Search results for "Rockwell Group"

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Move It Move It

The Shed opens this Friday—take a sneak peek now
After 11 years and two mayoral administrations, The Shed (now just the name of the administering arts center, with the physical structure housing the organization having been renamed The Bloomberg Building) is nearly ready to open. On April 5, this Friday, the public will finally get to venture inside Manhattan’s newest, and largest, cultural institution. As Hudson Yards welcomes the Diller Scofidio + Renfro and Rockwell Group–designed multidisciplinary arts center, much has been written about the building’s central, inescapable feature. The 120-foot-tall outer shell, clad in ethylene tetrafluoroethylene (ETFE) “pillows,” can extend out from the base building when needed for larger performances, covering the public plaza and creating the 17,000-square-foot, climate-controlled McCourt space. When the shell is rolled back, the 20,000-square-foot outdoor plaza can be used for open-air performances. Art is even part of the very ground below, as artist Lawrence Weiner has embedded IN FRONT OF ITSELF in 12-foot-high letters using colored pavers throughout the plaza. As Elizabeth Diller and David Rockwell have repeatedly described, The Shed was conceived with maximum flexibility in mind. The comparisons and claims of inspiration from Cedric Price’s unrealized, constantly changing 1964 Fun Palace have been overt, whether rightly or wrongly. Either way, there’s no contesting that the space represents a blank space for artists to call their own. “I see the building as an ‘architecture of infrastructure,’ all muscle, no fat,” said Diller, “and responsive to the ever-changing needs of artists into a future we cannot predict. Success for me would mean that the building would stand up to challenges presented by artists, while challenging them back in a fruitful dialogue.” Four stories of programming live inside the eight-level base building. Floors two and four hold a combined 25,000 square feet of gallery spaces without columns and with 19-foot-tall ceilings. From April 6 through June 2, the second level gallery will display Reich Richter Pärt, a combination of choir songs from composer Steve Reich set against tapestries and wallpaper, some of them room-spanning, from artist Gerhard Richter. Swinging glass doors on the eastern walls of each gallery can open them up to the McCourt, allowing the venue to add additional seating when necessary. The sixth floor holds the Kenneth C. Griffin Theater, an 11,700-square-foot black box space with a 500-seat capacity. The theater can also be split in two to host smaller shows. On the top floor are the Lizzie and Jonathan Tisch Skylights, a wide, multipurpose section that affords one of the few views towards the rest of Hudson Yards, including a prominent view of Vessel. The open area features 9,500-square-feet of flexible event space, the 1,700-square-foot Tisch Lab for local artists, and a 3,300-square-foot rehearsal space. The two namesake skylights provide the entire floor with plenty of natural light, making up for the difference in ceiling heights found throughout the rest of the building—the eighth floor’s ceiling is noticeably lower. Hints of the building’s superstructure and its transforming shell are ever-present. The Bloomberg Building’s central set of scissoring escalators run parallel with the glass curtain wall and affords ample views of the shell, and the bent seam where the shell meets the adjoining tower. Inside the McCourt, the steel diagrid underpinning the ETFE facade reveals itself, creating a vastly different experience than viewing the building from outside. The High Line runs level with the windows on the second floor, reinforcing the connection to the park, strangely minimizing the feeling that the building is part of Hudson Yards proper. The Shed opens on April 5 with Soundtrack of America, a five-night concert series conceived and directed by Steve McQueen that celebrates the worldwide impact of African American music. The full lineup is available on The Shed’s website, here.
