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Bohlin Cywinski Jackson reinterprets the chalet for Lake Tahoe
San Francisco–based architects Bohlin Cywinski Jackson (BCJ) have completed work on the Mountainside Stellar Residences and Townhomes, a ski-in, ski-out complex of residences and townhomes located on the slopes of Northstar, an upscale community located beside Lake Tahoe on the California-Nevada border.
The project, designed in partnership with developers West Partners and Mountainside Partners, consists of six detached residences and 11 clustered townhomes, each designed to maximize views of the surrounding landscape and to operate on a year-round basis. The homes represent an attempt by the firm to reinterpret the upscale ski chalet for a contemporary area and are designed with sustainability and technology at their forefront and are built to achieve LEED Gold certification.
Located amid a grove of Jeffrey pine and Douglas fir trees, the detached residences are themselves clustered on a compact site overlooking ski slopes and a mountainside lift, with the homes visually grouped together by their mirrored floor plan configurations. Each 3,400-square-foot structure is entered from above and features a double-height, upper-level great room living area topped by a large, wood-clad roof overhang. The overhang shields an outdoor loggia that extends from the indoor living areas and is supported by a simply articulated post-and-beam assembly. A black-stained cedar wood shingled wall separates the living wing of each home from the bedroom areas, one of which is a master suite. That suite is cantilevered slightly over the ski slope and is wrapped on three sides by floor-to-ceiling glass walls. All of this rests above a blonde cedar wood siding-wrapped base containing two smaller bedrooms, a guest master suite, and a media and entertainment room.
The townhomes, each roughly 2,200 square feet in size, cascade down a gentle slope, except here, instead of having shifts in facade geometry indicate different aspects of program within a single home, the townhomes shift in geometry as ownership changes from one unit to the next. The clusters of paired townhomes—with the odd, eleventh townhome existing as a freestanding structure— are each topped by one of two halves of a thickened, sloping gabled roof plane. These roofs extend beyond the exterior walls of each unit and are wrapped in the same blonde cedar wood as the single-family homes. The roof planes turn down along the shared party wall between the units, giving each side a more individualized expression and massing. Like the detached homes, the townhouse units also feature groundfloor outdoor spaces that connect to an interior great-room configuration, except that here, bedrooms are located on the floor above. Each structure is clad in the same mix of blonde, gray, and black cedar planks.
2016 Best of Design Award for Interior > Workplace: Square, Inc. HQ by Bohlin Cywinski Jackson
To tackle the challenge of making four floors of a windowless 1970s data center reflect the contemporary culture of Square, Bohlin Cywinski Jackson organized the company’s headquarters around a central collaborative space punctuated by a library, a coffee bar, and a gallery—anchored by a monumental amphitheater staircase that itself functions as a flexible venue for a variety of activities. Custom white tables further enhance the stair’s visual appeal while encouraging dynamic use. The concept’s clean lines and predominantly white interiors reflect Square’s brand at both aesthetic and functional levels, successfully transforming the space while highlighting the company’s core values to create a refined, seamless experience.
Contractor BCCI BuildersStructural Engineer Tipping Structural Engineers Millworker San Francisco Millwork Lighting Manufacturer Vodes Custom Furniture Manufacturer Ohio Design
Honorable Mention, Interior > Workplace: Pinterest Headquarters
Architect: IwamotoScott Architecture with Brereton Architects Location: San Francisco, CA
Inspired by the clean, simple, and intuitive ethos of Pinterest’s recent web platform redesign, IwamotoScott Architecture and Brereton Architects envisioned a concept of porous concentric layers wrapping a repurposed warehouse atrium.
Honorable Mention, Interior > Workplace: Squarespace Global Headquarters
Architect: Architecture Plus Information (A+I) Location: New York, NY
To honor its client’s aesthetic commitment to minimalism, A+I sought to bring depth, texture, and warmth to the Squarespace headquarters in New York’s historic Maltz Building through a purposeful variety of spaces and the use of natural materials: polished concrete, wood, and leather.
Stairway to Heaven
Bohlin Cywinski Jackson transforms data center into open, flexible office for Square
Whether or not we’ve realized it, most of us have bought products through Square, a company that supplies small businesses with the now-ubiquitous square-shaped hardware and software that remotely processes credit card payments. Square’s new offices in San Francisco are meant to be as minimal, clear, and usable as its products.
Located in what was once a miserable, almost completely windowless Bank of America data center, the new 300,000-square-foot, fourth-floor office is just the opposite: an open, light-filled workspace organized by a central “boulevard,” lined with gathering spaces (including a library, gallery, and cafe), and a wide variety of working spaces, including bench-style work desks, tables, and semi-private, acoustically lined “work cabanas.”
To manage the space’s ridiculously big floor plates (100,000 square feet, four times the typical size), according to Bohlin Cywinski Jackson (BCJ) principal Gregory Mottola, the firm studied urban precedents as varied as Dubrovnik and Milan, looking at everything from urban plazas to enclosed arcades. Unifying the office floors is a massive amphitheater stair that cuts through floors six, seven, and eight, and provides zones for individual work, group meetings, and large presentations. The stair is fitted with movable, lightweight powder-coated tables that snake their way down its length to create unique working and relaxing environments. Another office anchor is the eighth and ninth floor “Square Stair,” a floating switchback connecting the office floor to the main dining level.
“You’re giving up rentable floor area, but the payoff is you have these incredible group amenities,” said Mottola. “The key was this idea of creating a really collaborative, transparent company. You don’t want to have one place feel disconnected from the rest.”
