Search results for "Qingyun Ma"
Ingalill Wahlroos-Ritter named dean of Woodbury School of Architecture
Finding “urbanism with Chinese characteristics”
Michael Sorkin named as American Academy in China's inaugural Research Fellow
“We don’t need walls anymore. We need living, breathing systems that provide so much more to the urban realm than keeping in conditioned air and keeping out noise and pollutants.” - Will Wright, AIA|LALos Angeles’ 2016 Facades+ Conference, presented by The Architect’s Newspaper, is the 18th event in an ongoing series of conferences and forums that have unfolded in cities across the nation, including New York City, Miami, San Francisco, Dallas, Houston, Seattle, D.C., and Chicago. Held at the L.A. Hotel Downtown, the conference incorporated architects, engineers, fabricators, and innovative material manufacturers into a multidisciplinary two-day event covering the state of building envelope design thinking today. The daylong symposium kicked off with spirited remarks by Will Wright, Director of Government & Public Affairs at AIA L.A., where he set forth a plea for stronger emphasis on localism and craftsmanship. Co-chaired by Kevin Kavanagh and Alex Korter of CO Architects, the event included AIA LA, four local architecture schools – UCLA, USC, Woodbury, and Cal Poly Pomona – and a robust collection of Los Angeles-based architecture firms. Four panel discussions throughout the day covered the influence of building envelopes on business, education, structural design, and data analysis. The conversations engaged audience participation through an interactive, web-based tool called Sli.do. In a morning panel discussion titled “Money Well Spent? An Owner’s Perspective on the Value of Facades,” moderator Kevin Kavanagh spoke with representatives from Kaiser Permanente, Kitchell, and The Ratkovich Company on finding the right balance between aesthetics, energy performance, fiscal responsibility, and efficient project scheduling. During breaks, conference attendees attended a “Methods+Materials” gallery that highlighted innovative building envelope materials such as electrochromic glass, metal mesh fabric with integrated media display, and ultra-compact surfacing products. The symposium was highlighted by keynote addresses from Enrique Norten and Eric Owen Moss. Norten’s opening keynote set forth an argument for a socially responsible architecture integrated into the city via infrastructural, landscape, and public space projects. He cited works of his firm, TEN Arquitectos, which incorporate topographical manipulations of the landscape to establish social spaces of public engagement. His work intentionally camouflages the building envelope into a contextual landscape—be it an adjacent park or cityscape—to dissolve the separation between public and private. Eric Owen Moss spoke in the afternoon, questioning at what point the conceptual content of a project becomes lost amidst constructional realities. Through recent work of his firm, Eric Owen Moss Architects, he focused on building envelope details that strayed from original design intent, transforming in concept and tectonics as engineers, fabricators, and contractors participated in the process. In a panel discussion titled “Bytes, Dollars, EUI: Data Streams and Envelopes,” Moderator William Menking, Founder and Editor-in-Chief of The Architect’s Newspaper, spoke with Atelier 10, Gehry Technologies, and CPG regarding tools and processes facilitating facade analysis and optimization. Sameer Kashyap (Gehry Technologies) shared perhaps the most bewildering stat of the day—that GT was able to script processes which allowed two people to produce over 1200 shop drawings per day for 33 weeks in the coordination of a highly complex facade system. Paul Zajfen of CO Architects rounded out the day with a presentation titled “Facades: A Manifestation of Client, Culture, Climate,” where he argued for contextually specific design producing a facade that “would not be possible at any other time—and in no other place.” The symposium was followed on day two with a series of “dialog” and “lab” workshops covering net-zero facade systems, digital fabrication processes, curtain wall design, and advanced facade analysis. A full roster of organizers and sponsors can be found on the conference website. The Los Angeles event was the first in 2016 of a seven-city lineup, and will be followed by a Facades+AM morning forum in Washington, D.C., on March 10th. The next two-day conference will take place in New York City April 21st and 22nd.
