Mon Chair(ie) Amour

Pierre Yovanovitch explores the theme of love at New York gallery R & Company

A display of unrequited love finds itself scribbled in cursive handwriting. The neon-light reads "you should have loved ME." (Courtesy Stephen Kent Johnson)

Pierre Yovanivitch summoned a sea of red textiles, upholstery, and whimsical graphics at R & Company‘s White Street location in Manhattan for an exhibition that debuts his latest lighting and furniture collection. From November 6, 2019, to January 4, 2020, the gallery space will be taken with LOVE, a showcase of over twenty new works fashioned by ceramists, woodworkers, glassmakers, and iron artists. LOVE draws from Yovanovitch’s iconic aesthetic vocabulary, referencing contemporary and historic French decorative arts, peppered with his hallmark handmade touches and humor.

As told by the French interior designer, the exhibition unfolds in as a story that runs through reoccurring motifs like fantastical hands, lips, and Jean Arp-like shapes. Sprinkled throughout, these visual throughlines are seen in upholstered stitching, sconces, chair silhouettes, and so on. As one passes through each space, there’s a deliberate intimacy to the scale, textures, and material palette—one that is soft to the touch and perfect for the smallest of gatherings.

Furniture pieces featured in the exhibition include a number of chairs and luminaires adorned with body part motifs. These works carry flirtatious names. Two big and small bear-shaped armchairs—complete with hand-stitched hands embroidered by Lesage Intérieur—are aptly dubbed Daydream Mama Bear and Daydream Papa Bear. In a somewhat lewd tone, the bed frame is titled Take Off, as if alluding to salacious uses of this furniture typology. Even better, a suite of textiles called Lust with lip and hand patterns includes a bedspread, embroidered with a face, two eyes, and luscious lips.

Read the full article on our interiors and design website, aninteriormag.com.

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