Clean lines and lots of white (on steel panels, stretch-fabric ceiling panels, and drywalls) reflect the brand’s identity and lightens the mood, while salvaged wood elements, like the eucalyptus amphitheater stair, Plyboo cabanas, and end-grain woodblock flooring in the lobby, provide warmth and visual interest. Splashes of color demarcate important spaces, provide needed accents, and reflect the locale: Bright orange, for instance, recalls the Golden Gate Bridge, while blue shades evoke the nearby San Francisco Bay. The company installed new windows along the perimeters of the sixth, seventh, and eighth floors, drawing in natural light where there once had been none. Another big aspect of the design within a limited budget was lighting. BCJ employed a variety of techniques, from spear-shaped “light saber” LEDs above the boulevard to indirect lighting in the workstations and sculptural accent pendants in the lounge spaces.
“We tried to make the most of those dramatic moments when we could,” said Mottola, who noted that Square was drawn to BCJ’s clean work for Apple’s stores, but not its purely monochrome palette. As the company grows at an exponential rate, the airy, collaborative, and flexible spaces will no doubt come in handy. “We want them to be able to grow and shift over time,” he added.
Bohlin Cywinski Jackson’s water-inspired facade
Iwan Baan’s first look inside the Manetti Shrem Art Museum by SO-IL and Bohlin Cywinski Jackson
Bohlin Cywinski Jackson designs lecture hall at UC Davis
UNVEILED> Expedia comes to Seattle
Bohlin Cywinski Jackson reveals design for major commercial project on Puget Sound
Early this March, online travel giant Expedia released a first batch of renderings of its new campus. The company, founded in Redmond, Washington, in 1996, and now headquartered in Bellevue, Washington, has grand plans to move close to downtown Seattle on a site overlooking Puget Sound.
The company hired Bohlin Cywinski Jackson (BCJ), of Seattle, to lead the design. BCJ is working on a new four-story, 600,000-square-foot building and has plans to renovate four existing buildings—once laboratories for the biopharmaceutical company Amgen—into open-style office spaces. Expedia bought the 40-acre Amgen property last spring for $229 million.The images reveal lots of glass and green. Details are reminiscent of major West Coast tech campuses: There are hints of Apple’s curves and courtyard, along with Google’s openness. For Expedia, BCJ collaborated with PWP Landscape Architecture, campus landscape architects on projects for LinkedIn, Pixar, IBM, and Boeing. Expedia’s campus will connect to the Elliott Bay Trail—a biking, running, and walking path that links Ballard and the Olympic Sculpture Park.
If all goes as planned, construction on the first phase will start late this year, with a target move-in date of 2019. The new and renovated spaces from this phase will total 1.2 million square feet. There are two more phases under development, which could include a total of 730,000 square feet of office space, built over 15 years. The final cost of the project has not yet been set.
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A tree grows in the Colombiere Center ChapelIt all started with a beech tree that has lived for the past hundred years on the Colombiere Jesuit Brother’s bucolic 14-acre site in Baltimore, MD. The tree stands in plain view of the brothers’ new chapel, designed by Bohlin Cywinski Jackson (BCJ). Alfred Dragani, an associate with the firm and the lead on the project, said that “as our Jesuit clients expressed a greater desire for privacy, we began to study ways of designing a shroud behind the south and north facing glass walls of the chapel that would operate like light-modulating screens. Our hope was that we could simulate the effect of an actual tree canopy, resulting in a dappled and serene light.” Dragani and his team used digital modeling (Rhino and Grasshopper) to simulate daylight conditions in the chapel throughout the year and create an interior installation in the chapel made from perforated wood panels in an organic arrangement of overlapping planes within a repetitive steel framework. White Ash and ¾” thick Baltic birch plywood core panels of varying sizes and configurations were used for the “leaves.” Perforation with a ⅜” diameter spaced 1” on center were made using a CNC machine in order to give the wood panels a “diaphanous quality.” There are 95 panels in all, 48 on the south face and 47 on the north. They average 60 pounds apiece, though some are as heavy as 150 pounds. BCJ handed off their Rhino model to Amuneal, a metals manufacturer, who used it to develop a steel plate canopy armature that consisted of built-up sections of laser cut ¾” x 4” carbon steel plate bolted together to hold the 6,000+ pounds of wood. To install the wood and steel structure in the three-story high chapel ceiling (29’ 5” high), all the components were shipped and erected onsite. To make sure the installation would go smoothly, Dragani said that before “the final erection of the canopies, a full-scale mockup was built off site, reviewed by the project team and used to refine erection techniques and detailing.” The crucial part of this design is the delicate layering effect achieved with six tons of wood and steel. Dragani explained how assembling “the perforated panels at various angles generates a luminous field that approaches what one might experience when viewing light as it is passes through a natural tree canopy. Moments of direct light that permeate through larger apertures between panels are constantly changing and serve to animate the perforated wood shroud and the chapel floor and walls over the course of a day. The grain/direction of the perforations is always perpendicular to each panel’s longest edge, which helps to recall the metaphor of natural foliage.” Even though sound-proofing wasn’t one of their goals BCJ expected the perforated wood panels to have an acoustic impact on the space. A computer model showed that they didn’t improve the acoustic performance whatsoever. Still, the architectural canopy is not only structurally impressive, it also evokes the serene outdoor environment in an interior space. The brothers agree. While the non-traditional form of the chapel and even the tree canopy itself seems to have taken the Jesuit brothers by surprise, they appreciate how the presence of the canopy lends the chapel sanctuary a sense of sublime light and a state of repose appropriate to a place of worship.