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City on Stilts

First phase of Hudson Yards set to finally open to the public
Four blocks of Manhattan’s Far West Side were rezoned 14 years ago for New York's ambitious 2012 Olympic bid. After a failed attempt to secure the games, the parcel of land was awarded in 2008 to real estate giant Related Companies. Through a public-private partnership in which Related would oversee the design, construction, and long-term maintenance of the site, the group began creating what's now the largest private development in the history of the United States. Set atop a cluster of rail yards between 10th and 11th avenues, the first phase of the multibillion-dollar megaproject known as Hudson Yards is set to open on March 15, when a cohort of towers and parkland previously inaccessible to the public will be unveiled. Ahead of the much-anticipated launch date, here’s a brief look at what’s already opened and what’s coming online this spring. 10 Hudson Yards Designed by Kohn Pedersen Fox Associates (KPF), this 895-foot-tall office tower was the first structure completed on-site in May of 2016 and features 1.8 million square feet of commercial space. It boasts tenants such as Coach, L’Oréal, Sidewalk Labs, VaynerMedia, and Boston Consulting Group, among others. A Spanish food hall by José Andrés will also be located in the building. 15 Hudson Yards Rising 917 feet in the sky, this residential tower will offer 285 luxury apartments and 107 affordable rentals come March. The skinny skyscraper was designed by Diller Scofidio + Renfro (DS+R) as lead architect and Rockwell Group as lead interior architect. 30 Hudson Yards This commercial tower, also designed by KPF is the tallest in Hudson Yards, stretching 1,296 feet in the air, and is set to open in March. It features the city’s highest open-air observation deck, which will be open to the public in 2020. Major media groups such as HBO, CNN, Turner Broadcasting, Time Warner, and Wells Fargo Securities, are set to move in this March. 35 Hudson Yards Also opening this spring, this mixed-use supertall tower was designed by David Childs of Skidmore, Owings + Merrill. It will house 143 condominiums, as well an Equinox Club at the base of its 92 floors. A branded hotel by the luxury fitness company will also open inside the structure. 55 Hudson Yards KPF worked alongside Kevin Roche John Dinkeloo and Associates to design this boxy, 780-foot office structure. Completed last year, it's already opened to tenants, serving as the headquarters of several law firms and financial groups. Vessel/New York’s Staircase Heatherwick Studio’s monumental work, known now as New York’s Staircase or Vessel, was commissioned to become the development’s signature work of art. As the centerpiece of Hudson Yards’ five-acre public park, designed by Nelson Byrd Woltz Landscape Architects, the spiraling, copper-clad work stands 150 feet tall and weaves 2,500 steps throughout its structure. It will open to visitors starting in March. The Shops and Restaurants a.k.a. 20 Hudson Yards This seven-story structure, designed by Elkus Manfredi Architects, will contain 25 fast-casual dining options and restaurants helmed by famous chefs like Thomas Keller and David Chang. The one-million-square-foot building will also feature over 100 luxury shops and an immersive exhibition space by Snarkitecture called Snark Park. The Shed, a.k.a the Bloomberg Building This 200,000-square-foot structure features a retractable outer shell designed to open and enclose a year-round exhibition space and performing arts venue. Also designed by DS+R in collaboration with Rockwell Group, the structure sits at the base of 15 Hudson Yards and will serve as the city’s newest cultural center. The project will open on April 5.
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Look Ahead, Look Back

Weekend edition: Hudson Yards preview, Equal Rights upstate, and more
Missed some of this week’s architecture news, or our tweets and Facebook posts from the last few days? Don’t sweat it—we’ve gathered the week’s must-read stories right here. Enjoy! Take a sneak peek at Hudson Yards ahead of its March opening Can't wait for the new neighborhood's March 15 opening? AN took a behind-the-scenes tour before the official ribbon cutting. nARCHITECTS’ Equal Rights Heritage Center frames the history around it The Equal Rights Heritage Center, the first new municipal building in Auburn in 40 years, puts New York's contributions to equal rights front and center. Mario Botta’s sanctuary for cosmopolitan super chickens rises in Belgium In the small city of Genk in Belgium, Mario Botta has designed a studio for Koen Vanmechelen as part of the artist's Labiomista project. AIA issues statement of support for proposed Green New Deal legislation The American Institute of Architects (AIA) released a statement supporting Green New Deal legislation proposed by congresspeople last week. Junya Ishigami chosen to design the 2019 Serpentine Pavilion Ishigami has designed a single-layer slate canopy for the 2019 Serpentine Pavilion, creating an indoor-outdoor space that references natural rock formations. Have a great weekend, and see you Monday!
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Rockgood or Rockwell?

