The March 2016 opening of Hauser Wirth & Schimmel’s Arts District complex is getting closer and the gallery just announced its inaugural Los Angeles exhibition: Revolution in the Making: Abstract Sculpture by Women, 1947–2016.
The all-female show will fill the galleries and outdoor spaces of the former Globe Mills complex retrofitted by Annabelle Selldorf of New York City’s Selldorf Architects with Creative Space, Los Angeles. The campus will include a bookstore, a publications lab, a bar and restaurant, a garden and courtyards, and commissioned permanent artworks that engage the architecture.
Co-curated by Paul Schimmel, former chief curator at MOCA, and art historian and critic Jenni Sorkin, Revolution in the Making highlights 100 works that illustrate a changing approach to practice, abstraction, installation, craft, and tactility.
The press release makes a case for contemporary lessons from many of these now-historical works: “The exhibition examines how elements that are central to art today—including engagement with found, experimental, and recycled materials, as well as an embrace of contingency, imperfection, and unstructured play—were propelled by the work of women who, in seeking new means to express their own voices, dramatically expanded the definition of sculpture.”
Featured artists include postwar practitioners Ruth Asawa, Lee Bontecou, Louise Bourgeois, Claire Falkenstein and Louise Nevelson, as well as radical influencers from the 1960s and ’70s: Eva Hesse, Sheila Hicks, and Yayoi Kusama.
The curators also included groupings of work by “postmodern” and contemporary artists working in environmental, installation, and performance modes, including Isa Genzken, Liz Larner, and Jessica Stockholder.
Jackie Winsor’s sculpture 30 to 1 Bound Trees will be exhibited in center of Hauser Wirth & Schimmel’s outdoor courtyard. A 20 foot-high mast of white birch saplings and hemp rope, the piece is being recreated for the first time since 1971.