Post-Landscape Ontology

SCI-Arc exhibit will explore post-digital attitudes toward environment and landscapes

Architecture Environment Highlight Landscape Architecture Sustainability West
SCI-Arc exhibit will explore post-digital attitudes toward environment and landscapes. Environment[al], an exhibition presented at SCI-Arc and curated by Herwig Baumgartner and Marcelyn Gow, will delve into the changing nature of landscapes in the post-digital era. (Courtesy SCI-Arc)
SCI-Arc exhibit will explore post-digital attitudes toward environment and landscapes. Environment[al], an exhibition presented at SCI-Arc and curated by Herwig Baumgartner and Marcelyn Gow, will delve into the changing nature of landscapes in the post-digital era. (Courtesy SCI-Arc)

The Southern California Institute of Architecture (SCI-Arc) has announced Environment[al], a forthcoming exhibition curated by Herwig Baumgartner and Marcelyn Gow that will explore “contemporary attitudes toward environment in a post-digital context.” The exhibition and installation will feature the work of a slate of renowned international designers, architects, and landscape architects as it seeks to examine the changing character of environmental concerns in the face of technological innovation and climate change. 

According to a press release, Environment[al] will feature the work of Izaskun Chinchilla of Izaskun Chinchilla Architects, Enric Ruiz Geli of Cloud 9, Carme Pinós of Estudio Carme Pinós, Wolf Prix of Coop Himmelb(l)au, Gilles Retsin, and Günther Vogt of Vogt Landschaftsarchitekten. 

The exhibition will be supported by a panel discussion taking place June 15th that will feature Baumgartner, Chinchilla, Geli, Gow, Restin, and Vogt as well as Violeta Burckhardt, Vittoria Di Palma, SCI-Arc director Hernan Diaz Alonso, and SCI-Arc history and theory coordinator Marrikka Trotter.

The exhibition will seek to engage with the ways sites, objects, and spaces generate “multiple authenticities” in contemporary constructed environments and will include transforming the school’s campus gallery into an interactive installation. The gallery will be transformed into a “landscape/substrate” designed as a diagrammatic facsimile representing the soil and geologic conditions of the Owens Valley to the northeast of Los Angeles. The space will also host a “sound map” installation portraying recordings taken along the banks of the Los Angeles River that will play when participants interact with elements of the installation. 

The exhibition is slated to open at the school’s campus gallery June 15, 2018. 

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