National Building Museum names designer for its 2019 Summer Block Party installation
The weather outside may be dropping to sub-zero temperatures across much of the U.S., but the National Building Museum is already looking to summer. The Washington, D.C.–based museum announced today that the LAB at Rockwell Group, the firm’s cross-disciplinary, technology-oriented experience design studio, will be designing the 2019 Summer Block Party installation. This year, from July 4 through September 2, The Lawn will take over the great hall of the National Building Museum. While no design details have been released yet, it’s likely that The Lawn will be just as immersive as the past installations in the space. Last year’s Funhouse from Snarkitecture brought back the firm's popular Beach exhibition from 2015, and 2017’s towering Hive from Studio Gang used the hall’s 75-foot-high ceilings as an opportunity to build vertically. The Lawn will be supplemented with relevant programs and events throughout its run. This isn’t the first time the Rockwell Group has exhibited in the National Building Museum; its PLAY WORK BUILD installation in 2012 highlighted the links between design, play, and “the work of building professionals.”
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River Bastion

DS+R wraps 15 Hudson Yards with the largest cold-warped curtainwall in North America
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Diller Scofidio + Renfro (DS+R) and Rockwell Group's first skyscraper, 15 Hudson Yards, is now complete after four years of construction. The 88-story residential tower fuses the largest cold-warped glass curtain wall in North America with a louver and limestone base. The tower is located on the southwestern flank of Hudson Yards's first phase located on 28 acres between 30th and 34th Streets, and 10th and 11th Avenues. One of the sites many towers, 15 Hudson Yards alone will enclose a whopping 980,000 square feet. The 914-foot-tall project rises from a CNC-fabricated limestone base sourced from Carrara, Italy. According to the design team, parametric guidelines and 3-D modeling facilitated a seamless design-to-fabrication process for both the approximately 1800 stone panels and their steel support systems produced in Queens and New Jersey. The rear of each panel is studded with metal angles fastened to a network of bent plates attached to the steel support system.
  • Facade Manufacturer New Hudson Facades CIG Architecture Berardi Stone Setting
  • Architects Diller Scofidio + Renfro Rockwell Group (Lead Interior Architect)
  • Facade Installer Core Installation Berardi Stone Setting
  • Facade Consultants Thelen Design Group Vidaris
  • Location New York
  • Date of Completion January 2019
  • System Glass & stone curtain wall assembly
  • Products Interpane Insulated Glazing Units Bamco Ventilated Rainscreen Systems Santucci Group Dimensional Limestone Cladding CIG Architecture Formed Stainless Steel Cladding
The Shed, also designed by DS+R and Rockwell Group, adjoins the smooth limestone surface of 15 Hudson Yards along a diagonal seam defined by polished and formed steelwork by CIG Architecture. Incorporating the dynamic performance arts space into the base of the tower presented a number of mechanical and structural challenges for the design team. The 48.7-inch-wide modules all have both a glass and ventilation louver component. The designers varied the ratio of the two pieces parametrically to best ventilate interior mechanical equipment, with the widths of the louvers ranging from 4 to 31 inches. Beginning at the 20th story, the tower dramatically curves using a cold-warped unitized glass curtain wall system. The individual glazing units, produced by German manufacturer Interpane, were cold-warped on site. To warp the glass components, the panels were held in trapezoidal frames with silicone seal joints that anticipated the final form of the panels once they were bent into place. While early renderings of the project depicted 15 Hudson Yards with anatomical undulations, cost constraints and manufacturer warranties straightened the design into its current form. “We worked very closely with curtain wall fabricators from concept through execution, and the tower’s form is a product of this close collaboration,” said facade consultant Neil Thelen. “Using a collaborative parametric approach, we were able to iterate and analyze the impact of the tower’s curved forms on critical parameters such as IGU cold-warping, aluminum extrusion die option, unique part and assembly reduction, gasket engagement, and window operation.” Above the amenity spaces located roughly halfway up the tower—which are clad with glass mega panels—the facade's curvature increases dramatically, effectively breaking into four turrets. The glass panels deflect up to 8 inches at the skyscraper's summit. Although the dimensions and material of the facade differ throughout the tower, the cladding all attaches to the structural frame with a similar technique. “There are embedded plates in the slab edges to which faceplates are bolted with adjustable screws to align bearing points for each wall unit. Each curtain wall unit has a pair of load bearing hooks at the top where the dead load is transferred to the building structure from the hooks,” said DS+R project director John Newman. “It hangs from there and interlocks with a large, gasketted tongue-and-groove extrusion at the top of the unit below.” In response to river-borne gusts, the facade is designed to withstand 100-year wind loads with a system of structural silicone profiles, mullions, and steel reinforcements for spans greater than twelve feet. Additionally, testing conducted by an independent lab determined the placement of supplemental-load bearing aluminum extrusions.
