Missed some of our articles, tweets, or Facebook posts from the last few days? Don’t sweat it—we’ve gathered the week’s must-read stories right here. Enjoy! How an architect is using solar power to prevent Puerto Rico’s next disaster In the year since Hurrican Maria struck Puerto Rico in September 2017, the island has struggled to rebuild its electrical infrastructure, but architect Jonathan Marvel and others founded Resilient Power Puerto Rico (RPPR) to bring energy back to community centers across the island. Richard Meier permanently steps away from firm in wake of sexual assault allegations Richard Meier & Partners Architects today announced that Richard Meier "will step back from day-to-day activities" at his firm. This comes after the architect took a six-month leave of absence in the wake of sexual harassment and assault allegations. A major mid-century modern bank in Oklahoma City gets leveled The former Founders National Bank, a mid-century modern structure featuring two distinct, 50-foot exterior arches, was listed for sale at $3 million last fall but couldn’t find a tenant leading up to Monday’s last-minute demolition. Enjoy the weekend, and see you Monday.
Search results for "Richard Meier"
Richard Meier & Partners Architects today announced that Richard Meier "will step back from day-to-day activities" at his firm after a year in which he was accused of exposing himself to young employees and groping people in public. Bernhard Karpf has been promoted to managing principal and will oversee the firm's operations. Michael Palladino will be in charge of the firm's West Coast office in Los Angeles. Richard Meier founded the practice in 1963, and the office has since completed over 130 projects around the world and won numerous awards, including the 1984 Pritzker Prize for Meier. He became the youngest person to receive the award. Meier rose to fame as part of the New York Five, a group of East Coast architects that included Peter Eisenman, Michael Graves, Charles Gwathmey, and John Hejduk. Meier rose to national attention thanks to early residential and cultural projects, like the addition to the High Museum of Art in Atlanta, Georgia, but it was his design for the Getty Center in Los Angeles that propelled him to the highest echelon of architectural fame. Meier's reputation was clouded earlier this year when several female former employees accused the architect of sexual harassment and assault in The New York Times, after which Meier took a six-month leave of absence and left Vivian Lee, Reynolds Logan, Dukho Yeon, and Bernhard Karpf to oversee the firm's New York office and Michael Palladino to oversee work in Los Angeles. The firm was criticized for their response to the accusations, which alleged that Meier exposed himself to young female employees and publicly touched another inappropriately. The firm announced that after Meier steps back, Vivian Lee, Reynolds Logan, and Dukho Yeon have been promoted to principals. In a statement, Meier's office said that Meier "will remain available to colleagues and clients who seek his vast experience and counsel," and that "the firm will maintain and develop the rigorous design philosophy that Richard pioneered."
Richard Meier & Partners Architects today announced that Richard Meier "will step back from day-to-day activities" at his firm after a year in which he was accused of exposing himself to young employees and groping someone in public. Bernhard Karpf has been promoted to managing principal and will oversee the firm's operations. Michael Palladino will be in charge of the firm's West Coast office in Los Angeles. Richard Meier founded the practice in 1963, and the office has since completed over 130 projects around the world and won numerous awards, including the 1984 Pritzker Prize for Meier. He became the youngest person to receive the award. Meier rose to fame as part of the New York Five, a group of East Coast architects that included Peter Eisenman, Michael Graves, Charles Gwathmey, and John Hejduk. Meier rose to national attention thanks to early residential and cultural projects, like the addition to the High Museum of Art in Atlanta, Georgia, but it was his design for the Getty Center in Los Angeles that propelled him to the highest echelon of architectural fame. Meier's reputation was clouded earlier this year when several female former employees accused the architect of sexual harassment and assault in The New York Times, after which Meier took a six-month leave of absence and left Vivian Lee, Reynolds Logan, Dukho Yeon, and Bernhard Karpf to oversee the firm's New York office and Michael Palladino to oversee work in Los Angeles. The firm was criticized for their response to the accusations, which alleged that Meier exposed himself to young female employees and publicly touched another inappropriately. The firm announced that after Meier steps back, Vivian Lee, Reynolds Logan, and Dukho Yeon have been promoted to principals. In a statement, Meier's office said that Meier "will remain available to colleagues and clients who seek his vast experience and counsel," and that "the firm will maintain and develop the rigorous design philosophy that Richard pioneered."
