Office Cultured

A new wave of social and relaxation spaces bridges the gap between work and home

Architecture Feature Interiors National
A new wave of social and relaxation spaces bridges the gap between work and home. A moss wall is one of the biophilic principles at play at The Assemblage, a Manhattan coworking and coliving space designed by Meyer Davis. (Mikiko Kikuyama)
A new wave of social and relaxation spaces bridges the gap between work and home. A moss wall is one of the biophilic principles at play at The Assemblage, a Manhattan coworking and coliving space designed by Meyer Davis. (Mikiko Kikuyama)

As anyone used to late-night emails knows, the nine-to-five workday is a thing of the past. But while innovative companies have traded cubicles for open, flexible office plans, people are seeking even more elastic social spaces that foster wellness and connection—both in the office and out. Consider them an updated version of the “third space,” common areas where people go to unplug, reenergize, and decompress.

Break-out areas in the new 75,000-square-foot office of Malwarebytes encourage collaboration. (Bruce Damonte)

he design team at San Francisco firm Blitz included a sophisticated cafe, outfitted in steel, copper, and marble, in the plans. (Bruce Damonte)

“When we first got involved in workplace in the ’90s, our interest was, ‘How can design contribute to creative communities?’” said architect Clive Wilkinson, whose Los Angeles firm has designed the interiors of the Googleplex campus and offices for other leaders in tech and media. “We were in a prehistoric era when cubicle farms still ruled. We’ve come so far since then,” he continued, citing the shift from the afterthought coffee rooms of the 1980s to the “Starbucks workplace” of today’s laptops-and-lattes company cafes.

“A large part of the social space in the workplace today is somewhere between a boutique hotel and your home,” Wilkinson explained. “Depending on the type of client, it can go more one direction or the other.” The aesthetic shift is due in part to the influence of designers like Philippe Starck, whose hospitality designs brought a glamorized domestic environment into public spaces, but it’s also a result of the premium put on today’s knowledge workers, noted Wilkinson, who is writing a history of offices tentatively titled The Theater of Work (Frame Publishers). In one of his firm’s current projects, a new headquarters for Utah bedding-manufacturing company Malouf, an entire building will be designated for nonwork areas, including an Olympic-size swimming pool, barbershop, and spa.

It’s not just in the office where people are feeling the change in work culture. “There’s a real flattening now between what is considered work with a capital ‘W’ and all the other side projects that people are interested in,” said Richard McConkey, an associate director at Universal Design Studio (UDS). “There’s not such a clear division between work, home, life, cultural projects, and hobbies anymore; that’s why all these multifunctional spaces are occurring.” UDS has developed on a number of projects that blur the lines of live-work-play, including MINI Living, the car brand’s Shanghai entry into the coliving concept of small private spaces surrounding shared semipublic spaces.

But the UDS project that perhaps best represents the growing thirst for gathering is London’s Ace Hotel, the lobby of which has been called one of the city’s most popular coworking spots, although it isn’t officially one at all. Ian Schrager’s Public hotel in New York is similar in attracting nonguests to spend their days there, usually with laptop or phone in hand, even during off-business hours.

The lobby of London’s Ace Hotel. (Andrew Meredith)

The lobby contains carefully thought out, “homey” touches. (Andrew Meredith)

“The classic ‘third space’ is between work and home,” said architect Melissa Hanley, cofounder, CEO, and principal of San Francisco architecture and interior design firm Blitz. “I think of it as, ‘Where’s the place I naturally gravitate to, because I feel best there?’ That can be a pub or a coffee shop; it could be the decompression or ramping-up zone.”

To bring that energy back to the workplace, Hanley’s firm has created game rooms and social hubs—it even has a speakeasy in the works for a client. But while the ping-pong tables of the past may have been a distraction, today’s game rooms, cafes, and bars are reflections of a company mission. “Work is happening even in these ancillary spaces. These third spaces we’re creating are in support of the company’s bottom line,” Hanley said. So what advice would she give to a prospective client?

“There’s just such an incredible amount of data in support of creating more human-centered spaces in the workplace—the benefits are innumerable.”