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Shedding Light on Hudson Yards

The Shed at Hudson Yards announces April debut and renamed building
For over three years, New York City has anticipated the debut of Hudson Yard’s enigmatic “Shed”: the eight-level, 200,000-square-foot art center with a massive, telescoping outer shell. On April 5, the new center will finally open its doors, hosting a variety of exhibitions, lectures, and events related to the performing arts, visual arts, and pop culture. The innovative building was designed by Diller Scofidio + Renfro, lead architect, and Rockwell Group, collaborating architect. Its sleek, flexible, and mobile layout was inspired by the industrial past of the High Line and West Side Rail Yard, and the building’s form is intended to physically transform depending on artists’ visions. Its blueprint includes two levels of gallery space, a multipurpose theater, a rehearsal space, a creative lab, and a 9,500-square-foot sky-lit space for large-scale events. Reminiscent of a train car, the building’s semi-transparent outer shell can glide along rails onto a neighboring plaza to nearly double the building’s footprint for grandiose concerts and performances. The massive light, sound, and temperature-controlled hall can be used as a blank slate to support artists' and performers’ most creative and ambitious ideas. “We have built a home where established and emerging artists working in all disciplines can create new work in ways that we cannot even imagine,” said The Shed’s Artistic Director and CEO, Alex Poots. The venue will host an assortment of events ranging from comedy shows to concerts. The first year of programming will include lectures by filmmaker Boots Riley, a Björk concert directed by John Tiffany, and a Kung Fu musical featuring songs by Sia. The building will be named to “The Bloomberg Building” after a generous, $75 million donation from Michael Bloomberg, the former mayor who oversaw the dramatic gentrification of Manhattan’s Westside and Hudson Yards. With only three months until its launch, The Shed will go through the final phases of construction, which includes the installation of metal cladding and other architectural finishes. Correction: A previous version of this article said that The Shed's name will change, but only the building the institution is housed in will be known at The Bloomberg Building.
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Design by Community

Take a sneak peek at NYCxDESIGN’s 2019 events
NYCxDESIGN 2019 is right around the corner, and AN has a selection of highlights from what design-savvy visitors and NYC residents alike can expect. At a press conference held at the Parsons School of Design, officials from the New York City Economic Development Corporation (NYCEDC) laid out a selection of events from the fair, which will run from May 10 through May 22, 2019. The Diner, a collaboration between David Rockwell, Surface Magazine, and the design consultancy 2x4 will return after a successful debut at the 2017 Salone Del Mobile in Milan. The pop-up restaurant will bring a “coast-to-coast journey” to diners, offering a mélange of American food and eatery aesthetics. DESIGN PAVILION will return to Times Square for the duration of NYCxDESIGN, bringing performance spaces, interactive kiosks, seating, an information kiosk, and a collaboration with Nasdaq. Sound & Vision, a two-week long show from the American Design Club on the confluence of sound, technology, and design will use the area as staging. New outdoor furniture from the Times Square Design Lab will also be making an appearance, as will a competition for public-space furniture. ICFF will once again take over the Javits Center from May 19 through the 22. This year’s showcase of high-end interior design will focus heavily on integrated smart home and office technology via ICFF Connect. Over 900 global exhibitors are expected to present their wares at the 2019 show. WantedDesign will return to Brooklyn’s Industry City in Sunset Park with more participants than ever; graduate students from over 30 international schools are expected to present their work. At WantedDesign Manhattan, SVA’s Products of Design MFA students will present Tools for the