Clifford Pearson, deputy editor at Architectural Record, will direct USC's American Academy in China
Dear Mayor Pisapia, It is with regret and disappointment that we learn that Stefano Boeri was dismissed from his position as Councillor for Culture, Fashion and Design for the city of Milan. Thanks to the energy and commitment of Boeri, and despite the deepening of the gravest crisis to have faced Italy since the postwar years, since 2011 Milan has succeded in projecting an image of renewed cultural vibrancy and dynamism onto the international stage. Thanks to Boeri's many initiatives—citywide events such as Book City and Piano City, or international exhibitions of internationally renowned artists such as the Marina Abramovic, Picasso, Bramantino, Alberto Garutti and Jeff Wall—Milan had finally succeeded in reaffirming itself forcefully on the international stage as an epicentre of art, design, fashion and culture. This unmotivated dismissal deprives Milan of one of its greatest assets—an individual who possesses the intelligence, energy, motivation and global network of relationships needed to make Milan an unrivaled protagonist of the European cultural scene of the 21st century. Stefano Boeri is one of Italy's foremost cultural exponents: he has taught in universities in Italy and abroad, curated exhibitions, designed buildings and written books that have been translated into many languages. As such, this unmotivated dismissal seems to us inexplicable. In this moment of grave crisis, we urge you to put personal differences aside and, for the good of the city, reconsider your decision. Yours sincerely, Marina Abramović - Artist, New York Iwan Baan - Photographer, Amsterdam Tatiana Bilbao - Architect, Tatiana Bilbao Architects, Ciudad de Mexico Daniel Birnbaum – Director, Moderna Museet, Stockholm Petra Blaisse - Landscape Architect, Inside Outside, Rotterdam Erica Bolton and Jane Quinn - Directors, Bolton Quinn, London Ronan & Erwan Bouroullec - Designers, Paris Maurizio Cattelan - Artist, Milan Yung Ho Chang, MIT, Head of the Department of Architecture, Cambridge Teddy Cruz - Architect, Teddy Cruz Architects, San Diego Chris Dercon – Director, Tate Modern, London Elizabeth Diller - Architect, New York Jimmie Durham - Artist, Berlin Okwui Enwezor - Curator, Munich Amos Gitai - Film Director, Tel Aviv - Paris Joseph Grima - Editor in chief, Domus, Milan Zaha Hadid - Architect, Zaha Hadid Architects, London Nikolaus Hirsch - Dean, Städelschule Frankfurt Li Hu - Architect, Beijing Bjarke Ingles - Architect, Bjarke Ingels Group Architects, Copenhagen Rem Koolhaas - Architect, Rotterdam Koyo Kouoh - Art Editor, Dakar Armin Linke - Photographer, Berlin Ross Lovegrove - Designer, London Qingyun Ma - Architect, Shanghai Michael Maltzan - Architect, Michael Maltzan Architecture, Los Angeles Giancarlo Mazzanti - Architect, Mazzanti Arquitectos, Bogotà Shelley McNamara & Yvonne Farrell - Architects, Grafton Architects, Dublin Mohsen Mostafavi – Dean, GSD Harvard, Cambridge Alexei Muratov - Journalist, Moscow Jean Nouvel - Architect, Paris Hans Ulrich Obrist - Co-director, Serpentine Gallery, London Julia Peyton Jones - Director Serpentine Gallery, London Bas Princen - Photographer, Amsterdam Edi Rama – Artist and politician, Tirana Anri Sala - Artist, Paris Tomas Saraceno - Artist, Berlin Milica Topalovic - Architect, Zurich
Like the cosmos, Los Angeles seems so infinite and contradictory as to defy understanding. That hasn’t stopped such writers as Cary McWilliams, Reyner Banham, Mike Davis, and Charles Jencks from offering ambitious overviews. Everyone has an opinion about LA, sometimes memorable but usually negative. Orson Welles wrote it off as “a loose and sprawling confederation of shopping centers…with a downtown as metropolitan as Des Moines or Schenectady.” In Cities and People Mark Girouard termed it, “a failed Jerusalem, a low-density Babylon." Michael Maltzan has wisely framed his analysis as a symposium, conversing with ten individuals who share his concerns about the state of the metropolis and its future. All came from somewhere else, and this gives them a critical perspective and a stubborn optimism about the potential of this urban agglomeration. Photographer Iwan Baan complements their insights with a quirky collection of images that range from a trailer park in East LA to traffic stalled on the 405.
Maltzan has built SROs on Skid Row, mansions in Beverly Hills, and a park in Playa Vista, so he has first-hand experience of LA’s diversity. He grew up back east in the Long Island suburb of Levittown and remembers, “I was drawn to LA because it seemed real.” Twenty years on, he can still muster enthusiasm for his adopted home. “As inhabitants of a city that is constantly confronting endless change, we possess an inherent creativity and ability to surprise the world with our urban inventiveness,” he writes. “LA is now at a pivotal moment when its new identity is being determined.”
