At a January 16 public hearing, the
Landmarks Preservation Commission
(LPC) urged Foster + Partners to modify
the designs for the proposed addition
to 980 Madison Avenue in order to win
approval for the project. The firm presented
a scheme for a 30-story glass tower to stand atop
a five-floor mixed-use building, originally
known as the Parke-Bernet Galleries, a
gallery and art auction building completed
in 1950. The idea of planting a modern tower
on top of a historic building echoes Fosterrs
recently completed Hearst headquarters.
The projectts developer, Aby Rosenns
RFR Holdings, and Foster plan to modify
the design and present to the LPC yet again.
Cheri Fein, spokesperson for Rosen and
Foster, stated that the twomenwereepleased
that a vote was not taken and that there is
now the opportunity to redesign.. A followup
presentation to the LPC has not yet been
scheduled.
The January hearing was a continuation
of the public hearing held on October 24,
2006, where a large public contingency
voiced both opposition and support for
the design. Among the opponents was the
Municipal Arts Society, which testified that
the design of the addition was inappropriate
in terms of height, massing, design, and
materials in relationship to the Parke-Bernet
Building and the historic district..
LPC chair Robert Tierney called the
January 16 hearing a good exchange
of views and ideas.. Many comments
centered on the height of the tower, which
LPC vice chairperson Pablo E. Vengoechea
deemed overwhelming. Others took issue
with the materials and the way the glass
tower would contrast with nearby buildings.
One member of the commission, architect
Jan Hird Pokorny, supported the project.
The second hearing again drew many
Upper East Side residents who have been
vocal about their opposition to the proposal,
including writer Tom Wolfe. No limit was
set for what height the committee would
deem appropriate, although it is clear
that the majority of the LPC board and
neighbors think that 30 stories is too tall.
Rosen said in a statement,, We appreciate
the thoughtfully considered comments at
the LPC meeting, and have returned to the
drawing board to come up with a design
that responds to these comments yet
remains viable.. For approval, the design
must win six of the 11 LPC member votes.
A. Stewart Walker and Alfred Easton
Poor designed the 980 Madison building
with a simple limestone facade. Fosterrs
proposal includes restoration, which
Tierney praised as an impressive return
to the buildinggs historical origins.. The
plan would have refurbished the building,
including removing more than 50 windows
cut into the building over time, removing
the fifth floor added in 1957, reintroducing
the original roof garden, and adding 25,000
square feet of public gallery space.
When asked if he felt thatmodernconstruction
could fit in with the historic character
of the Upper East Side, Tierney pointed out,
Renzo Pianoos expansion of the Whitney
was quite striking, modern, and contemporary,
and was approved.. Despite winning
the LPCCs approval, however, the Piano
project was ultimately scrapped, after the
Whitney decided to build an expansion in the
Meatpacking District rather than engage in a
prolonged battle with neighbors.
SARAH COX