Apocalypse, a showcase of products designed for life after a climate change-induced apocalypse. Each contribution is grouped thematically into one of four categories (fire, water, earth, and air) and addresses the evolution of essential materials in a time of dramatic ecological uncertainty. While the details have yet to be finalized for the city’s five design districts, expect a collection of architectural walking tours, happy hours, and installations across New York's various Design Districts (Downtown, Madison Avenue, TriBeCa, SoHo Design District, and NoMad). Museums across the city are also participating. At the Cooper Hewitt, Nature will gather work from designers across all disciplines to paint a picture of a more harmonious, regenerative future. At the Museum of Modern Art (MoMA), The Value of Good Design gathers design objects from every corner (from home goods to toys to transport-related items) from the late 1930s through the '50s. Through the Good Design initiative that MoMA championed during that period, design was made more democratic and accessible throughout society, and this exhibition will track that shift. At the Museum at FIT, the School of Art and Design will host the 2019 Graduating Student show, not only at the museum but with pieces across the campus. Work from over 800 BFA students will be exhibited and represent areas ranging from jewelry to packaging to interior design. The Museum of Arts and Design (MAD) will spice things up with Too Fast to Live, Too Young to Die: Punk Graphics, 1976-1986. The show will look back on the often DIY flyers, posters, and albums from the era through a contemporary lens, similar to the Met’s 2013 examination of the lasting impact of punk fashion. On the architecture side, Fernando Mastrangelo Studio (no stranger to experimenting with concrete) will be casting a full-scale tiny home from cement, glass, sand, and silica. The “home” will contain a living room, bedroom, and exterior garden, and visitors can explore the house after its completion. Following a kick-off party at the studio’s space in Brooklyn, the house will be placed on a trailer and moved around the city for a “Where’s Waldo” experience. Empire Outlets, the SHoP-designed outlet mall in St. George, Staten Island, opens in April. During NYCxDesign, architects from SHoP and representatives from Empire Outlets will lead tours of the sprawling shopping complex. The first El-Space, a repurposing of the area under the Gowanus Expressway in Sunset Park, was such a success that the Design Trust for Public Space and NYC Department of Transportation have followed up with El-Space 2.0. On May 16, a jointly-held event will reveal the project’s next iteration in Long Island City as well as the framework for planning future “El-Spaces.” The Center for Architecture is also planning to get in on the action, and from May 14 through 18, interested architecture buffs can take a sneak peek of this year’s Archtober lineup. Both the “Building of the Day” tours, which will highlight five buildings across the city’s five boroughs, and Workplace Wednesday, where architecture studios open their doors to the public, will be previewed. Of course, NYCxDESIGN, now in its seventh year, hosted nearly 400 events; too many to chronicle in one article. For now, those interested in staying abreast of the talks, workshops, gallery shows, retail options, and more can stay updated on the festival’s website.
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Holiday Parti

Architecture holiday cards are here
We are not big fans of holiday cards that feature new buildings by architects even if they are hidden behind photoshopped snow or holly. But we are making an exception for Studio Gang's Chicago boathouse. Though we kinda like Steven Holl’s card with the architect in a saffron robe blowing a body size Tibetan horn. Our favorites are an abstract silver pattern, inspired by the Chestnut trees of Malcantone, Ticino, printed on heavy brown paper stock from the Swiss Consulate, Rockwell Group's four-page Happy Holiday from Irving Berlin and Santa in a red truck from Cummings Printing. Here are our best from 2018 including the image of the Viaduct over the Polcevera, Red Zone, Genoa, by Emanuele Piccardo.  