That’s why, from Silicon Valley to Shanghai, there’s a new crop of businesses catering to the need for a retreat somewhere between work and home. Beyond the traditional barbershop, clubhouse, or nail salon, these next-gen spaces tap into the growing wellness trend: Chillhouse, a monthly membership spa in New York, offers massages and manicures in an Instagram-friendly space focused on self-care; Nap York allows visitors to catch a snooze on an Airweave mattress for $10 a half hour. Then there’s Calm City, the roving meditation studio in a renovated RV, founded by Kristin Westbrook. An avid meditator who had trouble finding a private place at her hectic Rockefeller Center office, Westbrook was inspired by the food truck trend to create an oasis of calm for stressed-out New Yorkers located just outside their offices. “I’ve always wanted a Superman’s phone booth on every corner, a pod that you could go jump in and be transformed,” Westbrook said. That break can be a crucial antidote to the stresses of the day.

The Assemblage’s 12-story NoMad location features relaxing spaces for mindfulness
practices, plus a slate of wellness programing. (Mikiko Kikuyama)

“Human beings are social creatures, and with many of us working longer hours and living alone in large cities, the feelings of loneliness are certainly very real and powerful,” wrote Anita Cheung, cofounder of Moment Meditation, a modern mindfulness club in Downtown Vancouver, B.C., in an email to AN. “Membership in a club and a consistent (and manageable) schedule of activities outside of the ‘nine to five’ allow people to develop other facets of their lives beyond who they are at work, as well as instill a greater sense of community.”

That’s part of the mission of the Battery, a private member’s club in San Francisco that has taken a cue from the social clubs of the past to create a place for connection and conversation—no business or tech talk allowed. “We try to provide a little bit of an escape from your day-to-day operations,” said founder Michael Birch, whether it’s a moment for a cocktail, a pause between meetings, or just a place for serendipitous conversation. To facilitate that human connection, designer Ken Fulk imagined the interiors as sumptuous settings for the club’s wide range of programming and events—a mix of large, high-energy spaces to be around people, and smaller, more intimate groupings. “I think people are seeking real connection again,” Birch said. “People have disappeared a little bit onto the online world. We very much discourage technology use in the club: We don’t allow people to have laptops out after 6 p.m., we don’t allow photos, and we don’t allow people to talk on their telephone other than inside a telephone booth.”

Fulk designed a variety of spaces, like the second-floor lounge, to offer varying degrees of intimacy and interaction, befitting a social club in the British tradition. (Courtesy of The Battery)

The English influences extend to the gastropub area as well. (Courtesy of The Battery)

The relationship between work and life can be even more blurred in spaces that blend the two like never before. Take New York coliving and coworking space The Assemblage, which has two addresses in Manhattan (and a third on the way), as well as The Sanctuary, a retreat center outside Bethel, New York, near the site of the 1969 Woodstock festival. Though workspace is at the core of The Assemblage’s offerings, the company encourages members to get out of their offices and connect over communal breakfasts and lunches. It also features “intention altars” and offers wellness programming like meditation, breathwork, and yoga, “all under one roof, so that individuals can experience this fluid living/working and balanced lifestyle,” wrote Magdalena Sartori, the company’s chief creative officer. “Erasing that distinction between work and life empowers individuals to create their own schedule and lifestyle,” she added.

Creative director Ken Fulk designed the interiors at San Francisco club The Battery, including this hotel suite, that “felt familiar and comfortable, as if it may have been there all along.” (Courtesy of The Battery)

But as we trade the typical greige workplace environment for a more holistic, humanistic approach, are we simply going farther down a work-obsessed rabbit hole from which you can never clock out? When even the workplace pretends to be a third space, one filled with simulacra of the outside world, are we worse off than we were before? Maybe not. If the offices from the Industrial Revolution to the year 2000 were “rehistoric,” as Clive Wilkinson put it, how will people look back at the way we work today—with increasing flexibility to break away from our desks—100 years from now?

“They’ll think that we woke up, that suddenly this was the beginning of a work age,” Wilkinson said of the turn away from military- or factory-inspired workspaces. “We’re almost at the place now where we’ll remain stable for the next 100 or 200 years, because I think humans have finally understood how communities work in a workplace, how they need to support each other and communicate.”

Vancouver’s House of Moment provides tranquil meditation space for busy urbanites. (Courtesy of Moment Meditation

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