Four more women have come forward with sexual harassment allegations against Richard Meier, adding to the five who already came forward in a March 13 report by The New York Times. All four are former employees of the firm, one of whom told the paper that she reached a settlement with the company for $25,000 in 1992 after Meier threw himself on top of her. Beyond a recounting of their experiences with Meier in the office and at his Upper East Side home, the latest news focuses on the firm itself and a culture where, according to many employees, Meier's behavior towards women was an open secret that no one took any action to address. Responding to the earlier allegations, Richard Meier announced a six-month leave from the office and released an apology prefaced by the words, "While our recollections may differ," which some readers called a non-apology. The firm's latest statement to the Times similarly avoided directly engaging with the allegations, instead distancing them as decade-old, "personal" allegations that should not sully the reputation of the firm:
“The allegations involving Richard Meier, the most recent of which were nearly a decade old, do not reflect the ethos and culture of the firm, and it would be irresponsible to allow these personal allegations to tarnish the company.”But it is the firm's senior management who really takes the cake in demonstrating how the firm may have viewed Meier's alleged misconduct. A senior associate who was with the firm for 20 years, and who was told about Meier's inappropriate touching of an employee by the woman herself, admitted to the Times,
“It’s not something that was a secret."In response to the allegations, Robert Gatje, one of Meier's former partners, stated:
“That was 25 years ago. Things were a lot different back then.”A former partner, Gunter R. Standke, who worked at the firm for 12 years and told the paper he knew Meier "was attracted to young women" and invited them to leave the office with him at the end of the workday, explained his inaction to the Times:
“I had all the European projects...I had no time to watch what Mr. Meier was doing.”Yikes.
Meier-ed In Controversy
AIANY strips Richard Meier and Peter Marino of 2018 awards
In a sign of how the #metoo movement is reverberating across the field of architecture, today AIA New York (AIANY) announced that it would be stripping recent awards from Richard Meier and Peter Marino, two New York City architects accused of sexual misconduct. The AIANY Board of Directors rescinded Meier and Marino’s 2018 Design Awards. Meier’s serial harassment—as well as an alleged assault—were exposed in a New York Times story last week. Though Marino’s conduct hasn’t been covered extensively in the media, the architect is facing a harassment suit. AIANY Executive Director Benjamin Prosky explained the board’s reasoning in a short statement. “Our decision does not speak to the design quality of the projects or the contributions from the respective firms’ design teams. Rather we cannot in good conscience confer these awards under these circumstances.” The 2018 award winners, minus Marino and Meier, were announced in January, and will be fêted at an April luncheon. Peter Marino Architect was expected to accept a Merit Award for the Seagram Building’s Lobster Club restaurant, while Richard Meier & Partners Architects was to be honored with the same for its work on the Leblon Offices in Rio de Janeiro. There were 32 (now 30) award winners in all. The AIANY is far from the only professional organization to distance themselves from Meier following the Times report. Ben Derbyshire, president of the Royal Institute of British Architects (RIBA) has condemned Meier's behavior (he was honored with the association's Gold Medal in 1988), while AIA National stated it was "deeply troubled" by the allegations. In a statement, AIA president Carl Elefante, FAIA, reiterated the organization's stance against sexual harassment. “AIA stands by a set of values that guide us as a profession and a Code of Ethics that define standards of behavior for our members. Sexual harassment is not only illegal, it flies in the face of our values and ethics,” said Elefante. “We are deeply troubled by the allegations in The New York Times today, and believe that sexual harassment—in any form and in any workplace—should not be tolerated and must be addressed swiftly and forcefully.” Peter Marino Architect has provided the following statement to AN in response: "PMA is committed to eliminating harassment from the workplace as is any other member of AIA New York. But AIA's new policy goes too far. According to AIANY's new policy, if there is any allegation pending - regardless of merit - AIANY bars a member from being honored. In the case of Peter Marino, had AIANY just read the public record, it would have learned that PMA has disputed the sole hostile work environment claim against the firm, a claim raised by a claimant who quit her PMA job and is trying to use the courts to have her employment reinstated. In fact a pending motion seeks sanctions against the claimant, who has been countersued by PMA for malfeasance and insurance fraud. That dispute with a former PMA employee bears no resemblance to the type of misconduct that has garnered much recent public attention. Nor does it merit any public rebuke from the AIA or any other professional colleague."
