Syracuse, New York–based SPORTS recently completed the installation of their Runaway pavilion, a striking arrangement of wire metal meshes designed as an ode to the unique atmospheric qualities of Santa Barbara, California.

In a statement, the designers explained their desire to “architecturalize the aesthetic quality of the air” in the beachside community, a shifting environmental phenomenon caused by the confluence of intense inland heat and cooler beach fog. The resulting “June gloom,” serves as the inspiration for the project.

The pavilion is made up of three triangular masses constructed from rectilinear elements that can be repositioned variously. The masses—which have nested shapes scooped out from their interior volumes—seem to dematerialize in place, as their bright cyan, magenta, and yellow forms catch the passing light. The so-called “loungescape” works at a variety of scales and functions. Based on the arrangement and orientation of the forms, the pavilion can work as a simple wall used to demarcate space or as something grander, like a performance stage. The shapes can also be used as casual seating elements.

The various installation pieces can be rearranged to produce a series of functional configurations.(Courtesy Elliot Lowndes)

The pieces will move around the city, starting with the Santa Barbara Pier. From there, they will travel to a number of different neighborhoods and be installed in at least six sites. The composition of the project will vary according to each locale, a process the designers envision will unlock the multi-functional nature of the pieces.

SPORTS completed a mint-green seating installation in Chicago’s suburbs last year.

The current installation is the result of the Museum of Contemporary Art Santa Barbara’s Take Part / Make Art Pavilion competition that sought to reposition the museum as a force for urban art through traveling, neighborhood-based installations. The pavilion will move throughout the city, changing location every few weeks, through mid-August of this year.

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