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A Darker Shade of Berry

2018 Best of Design Awards winners for Commercial — Hospitality
2018 Best of Design Award for Commercial — Hospitality: Saxum Vineyard Equipment Barn Designer: Clayton & Little Location: Paso Robles, California Located in West Paso Robles, California, this unassuming agricultural storage facility was constructed using salvaged oil drill stem pipes, WT steel, Douglas Fir plywood, and perforated metal screen panels. Sliding barn doors are clad in a tube steel frame forged from remnants of the winery’s shoring wall. The pole barn sits sentry as the first structure near the entry of the 50-acre James Berry Vineyard. The building’s renewable energy system speaks to the winery’s commitment to sustainability. Its prime objectives are to provide an armature for a photovoltaic roof system—offsetting more than 100 percent of the adjacent winery’s power demands—and to provide covered storage for farming equipment. Mounted on the pole barn, a future rainwater harvesting system will collect just under 30,000 gallons annually. Honorable Mention Project Name: Brightline Designer: Rockwell Group Location: Florida: Miami, West Palm Beach, Fort Lauderdale, Orlando
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Gettin' Cozy

Rockwell Group designs a chill winter escape for Pier17’s new rooftop lounge
What’s most surprising about Rockwell Group’s design for R17, the new speakeasy-inspired lounge atop Lower Manhattan’s Pier 17, is that it’s not flashy. In contrast to the stand-out building it’s housed in, the 1,830-square-foot restaurant and bar provides a chic setting for cocktail and wine lovers to casually get a drink after work without being inundated by the holiday crowd that’s currently shrouding the South Street Seaport district. While the majority of the structure’s rooftop will transform next week into a veritable winter wonderland complete with New York’s newest ice-skating rink, the bar itself is designed to maintain an aura of intimacy. At least, that’s how Rockwell Group envisions it. “We wanted to create a calming atmosphere that people could escape to,” said Senior Interior Designer Renee Burdick, “similar to how New Yorkers might escape to a cabin or chalet upstate during winter.”      But that vision is completely seasonal. For The Howard Hughes Corporation, the group that owns the mixed-use development, the design team crafted a “pop-up” space that will transition in both style and setting from a winter pavilion into a summer pavilion. While R17 can only accommodate around 70 people now, when it’s floor-to-ceiling sliding doors are open in the warmer months and the dining area expands onto a tiered terrace, the space effectively quadruples in size, increasing capacity to 300. The current cabin vibes, created thanks to low-lighting, fur pillows, dark-hued furniture, and textured wool rugs, will be replaced with a lighter material palette and beachy upholstery. The large fireplaces will become settings for playful art installations. This “transformative” approach to interior architecture is very site-specific, said Rockwell Group. Not many hospitality projects have the bandwidth to literally flip the space throughout the year. “The programming shift here is enormous,” said Richard Chandler, associate principal and studio leader at Rockwell Group. “It will have a completely different look and feel in the summer. We'll add new pieces to the design every year so it’ll always be evolving.” Some things about the lounge will stay the same. Its anchoring design feature is a blue onyx-topped bar with a sand-colored wavy tile that serves as siding. Burdick says it’s designed to look like a mountain skyline. These two elements bring a feel of fluidity to the space, along with the large-format printed tiles on the floor, that contain brushstrokes of blue, silver, and gray. The motif of movement is continuously carried out on the ceiling and windows, which include metallic threads and gilded wood-and-metal screens respectively. These help tone down the bright sunlight that may stream into the space during the day and shield restaurant-goers from the lively scene going on outside, which Rockwell Group will outfit with a temporary bar and lounge that’s reminiscent of a ski lodge interior. These “warming huts” will be shaped to mimic the urban water towers found atop buildings across the city. Much like these locally-inspired building shapes, R17 boasts an array of city, state, and American-made materials that complement the mountain chalet and Long Island beach home concepts. The space serves as a new living room for the city—with arguably the best view of the Brooklyn Bridge in all of Manhattan. It doesn’t have a flamboyant entrance and isn’t suffocated by the bright, technicolor lights that glare out of Pier 17 at night. It’s an understated, flexible space that’s simple and luxurious. Although, in the summer, Rockwell Group plans that the expanded scale, along with the pier’s popular summer concert series, will bring a different kind of festive and potentially exclusive energy to new bar and restaurant. According to Chandler, we'll have to wait and see.
