On View> 1976: Movies, Photographs and Related Works on Paper

Still from Pendulum, 1976. (Courtesy the Artist / Paul Kasmin Gallery)

Still from Pendulum, 1976. (Courtesy the Artist / Paul Kasmin Gallery)

1976: Movies, Photographs
and Related Works on Paper
Paul Kasmin Gallery
515 West 27th St.
Through February 11

British-born James Nares has lived in New York since the mid-1970s, when Lower Manhattan was “a beautiful ruin,” according to the artist. While most celebrated for his large, single-stroke kinetic paintings, the artist has a long track record of documenting his fascination with movement and bodies in motion dating back to the days when he delved into many other media such as films and chronophotographs. The exhibition features five films including Pendulum (1976), in which Nares clocks a large spherical mass swinging from a footbridge, against the industrial backdrop of downtown Manhattan—evocative of the foreboding, dreamlike qualities also seen in Giorgio de Chirico’s surreal paintings.

Concrete Ball, Abandoned, 1976. (Courtesy the Artist / Paul Kasmin Gallery)

Concrete Ball, Abandoned, 1976. (Courtesy the Artist / Paul Kasmin Gallery)

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