Those themes recur throughout these conversations. There’s consensus that LA is a great laboratory for urban investigation, especially of infrastructure, for in-between spaces, and communities that mutate with each new wave of immigration. There are also disagreements. James Flannigan, a business correspondent, calls LA the new Ellis Island, a portal to opportunity. Edward Soja, a UCLA professor of urban studies, deplores the extremes of wealth, but sees the heterogeneity as an opportunity for grass roots action. He cites the court victory of the Bus Riders’ Alliance over the MTA, which diverted billions of dollars into improving bus service for the city’s poorest inhabitants. Sarah Whiting, an architectural professor at Rice, compares LA to Houston in its lack of a comprehensive plan. “People think the best idea in urbanism is a neighborhood,” she remarks. “I think large-scale juxtapositions are far more interesting and applicable to contemporary cities.”
No More Play is full of provocative insights, and it tries to spur fresh thinking without offering easy answers. We all construct personal maps of the cities we live and work in, focusing on the places we know and often losing sight of the larger whole. Carey McWilliams subtitled his study of Southern California, “An Island on the Land”—it’s easy to relapse into insularity. This symposium offers a corrective. As Qingyun Ma, Dean of the USC School of Architecture observes, “Architects today realize that if they are not part of the urban voice, then…our practice will never sustain itself.”
James Corner and Field Operations have beaten out formidable competitors including Gehry Partners and Peter Walker to design Santa Monica’s new Palisades Garden Walk and Town Square. The high profile project will include 7 acres of park space between Santa Monica City Hall and the Santa Monica Pier that will connect the area’s Civic Center to the rest of the city. Land for the project was made available when the RAND Corporation relocated its headquarters to the southernmost location of its 15-acre site back in 2004.
Out of the 24 teams that submitted for the RFQ, the six shortlisted teams included Field Operations, Peter Walker and Partners, Gehry Partners, Studio Works, Gustafson Guthrie Nichol, and SWA Group. The selection panel for the project included Qingyun Ma, Dean of the USC School of Architecture; landscape architect Ken Smith, and Marc Fisher, Campus Architect at UCSB. They panel coordinated with staff from the city’s Community and Cultural Services, Planning, and Public Works/Architecture Services departments.
In the end Field Operations, best know for their work on New York’s High Line, won out because of their creative thinking about the site, their landscape expertise, their strong work in the public process, and their “commitment to making places for people,” said Barbara Stinchfield, Santa Monica’s Director of Community and Cultural Services. Teams did not present concept designs in their interviews.
Stinchfield stressed that the team was selected for more than just their impressive resume. “It wasn’t just this one really high profile project,” she said, referring to the High Line. “It’s their dedication to sustainability and public art and engaging the community.”
Lisa Switkin, an associate principal at Field Operations, believes it is her firm’s commitment to community involvement that helped it win the day. “We are good listeners,” she said. “We try to understand the site, not come in with a design and retrofit it to what people like.” Switkin added that while a design is far from being developed, the firm is interested in exploring the site’s historic significance, its local plant life, its bluffs and dunes, its significant grade changes, and even its nearby freeway interchange. “We like to amplify the site’s existing characteristics,” she said.
On the heels of the High Line, Field Operations is also working on major park spaces throughout the country. These include the Atlanta Beltline, a 22-mile loop of former rail tracks and embankments around the city; the huge Shelby Farms Park in Memphis; the Race Street Pier in Philadelphia; and the massive Fresh Kills Park on Staten Island, which is transforming the former landfill of the same name.
Passing over Gehry Partners was not easy, said Miriam Mulder, from Santa Monica’s Architectural Services Department. But the selection committee decided it was best to choose a team that focused on landscape architecture. “This particular piece doesn’t really have much architecture associated with it,” she said. “It’s nice to imagine there might be more architectural pieces that come up.”
Stinchfield said the project is being funded through $25 million in redevelopment agency funds, while the city hopes to tap into additional design department money. They hope to finalize the team’s contract and make a recommendation to the City Council at its last meeting in March. But Mulder thinks that the recommendation might not be made until the council’s April 13 meeting. From there, she said, the city hopes to have the design finalized by late 2011 or early 2012 and have construction begin in 2012.
The Town Square portion of the project, adjacent to Santa Monica’s City Hall, is set to be a space for cultural and civic events, while the Palisades Garden Walk, to its south, will focus on the city’s unique “cultural” and “horticultural” offerings, including a botanical element and water features. Adjacent streetscape improvements, as well as pedestrian and bicycle paths, will connect the parks to the city, while Moore Ruble Yudell’s Santa Monica Village will sit just adjacent.
We’re pretty built up at this point, so it’s definitely one of the last open spaces that we may have to develop for a long time,” said Mulder.