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Meet the Queens

Announcing the winners of the 2018 AN Best of Design Awards
The 2018 AN Best of Design Awards was our most exceptional yet. After expanding the contest to a whopping 45 categories and opening the competition to all of North America (including Canada and Mexico), we received more than 800 submissions, which made the judging more difficult than ever. An impressive range of projects came from firms big and small all over the continent. While we were surprised by the quantity of submissions, we were not surprised by the quality of the work put forth by architects and designers both familiar and new. There were some telling trends in this year’s submissions. First, our drawing categories received more and better entries than ever before. This resurgence in drawing, both analog and digital, seems to mirror what we see in the field: moving away from hi-fi digital photorealism toward more personal drawings utilizing a variety of techniques. See pages 70 and 71 for this year’s winners. It was also a good year for exhibition design, which you can see on page 22. For our Building of the Year award, our esteemed jury was fiercely divided between two exemplary but very different projects. The final debate came down to SCHAUM/SHIEH’s Transart Foundation—a private gallery across from the Menil campus in Houston—and NADAAA’s Daniels Faculty of Architecture, Landscape, and Design at the University of Toronto. SCHAUM/SHIEH’s relatively small but mighty building employs punched-through balconies and a blurred program to utilize the space to maximum effect. Meanwhile, NADAAA’s extension and renovation of a 19th-century neo-Gothic building includes dramatic, complex lunettes that let in Aalto-esque light. In the end, the jury chose the scrappy Houston project, but the decision really could have gone either way. The panel members were also enamored with the quotidian allure of the Saxum Vineyards Equipment Barn in Paso Robles, California, by Clayton + Little Architects. See this year’s winner and finalists starting on page 14. Our jury this year was incredible as always, with a very talented group (see opposite page) who engaged in spirited discussion and refined the way we look at architecture. It is always good to get more people involved in the conversation, and we are always shifting our views on what is relevant and interesting. We hope you enjoy learning more about this year’s winners and honorable mentions, and we look forward to hearing from you next year as we keep searching for the best architecture and design in North America! —William Menking and Matt Shaw We will be updating this list over the next few days with winner and honorable mention profiles. To see the complete feature, don't miss our 2018 Best of Design Awards Annual issue, out now! 2018 AN Best of Design Awards Building of the Year Winner Transart Foundation SCHAUM/SHIEH Houston Finalists Daniels Building NADAAA Toronto Saxum Vineyard Equipment Bard Clayton + Little Paso Robles, California Public Winner Schomburg Center for Research in Black Culture Marble Fairbanks New York Honorable Mentions Banc of California Stadium Gensler Los Angeles River’s Edge Pavilion Alley Poyner Macchietto Architecture Council Bluffs, Iowa Urban Design Winner Triboro Corridor Only If and One Architecture & Urbanism New York: Brooklyn, Queens, Bronx Honorable Mentions Los Angeles River Gateway AECOM Los Angeles North Branch Framework Plan for the Chicago River Adrian Smith + Gordon Gill Architecture Chicago Cultural Winner Transart Foundation SCHAUM/SHIEH Houston Honorable Mentions Magazzino Italian Art MQ Architecture Cold Spring, New York The ICA Watershed Anmahian Winton Architects Boston Exhibition Design Winner Arakawa and Madeline Gins: Eternal Gradient Norman Kelley New York Honorable Mentions Living in America: Frank Lloyd Wright, Harlem, and Modern Housing Leong Leong and Project Projects New York Visionaire: AMAZE Rafael de Cárdenas / Architecture at Large and Sahra Motalebi New York Facades Winner Amazon Spheres NBBJ Vitro Architectural Glass Seattle Honorable Mentions The Emma and Georgina Bloomberg Center at Cornell Tech Morphosis PPG New York Museum Garage WORKac, J. Mayer H., Nicolas Buffe, Clavel Arquitectos, and K/R Miami Small Spaces Winner Sol Coffee Mobile Espresso Bar Hyperlocal Workshop Longmont, Colorado