Search results for "Brooklyn Cultural District"
Downtown Brooklyn and the city should ensure that innovative new companies have room to grow through increased—and targeted—commercial office space investment.
The city should learn from the 2004 rezoning of the area, which allowed flexible permissive zoning and land use policies and resulted in a surge in development. The city should avoid trying to achieve narrowly defined policy objectives by enacting overly detailed zoning restrictions and prescriptions.
The city should continue to invest in innovative public space improvements, such as the Brooklyn Strand initiative and completion of Brooklyn Bridge Park, that make Downtown Brooklyn a more attractive place to live, work, invest, do business, and visit.
Developers and property owners, non-profit organizations, and the city need to work together to ensure that cultural institutions, arts organizations, and individual artists can continue to play a vital role in the ongoing transformation of Downtown Brooklyn.
The city needs to address long-standing gaps in the area’s transportation networks, including lack of transit access to the Brooklyn Navy Yard, difficulties in getting between the core of Downtown Brooklyn and the waterfront, and the scarcity of good options for travel between existing and new waterfront neighborhoods and growing concentrations of jobs along the East River.
Bernheimer and Dattner start work on BAM building as construction in Brooklyn’s art district kicks up a notch
The damage from Hurricane Sandy continues to resonate in New York. While devastated families and ruined homes grab the headlines, the economic impacts are complex and far reaching. One sector that could be drastically reshaped is the rarified world of art galleries. Far West Chelsea in Manhattan has solidified its position as the dominant gallery district in the city, and many galleries have commissioned architecturally significant spaces by leading firms, including Deborah Berke Partners, Selldorf Architects, Gluckman Mayner Architects, and Adjaye Associates, among many others.
Hurricane Sandy wreaked havoc in the neighborhood, damaging the physical spaces and destroying countless works. Most have since reopened, but a second wave of damage is headed for Chelsea. One gallery owner recently told me that fine arts insurance premiums have skyrocketed, and that many insurers are not extending policies to ground floor or below grade galleries. The blue chip brand names—Gagosian, Zwirner, et al.—that own their locations will survive. Smaller galleries that rent their spaces will likely be devastated. These galleries are an essential element in the city’s cultural ecosystem, and smaller spaces provide venues for emerging artists (and sometimes architects) who will later show in more established galleries or museums.
The character of Chelsea will inevitably change, but likely not for the better if the galleries close or decamp for another neighborhood. New York’s galleries have migrated from many different neighborhoods over the decades, but in this ever more gentrified city it is difficult to imagine where they would end up next (remember when Williamsburg, Brooklyn, had a gallery scene?). If SoHo is the clearest precedent, New York will end up with more of what it doesn’t need: high-end boutiques.
The city’s garment industry has organized around preserving its footprint in the five boroughs, arguing that local clothing manufacturing is essential to maintain New York as a fashion capital. Time will tell if they can succeed, but they have set a precedent that others in the cultural community could follow.
Worrying over the future of New York’s art galleries might not seem like a high priority in the populist de Blasio era, but if there is one thing we have all come to learn in this constantly changing city it is that you don’t know what you’ve got till it’s gone.
A new mixed-use development, called “EyeBAM,” is the latest addition to Brooklyn’s burgeoning Downtown Cultural District. Dattner Architects and Bernheimer Architecture, along with SCAPE / Landscape Architecture, have been selected by the Mayor’s Office and the New York City Department of Housing Preservation and Development to design a 12-story building, which will include 109 apartment units (40 percent affordable and 60 percent market rate) and a Craft-branded restaurant. It will also carve out space for two arts-and-science-focused organizations, Eyebeam and Science Gallery.
The building, equipped with entrances on either side, is designed to engage with neighboring cultural institutions. The restaurant will flow into the new Arts Plaza, which is the forecourt to the Theater for a New Audience, and in nice weather, will include outdoor seating to activate the space.
“We really view this site as a hinge of the heart of the Cultural District, and it was very important to create a lively pedestrian experience and open the building to the neighborhood,” said Bill Stein, principal at Dattner Architects.
To further accentuate the cultural space, the architects plan to implement a glazed exterior on the lower levels. The material palette, composed of terracotta and brick, is a nod to Brooklyn’s architectural history.
“We wanted to create a scale and texture to the building that was both contextual to the neighborhood but also gave the building its own identity,” said Stein. “A solid piece of architecture that has variation, color, and texture.”
Two non-profits will take over 27,000 square feet of space in the new building. They share much of the same programmatic needs and will “require flexibility for performance, new technologies for art and display, and a great deal of teaching,” according to Andy Bernheimer, principal at Bernheimer Architecture.
In-set balconies and rooftop terraces, designed by Kate Orff, principal at SCAPE, will provide both residents, cultural organizations, and visitors with ample open space.
The architects are seeking to attain LEED Gold certification. “We are looking, along with the developer Jonathan Rose, to use materials and building systems to make it a sustainable building,” said Stein.
The development is scheduled to break ground in 2015.