The fallout over the allegations facing Richard Meier in the wake of the bombshell report released yesterday has been swift, as several institutions have announced that they would be severing ties with Meier as a result. Cornell University’s College of Architecture, Art, and Planning has declared that it would decline Meier’s recent endowment and will be reviewing all of the architect’s past donations, while Sotheby’s has canceled its New York show of Meier’s artwork. Meier has long been a fixture at Cornell, his alma mater, having completed Weill Hall for the school in 2008 and sponsored the Ana Meier Graduate Scholarship, meant to encourage women in architecture. As of yesterday, Kent Kleinman, Dean of the College of Architecture, Art, and Planning at Cornell, released a statement explaining that the school would be declining Meier’s gift to name the chair of the architecture department. Furthermore, Kleinman announced that Cornell would be canceling an event planned to celebrate the gift and that the school “will swiftly explore what additional actions are appropriate with regard to endowments for professorships and scholarships previously donated to Cornell.” Sotheby’s has followed suit and has canceled a solo show of Meier’s artwork produced from 2014 through 2017 at their S|2 gallery in New York City. While the page has been scrubbed from the Sotheby’s website at the time of writing, the exhibition had been scheduled to run until the end of March and featured a collection of 36 collages, silkscreens, and encaustic paintings. As first reported in ARTnews, the decision to scrap the show was made “in consultation with the Meier family.” AN will update this article as further information becomes available.
Multiple women have come forward to accuse Richard Meier, founding principal of Richard Meier & Partners, of sexual harassment and assault. The allegations, mostly from women who worked at the firm, span four decades and detail inappropriate touching and indecent exposure. They also include a designer who detailed an attempted sexual assault by Meier. Speaking to the New York Times, multiple employees stated that Meier exposed himself to them at his home and suggested they pose nude for him. One former employee said Meier, now 83, grabbed her underwear through her dress at the firm's holiday party in 2003. One woman, who did not work at his firm, stated that Meier dragged her to his bedroom and laid on top of her, ignoring her "no"s and her attempts to push him away. When reached for comment, a spokesman for the firm sent The Architect's Newspaper (AN) a press release that responded to the allegations.
“I am deeply troubled and embarrassed by the accounts of several women who were offended by my words and actions,” Meier said in the release. “While our recollections may differ, I sincerely apologize to anyone who was offended by my behavior." Meier is taking a six-month leave of absence from the office. In the meantime, he is leaving operations to four partners: Vivian Lee, Reynolds Logan, Dukho Yeon, and Bernhard Karpf will oversee day-to-day operations at the New York office, while Michael Palladino, partner-in-charge of the firm's Los Angeles office, will supervise projects and operations.
Richard Meier funds architecture chair at Cornell
Richard Meier has endowed the chair of the Department of Architecture at Cornell University's College of Architecture, Art, and Planning (AAP), his alma mater. Andrea Simitch, associate professor and chair of architecture department who graduated with a B.Arch. in 1979, will be the first to work under the title. "Architectural pedagogy at Cornell is fundamentally rooted in processes of making, and Richard Meier's creative process—one that moves freely between art and architecture, drawings and sculpture, collages and models—is one that has deeply informed that pedagogy," Simitch said in a press release. "His capacity to imagine architecture both as abstract composition and occupiable space is a continuing part of his legacy today at Cornell." In addition to the endowed chair, which includes a disbursement for research grants, the architect has donated money towards an associate professorship he established in 2010. Along with his daughter Ana, Meier has also funded a scholarship for women in the M.Arch program. Way before he founded the firm that bears his name, Meier graduated with a B.Arch. from Cornell in 1956. While Richard Meier & Partners' work can be seen the world over, he has also designed one building for the school: Weill Hall, a 263,000-square-foot biology building—clad in the architect's signature white—that debuted in 2008.
