Bronx Magnusson Architecture and Planning, PC BQDA Award of Merit and  People's Choice Winner 365 Bond Street, Brooklyn Hill West Architects

Residential (Mix Use Residential)

BQDA Award of Excellence and  People's Choice Winner Navy Green, Brooklyn FXFOWLE BQDA Award of Merit Fulton Street Development, Brooklyn GreenbergFarrow

Institutional

BQDA Award of Excellence and  People's Choice Winner Elmhurst Community Library, Queens Marpillero Pollak Architects BQDA Award of Merit The Novogratz Center for Athletics, Brooklyn Jack L. Gordon Architects

Commercial - Small Projects

People's Choice Winner CREATE, Queens New York Design Architects

Commercial - Large Projects

People's Choice Winner Apple Store Williamsburg, Brooklyn Bohlin Cywinski Jackson

Additions/Renovations

BQDA Award of Excellence and  People's Choice Winner Olmsted Center Annex, Queens BKSK Architects BQDA Award of Merit Park Slope Townhouse, Brooklyn GRADE 

Adaptive Reuse/Historic Preservation

BQDA Award of Excellence and Queens Chapter Award Spire Lofts, Brooklyn Zambrano Architectural Design People's Choice Winner Brooklyn College Barry R. Feirstein Graduate School of Cinema & 25 Washington Restoration at Steiner Studios, Brooklyn Dattner Architects

Interiors

BQDA Award of Merit Maple Street School, Brooklyn Barker Freeman Design Office Architects, PLLC and Marvel Architect and 4Mative Design Studio People's Choice Winner Beyond at Liberty View, Brooklyn Zambrano Architectural Design

Small Firm/Sole Practitioner

BQDA Award of Merit Warehouse Loft, Brooklyn studio modh architecture People's Choice Winner House Front Addition, Queens Architecture Studio

Local Firm/Beyond BQDA/International

BQDA Award of Excellence Resort in the Maharashtra Hills, Shillim, India Khanna Schultz BQDA Award of Merit Josai i-House Dormitory, Tokyo, Japan Studio SUMO and Obayashi Corp People's Choice Winner University of Pennsylvania School of Engineering and Applied Sciences Forman Active Learning Classroom, Philadelphia. Studio Modh Architecture

Local Firm/Local Project

BQDA Award of Excellence and  People's Choice Winner Courtyard House, Brooklyn vonDalwig Architecture

Unbuilt

BQDA Award of Excellence North Brother Island School + Habitat, Bronx Ian M. Ellis and Frances Peterson BQDA Award of Merit 1490 Southern Boulevard, Bronx Bernheimer Architecture People's Choice Winner The Table Top Apartments: Affordable Housing in New York City, Brooklyn and Queens Kwong Von Glinow Design Office

Student - Urban Design 

BQDA Student Award of Merit and  People's Choice Winner Brooklyn Cinematic Hotel, Brooklyn Yasmine Zeghar