Search results for "Agence Ter"
History Repeats Itself
Karl Marx School wins the 2018 WMF/Knoll Modernism Prize
French architect André Lurçat designed the school that opened in 1933 and has remained continuously operational but suffered from poor maintenance. The renovation brought the structure up to modern building standards, conserved original materials, restored original colors, and added a new wing.
Finalists chosen for Detroit’s Midtown cultural campus redesign
Detroit Institute of Arts selects eight finalists for Midtown cultural campus competition
A Landmark No More
AC Martin and Onni group to demolish William Pereira-designed L.A. Times building in Los Angeles
Lauded as a "modern day Machu Picchu" by judges, Irish firm Grafton Architects has won the inaugural RIBA International Prize for their Universidad de Ingeniería y Tecnología (University of Engineering and Technology, known as "UTEC") building in Peru. The Dublin-based practice saw off competition from Zaha Hadid Architects, Foster+Partners, David Chipperfield, Nicholas Grimshaw, Shigeru Ban, and this year's RIBA Stirling Prize winner Caruso St John.
"Grafton Architects have created an innovative new model for a university campus that is highly responsive to its local environment and community," said RIBA president Jane Duncan. "The concept of a ‘vertical campus’ defies convention, as does the mix of open and enclosed spaces, but both are key to the success of this building visually and spatially."
The Dublin firm worked alongside local studio Shell Arquitectos on the design for UTEC, which echoes South American brutalist vernacular and the dramatic topography of the site. Contrary to its external aesthetic, the building is home to a myriad of open and visually connected spaces (especially circulatory ones) that work in tandem with the site's climate. In fact, the only closed spaces are classrooms, offices, laboratories, lecture theaters, seminar rooms, and toilets. As a result, campus social life can take place in the open air, encased by terracing yet on display to those passing through. UTEC officially opened in April 2015 and, according to RIBA, it is the "culmination of years of spatial and formal experimentation by Grafton Architects."
RIBA's "International Prize" is the first from the architectural body that is open to any qualified architect in the world. This year's jury saw esteemed architects Richard Rogers and Kunlé Adeyemi form a five member strong judging panel. According to RIBA, the new prize is "awarded to the most transformative building of the year which demonstrates visionary, innovative thinking, excellence of execution, and makes a distinct contribution to its users and to its physical context."
UTEC was selected as the winner of the 2016 RIBA International Prize from the following outstanding shortlisted entries:
- Arquipelago Contemporary Arts Centre, Menos é Mais, Arquitectos Associados with João Mendes Ribeiro Arquitecto, Lda
- Heydar Aliyev Centre, Zaha Hadid Architects with DiA Holding
- Museo Jumex, David Chipperfield Architects with Taller Abierto de Arquitectura y Urbanismo (TAAU)
- Stormen Concert Hall, Theatre and Public Library, DRDH Architects
- The Ring of Remembrance, International WWI Memorial of Notre-Dame-de-Lorette, Agence d’architecture Philippe Prost (AAPP)
The awarding jury also made the following (collective) comments:
Sitting on the border of two residential districts in Lima, in section UTEC perches tantalizingly on the edge of a ravine. Seen from across the ravine it is as bold and as pure a statement of the symbiosis between architecture and engineering as could be imagined; a piece of geology imposed on its pivotal site, mirroring the organic curve of the landscape and accommodating itself in the city. To its close neighbours, it is a series of landscaped terraces with clefts, overhangs and grottos, a modern day Machu Picchu. UTEC has been designed to encourage its students to interact in a unique way with the building. The vertical structure provides open circulation and meeting spaces in a succession of platforms that compose the ‘frame’ of the building; teaching rooms, laboratories and offices are enclosed, inserted into and suspended from the exposed concrete structure. The frame is a device providing shade, a place of rich spatial exuberance and a platform from which to view the life of the city. The entire life of this vertical campus is on full display to the people of Lima. UTEC is the culmination of years of experimentation by Grafton Architects. In this building they show the mastery of their craft, gifting Lima with a bold yet considerate contribution to the city and a visionary, world-class building.
Swimming Pool Tower
CallisonRTKL proposes Jenga-shaped tower for Downtown L.A.
Global architecture firm CallisonRTKL has unveiled plans for what could turn out to be one of Los Angeles’s most striking new towers.
The project, dubbed 5th and Hill, would be located on an L-shaped lot surrounding the Pershing Square Building located beside Pershing Square park. Though still in the early planning stages, the tower could potentially climb as high as 57-stories and, according to a rendering released by the firm, will feature cantilevered, glass-bottomed swimming pools projecting from the building’s envelope.
That existing Pershing Square Building, originally built in 1924 by architecture firm Curlet & Beelman as an office building, was updated in 2008 by Jeffrey Fish and his JMF Development Company, the same developer behind the new CallisonRTKL tower. The developer added two floors to the structure during that renovation, adding space to accommodate a restaurant called Perch that affords patrons stunning views of the Downtown Los Angeles skyline. The new tower would extend the Perch “sky lobby” laterally, with the new tower articulated around the restaurant area as it rises above. The area between the “sky lobby” and the ground floor will be designed as to bring light into the center of the new building’s site, with a released rendering for the project showing stepped and alternating volumes studded with greenery and structural members.
As presented in documents filed with the city, the proposed tower could potentially take one of two forms. The preferred scheme entails a 57-story tower with 142 condominiums and 25,000-square feet of commercial space. The second option is two stories shorter and contains 100 condominiums, 200 hotel rooms, and 27,500-square feet of commercial space, overall.
In a press release celebrating the unveiling of the project, Fish cited Southern California’s domestic architectural history as inspiration, stating that the project is “inspired by iconic California mid-century architecture, [and] re-imagines California homes in a sleek, vertical tower. The same principles of celebrating California’s beautiful climate, and seamlessly connecting indoor and outdoor spaces, permeate the building’s design.”
The release of the proposal comes as the areas immediately around Pershing Square gear up for increased development and public interest in anticipation of the troubled park’s $50-million redevelopment by French landscape architecture firm Agence Ter.
Pershing Square, a 150-year old park at the center of Downtown Los Angeles, is currently slated to be demolished in lieu of a more pedestrian-friendly iteration by French landscape architects Agence Ter. Although the current park has seen more yesterdays than tomorrows, it managed to draw an unusual number of visitors this August for Liquid Shard, a temporary sculpture installation that enlivened the forlorn park.
The installation is the result of a collaborative public art project among Architectural Association Visiting School Los Angeles (AAVSLA) summer program directors Eulalia Moran and Devin Gharakhanian, their students, and L.A.-based artist Patrick Shearn of Poetic Kinetics. Moran and Gharakhanian led a design class for visiting international students aimed at tackling music festival installation pieces, in which students were asked to design an installation for a music festival of their choosing. After the initial design studio, a prototype was chosen, fabricated, and installed by the students in Pershing Square. Gharakhanian said: “We intentionally chose a hyper-deactivated space in L.A.—no one goes there and it isn’t functioning the way it’s supposed to. But this project is a good example of art meeting architecture to have a positive impact on the city. Liquid Shard went viral and now there’s interest from other cities that are looking for similar types of public art. It’s important that municipalities and politicians are seeing that there is power behind art and architecture.”
Shiny and mesmerizing, the 15,000-square-foot installation is made of holographic mylar connected with monofilament, creating a billowing, fluttering wave of movement that gets caught in every breeze. The sculpture is made up of two such layers, each of which moves independently of the other, suspended between 15 and 115 feet above the square. The work, according to Shearn, is inspired by the so-called swarm behavior that schools of fish and flocks of birds engage in when they move in unison.