When Frank Stella moved to New York in 1958 he frequented the Cedar Tavern, a University Place hangout of the Abstract Expressionists and Beat writers. At the same time, he met Richard Meier, and he agreed to let the young architect draw and paint in his painting studio while he was at the tavern. This studio share began a nearly sixty-year friendship between the two that has lasted to this day. A small but captivating exhibition, Richard Meier And Frank Stella: Space And Form documents this friendship and traces their professional collaboration. The exhibition was organized and curated by Terence Riley and is currently on view at the Meier Gallery, a small white box exhibition space in The Surf Club, the architect’s new residential building in Miami Beach, Florida. Riley begins the exhibition with a reproduced rendering of a jointly designed water fountain and public sculpture submitted for a 1963 Philadelphia competition. This project was never built, but Riley makes the point that Meier, at his own insistence, continued to place Stella wall reliefs, paintings, or sculptures in his presentation renderings, even though clients never purchased the works along with the completed building. Later, Stella took up residence in Meier-designed apartment, and the architect hung his friend’s work in prominent spots in both his office and home. They did collaborate on the Giovannitti family home in Pittsburg where Meier’s rigid white geometric facade included a series of Stella designs that look like an architect’s French curve. Another project, Meier’s 2000 Church of the Year sketch for Rome, clearly shows the influence of Stella’s abstract drawings. Riley focuses on their years-long dialogue with displays of photographs of joint projects, drawings, collages and a model of a Stella museum proposal. A black maquette by Stella is, Riley claims, a preparatory object that might be a museum. The model is more sculpture than finished building, but is it a physical proposal? “That is the $64,000 question,” Riley said. “Frank refers to it as a sculpture and architecture interchangeably. I think, as a maker, he sees things incredibly fluidly until it becomes something.” The exhibit has several of Meier’s architecturally-themed collages and several fuzzy photographs of old renderings of building projects, but never mind the lack of archival material in this show: what matters is Riley’s commitment to showing how the two masters have influenced each other throughout their careers. The small exhibit was a highlight of the recent Art Basel and Design Miami week, and it will remain open at the Surf Cub through March 4, 2018. Richard Meier And Frank Stella: Space And Form The Meier Gallery at the Surf Club 9011 Collins Avenue, Miami Through March 4, 2018 More information is available here.
It's All White
A look at Richard Meier’s completed Tel Aviv tower
A white building from one of the New York Five? That's hardly surprising, but it is perhaps fitting that Richard Meier's latest work has gone up in Israel's White City, an area famed for its modernist and Bauhaus architecture. Known as "The Whites," the New York Five comprised Peter Eisenman, Michael Graves, Charles Gwathmey, John Hejduk and Richard Meier. Their work, bound together by the now career-defining "Five Architects" which was published in 1972, riffed on Corbusian ideals and produced white forms in their early careers and indeed much of Meier's career in general. Richard Meier & Partners' Rothschild Tower, which officially opened last week in Tel Aviv, is a continuation of that form. Located on Rothschild Boulevard in the UNESCO World Heritage Site of White City, the 42-story tower is a residential building that offers balconies on every corner as well as a swimming pool, spa, and wine cellar. This is the firm's first project in Israel. "The great thing about the site is that it's related to the whole city; it's related to all of the wonderful buildings of the 1930s and to the historic buildings of Rothschild Boulevard. It makes me very happy to be in such company," said Meier in a press release. Drawing on Le Corbusier's Villa Savoye, Rothschild Tower sits above the street, supported by a set of piloti. A double-height lobby bound by a glass curtain wall facilitates openness at street level. White louvers horizontally span each level where residential units are located and comprise a double-layered facade. "The transparency and lofty openness of the ground floor lobby, garden and retail spaces contribute to a vibrant streetscape," said Reynold Logan, a design partner at Richard Meier & Partners who headed the project.
