This article appears in The Architect’s Newspaper’s April 2017 issue, which takes a deep dive into Florida to coincide with the upcoming AIA Conference on Architecture in Orlando (April 27 to 29). We’re publishing the issue online as the Conference approaches—click here to see the latest articles to be uploaded.
Video artist Chip Lord has made a career of pointing his lens at subjects he both admires and dislikes. In his early Sony Portapak experiments with the collectives Ant Farm, T.R. Uthco and TVTV, he critiqued but had fun with American subjects like car design, the Kennedy assassination, television news, and domestic habitation. His 1972 Ant Farm-designed House of the Century on Mojo Lake, Texas, both sends up the idea of a playful weekend party house in its male body design and the site of an installation of television monitors slithering out of the lake into the property of the house.
Today, Lord is creating video works that bring his architect-trained sensibility to various cities facing issues of sustainability and rising sea levels including Venice Underwater, New York Underwater and next year a project about Phoenix, Arizona. Now he has created an urban portrait of the American city most immediately facing the issues of rising tides: Miami Beach. His Miami Beach Elegy focuses on the massive investment required to keep the city above water both for residents and its important tourist industry. The video focuses on the physical investment required to maintain the sea level metropolis—like a child building a sand castle that is wiped away by the tide, and a jolly convention of real estate agents as they celebrate selling property in a sinking city.
Miami Beach Elegy will premiere at the Rena Bransten Gallery in San Francisco, May 11 to May 13.