Search results for "Public Design Commission"
Go Fund Yourself
San Francisco homeless shelter inspires online fundraising battles
Perhaps recognizing that concerted opposition by “not in my backyard” organizers has killed or segregated low income and homeless housing elsewhere, a counter fundraiser was created in support of the Navigation Center. SAFER Embarcadero for ALL, citing the potential legal costs and community challenges that the shelter is facing, sought to raise $175,000 in support of the Coalition on Homelessness. With 1,900 donations, in comparison to the original group’s 360, that goal was reached in 17 days. The GoFundMe in support of the Navigation Center also drew big donations from Salesforce, Twitter founder Jack Dorsey, and GoFundMe itself, which contributed $5,000. The fight over the Embarcadero center is playing out in real-world meetings and protests that are just as charged as their online counterparts. On April 3, Mayor Breed was shouted down at a town hall meeting as she tried to stump for the scheme. While the mayor has proposed opening another 1,000 beds worth of shelters by 2020, so far only 212 have actually come online. The final battle over Seawall Lot 330 will culminate in a vote by the Port Commission on April 23, as the body (whose five members were selected by the mayor) votes on whether it will lease the site to the city.
A white woman to our right just screamed over presenters saying instead of building a Navigation Center we should “lock [the homeless] up”! #SafeSleep— internet princess 👸🏻 (@sashaperigo) April 4, 2019
Neighbors and preservationists sue N.Y.C. Parks Department to save a rare brutalist landscape
A French startup is using drones and AI to save the world’s architectural heritage
People With Aids Coalition 1985 Police Harassment 1969 Oscar Wilde 1895 Supreme Court 1986 Harvey Milk 1977 March on Washington 1987 Stonewall Rebellion 1969As a series of moments and monumental figures with dates beside them, the text isn’t set up in chronological order. It also doesn’t distinguish between public and private histories. It’s open to interpretation by the viewer, but also stands as a “visual reference, an architectural sign of being, a monument for a community that has been ‘historically invisible,'” according to the statement which cites Gonzalez-Torres’s vision for the billboard. “Direct public engagement is fundamental to [Gonzalez-Torres’s] artistic practice, which expanded the possibilities for creative expression both within and beyond the museum walls,” said Public Art Fund Director and Chief Curator Nicholas Baume. “His integration of personal and political content that can bring about both awareness and action in the view has continued to inspire artists and audiences.” Untitled, 1989 is presented in collaboration with The Felix Gonzalez-Torres Foundation with support by Google. It will be on view from June 1 to 30, 2019, in Sheridan Square across the street from the historic Stonewall Inn.
Designing For The Void
Raymond Jungles reshapes the garden at the Ford Foundation overhaul
Escobedo Soliz designs two prefab schools in rural Mexico
Fashion magnate Giorgio Armani’s flagship boutique in Manhattan, designed by Peter Marino Architect and opened in 1996, could be torn down to make way for a 12-story tower containing a new Armani store and 19 luxury condominiums above, including one for Armani himself, if the city approves the demolition.
New York’s Landmarks Preservation Commission (LPC) has scheduled a hearing for next week to consider an application to raze the four-story Armani store at 760 Madison Avenue and portions of two apartment buildings next to it at 19 and 21 East 65th Street.
The Armani Group disclosed plans earlier this year to “reimagine” its Madison Avenue property, and now more details about the project are coming out, and getting scrutiny, as a result of recent filings with the preservation commission. They show that the project is far more extensive than a store renovation and would represent a significant change for a tony stretch of Madison Avenue.
The replacement project is a joint venture of The Armani Group and SL Green Realty Corp., the city’s largest commercial property owner. They say it will be “a milestone in Giorgio Armani’s journey into interior design.”
COOKFOX is the architect for the 83,000-square-foot replacement building and Higgins Quasebarth & Partners is the historic preservation consultant. Armani would design the residential interiors.
Armani is the sole occupant of the 23-year-old Armani building, which has a landscaped roof terrace. The first two levels are for women’s clothing and accessories, the third floor is the men’s department and the fourth floor is currently off-limits to shoppers. The symmetrical exterior, with an indentation on the Madison Avenue side, is clad in white stone and features street-level display windows.
Now 84, Armani commands a global empire that includes hotels and upscale housing as well as clothing, accessories, watches, jewelry, eyewear, cosmetics, perfume and furnishings. The one-time window dresser ranks No. 173 on the Forbes list of the world’s billionaires, with a “real time net worth” of $8.8 billion as of March 21, according to the publication.
Through his Armani/Casa Interior Design Studio, launched in 2004, the designer opened the Armani Hotel inside the Burj Khalifa skyscraper in Dubai and the Armani Hotel Milano in Italy and created luxury housing in Miami, London, Istanbul, Tel Aviv, and Beijing, among other cities. The Madison Avenue project would be his first residential project in New York City, and he has said he will live there.
Armani indicated in a statement released by the development team that he doesn’t regret tearing down his own building if it means he can construct an even more ambitious project at the corner of Madison and 65th.
“Madison Avenue is by definition an iconic luxury location,” he said. “In the 1980s, when I opened my first Giorgio Armani boutique in Manhattan, I chose this exclusive and refined area because it was perfect for the timeless elegance and attention to detail I wanted to communicate. Today, thirty years later, I still believe this place reflects my philosophy and my aesthetic vision.”
As proposed, the replacement tower will have an exterior of limestone and brick, with a series of setbacks and terraces that break up the massing and take advantage of views to nearby Central Park. In all, about 19,000 square feet will be devoted to retail space and about 66,000 square feet will be devoted to residences, and the average size of a residence is 3,516 square feet, according to permits filed with the city.
COOKFOX designed the replacement building to reflect the Armani aesthetic while fitting into the context of Madison Avenue, said principal Rick Cook.
“This special project is an opportunity to design a modern home for the next generation of Armani’s presence on Madison Avenue,” Cook said in a statement. “Our approach is to reinterpret the design sensibility of classic Madison Avenue building, like The Carlton House at 21 East 61st Street and 45 East 66th Street, to create a contemporary and iconic residence and retail building for both the Upper East Side historic district and the Armani brand.”
Marino, 69, founded Peter Marino Architect in 1978 and is well known for his work for arts- and fashion-oriented patrons. One of his early clients was artist Andy Warhol, who hired him to design a renovation of his townhouse on Manhattan’s Upper East Side and a home at 860 Broadway for his studio, The Factory.
Marino’s first retail commission was for the owners of Barneys New York, for whom he eventually designed 17 stores in the U. S. and Japan. He has designed stores for Calvin Klein, Donna Karan, Chanel, Dior, Fendi, Louis Vuitton, and Ermenegildo Zegna, among others.
The structures facing partial demolition were designed by Scott and Prescott and are described in LPC materials as vernacular buildings in the neo-Federal style. One dates from 1928-29 and the other was built in 1881 and altered in 1929. The applicants are seeking to “modify masonry openings, replace infill, and install a canopy at existing buildings.”
If their plan is approved, the developers say, they expect to begin construction in 2020 and open in 2023. The team has not disclosed a construction budget or name for the building.
An Upper East Side citizens group, Community Board 8, voted on February 20 to support the project. The city’s preservation commission has oversight because the three buildings are part of the Upper East Side Historic District, and any changes to building exteriors there must be approved by the panel. Its hearing is scheduled for March 26 in the LPC offices at 1 Centre Street.