Richard Meier’s new project is for students and teachers in Newark
Who could possibly make Richard Meier work in anything but white? Someone with a good plan and a strong vision (well, also this guy). Deep in downtown Newark, New Jersey, Richard Meier & Partners, working for developer RBH Group, has put another round of finishing touches on a multi-building development called Teachers Village. Though technically "mixed-use," the Teachers Village spirit is more in line with a cheery contemporary mill town, or a little Columbus, Indiana. In a postindustrial twist, the project's affordable and market-rate residences were marketed first towards teachers and their families (though other workers are welcome, too). The complex's three apartment buildings by Meier feature 123 residential units. Each unit is sunny, owing to the ring of (to-be-developed) surface parking surrounding much of the Village and to the floor-to-ceiling windows in the common spaces. The scheme has proved popular so far—as of mid-February, the buildings are almost fully leased. Some of the residents teach at the development's three charter schools (two designed by Meier). On a recent tour, reporters ascended an outdoor stair on a skywalk between the two schools, topped by a few circular skylights, and filed along a catwalk above the spacious gymnasium. After school hours, residents can play basketball on the indoor courts, which barely need overhead lighting thanks to ecclesiastic south-facing windows. RBH Group wanted the project to integrate with Newark's beautiful but worn streets nearby. The design team worked with the city's Landmarks & Historic Preservation Commission to envision structures that would reflect Newark's scale and vernacular. The result: Meier used red brick for the first time since the 1960s. Well, not true red brick. The material, used on one of the schools, is inflected with iron, projecting a soft metallic glow in the right light, a still-earthy foil to white aluminum panel– and stucco-clad buildings nearby. Some of the window-adjacent brick is arranged in a sawtooth pattern, establishing visual continuity with the low-slung commercial storefronts nearby detailed with decorative brick and terra-cotta tiles. This is deeply intentional. Teachers Village harmonizes with the surrounding city, but it's more than a patch in the urban fabric. The project on target to receive LEED Neighborhood Development certification, a hard-to-get designation awarded to community-scale projects that evince sustainable design and smart urban development. Lined with street-level retail, buildings along the Halsey Street corridor are not more than four stories tall, in keeping with Newark's low-rise character and growth goals outlined in the latest master plan. Teachers are less than a 15-minute walk to the nearest PATH and NJ Transit stations, near the Prudential Center and three city parks. All told, the six buildings of Teachers Village's first phase include three schools, 65,000 square feet of retail, and residential programs spread out over 23 acres south of Market Street and west of Broad Street. The development is part of what could be, by 2050, a 15 million-square-foot development with a 200-room hotel, 550,000 square feet of retail and cultural programming, 4.75 million square feet of office space, and up to 8,000 residential units. The project broke ground in 2012, and buildings have been coming online for the past four years. A mix of residential and retail, Building VI (243 Halsey Street) has just recently opened its doors to new tenants. "Newark doesn't have the best reputation," said Meier, who was born in the city. "It needs this kind of development to help others realize that Newark's an important city. Any project we can do to help the whole city—we're proud to do it." Editor's Note: This article initially stated that 206 units were constructed in Phase One. There are 123. In addition, the article was updated to include the project's overall development capacity.
Richard Meier, Rafael Viñoly, and KPF will each design a tower in this Manhattan development
Located between 61st Street and 59th Street, and next to the Henry Hudson Parkway, the newly-announced multi-tower "Waterline Square" development will stand among an interesting set of neighbors. On the other side of 61st Street is One Riverside Park of "poor door" infamy; across 59th street is the IRT Powerhouse, a massive Stanford White-designed steam production facility operated by ConEd (it was originally a subway power station). And just south of the IRT building—with its massive 240-foot-tall smokestack, the last of six originals—is Bjarke Ingles Group's hyperbolic paraboloid Via 57. Waterline Square—which is being developed by the Boston-based GID Development Group, owner of two nearby residential developments—will feature three glassy towers: One Waterline Square (Richard Meier and Partners Architects), Two Waterline Square (Kohn Pedersen Fox Associates (KPF)), and Three Waterline Square (Rafael Viñoly Architects). "Together, we are transforming one of the last remaining waterfront development sites on the Upper West Side of Manhattan, into a new, vibrant neighborhood," said James Linsley, president of GID Development Group, in a press release. Waterline Square will occupy the final large empty lot on Riverside Park South, which stretches from 72nd to 59th Street. The towers' luxury condominiums will be accompanied by "100,000 square feet of best-in-class sports, leisure, and lifestyle amenities, as well as a beautifully landscaped park and open spaces spanning nearly 3 acres," according to the press release. The new park will contain "a playground, fountains, and waterfalls." Construction actually began on Waterline Square in 2018 but this appears to be the first major release of the project's details and renderings. For more details, see the development's website here.