Honorable Mentions Cabin on a Rock I-Kanda Architects White Mountains region, New Hampshire Birdhut Studio North Windermere, British Columbia Infrastructure Winner Confluence Park Lake|Flato Architects and Matsys San Antonio Honorable Mentions Rainbow Bridge SPF:architects Long Beach, California Los Angeles Union Station Metro Bike Hub Architectural Resources Group Los Angeles Commercial — Office Winner NVIDIA Headquarters Gensler Santa Clara, California Honorable Mention C3 Gensler Arktura Culver City, California Commercial — Retail Winner FLEX LEVER Architecture Portland, Oregon Honorable Mention COS Chicago Oak Street COS in-house architectural team Chicago Commercial — Hospitality Winner Saxum Vineyard Equipment Barn Clayton & Little Paso Robles, California Honorable Mention Brightline Rockwell Group Florida: Miami, West Palm Beach, Fort Lauderdale, Orlando Green Building Winner Orchid Educational Pavilion FGP Atelier Oaxaca, Mexico Honorable Mention R.W. Kern Center Bruner/Cott Architects Amherst, Massachusetts Interior — Workplace Winner Expensify Headquarters ZGF Architects Pure+FreeForm Portland, Oregon Honorable Mentions CANOPY Jackson Square M-PROJECTS San Francisco Dollar Shave Club Headquarters Rapt Studio Marina del Rey, California Interior — Institutional Winner Brooklyn Aozora Gakuen Inaba Williams Brooklyn, New York Honorable Mention Jackie and Harold Spielman Children’s Library, Port Washington Public Library Lee H. Skolnick Architecture + Design Partnership Port Washington, New York Interior — Retail Winner Jack Erwin Flagship Store MILLIØNS New York Honorable Mention Valextra Bal Harbour Shops Aranda\Lasch Miami Interior — Hospitality Winner Hunan Slurp New Practice Studio New York Honorable Mentions City of Saints, Bryant Park Only If New York Sant Ambroeus Coffee Bar at Hanley Bonetti/Kozerski Architecture New York Interior — Healthcare Winner NYDG Integral Health & Wellness Brandon Haw Architecture New York Honorable Mention Studio Dental II Montalba Architects San Francisco Healthcare Winner Phoenix Biomedical Sciences Partnership Building, University of Arizona CO Architects Phoenix Honorable Mention Zuckerberg San Francisco General Hospital and Trauma Center Fong & Chan Architects San Francisco Interior — Residential Winner 15th St Mork Ulnes Architects San Francisco Honorable Mentions Fort Greene Place Matter of Architecture Brooklyn, New York Little House. 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Björk announces new show for The Shed in New York City
Icelandic pop pioneer Björk will be world premiering a new concert at The Shed, the cultural institution set to open in Manhattan's Hudson Yards in 2019. Titled Cornucopia, the show will see Björk performing with a seven-piece female Icelandic flute ensemble and other supporting musicians in The McCourt, the forthcoming venue's largest space. "this winter i will prepare my most elaborate stage concert yet, where the acoustic and digital will shake hands, encouraged by a bespoke team of collaborators,” said the singer in a statement. Björk will work with Tony-winning director John Tiffany who will direct the show, Dutch fashion designer Iris Van Herpen on costumes, and Chloe Lamford on set design, along with media artist Tobias Gremmler and frequent Björk collaborator James Merry. Specific dates have not yet been announced for Cornucopia, and tickets are not yet available. There is no word as to whether the show will include new music, or will feature tracks from her extensive back catalog. Björk's most recent album, Utopia, was released in 2017 and imagined an emotional paradise in the wake of her breakup of her longtime partner the artist Matthew Barney. Björk has not yet toured with that album in the U.S. Utopia also used a backing flute ensemble, suggesting that the new concert will work with that material. The Shed is a massive new space designed by DS+R and Rockwell Group that features a retractable ETFE-paneled facade mounted on massive wheels. It is one of the centerpieces of the Hudson Yards development built over train yards overlooking the Hudson River. Alex Poots was hired as the founding artistic director and CEO of the new artspace after stints at the Park Avenue Armory and the Manchester International Festival. The Shed is scheduled to open in the spring of 2019, with the Björk show presumably being one of the inaugural performances.